Goldberg Variations 8-14
Goldberg Variations 8-14(He conseguido la partitura casi original (la original original se perdio) despues de mucho tiempo, si alguien la quiere que me lo diga y se la pasare por el msn encantado.Muchas gracias)
Tagi : glenn gould
DeepSeaSeamus napisał :I think number 9 is my fav variation out of the whole thing
terraflux16 napisał :
It's amazing how Glenn was able to play so well at this age.
DeepSeaSeamus napisał :
Hes not very old here. He only lived to 50. But yeah to achieve playing at like this at any age is mind blowing.
maxamilious napisał :
From the side he kinda looks like seth green
banjuja58 napisał :
As George Szell said about Gould: "That nut's a genius."
JanCathedral napisał :
Glenn Gould przekazuje to, co najgłębsze, najszlachetniejsze, najdelikatniejsze w Muzyce Bacha. A czyni to z taką lekkością, z takim ciepłem, z takim niebiańskim wdziękiem... Pod jego palcami każdy dźwięk pulsuje, tętni własnym zyciem...
trevjr napisał :
Just amazing to see his fingers move and the sound he gets, this video and others should put to rest the idea that Glenn had to splice in his recordings.Just perfection and Bach, it almost makes me want to cry to hear Glenn play, he left us way too soon. Such beauty in the slow variations and such amazing touch in the fast ones, what can one say?
epgberlin napisał :
trevjr Gould was a genius. But at a certain point he stopped performing publicly and devoted himself to studio recording. And here he did produce pieces which were spliced. His perfectly legitimate idea was that it was the piece of music that was the ideal and reproducing it was the ultimate goal. Any means to achieve this were acceptable; whether a pianist could produce the piece in one sitting or not was secondary. I for one enjoy hearing him singing while he plays, which he had filtered out.
lelilelu napisał :
Il sait faire chanter les deux voix comme personne.
tohu777 napisał :
Gould almost makes me feel as if his mind is split cleanly in two, with treble and bass emanating from two distinct locations when finally they meet (or am I cadging that idea from Gould's dialogic radio documentaries?)