The entire public domain photo records of all the known surviving photographs from the beginning in 1826 to development in 1839 through to 1853. Montaged into ten minutes with a background music of my own composition. To watch this parade of faces of people from a different time is a moving experience and best viewed in silence. However most modern people find silent viewing uncomfortable so I have blended some vocal tones electronically into a form of Gregorian chant for those that require musical accompaniment. The images begin with a photo print of a boy with a horse This was an experiment in photocopying to achieve chemical permanency. Next is Niepces Famous Window scene from his Studio. followed by his partner Daguerre's well known images. The ball starts rolling in 1839 with Robert Cornelius in his self portrait (the first Human ever on film) then a parade of photos from the first year 1840 showing mainly anonymous workers posing for up to ten minutes of stillness to catch an image. The face of Samuel Morse pops up a lot as he was one of the first brave celebrities to endure the process.Dickens Lincoln John Brown Darwin Verne and Rossini are all here at the dawn of the modern age. Before this time for the Thousands of years of Humanity, No Photographs were ever made. We can only see the previous years through the interpretation of Artists. all historical people and events prior to photography were illusionary and inaccurate. The materials used in the many <b>...</b>

Historic Photo Niepce Daguerre Callotype Fox Talbot Morse Lincoln Darwin Benson Photographs 1840 1853 Ghost Spirits Ancestors history Earth Dickens slavery Tintype Choowbz

In 1839 Vice-President Colonel Richard Mentor Johnson was approached by a young US Army captain named John Symmes. Indians had told Captain Symmes that there was an entrance near the Rocky Mountains to another world which existed inside Earth's interior. Symmes wanted government funding for an expedition into this other world. What follows is Johnson's historical speech from the Congressional record, published January 10 1839.

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Paul Cezanne (1839-1906) Music and Art series

Paul Cezanne (1839-1906) Music and Art series vidiot

Made by: www.youtube.com Source: www.youtube.com Subscribe & Become a Bro TODAY l bit.ly Facebook l on.fb.me Twitter l bit.ly ------------------------------------------- Favoriting/Liking is MUCH appreciated and helps me out a lot! Thank you! ........... ...................__...

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Why are the British in Afghanistan? Are they there to revenge from Afghans?

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1922: Poncantico Hills, New York. John D. Rockefeller at church door, walks down steps, CU Rockefeller. 1925: Ormand Beach, Florida. Rockefeller greeting guests at party, cutting cake, Rockefeller and young guests playing with party favors. 1927: Ormand Beach, Florida. CU Rockefeller on bench holding golf club, Rockefeller putting golf ball. CU Rockefeller, having his picture taken by newsreel cameraman, CU Rockefeller, Rockefeller taking pictures of his friends with motion picture camera, CU same. (sound) John D. Rockefeller has a few words on America, his 93rd birthday. CU Rockefeller writing, walking, CU Rockefeller.

John D Rockefeller 1839 1937 historycomestolife

Ottoman imperial Anthems The Ottoman Empire used anthems since its foundation in the late 13th century, but did not use a specific royal or national anthem until the 19th century. During the reign of Sultan Mahmud II, when the military and imperial band were re-organized along Western lines, Giuseppe Donizetti was invited to head the process. Donizetti Pasha, as he was known in the Ottoman Empire, composed the first Western-style imperial anthem, the Mahmudiye. Like in many other monarchies of its time, the anthem of the Ottoman Empire was a royal anthem, not a national one. Hence it paid homage to a specific ruler and a new anthem was composed at each imperial succession. However, in 1844, with the Tanzimat reforms, the Mecidiye March was recognized as the first official Ottoman national anthem. The first official Ottoman national flag (which was in essence identical to the present-day Turkish flag) was also adopted in 1844. * Mahmudiye - for Sultan Mahmud II (1808-1839) - by Giuseppe Donizetti, brother of Gaetano Donizetti * Mecidiye March - for Sultan Abdülmecid I (1839-1861), by Giuseppe Donizetti * Aziziye March - for Sultan Abdülâziz (1861-1876), by Callisto Guatelli * Hamidiye - for Sultan Abdulhamid II (1876-1909), by Necip Pasha * Reşadiye - for Sultan Mehmed Resad V (1909-1918) by Italo Selvelli After the start of the imperial anthem tradition, two Sultans did not have specific anthems composed. The first is Sultan Murad V, who reigned for 3 months in 1876 and <b>...</b>

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Chartist Rising in Newprot in 1839

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2nd performance of this song (1st was the night before). Personnel: Jerry Garcia — guitar, vocals Donna Jean Godchaux — vocals Keith Godchaux — keyboards, vocals John Kahn — electric bass Ron Tutt — drums

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Francis Planté was France's most important pianist in the nineteenth century, after Chopin. He started his concert life at age seven in Paris, where Chopin was also performing, and so heard him play. By 1850 he had won a First Prize from the Paris Conservatoire. He went on to befriend Rossini, through whom he was introduced to most of the important musical figures of the day, many of whom he got to know and with whom he formed lasting friendships. During the 1860s he duetted with both Saint-Saëns and Liszt, and established himself as the leading French pianist of the day. He was recorded at age 89, rather past his best no doubt, in a single set of specially arranged recording sessions in his own retirement villa over a few days in 1928. His musical style has its roots in the French tradition of crisp and accurate finesse, a sort of pearly-clean touch and not vast amounts of indulgence in romantic tugging at the rhythms. He was best known for the shorter romantic works in the piano repertoire, but it is a moot point as to how much his own playing resembles that of pianists such as Chopin (when we compare him to performers such as Koczalski, Rosenthal and Pachmann for example, all of whom had attachments to the "authentic" Chopin tradition). Here Planté plays Chopin's Etude in A minor, op.25 no.11.

Francis Planté piano recording classical chopin etude minor op.25 no.11 60944

Baling Small Square Bales of Coastal Hay with a Massey Ferguson 1839 and John Deere 5625. Visit our Company site @ www.HoustonHay.com

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We pick up the action from the Royal Highland Show in Edinburgh on the June 21-24. Here we see Will Greenway, Harvesting Sales Manager, introducing the Massey Ferguson BETA 7270 combine harvester and the Massey Ferguson 1839 small square baler ahead of the harvest period. We are also joined by John Gregson, Product Support Manager, to have a closer look at the high horse power Massey Ferguson 6480 tractor.

Royal Highland Show Massey Ferguson BETA 7270 combine harvester 1839 small square baler harvest period high horse power 6480 tractor. Video

US Marines issue Colt Model 1839 revolving cap and ball carbine. A Treasure Gun from the NRA National Firearms Museum. See more at NRAmuseum.com. Narrated by Matt Sharpe.

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Pulling Rake and Baler behind the 7420!

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La premiere parti du film de Pierre Falardeau, 15 fevrier 1839...

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Song: Angel Of Death Band: The Crown Album: Doomsday King Year: 2010

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Baling straw with MF 1839 baler in the Scottish Borders

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Visit bit.ly to purchase this equipment. • Single head 15 needle tubular embroidery machine with stand • Wide Angle Cap Frames, Quick Change Cap Driver and Cap Gauge • 1 set of left chest tubular hoops • 1 set of tubular jacket back hoops • Sierra One - Lettering & Basic Editing Key#302065 Machine Features: • 1200 Stitches Per Minute • Sewing Field approx 18"x12" • Laser Pointer for Trace Functions • Easy Oiling System • USB and Serial Ports • 3.5" Floppy Disk Drive • 2 Million Stitch Memory Capacity

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Joseph Rheinberger (1839-1901) Cantilene [Urtext] part 2 from, Organ SONATA nr. 11 in d minor, opus 148 - Willem van Twillert: Meere-organ [1809] Epe [NL] Label: IMPROVISATA / LITERATA Foundation Promotion Orgel Projects St. POP [Holland] [General director: W. van Twillert] Buy this and other DVD's with Dutch organists on Dutch historical organs produced by Willem van Twillert at: www.bol.com Music Edition used: Amadeus Verlag - Bernhard Päuler Switzerland. BP 2381 Edited by Bernhard Billeter. Music is available in every music shop. Audio: Chiel Timmer Camera: Lodewic van Twillert Video editing: Lodewic van Twillert Lighting: P&B SOUNDS Harderwijk Production: Foundation Promotion Organ Projects Holland [stichting POP] www.bol.com Willem van Twillert (1952) studied organ at the Sweelinck Conservatory in Amsterdam with Piet Kee as his Organ professor, with whom he also studied improvisation and composition. In 1975 he began 3 years of orchestral conducting studies with Anton Kersjes. In 1976 he obtained the diploma for Church Music and in 1978 the diploma of Performing Musician cum laude, with a teaching-endorsement for improvisation. A scholarship afforded him the opportunity to specialise in old music between 1978 and 1981, including studies with Gustav Leonhardt. In 1976, van Twillert was the first Dutch organist to reach the final of the Grand Prix de Chartres in France. As an organist he has become a well-known performing musician both at home and abroad, thanks mainly <b>...</b>

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'Pinacoteca de los Genios'. Cuadros. Música: 'Carmen suite nº 1' de Bizet

Sisley Cuadros Arte Pintura abutitojm

KOMORNI ZBOR MEGARON: zborovodja/conductor Damijan Močnik

11th International choral competition Maribor 2011 Jouzek Slo

Giovanni Danda plays V.Grygar Organ - Litomysl Cathedral on Hauptwerk system.

Cantilene JGRheinberger Pipe Orgue Organo Organ Orgel romantic hauptwerk Giovanni Danda Music Musica Litomysl Love Sonata 11 sonate Dream immages Ispra giovdan

Giuseppe Verdi (1813-1901) L'esule (The exile), for voice and piano (1839) Text by Temistocle Solera (1815-1878) Vedi! la bianca luna Splende sui colli; La notturna brezza Scorre leggera ad increspare il vago Grembo del queto lago. Perché, perché sol io Nell'ora più tranquilla e più soave Muto e pensoso mi starò? Qui tutto è gioia; il ciel, la terra Di natura sorridono all'incanto. L'esule solo è condannato al pianto. Ed io pure fra l'aure native Palpitava d'ignoto piacer. Oh, del tempo felice ancor vive La memoria nel caldo pensier. Corsi lande, deserti, foreste, Vidi luoghi olezzanti di fior; M'aggirai fra le danze e le feste, Ma compagno ebbi sempre il dolor. Or che mi resta?... togliere alla vita Quella forza che misero mi fa. Deh, vieni, vieni, o morte, a chi t'invita E l'alma ai primi gaudi tornera. Oh, che allor le patrie sponde Non saranno a me vietate; Fra quell'aure, su quell'onde Nudo spirto volerò; Bacerò le guance amate Della cara genitrice Ed il pianto all'infelice Non veduto tergerò. Norah Amsellem, soprano Lydia Jardon, piano Painting: Girl with letter by Teodoro Matteini (1754-1831)

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Extrait du film de Pierre Falardeau; 15 Février 1839.

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3 ottobre 1839: alle ore 12, Ferdinando II di Borbone, Re delle due Sicilie, dà il segnale di partenza al primo convoglio ferroviario, inaugurando così la tratta Napoli-Portici. 3 ottobre 2009: le Ferrovie in Italia compiono 170 anni, ma Trenitalia non effettua alcun treno storico per commemorare questo avvenimento, fregandosi mimimamente dell'avvenimento. Vogliamo nel nostro piccolo festeggiare anche se virtualmente e con immagini di repertorio questo importantissimo anniversario che è stato "dimenticato" anche dai piu importanti telegiornali nazionali. In queste immagini, tratte da " Speciale Vapore:1994" di FS in Videotape, l'ultimo treno storico effettuato dalla locomotiva "Bayard" in trazione: il treno reale impegnato nei festeggiamenti per i 150 anni della linea Torre Annunziata Centrale - Nocera Inferiore ( 15 maggio 1994). Ora la Bayard giace da decenni nel museo,con la caldaia scaduta, e oramai rassegnata a finire li la sua carriera.

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ΑΘΗΝΑ 1839-1900 ΣΕ ΣΠΑΝΙΕΣ ΦΩΤΟ

ΑΘΗΝΑ 1839 1900 ΣΕ ΣΠΑΝΙΕΣ ΦΩΤΟ Ν 1 apitharxos 1453

ΑΘΗΝΑ 1839-1900 ΣΕ ΣΠΑΝΙΕΣ ΦΩΤΟ

ΑΘΗΝΑ 1839 1900 ΣΕ ΣΠΑΝΙΕΣ ΦΩΤΟ Ν 3 apitharxos 1453

Tal lagarto é conhecido sobretudo por sua agressividade e voracidade. Se molestado, primeiro tenta fugir, mas, sendo impossível, defende-se desferindo golpes violentos com a cauda. Vive em regiões florestadas, campos de vegetação alta e campos cultivados. Atinge quase um metro de comprimento, o que torna o maior largato do Brasil. Alimenta-se de pequenos mamíferos, passáros e seus ovos, répteis, anfíbios, insetos, vermes e crustáceos. É o lagarto mais comum no Brasil. Atinge até 1,4 m de comprimento. Também não rejeita frutas suculentas, folhas e flores. É conhecido como ladrão de galinheiros, pois ataca as galinhas e chupa seus ovos com extrema avidez. É encontrado desde o sul da amazônia até o norte da argentina. Habita principalmente áreas abertas de cerrado, mas pode ser observado em bordas de matas-de-galeria e dentro de matas mais abertas. É uma espécie que vive no chão, próxima a capins baixos e pedras, onde tomam banho de sol. O Teiú também é conhecido por outros nomes como teiú-açu, tejo, tiju, tejuaçu, tejuguaçu e tiú. Fonte: Wikipédia.

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Giuseppe Verdi (1813-1901) La Seduzione (The seduction), for voice and piano (1839) Text by Luigi Balestra (1808-1863) Era bella com'angiol del cielo, Innocente degl'anni sul fiore, Ed il palpito primo d'amore Un crudele nel cor le destò. Inesperta, fidente ne' giuri, Sè commise all'amante sleale; Fu sedotta! e l'anello nuziale, Poveretta, ma indarno invocò. All'infamia dannata, allo scherno, Nove lune gemé la tradita; Poi, consunta dal duolo la vita, Pregò venia al crudele e spirò. Ed il frutto del vil tradimento Nel sepolcro posogli d'appresso; Là non sorse una croce, un cipresso, Non un sasso il suo nome portò. She was as beautiful as an angel in heaven and as innocent as a budding flower When the cruel one aroused the first stirrings of love in her heart. Inexperienced and trusting, she was seduced and betrayed And pleaded in vain for a wedding ring. Doomed to shame and scorn, she groaned for nine months Then consumed by grief, she begged pardon for her disloyal lover and died. The fruit of the vile betrayal was laid in the grave soon after But there no cross or cypress stood, no stone bearing her name. Norah Amsellem, soprano Lydia Jardon, piano Painting: Il Ridotto (The Foyer) by Francesco Guardi (1712-1793)

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A small movie for a big artist - Ivan Khrutsky You can see details from one of his paintings -Still-Life Flowers and Fruit 1839. Иван Трофимович Хруцкий . Іван Хруцкі 2010 - "200 birth anniversary of Ivan Khrutski" Беларуская: Іван Хруцкі Polish: Jan Chrucki Русский: Иван Трофимович Хруцкий English: Ivan Khrutsky

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De 1839 à 2011, les 15 février sont restés des jours de mépris de la nation québécoise. De la pendaison des Patriotes au projet de loi du Parti Québécois voulant que les Québécois aient le dernier mot sur ce qui se passe sur notre territoire en ce qui concerne les déchets nucléaires, la seule réponse de la fédération canadienne est le mépris et le mensonge. VIVE LA LIBERTÉ, VIVE L'INDÉPENDANCE!

15 FÉVRIER QUÉBEC PATRIOTES NUCLÉAIRE PARTI QUÉBÉCOIS DRAINVILLE Rhead 19

Tras sete anos de guerra civil, 200 000 mortos e numerosos danos materiais, carlistas e isabelinos asinan a Paz de Vergara. Memoria de España

1839 Guerra carlista isabelinos liberalismo carlistas Cliphistoria

Ottoman imperial Anthems The Ottoman Empire used anthems since its foundation in the late 13th century, but did not use a specific royal or national anthem until the 19th century. During the reign of Sultan Mahmud II, when the military and imperial band were re-organized along Western lines, Giuseppe Donizetti was invited to head the process. Donizetti Pasha, as he was known in the Ottoman Empire, composed the first Western-style imperial anthem, the Mahmudiye. www.istanbulpark.de http Like in many other monarchies of its time, the anthem of the Ottoman Empire was a royal anthem, not a national one. Hence it paid homage to a specific ruler and a new anthem was composed at each imperial succession. However, in 1844, with the Tanzimat reforms, the Mecidiye March was recognized as the first official Ottoman national anthem. The first official Ottoman national flag (which was in essence identical to the present-day Turkish flag) was also adopted in 1844. * Mahmudiye - for Sultan Mahmud II (1808-1839) - by Giuseppe Donizetti, brother of Gaetano Donizetti * Mecidiye March - for Sultan Abdülmecid I (1839-1861), by Giuseppe Donizetti * Aziziye March - for Sultan Abdülâziz (1861-1876), by Callisto Guatelli * Hamidiye - for Sultan Abdulhamid II (1876-1909), by Necip Pasha * Reşadiye - for Sultan Mehmed Resad V (1909-1918) by Italo Selvelli After the start of the imperial anthem tradition, two Sultans did not have specific anthems composed. The first is Sultan Murad V, who reigned <b>...</b>

ottoman turkey türkei turk turks turkish imperial anthem türkiye osmanli sergi exhibition march music musik pasha Callisto Guatelli Imperial Anthem Marşı 1863 Mecidiye for Sultan Abdülmecid adnan hendrix islam jimi pkk Erolzonguldak

Героизм русских солдат и отвага горцев. Что победит? История показывает, что побеждает героизм русских. Так было и так будет и не важно, кто противостоит русам!

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Acc 1839 format din 12 vagoane, remorcat de masina 65-0943-4 trece podul CFR peste Bega si se indreapta spre Timisoara Sud. Cealalta linie care traverseaza podul duce spre Timisoara Vest.

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In deze video zijn de geluiden van het gereedmaken van de NSR 1839 ''Leiden'' te horen... Dit geluid heb ik op 4 Mei 2010 opgenomen op Station Dordrecht. © Made by Salvador Con

NSR 1800 1600 Dordrecht.

De 2119 met P8002 naar Oostende en de 1839 met IC K 2215 naar Genk. La 2119 avec P8002 vers Ostende et la 1839 avec IC K 2215 vers Genk. The 2119 with P8002 towards Ostende and the 1839 with IC K 2215 towards Genk. 23-12-2011 © Kevin Stockhem

HLE21 I10 M6 HLE18 Siemens Vectron Toeter Typhoon Horn Claxon intercity P-trein Piekuurtrein Train De pointe Evening Peak Reizigerstrein Treinreis Passagierstrein NMBS SNCB Spoorlijn0 Brussel-Noord-Brussel-Zuid Station Brussel-Noord Gare Bruxelles-Nord Brussels-North Trainz Dr ver