Edison phonograph cylinders (1888): Handel - Israel in Egypt


On Friday 29th June 1888, from 2pm, a performance of Handel's oratorio Israel in Egypt was captured on a number of wax cylinder recordings. This performance was part of the trienniel Handel Festivals mounted in the UK. They were recorded from the press gallery in Crystal Palace by Edison-representative Colonel Gouraud, as a way to test and show off Edison's phonograph. Three of these cylinders still survive. The conductor was Sir August Manns, conducting an orchestra of some 500 musicians and a choir of over 4000 voices, in front of an audience of 23722 people. These are the earliest deliberate recordings of music known to exist (earlier recordings from the 1870s are considered lost). Fortunately these can be played back at a quite definite pitch, as we know the pitch of the Crystal Palace organ at this time. Unfortunately, the recordings are in very poor shape, audibly speaking. You are going to have a very hard time grappling with the sound, and trying to make out anything. Each cylinder contains a number of tracks. This is what you are hearing: Cylinder 1 (0:00 - 2:27) - The first text is "[Mo]ses, and the children of Israel sung unto the Lord and spake saying", from the chorus at the opening of Part II (very hard to hear the orchestra in this). Following this is "I will sing unto the Lord for he hath triumphed" from the next number in Part II (you should be able to hear the altos and tenors singing at the start of this). Near the end you might make out the word <b>...</b>


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Earliest surviving film and sound recording 1888


1888, the year of the death of the composer Charles-Valentin Alkan (Chopin's friend and neighbour) is also the year of the earliest surviving recording of music and earliest recorded film. Combined on this video is the earliest surviving recording of music (a live performance of Handel's oratorio Israel in Egypt conducted by Sir August Manns, recorded by Edison engineer George E. Gouraud at Crystal Palace, London, England, 29th June 1888) and the earliest surviving recorded film (shot by Louis Aimé Augustin Le Prince in Leeds, England in October 1888): Roundhay Garden Scene (filmed 14 October 1888) and Traffic Crossing Leeds Bridge (filmed late October 1888). In the Roundhay Garden Scene (filmed in the garden of the Whitley family home in Oakwood Grange Road, Roundhay, Leeds, England) are the following people (from the left at beginning of sequence): Adolphe Le Prince (the film maker's son), Miss Harriet Hartley, Mrs. Sarah Whitley, (the film maker's mother-in-law), and Joseph Whitley (the film maker's business partner). The original film was shot at 12 frames per second and lasts 2 seconds. Traffic Crossing Leeds Bridge was filmed in Leeds, England in late October 1888, at 20 frames per second. For more information on the 1888 Crystal Palace recordings visit the following excellent youtube page: watch?v=-qDwz3JdD1c


Earliest film and sound recording 1888 Edison Handel oratorio Israel in Egypt Crystal Palace London Louis Aimé Augustin Le Prince Leeds Roundhay Garden Scene

Edison phonograph cylinder (1888): Sir Arthur Sullivan (1842-1900) - The Lost Chord & Speech


On 5th October 1888 (yes, you read that year right), Sir Arthur Sullivan was present at a "phonograph party". At this event, he made a recording of his own voice to send to Thomas Edison (who had the idea that the phonograph may be used in a way similar to the letter). His comments are made having heard various recordings played to him at the event. Also, earlier in 1888, a press conference was played a recording of Sullivan's "The Lost Chord" (amongst others). This recording is thought to be the same recording, made in 1888, and is performed by anonymous artists on cornet and piano. While not all that interesting musically, the recording is of supreme historical interst as being the first properly listenable recording of music ever made. One musical observation I have is to note the restrained attitude towards rubato - the presumably British players don't seem to be indulging in the sometimes wayward rhythmic tos and fros of the Austro-German piano school in this recording. There is still a degree of non-sychronisation between cornet melody and piano accomaniment though, typical of the treatment of melody and accompaniment in piano solo recordings from a few years later. Anyway, afterwards (the cylinder runs out before the work has been completed, and irritatingly just as it starts to rise to its climax) you hear Sullivan's voice from the other event. He is first introduced, and then makes the following speech - rather perspicacious all things considered!: Dear Mr <b>...</b>


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1888


Titre: 1888 Court métrage d'animation réalisé en 2007 durant ma technique en cinéma d'animation au Cégep du Vieux Montréal. Synopsis: Dans une ville du XIXe siècle, un tueur en série se fait traquer par une créature maléfique. Genre: Film noir Durée: 2 minutes 6 secondes


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1888 - Roundhay Garden Scene


The earliest celluloid film was shot by Louis Aimé Augustin Le Prince using the Le Prince single-lens camera made in 1888. It was taken in the garden of the Whitley family house in Oakwood Grange Road, Roundhay, a suburb of Leeds, Yorkshire, Great Britain, possibly on October 14, 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley, (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley. The 'actors' are shown walking around in circles, laughing to themselves and keeping within the area framed by the camera. It lasts for less than 2 seconds and includes 4 frames.


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1888 - Traffic Crossing Leeds Bridge


Filmed on paper filmstrips, this is Louis Aime Augustin Le Prince's second known film, produced in October 1888. Only photographic copies of it survive today. The Leeds Bridge was filmed because it provided action.


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Debussy: Arabesque II (1888)


Claude Debussy (1862 - 1918) Complete music for piano solo (in chronological order) Deux Arabesque : Arabesque II (1888)


Claude Debussy (1862 1918) Complete music for piano solo (in chronological order) Deux Arabesque II (1888)

1888 Commission Rifle, Gew88 100 yard groups


Just making the rifle talk a little. Very interesting part of history that you can hold in your hands and actually shoot.


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Rimsky-Korsakov - Scheherazade: Symphonic Suite, Op. 35 (1888), played on period instruments


Scheherazade - Symphonic Suite, Op. 35 (1888) [0:00] I. The Sea and Sinbad's Ship (Largo e maestoso - Lento - Allegro non troppo - Tranquillo) [9:29] II. The Kalendar Prince (Lento - Andantino - Allegro molto - Vivace scherzando - Moderato assai - Allegro molto ed animato) [21:24] III. The Young Prince and the Young Princess (Andantino quasi allegretto - Pochissimo più mosso - Come prima - Pochissimo più animato) [31:15] IV. Festival at Baghdad. The Sea. The Ship Breaks against a Cliff Surmounted by a Bronze Horseman. (Allegro molto - Lento - Vivo - Allegro non troppo e maestoso - Tempo come I) The symphonic suite "Scheherazade" is among the most famous works by Russian composer Nikolai Rimsky-Korsakov (1844-1908). It is based on various stories in the One Thousand and One Nights (Arabian Nights), a collection of Middle Eastern folk tales dating from the Islamic Golden Age. The work is framed as a set of stories within a story, since they are related by the queen Scheherazade to Sultan Shahryar in order to stave off her execution. Rimsky-Korsakov prefaced the score with this introduction: "The Sultan Schariar, convinced that all women are false and faithless, vowed to put to death each of his wives after the first nuptial night. But the Sultana Sheherazade saved her life by entertaining her lord with fascinating tales, told seriatim, for a thousand and one nights. The Sultan, consumed with curiosity, postponed from day to day the execution of his wife, and finally <b>...</b>


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The Lost Chord-1888-Experimental Film-1891


Produced by Michael J. Loughlin for the Thomas A. Edison Music Video Co.


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Metal Detecting 1888 Mansion Ruins: Garrett GTI-2500.


We visit the site of former 'Coal King' and Parliamentarian Lewis Thomas' mansion which was constructed in 1888 and demolished in 1937. The mansion had three stories, its own electrical power generating plant, 49 rooms and it even incorporated an hydraulic lift (elevator), quite a rarity in an 1880s Australian country house! The house was serviced by a permanent staff of eight and was the focus of social activity for the large Welsh mining community who came to Australia to work the coal deposits in the area. Unfortunately, following the death of Mrs Ann Thomas in 1930 with no living heirs, the mansion was sold to a coal mining company in 1936. A series of subsidence events under the foundation in the old coal workings finally spelt the end for the structure and it was demolished in 1937. We hope you enjoy this historical outing and a bit of investigative bush archaeology. Thanks for watching and please take the time to visit our blog www.nqexplorers.com


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History Of Somalia 1888 to 1974 Part1


The struggle for independence.


Somalia Somali Sayid Mohamed

OC ReMix #1888: Sonic the Hedgehog 3 'Snowboardin' Sonic' [IceCap Zone: Act 1] by WillRock


ReMixer: WillRock ocremix.org FREE at ocremix.org • SHIRTS & HOODIES! http • DONATE! bit.ly Facebook! facebook.com • Twitter!twitter.com • Game: Sonic the Hedgehog 3 (Sega, 1994, GEN) • ReMixer(s): WillRock • Composer(s): Bobby Brooks, Brad Buxer, Darryl Ross, Doug Grigsby III, Geoff Grace, Jun Senoue, Scirocco, Tatsuyuki Maeda, Tomonori Sawada • Song(s): 'IceCap Zone: Act 1' • Posted: 2009-08-05, evaluated by the judges Founded in 1999, OverClocked ReMix is an organization dedicated to the appreciation, preservation, and interpretation of video game music. Its primary focus is ocremix.org - a website featuring thousands of free fan arrangements, information on game music and composers, resources for aspiring artists, and a thriving community of video game music fans. For media inquiries (interviews, articles, conventions) or soundtrack development with OverClocked ReMix, please contact us! http Video by José the Bronx Rican (José E. Felix) www.bronxrican.com Additional direction by Liontamer (Larry Oji) OverClocked ReMix is a not-for-profit site that provides a ton of free music, which requires a ton of bandwidth and a pretty hefty web server. We need your help to keep the site running! • http • bit.ly JOIN US: • ocremix.org • facebook.com • twitter.com • last.fm • youtube.com • facebook.com • groups.myspace.com • orkut.com • fah-web.stanford.edu


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History Of Somalia 1888 to 1974 Part 3


The revolutions call


History Of Somalia 3

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Debussy: Arabesque I (1888)


Claude Debussy (1862 - 1918) Complete music for piano solo (in chronological order) Deux Arabesque : Arabesque I (1888)


Claude Debussy (1862 1918) Complete music for piano solo (in chronological order) Deux Arabesque

Rimsky-Korsakov - Russian Easter Festival Overture, Op. 36 (1888), played on period instruments


Russian Easter Festival Overture, Op. 36 (1888) A concert overture by Russian composer Nikolai Rimsky-Korsakov (1844-1908), based on themes from Russian Orthodox liturgical chant. In particular, Rimsky-Korsakov uses chant melodies from the "Obikhod" collection, referencing a number of biblical passages including Psalm 68 and Mark 16. The intention in this overture is not devotional - indeed, Rimsky-Korsakov was an atheist - but he attempted to capture "the legendary and heathen aspect of the holiday, and the transition from the solemnity and mystery of the evening of Passion Saturday to the unbridled pagan-religious celebrations of Easter Sunday morning" (quoted from the composer's autobiography). The piece is also notable for its use of the unusual 5/2 and 3/1 time signatures. This recording was made by conductor Jos van Immerseel and the Anima Eterna Orchestra, which plays on period instruments.


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WarezNews: Computer Stew - Prank Call to 1-888-NO-PIRACY


Fingindo estar consumido pela culpa de estar utilizando um software pirata, o apresentador tenta se entregar as autoridades, mas vejam s� a dificuldade...


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1888 Mercedes Running


The Benz Patent Motor Car is considered to be the world's first automobile. Carl Benz introduced the Patent Motor Car in 1886 and subsequently built several units of this three-wheeler, about 25 vehicles in total. The Model I was the original Patent Motor Car. It featured wire wheels and a number of design details adopted from advanced contemporary bicycle manufacture.


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Celtic FC - Greatest Old Firm Moments


Two teams, at war since 1888. This video in part chronicles the struggle of Celtic Football Club to maintain supremacy against Rangers. This is The Old Firm - A Celtic Story. A video by aleksandrus11


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Technology and the works of UFOS spaceships since 1888


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Die Deutschen - Wilhelm und die Welt 1888-1918 10/10 - subpart 1/5


"Zu Großem sind wir noch bestimmt, und herrlichen Tagen führe ich Euch entgegen", verkündete der junge Hohenzollern-Kaiser Wilhelm II. 1892 - zu Beginn der Epoche, die später nach ihm benannt wurde. Er entpuppte sich als prunksüchtiger Monarch, selbstverliebt und betont forsch. Für die Mehrheit des deutschen Bürgertums aber wurde er zum Sinnbild eigenen Strebens nach Glanz und Größe. Der Liberale Friedrich Naumann meinte gar: "Dieser Kaiser, über den ihr euch aufregt, ist euer Spiegelbild!" Die Fassade von Pickelhauben und Paraden war symptomatisch für die "verspätete Nation". Der Pomp überspielte vieles. Die "innere" Einigung Deutschlands war ins Stocken geraten, der junge Staat blieb in sich gespalten. Alte territoriale wie konfessionelle Gegensätze boten Konfliktstoff, im industriellen Aufschwung taten sich tiefe soziale Gräben auf. Der Reichstag, allen voran die stark anwachsende Sozialdemokratie, forderte mit der Zeit ein Ende des "persönlichen Regiments" Wilhelms II. Der Kaiser beschimpfte die Partei der Linken als "Vaterlandslose Gesellen". Allerdings reklamierten auch SPD-Abgeordnete wie Philipp Scheidemann das deutsche Vaterland für sich: Durch die Politik des Monarchen sei der Bestand, die Einheit und der Frieden des Reiches gefährdet, sagte er. In dem Werdegang des prominenten Sozialdemokraten und des letzten deutschen Kaisers spiegelte sich vieles, was die Deutschen damals einte und trennte. Erstmals werden die gegensätzlichen Rollen und Charaktere, die <b>...</b>


Die Deutschen zdf dokumentation geschichte doku

Man in the Attic


London, 1888: on the night of the third Jack the Ripper killing, soft-spoken Mr. Slade (Jack Palance), a research pathologist, takes lodgings with the Harleys in a gloomy attic room for "experiments." Mrs. Harley starts to find Slade suspicious, while her niece stage dancer Lily finds him increasingly attractive. Who is right?


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How to install vertical doors professionally, lambo doors 1-888-LAMBO-88


This clip show how to install vertical doors professionally,


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1888


Court Métrage de TPE Premiere Littéraire, promo 2008-2009. Lycée André Malraux (77130)


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"Questions about the 1888 Message" 1 of 4 Pastor Paul Penno


For a Free Transcript of this Presentation email: penno@sbcglobal.net This was presented on Wed. April 23, 2011


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1888 Vs 1881 - UIT


1888 Værsågod Ny Reklamefilm 2009 - Universitetet i Tromsø. Sammenlignende reklame for første gang på norsk TV. 1888 vs 1881. Rått parti, 1888 er betydelig lavere i samtalelengde og pris.....


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Jean-Yves Thibaudet plays Satie 3 Gymnopédies (1888)


0:00 - No.1 3:44 - No.2 7:11 - No.3 buy this album! www.yourmusic.com


Jean Yves Thibaudet plays Satie 3 Gymnopédies 1888

HAIR-1888


Ny reklamefilm for SMS Mai 2011


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Que Paso Realmente en 1888(Solo para Adventistas)


LA APOSTASÍA ALFA Y OMEGA EL ALFA YA ES HISTORIA, LA OMEGA... ESTA VIVA Y EN SU APOGEO ¿Qué pasaría si ingresaba en la Iglesia esta Apostasía? Esta profecía se está cumpliendo al pie de la letra... falta solamente el final 1MS 238, 239 "El enemigo de las almas ha procurado introducir la suposición de que había de realizarse una gran reforma entre los adventistas del séptimo día, y que esa reforma consistiría en renunciar a las doctrinas que están en pie como las columnas de nuestra fe y que había de comenzar un proceso de reorganización. Si se efectuara esta reforma, ¿qué resultaría? Los principios de verdad que Dios en su sabiduría ha dado a la iglesia remanente serían descartados. Sería cambiada nuestra religión. Los principios fundamentales que han sostenido la obra durante los últimos cincuenta años serían considerados como error. Se establecería una nueva organización. Se escribirían libros de una nueva orientación. Se introduciría un sistema de filosofía intelectual. Los fundadores de ese sistema irían a las ciudades y harían una obra maravillosa. Por supuesto, se tendría poco en cuenta el sábado y también al Dios que lo creó. No se permitiría que nada se interpusiera en el camino del nuevo movimiento. Los dirigentes enseñarían que la virtud es mejor que el vicio, pero habiendo puesto de lado a Dios, resolverían depender del poder humano, que no tiene valor sin Dios. Su fundamento estaría edificado sobre la arena, y la tormenta y la tempestad barrerían la estructura <b>...</b>


Que Paso Realmente en 1888

Episode #211 - Honda LED Lighting Installation


In this episode we cover some of the more common lenses you will need to remove to install LED lighting. More at www.collegehillshonda.com and www.diyhonda.com.


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ゾロ - 1888


ゾロ: アルバム - Apollo 1888


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Kirko Bangz ft. Marcus Manchild & Killa Kyleon - Talkin Down(iMIXHOUSTON STUDIOS)


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Die Deutschen - Wilhelm und die Welt 1888-1918 10/10 - subpart 5/5


"Zu Großem sind wir noch bestimmt, und herrlichen Tagen führe ich Euch entgegen", verkündete der junge Hohenzollern-Kaiser Wilhelm II. 1892 - zu Beginn der Epoche, die später nach ihm benannt wurde. Er entpuppte sich als prunksüchtiger Monarch, selbstverliebt und betont forsch. Für die Mehrheit des deutschen Bürgertums aber wurde er zum Sinnbild eigenen Strebens nach Glanz und Größe. Der Liberale Friedrich Naumann meinte gar: "Dieser Kaiser, über den ihr euch aufregt, ist euer Spiegelbild!" Die Fassade von Pickelhauben und Paraden war symptomatisch für die "verspätete Nation". Der Pomp überspielte vieles. Die "innere" Einigung Deutschlands war ins Stocken geraten, der junge Staat blieb in sich gespalten. Alte territoriale wie konfessionelle Gegensätze boten Konfliktstoff, im industriellen Aufschwung taten sich tiefe soziale Gräben auf. Der Reichstag, allen voran die stark anwachsende Sozialdemokratie, forderte mit der Zeit ein Ende des "persönlichen Regiments" Wilhelms II. Der Kaiser beschimpfte die Partei der Linken als "Vaterlandslose Gesellen". Allerdings reklamierten auch SPD-Abgeordnete wie Philipp Scheidemann das deutsche Vaterland für sich: Durch die Politik des Monarchen sei der Bestand, die Einheit und der Frieden des Reiches gefährdet, sagte er. In dem Werdegang des prominenten Sozialdemokraten und des letzten deutschen Kaisers spiegelte sich vieles, was die Deutschen damals einte und trennte. Erstmals werden die gegensätzlichen Rollen und Charaktere, die <b>...</b>


Die Deutschen zdf dokumentation geschichte doku

Die Deutschen - Wilhelm und die Welt 1888-1918 10/10 - subpart 3/5


"Zu Großem sind wir noch bestimmt, und herrlichen Tagen führe ich Euch entgegen", verkündete der junge Hohenzollern-Kaiser Wilhelm II. 1892 - zu Beginn der Epoche, die später nach ihm benannt wurde. Er entpuppte sich als prunksüchtiger Monarch, selbstverliebt und betont forsch. Für die Mehrheit des deutschen Bürgertums aber wurde er zum Sinnbild eigenen Strebens nach Glanz und Größe. Der Liberale Friedrich Naumann meinte gar: "Dieser Kaiser, über den ihr euch aufregt, ist euer Spiegelbild!" Die Fassade von Pickelhauben und Paraden war symptomatisch für die "verspätete Nation". Der Pomp überspielte vieles. Die "innere" Einigung Deutschlands war ins Stocken geraten, der junge Staat blieb in sich gespalten. Alte territoriale wie konfessionelle Gegensätze boten Konfliktstoff, im industriellen Aufschwung taten sich tiefe soziale Gräben auf. Der Reichstag, allen voran die stark anwachsende Sozialdemokratie, forderte mit der Zeit ein Ende des "persönlichen Regiments" Wilhelms II. Der Kaiser beschimpfte die Partei der Linken als "Vaterlandslose Gesellen". Allerdings reklamierten auch SPD-Abgeordnete wie Philipp Scheidemann das deutsche Vaterland für sich: Durch die Politik des Monarchen sei der Bestand, die Einheit und der Frieden des Reiches gefährdet, sagte er. In dem Werdegang des prominenten Sozialdemokraten und des letzten deutschen Kaisers spiegelte sich vieles, was die Deutschen damals einte und trennte. Erstmals werden die gegensätzlichen Rollen und Charaktere, die <b>...</b>


Die Deutschen zdf dokumentation geschichte doku

Commercial 'Blijde' 1888


Commercial voor het nieuwe informatienummer van Nederland: 1888


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Tulle Ringing Til 1881,1888 & 1880


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Musikverein 1888 e. V., Forst - Ich gehör nur mir - Dirigent Thomas Rohr


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Rimsky Korsakov - Scheherazade


Rimsky Korsakov - Scheherazade (Composed 1888) Nikolay Andreyevich Rimsky-Korsakov (Russian: Никола́й Андре́евич Ри́мский-Ко́рсаков), also Nikolai, Nicolai, and Rimsky-Korsakoff, (March 18, 1844 -- June 21, 1908) was a Russian composer and teacher of classical music particularly noted for his fine orchestration, which may have been influenced by his synaesthesia. His most famous composition is The Flight of the Bumblebee. (www.8notes.com) books.google.de Artwork: Michelle Mia Araujo art-by-mia.com Sheherazade (Scheherazade; Russian: Шехерезада, Shekherezada in transliteration), Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888. Based on The Book of One Thousand and One Nights, sometimes known as The Arabian Nights, this orchestral work combines two features common to Russian music and of Rimsky-Korsakov, in particular: dazzling, colorful orchestration and an interest in the East, which figured greatly in the history of Imperial Russia, as well as orientalism in general. It is considered Rimsky-Korsakov's most popular work. The music was used in a ballet by Michel Fokine. This use of the music was denounced by the Rimsky-Korsakov estate, led by the composer's widow, Nadezhda Rimskaya-Korsakova en.wikipedia.org


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