Concerto in Tromba Marina for 2 violins, 2 recorders, 2 mandolins, 2 chalumeaux, 2 theorbos, cello, strings & continuo in C Major (RV 558) performed by The English Concert 1 - Allegro Molto 2 - Andante 3 - Allegro Remember: to watch in stereo quality, just add &fmt=18 to the link.
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Concerto in D minor for oboe, strings and continuo (TWV 51:d1*) performed by the London Harpsichord Ensemble 1 - Andante 2 - Allegro 3 - Andante 4 - Allegro Oboe - Sarah Francis Remember: to watch in stereo quality, just add &fmt=18 to the link.
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Georg Friedrich Händel - Oratorio - Messiah, HWV 56 Part 2, No. 44 Chorus Hallelujah Chorus Performed by The English Concert & Choir Hallelujah, for the Lord God Omnipotent reigneth, Hallelujah! The Kingdom of this world is become the Kingdom of our Lord and of his Christ, and he shall reign for ever and ever, Hallelujah! King of Kings, and Lord of Lords, and he shall reign for ever and ever, Hallelujah! (Revelation 19:6; 11:15; 19:16) Directed from the harpsichord by Trevor Pinnock Remember: to watch in stereo quality, just add &fmt=18 to the link.
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Concerto in C Major (RV 555) for 2 flutes, oboe, salmoé, violin, 2 violas da gamba, 2 trumpets, 2 harpsichords, strings and continuo; 1 - Allegro 2 - Largo e Spiccato 3 - Allegro Violin: Manfredo Kraemer Viola da Gamba: Jordi Savall and Imke David Flutes: Pierre Hamon and Sebastian Marq Oboe: Alfredo Bernardini Salmoé: Diego Montes Trumpets: Guy Ferber and René Maze Harpsichords: Michael Behringer and Luca Guglielmi Remember: to watch in stereo quality, just add &fmt=18 to the link.
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Bach's Brandenburg Concerto in G Major, BWV 1049 Köln Chamber Orchestra Recorders: Nadja Schubert and Daniel Rothert Violin: Corinne Chapelle Dir: Helmut Müller-Brühl Remember: to watch in stereo quality, just add &fmt=18 to the link.
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Taking The Piss - On The Piss - Part 4 - Aberdeen On The Piss In Aberdeen
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Concerto in G Major for strings and continuo, RV 151. Alla Rustica 1 - Presto 2 - Adagio 3 - Allegro The English Concert Directed from the harpsichord by Trevor Pinnock Remember: to watch in stereo quality, just add &fmt=18 to the link.
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Antonio Vivaldi: L'Estro Armonico, Opus 3 - Concerto #02 in G minor for two violins, cello, strings and basso continuo, RV 578 1 - Adagio e spiccato 2 - Allegro 3 - Larghetto 4 - Allegro For high quality: www.youtube.com Performed by Il Concerto Italiano Direction: Rinaldo Alessandrini Featuring Fabio Biondi in the violin L'estro Armonico (opus 3) is a collection of twelve concertos for 1, 2 and 4 violins written by Antonio Vivaldi in 1711. It largely augmented the reputation of Vivaldi as Il Prete Rosso; (The Red Priest). The collections were mostly put together in a chronological order. These concerti are often called concerti grossi due to their use of a concertino-style ensemble (solo cello is often used). JS Bach later transcribed concertos from this work for harpsichord solo (no.9, no.12), for organ solo (no.8, no.11) and for four harpsichords and strings (no.10
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For high quality: www.youtube.com WA Mozart: Serenata Notturna in D Major, for strings and timpani, K 239 1 - Marcia, maestoso Performed by: Divino Sospiro (on period instruments) Stefano Barneschi, Raffaello Negri - solo violins Massimo Mazzeo - solo viola Pedro Wallenstein - doublebass Manuel Campos - timpani Conducted by Enrico Onofri Artistic direction by Massimo Mazzeo
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For high quality: www.youtube.com GF Händel: Opera seria "Rinaldo", HWV 7 - Duetto: Fermati! No credel! Rinaldo: David Daniels Armida: Luba Orgonasova With The Academy of Ancient Music; directed by Christopher Hogwood
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For stereo quality: www.youtube.com Johann Sebastian Bach Violin concerto (#02) in E Major, BWV 1042 1 - Allegro Performed by The Academy of Ancient Music Solo violin: Jaap Schroder Directed from the harpsichord by Christopher Hogwood
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For high quality: www.youtube.com Ricardo Broschi - Dramma per musica "Idaspe" Aria "Qual Guerriero in campo armato" - Written for Farinelli Also used by Vivaldi in "Bajazet", RV 703 Performed by: Akademie fur Alte Musik; directed by René Jacobs Vivica Genaux - One of my favorite orchestras (Does Jacobs sing in some parts?....)
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For better quality: www.youtube.com Vivaldi: Juditha Triumphans devicta Holofernes barbarie, RV 644 - Pars Prior - Chorus Militum: Arma, caedes, vindictae, furores Performed by: I Barocchisti and Coro della Radio Svizzera Directed by: Diego Fasolis Juditha triumphans devicta Holofernis barbarie translated as Judith triumphant over the barbarians of Holofernes, Vivaldi catalogue number RV 644, is an oratorio by Antonio Vivaldi, the only survivor of the four that he is known to have composed. The libretto was written by Iacopo Cassetti, based upon the Biblical Book of Judith. The Assyrian king Nebuchadrezzar sends an army against Israel to demand overdue tributes. Under the leadership of the general Holofernes, the Assyrians lay siege to the town of Bethulia and are about to conquer it. The young Jewish widow Judith goes to him to implore mercy. He falls in love with her and she indulges him. After a rich banquet and having drunk much wine, Holofernes falls asleep. Judith beheads him, flees the enemy camp, and returns victorious to Bethulia. All characters, male and female, were interpreted by the girls of the Ospedale. They are: Juditha, contralto, a young Bethulian widow. Vagaus, soprano, eunuch, Holofernes's squire. Holofernes, contralto, Assyrian general. Abra, soprano, Juditha's handmaid. Ozias, contralto, high priest of Bethulia.
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For high quality: www.youtube.com Carlos de Seixas, Sinfonia for strings and basso continuo in B flat Major - Sinfonia para cordas e baixo contínuo em Si bemol Maior 1 - Allegro 2 - Adagio 3 - Minuet: Allegro Performed by the Norwegian Baroque Orchestra Direction - Ketil Haugsand José António Carlos de Seixas (Coimbra, 11 June 1704 - Lisbon, 25 August 1742) was a Portuguese composer, the son of the cathedral organist, Francisco Vaz and Marcelina Nunes. When he was fourteen, he succeeded his father as organist in 1718 and two years later moved to Lisbon, where he gave harpsichord lessons and met Domenico Scarlatti, who lived in Portugal, from 1721 to 1728. It is claimed that when the king's son, Dom António, arranged for Scarlatti to give Seixas harpsichord lessons, Scarlatti replied that it was Seixas who should give him lessons. Seixas later became organist in the court chapel and Lisbon cathedral as well as court composer. He was knighted in 1738 by John V of Portugal. Seixas was influenced by the German Empfindsamer Stil (literally 'sensitive style'). Much of his work was destroyed in the earthquake that devastated Lisbon in 1755. Only three orchestral pieces and around 100 keyboard sonatas survive, plus a handful of choral works for liturgical use (much more conservative than what one would expect from his instrumental music).
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For high quality: www.youtube.com Vivaldi: Juditha Triumphans devicta Holofernes barbarie, RV 644 - Pars Altera - Armatae, face et anguibus Performed by: Modo Antiquo and Coro da Camera Italiano Vagaus: Nicky Kennedy Directed by: Frederico Maria Sardelli Juditha triumphans devicta Holofernis barbarie translated as Judith triumphant over the barbarians of Holofernes, Vivaldi catalogue number RV 644, is an oratorio by Antonio Vivaldi, the only survivor of the four that he is known to have composed. The libretto was written by Iacopo Cassetti, based upon the Biblical Book of Judith. The Assyrian king Nebuchadrezzar sends an army against Israel to demand overdue tributes. Under the leadership of the general Holofernes, the Assyrians lay siege to the town of Bethulia and are about to conquer it. The young Jewish widow Judith goes to him to implore mercy. He falls in love with her and she indulges him. After a rich banquet and having drunk much wine, Holofernes falls asleep. Judith beheads him, flees the enemy camp, and returns victorious to Bethulia. All characters, male and female, were interpreted by the girls of the Ospedale. They are: Juditha, contralto, a young Bethulian widow. Vagaus, soprano, eunuch, Holofernes's squire. Holofernes, contralto, Assyrian general. Abra, soprano, Juditha's handmaid. Ozias, contralto, high priest of Bethulia.
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Taking The Piss - On The Piss - Part 2 - Kavos Deepcentral (C) 2010 Universal Music Romania
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Taking The Piss - On The Piss - Part 3 All Day Bender On The Drink All Day In Newcastle
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another surprise event that has been worth planning the celebrant Melody hasnt ever celebrated her birthday, inclusing her debut. So we have decided to throw her one WE LOVE YOU!
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Taking The Piss - On The Piss
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Christoph Willibald Ritter von Gluck Le feste d'Apollo, opera in 3 acts, Wq. 38: Atto di Aristeo Aria: Aristeo -"Cessate, fuggite" Aristeo - Ann Hallenberg Les Talens Lyriques Conducted by Cristophe Rousset A minor god in Greek mythology, which we read largely through Athenian writers, Aristaeus or Aristaios (Greek: Ἀρισταῖος), "ever close follower of the flocks", was the culture hero credited with the discovery of many useful arts, including bee-keeping;[1] he was the son of Apollo and the huntress Cyrene. Sculpture by François Joseph Bosio; currently in the Louvre Museum
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WA Mozart Mitridate, re di Ponto Aria di Farnace Sung by Cécile van de Sant with Musica Ad Rhenum, directed by Jed Wentz Venga pur, minacci e frema l'implacabil genitore, al suo sdegno al suo furore questo cor non cederà. Roma in me rispetti e tema men feroce e men severo, più barbaro, o più fiero l'ira sua mi renderà
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WA Mozart Mitridate, re di Ponto Aria di Farnace Sung by Cécile van de Sant with Musica Ad Rhenum, directed by Jed Wentz Son reo!; l'erro confesso; e degno del tuo sdegno non chiedo a te pietà. Ma reo di me peggiore il tuo rivale è questo. Che meritò l'amore della fatal belta. Nel mio dolor funesto gemere ancor tu dei; ridere a danni miei Sifare non potrà (I thought the picture was really funny and fit for the aria's text)
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WA Mozart Mitridate, re di Ponto Aria di Farnace Sung by Cécile van de Sant with Musica Ad Rhenum, directed by Jed Wentz Va, l'error mio palesa, e la mia pena afretta, ma cara la vendetta, forse ti costerà. Quando si lieve offesa punita in me vedrai tu stessa acuserai di troppa crudeltà.
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Corelli - Sonata para violino em Ré menor, Sarabanda - Op5 n.º7 Giordani (Giordanello) - Caro mio ben Violino - Luís Peres Baixo Contínuo (Corelli)/Baixo (Giordani) - Daniel Simões Piano (Giordani)- Catarina Barros
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WA Mozart Mitridate, re di Ponto Aria di Ismene Sung by Johanette Zomer with Musica Ad Rhenum, directed by Jed Wentz So quanto a te dispiace l'error d'un figlio ingrato: ma pensa alla tua pace, questa tu dei serbar. Spetacollo novello non è, se un arboscello dal trono donde è nato si vede tralignar
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Davie Jean Uriel M. Suarez celebrated his 1st birthday A great blessing from the Lord! Enjoy! and Happy Birthday!
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