In the 5th episode of Pensado's Place, Dave hosts an all Q&A episode with tons of great viewer questions! With Part 2/2 of the latest "Into The Lair", Dave takes you through some tools he used on the mix for "Shorty is a Weirdo" by Mr. Midwest and Ray J. Get a behind the scene look at how your favorite songs were mixed and the tools that were used by Dave! 3:20 Into The Lair 3:50 Metric Halo Channel Strip 4:00 Waves CLA-76 compressor 4:33 McDSP FutzBox 4:49 Waves L1 Limiter 5:20 Massey L2007 Mastering Limiter 5:45 Massey De:Esser 6:07 Bass plugins: Waves GTR Stomp Box Waves GTR Amp Waves RBass Kick Drums: 6:45 Focusrite d3 Waves PuigTec EQP1A Slate Digital Trigger Hi Hat EQ: EMI TG12414 Live Drum parallel compression Plug-Ins: Waves CLA 76 Waves PuigTec EQP1A Waves CLA 3A Focusrite d3 McDSP Filterbank P4 Waves SSL E-Channel Strip Digi Comp Lim Dyn3 API 550A Waves HComp 12:28 Guitars Plug-ins: Waves L1 Limiter Waves GTR Stomp Box Effects 14:10 Organ Plug-Ins: McDSP E6 Waves Center Waves Enigma 15:40 Corner Office 16:22 Dave talks about the best way to use this show and how not get too caught up in the specific details, but to grasp higher concepts. 18:35 Dave tells viewers about his RTA (Real Time Analyzer) -Audio Control Real Time Analyzer www.audiocontrol.com 19:54 Converters: -The difference between top of the line converters is negligible -Dave's favorite converters: HD IO (www.avid.com Lynx Aurora (www.lynxstudio.com 21:00 Antelope Clock (Dave feels he gets a slightly <b>...</b>

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Live @ Tainted Blue is an episodic web series documenting life in a state of the art recording studio in Times Square, New York City. The series features audio technology and music production quick tips from the Tainted Blue team, music performances as well as lifestyle and cultural segments that give you insight into the contemporary music industry community. In this episode of Live @ Tainted Blue, Studio Manager Sax receives a last minute call to book a recording session for a local, three piece NYC band called Ladybug Stingray. Their first task before the band arrives is to setup and mic the drum kit. Sax, Matthew and the rest of the team tackle microphone choice, placement and signal flow to ensure a consistent recording. Learn what microphone's the team decides on, how they're used and how Ableton Live is routed and used during the recording process. Learn more about Tainted Blue Studios www.taintedblue.com What microphones do you prefer when recording live instruments?

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Another look at some production tools and things of that sort. Gona be looking at EQing and general mix theory. If you guys like these videos don't forget to SUBSCRIBE!!! Also shoot me any questions you might have. I'm here to help, and will do my best to keep pumping out videos. Get your friends up on these videos too.

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A detailed tutorial on the process of normalization, both what it is and how to do it. More tutorials at www.samplecraze.com. Sign up to our newsletter and receive tons of freebies.

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Intel and Microsoft have created a special video hosted by Cakewalk's Brandon Ryan that explains the benefits of 64-bit computing for musicians. A highlight of the video is SONAR 5 running an enormous project by film composer Shawn Clement, that utilizes 17 virtual instruments, 42 effects, 150 tracks, and full screen digital video—all running simultaneously on an Intel multicore workstation.

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Becoming a music producer usually starts with recording music as a musician, patience and a taking full advantage of each opportunity. Find out about how to become a music producer from a professional in this free video on a music production career. Expert: David 'Trash' Kelly Bio: David 'Trash' Kelly is one of the founders of Voodoo Highway Music and lives in Austin, Texas. Filmmaker: Demand Media

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www.softplanetgroup.com Open yourself to the possibilities. Pro Tools 9 redefines the world's most popular, most advanced music and audio production platform with a completely re-architected, open version of Pro Tools software, giving you what you asked for - and so much more. Work with an audio interface—or without. Create bigger, better-sounding mixes with more tracks, Automatic Delay Compensation, and other pro features included as standard. Open your workflow to projects created in other audio and video software - and to the entire Avid Artist Series and Pro Series (formerly Euphonix) console/controller line. With Pro Tools 9, you can compose, record, sequence, edit, and mix the way you want - in more ways than ever.

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In this video I show you how I do some music production. Drum Process Dub-step Bass Mixing Samples Filters / EQ LINKS: www.energy-xt.com kunz.corrupt.ch www.camelaudio.com

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Learn more about Dan's Critical Listening course at: bit.ly Berkleemusic hosted an online Open House with instructor Dan Thompson, author/instructor of our online courses Critical Listening 1 and Advanced Audio Ear Training for Mix Engineers, on December 15th. Dan is an independent writer/producer and recording engineer, his credits include work on records, feature films, and television series and movies, including ER, The Sopranos, Swimfan, The Sweetest Thing, Melrose Place, Malibu Shores, Sabrina the Teenage Witch, Touched By An Angel, Soul Food and NCIS, to name just a few. Dan has authored articles on music technology for EQ and Electronic Musician, has been a presenter and clinician on music production topics in the US and abroad, including at the Panama Jazz Festival, and his book Understanding Audio (Berklee Press, 2005) is a required textbook for Berklee College of Music's own Music Production and Engineering classes, as well as for numerous other music production and engineering programs throughout the country and abroad. He is a member of the National Academy of Recording Arts and Sciences (NARAS), the Audio Engineering Society (AES), and the American Society of Composers, Authors and Publishers (ASCAP).

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www.sonicacademy.com Sign up for Free for loads more free videos. Tutorial 1 - Introduction & User Interface In this tutorial we will give you a general overview of Ableton's interface... and show you all you need to know to begin making music Over the next 13 videos we will taking you through the key areas of Ableton Live's Entry level software Intro. First up we will be taking a look at the main features of the software from its user interface to the differences between the Session & Arrangement views. We will then show you how to create a drum beat using the Impulse Drum machine, create a baseline and some synth stabs using the built in Sampler and to finish up add some simple effects, do a quick arrangement and export your song to make it ready to burn onto CD.

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This was a semester-long project that Henry Moyerman and myself worked on for our Music Production for Visual Media class at Berklee College of Music. In this project, we were to choose a 6 to 7 minute long clip from a movie in which all audio had been removed. It was our assignment to produce and record all audio, which includes: ADR, Foley, Sound FX, Sound Design, Backgrounds and the Music score. For this project, I was in charge and worked on all of the following: - Foley as the foley artist and editor - Sound Effects (also know as hard effects) - ADR (automated dialogue replacement) as the talent scout, producer and editor - Voice of Rex, Garbage man that picks up Lotso, Frog on the Garbage truck Henry Moyerman was in charge and worked on all of the following: - Backgrounds - Sound Design - Recording Engineer - Voice of the other garbage man and laughing critters on the garbage truck Both Henry and I collaboratively mixed the session as a 5.1 mix and a stereo fold-down mix. Originally we were to have a Film Scoring student from Berklee compose music for the clip, however due to complications, we did not receive a score and had to use the original music from the movie. We would like to thank everyone involved for your time, talent and help. Without you this wouldn't have been possible.

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www.sonicacademy.com Sign up for Free for loads more free videos. Get the Ableton Live 30 day free trial here http then check out our videos to learn how to make tunes! Tutorial 4 - Impulse Drum Machine In this tutorial we will have a close look at the features of Ableton's built in Drum machine.. Impulse Over the next 13 videos we will taking you through the key areas of Ableton Live's Entry level software Intro. First up we will be taking a look at the main features of the software from its user interface to the differences between the Session & Arrangement views. We will then show you how to create a drum beat using the Impulse Drum machine, create a baseline and some synth stabs using the built in Sampler and to finish up add some simple effects, do a quick arrangement and export your song to make it ready to burn onto CD.

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Download my free Ableton e-book: vespers.ca Vespers, Ableton Live Certified Trainer, discusses the best things to upgrade on your audio production computer. We talk RAM, solid state hard drives, SATA drives, data doublers, DSP cards like the UAD-2, and sound cards like the Apogee Duet.

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Click To Tweet This Video: clicktotweet.com The Best Website To Learn About Both Video And Audio Production For Free. Link To My Website: octogfx.com Follow Me On Twitter twitter.com Link To CyberCollege: cybercollege.com - http

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BUY! itunes.apple.com Follow us! www.twitter.com/astonband www.facebook.com/astonclassical www.youtube.com/astonmusic Fluid Screen Media and Aston present "The Monster Symphony" film companion. I - Bad Romance II - Paparazzi III - Telephone IV - Alejandro V - Judas A short film event marrying an epic story of love, life and death with a classical medley of Lady Gaga's monster hits by Aston. This film was mainly funded by Pozible supporters and was achieved with less than $6K. Arranged by Daniel Luscombe Audio Produced by Denis Carnahan - denis@deniscarnahan.com.au deniscarnahan.com.au Production Company Fluid Screen Media vimeo.com n.hunt@fluidscreen.com.au Directed|Written by Nathan Hunt & Reece Farris Produced by Nathan Hunt, Carley Edmonds & Reece Farris Cinematography by Bryan Cohelo Additional Cinematography by Nathan Hunt Edited by Reece Farris Dresses Supplied by Antonia Paris Antonia@antoniaparis.com We are a classical group in Sydney, Australia playing classical arrangements pop/rock/r'n'b songs. For more info, contact danluscombe@gmail.com Follow us! www.astonmusic.com www.twitter.com/astonband www.facebook.com/astonclassical www.youtube.com/astonmusic Violin - Eliza Violin - Michael Cello - Hanna Guitar - Pat Piano - Ella Percussion - Daniel

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This week Nik discusses his preference for vinyl, how to plan a DJ set, DJ effects and how to use them, organising your tunes, Nik's most embarrassing DJ moment and more. Nik Fish has been at the forefront of Australian dance music for many years. His early cult following exploded into a massive fanbase that sees him regularly headlining clubs, raves and festivals all around the world. He's played alongside The Prodigy and Carl Cox, appeared at Utopia, Cream and Future Music festivals as well as Berlin's Loveparade. Throughout his career Nik has released numerous mix compilation albums for labels such as Ministry of Sound and Central Station Records. And now for the first time passing on some of his knowledge and opinions via "Ask Nik". An ongoing informative and interactive 'TV' show courtesy of Lightsounds, filled with tips, tricks and advice from one of Australia's top DJs and music producers.

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IntoMusic.ca Record, Produce, Mix, Master... Be Heard. This is the first in a series of Audio Production tutorials from intomusic.ca - a leading edge audio production training facility. In This Video: APPLE LOGIC PRO 9 - How To Create a Vinyl Record/Tape Slowdown Effect in Logic 9. You've heard the great sounding effect in a lot of the hot songs blowing up the airwaves today. It sounds like the whole song slows down to an abrupt stop like someone unplugged or stopped an old record player - and then the music suddenly comes back on, keeping the party alive. How can you emulate that? Its EASY to do in Apple's Logic 9 Studio Software. Andrew Yankiwski shows you how. Audio Training for the 21st Century Want to learn more about audio production in ANY type of studio software? intomusic.ca is a leading-edge audio production training center. We offer a next generation program of audio training which goes far beyond traditional recording arts programs. We have a decade of experience professionally recording, mixing and mastering audio, so we are well equipped to give you valuable insight into the art and science of audio production. Visit www.intomusic.ca to learn more! Keep Up With More Audio Production Tips, Tricks and Technique: Find Us On FaceBook: www.facebook.com/intomusicca Follow Us On Twitter: www.twitter.com/andrewyankiwski Read our Blog: www.andrewyankiwski.com

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winksound.com In this first episode of In The Bedroom Studio, Justin talks about the art of mixing vocal tracks. Being that there is no right way of achieving great vocal mixes, Justin explores different techniques and tips to keep in mind when recording, editing and mixing vocal tracks to ensure they not only stand out but integrate well with the rest of the mix. Do you have any tips on how to mix vocals? Let us know what your take is on the process of vocal mixing by leaving a comment, rating or getting in touch to share your questions and ideas by writing to Justin@WinkSound.com.

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For more info - bit.ly In this week's Ableton Live tutorial, Professor Nalepa shares a tip he learned from Justin Boreta of The Glitch Mob at the Dubspot Ableton Live 8 Tour workshop in Los Angeles. The technique involves creative use of the Auto Filter, Audio Effects Rack, The Chain Select Ruler and the Macro Knobs...

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More info - bit.ly In the third and final installment of our video tutorial series on Moog's Animoog iPad app, Dubspot Instructor Matt Cellitti offers sound design and production tips and tricks and shows you how to use Animoog in a Digital Audio Workstation. The final installment of the Animoog tutorials will hopefully give you a few more tricks on how to create some really cool sounds in this great app. Once you have created an interesting sound with a unique path, I will show you how to "stretch" the orbit across your path to create thick sounds, triggering multiple timbres at once for radically transforming sounds. Moving the path around the X/Y axis will allow you to essentially create several different presets inside of one saved sound. I might start with a slow pad if I begin in the top left corner, yet morph to a sharp lead sound by pulling the path down to the bottom of the Y axis. Lastly, it is important to realize that the signal coming out of the iPad/iPhone headphone jack comes in at a lower volume level than we would like. Simply use some effects inside of a DAW or other host program to boost the signal and create more interesting effect chains for Animoog. Set up an effect chain just once and save it for instant recall when you need it again. Works great in both Live and Maschine. - Matt Cellitti

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WATCH LOSSES HERE: bit.ly IMDB game: bit.ly ADR Episode: bit.ly Foley Episode: bit.ly Vote on Shirts here: www.facebook.com Ryan covers what goes into the post production audio for Losses. Everything from ADR to Foley. Plus he talks about using Adobe Audition for the Project.

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Check out the full article: bit.ly Ableton Live tutorial showing how to create a dubstep style bass in Ableton Live using Live's Operator instrument. Operator is a frequency modulation aka FM synthesizer and this tutorial serves as a basic FM synthesis tutorial as well as teaching you how to make a dubstep style wobble from scratch. You can check out Mike's/Banginclude's music at www.soundcloud.com/banginclude

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More info: bit.ly Dubspot Instructor Dan Freeman explains and demonstrates tips and tricks for processing live vocals with Ableton Live. This video is aimed at folks who want to take advantage of Ableton Live's powerful effects and use them for live vocal performance. This is also for producers who what to know how to route vocals into Live and work with the vocoder effect. Ableton Live Producer Program starts online the week of February 5th and in NYC the week of February 22nd. Course details and registration info here: bit.ly

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Check out blog.dubspot.com for more goodies... In this video series Dubspot Instructor and Ableton Expert STEVE NALEPA takes us step by step through the process of creating a dubstep style track in Ableton Live. Starting with a basic beat, in this video he uses the Impulse instrument to make a basic beat and then shows some tips on how to make it more interesting. Be sure to check out parts two and three in the series to watch the track take shape. Was this helpful to you? Do you have questions? Leave us a comment below!

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Learn more at the Dubspot blog: blog.dubspot.com In this tutorial Dubspot instructor Thavius Beck teaches you how to use Ableton Live's Beat Repeat audio effect to manipulate your drum tracks and create new and interesting rhythmic patterns and effects. He takes you through each feature of the effect and offers an in-depth explanation of what each knob does. A must for all beat heads out there interested in creating some tweaked out effects in their drums.

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Check out blog.dubspot.com for more goodies... In this video series Dubspot Instructor and Ableton Expert Steve Nalepa takes us step by step through the process of creating a dubstep style track in Ableton Live. After creating a basic beat in part one he shows us how to add groove, a bass line and how to add some interest using some VST effects. We'd like to know if these videos were helpful to you? Do you have questions? Let us know by leaving a comment below!

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Songwriter, record producer and movie producer, Harvey Mason, Jr. joins Dave and Herb on the 47th episode of Pensado's Place. Harvey has written and produced songs for Aretha Franklin, Elton John, Whitney Houston, and Luther Vandross as well as today's superstars like Britney Spears, Jordin Sparks, Chris Brown, Jennifer Hudson, Leona Lewis and Justin Timberlake. Not just a music producer, Harvey recently he has ventured into film production with "More Than A Game" - a documentary featuring NBA superstar, LeBron James. 2:00 - Neve 1073LB giveaway 3:35 - ITL - Vocal Doubles 13:15 - Introducing Harvey Mason, Jr. 17:40 - How Harvey Mason started playing music (Drums, Keyboards etc.) 24:10 - How Harvey Mason, Jr. uses bridges in his songwriting 29:35 - Gear is a means to translating what's in your head to a song 31:31 - The gap between having a great idea and a finished record 35:19 - Discussing creating songs specific for an artist 40:11 - How do you manage writing a song with multiple songwriters? 43:23 - Batter's Box 47:41 - Corner Office viewer questions

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Read the complete article by Dubspot's Pat Cupo and get more info here - bit.ly Once upon a time, in the not too distant past, I was building a drum track and decided to use Drum Rack. While programming my beat and tweaking controls I thought, "Man, I wish Simpler had some of those cool random options that Impulse has so I could use them in Drum Rack." Now, flashing back to the time when Drum Rack came out with Live 7, everyone (myself included) was like, "Yo, forget Impulse! Drum Rack is the stuff!" Then began the war between die-hard Impulse fans and Drum Rack spearheads. But wait! Why should we have to choose? Why is it one or the other? Then I had an idea...

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More info - bit.ly Dubspot instructor and Mixing & Mastering engineer Daniel Wyatt shows you how to navigate the various features and parameters of iZotope's Ozone 4 in this brand new video tutorial, the followup to How To Use A Limiter and Mid-Side EQ Technique - a tutorial series in which Wyatt offers tips and techniques for polishing your tracks and give them a finished, professional sound. In this tutorial, Wyatt utilizes Ozone's Multiband Harmonic Exciter to explain and demonstrate how to add some saturation to your mix and use the exciter signal processing technique to not only bring out the fundamental flavors of the elements of your sound but also generate new harmonic content and give your track a warm, fuzzy, and dynamic feel. More about this technique is covered in Daniel Wyatt's Mixing & Mastering course starting July 3rd. bit.ly

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The drums have been set and now it's time to ready the vocal booth. In this episode of Live @ Tainted Blue, Recording Engineer Matthew and the crew setup a vintage Neumann U47 microphone for the singer while Sax, Studio Manager, makes sure everything is patched in and running smoothly in the control room. Learn how tube microphones are hooked up and why they're so often used on vocal recordings. Watch previous episode: "The Drum Setup" - bit.ly Live @ Tainted Blue is an episodic web series documenting life in a state of the art recording studio in Times Square, New York City. The series features audio technology and music production quick tips from the Tainted Blue team, music performances as well as lifestyle and cultural segments that give you insight into the contemporary music industry community. Learn more about Tainted Blue Studioswww.taintedblue.com Whats your favorite microphone for recording vocals?

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Tricky Stewart is one of the most prolific, proficient, and efficient hit makers of our day. More than a music producer, Christopher "Tricky" Stewart is a songwriter, music publisher, executive producer, recording studio owner, and founder and owner of RedZone entertainment. To date, Tricky Stewart is behind 25 million records sold and has produced such singles as Beyoncé's "Single Ladies (Put a Ring on It), Britney Spear's "Me Against the Music", Rihanna's "Umbrella", and Justin Bieber's "Baby", and Frank Ocean's "Novacane" just to name a few! Dave joins Tricky in his studio to discuss his career, philosophy behind music production, and his take on the current state of the music industry. Later in the episode, Tricky joins Dave in "The Batter's Box" to answer Dave's questions about his favorite synths and instruments for music production. trickystewart.com Special thanks to our partner Vintage King: www.vintageking.com

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More info - bit.ly In the third installment of our video tutorial series highlighting the exciting updates to Native Instruments' comprehensive producer bundles, Komplete 8 and Komplete 8 Ultimate; Dubspot instructor and NI's product specialist Matt Cellitti explains and demonstrates why Studio Drummer from Native Instruments truly makes Komplete more "kompleterer". Komplete has always had good options for sequencing acoustic drum parts, but this is the first acoustic drum instrument from NI that allows the user total control over every necessary aspect that a musician will need when making realistic, acoustic drum tracks. You are able to pick from over 3500 drum grooves, simply dragging and dropping these grooves into your DAW arrangement as needed.

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For more info - bit.ly Ableton Certified Trainer and Dubspot Instructor, Michael Hatsis, aka !banginclude explains and demonstrates basic and essential warping techniques in Ableton Live in the part one of this three-part video tutorial series exploring creative ways to warp tracks in Live. Using a standard house track with a 4x4 drum pattern, Hatsis shows how to set Live warping preferences, determining and entering an approximate tempo by tapping the tempo Tab along with the song, figuring out the downbeat and set where the track starts, in this case - first kick, transient marker. Stay tuned for part two and three, as Michael Hatsis delves further into Live and offers more creative tips and techniques for warping.

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Learn more at the Dubspot blog: bit.ly Dubspot Instructor and Mixing & Mastering engineer Daniel Wyatt teaches you How To Use A Limiter using Ozone 4 from Izotope in this two-part video tutorial series offering tips and techniques for polishing your tracks, and give them a finished, professional sound. Daniel Wyatt offers a universal mastering technique using Ozone 4, which is indeed one of the most powerful mastering plug-ins, but you can use this method to attain loudness in any host application. In part 1, Daniel Wyatt navigates the Limiter section and explains some the essential functions of the Loudness Maximizer (another name for the Limiter) in a step by step process; from Master Output setting to Dithering, correcting mixing mistakes, adding fullness without distortion, and Release control, for making the sound loud and bouncy. Stay tuned for part 2, as Daniel Wyatt concludes the series with a focus on Multiband Dynamics, Harmonic Exciter, and more.

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Read more: bit.ly In this week's Ableton Live tutorial, Professor Nalepa demonstrates three (3) effect techniques for spicing up your vocals. Inspired by the field trip his Advanced Tech class took this week to Low End Theory to catch a secret DJ set by Thom Yorke, he uses the lead vocal of Radiohead 'Reckoner' to demonstrate the first technique: reversing it, routing it out through reverb, resampling the reverb, reversing the resampled reverb and laying that back underneath the original forward vocal to get a haunting, ghostly premonition-style effect used in a lot of popular dance tracks. He also deconstructs tracks from his friend Nosaj Thing and former students It's Not Over Quebec, showing how they utilized sidechain compression and sidechain gating to achieve impressive results. Nosaj Thing released his debut album Drift and the follow up Drift Remixes on Alpha Pup Records. He is currently putting the finishing toucheson his second album and will be playing an audiovisual set at Coachella on Friday (April 15th) this year. Here is a free download of "Coat of Arms", the song used in this example.

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In this episode of Live @ Tainted Blue the crew and band are now set to hit record. A few mishaps during the patching of the microphones slows the session down as Sax and Matthew work with their team to try and fix the problem while Ladybug Stingray is on stand by. Learn how signals are routed to Pro Tools via the patch bay to record the band. Watch previous episodes: "The Drum Setup" - bit.ly "Setting Up For Vocal" - bit.ly Live @ Tainted Blue is an episodic web series documenting life in a state of the art recording studio in Times Square, New York City. The series features audio technology and music production quick tips from the Tainted Blue team, music performances as well as lifestyle and cultural segments that give you insight into the contemporary music industry community. Learn more about Tainted Blue Studioswww.taintedblue.com What your preferred setup for live recording?

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blog.dubspot.com Dubspot Instructor Heinrich Zwahlen explores creative possibilities of Massive, Native Instruments synthesizer which is frequently used to create fat bass sounds and intense leads. In this two-part video tutorial, Heinrich focuses on Massive's ability to create speech-like sounds, showing step by step how to create your own variations of the talking synth, or digital mouth harp. The Talking Stepper technique allows you to synthesize original sounds from scratch using Massive, and develop the sound further with the step sequencer, which allows you to make unique mechanical melodies. In part one, Heinrich shows you how to utilize the various parameters of Massive; showing you the basic building blocks, including Oscillator, Filter, Sample & Hold effect, Modulation Oscillator, and of course the Stepper sequencer (which can be selected from the LFO tab) and Performer. In part two, he he sinks deeper, and helping you become more acquainted with the Sequencer.

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In the 59th episode of Pensado's Place, Dave and Herb are joined by Producer, Arranger, and Engineer Jon Nettlesbey!

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More info: bit.ly Dubspot Instructor and Mixing & Mastering engineer Daniel Wyatt has a depth of experience, knowledge, perspective, and talent that is unique and unmatched by many mixing and mastering engineers working today. He's mixed and mastered music for artists ranging from Nora Jones and Mos Def to The Roots and Curtis Mayfield. In this follow-up to his How To Use A Limiter using Ozone 4 from Izotope tutorial video, Wyatt shares an invaluable tip for mastering: The Mid-Side EQ Technique, also known as The Sum & Difference Technique, which is an amazing technique you can use to adjust the stereo width of tracks and make them wider. Once again, Wyatt is using the Ozone 4 mastering plug-in, but this is a universal mastering technique you can apply using any host application. Daniel Wyatt shows you how to navigate the Parametric EQ section of Ozone, switching between the Side EQ (used for wide-panned stereo information such as synths, pads, percussions, reverb etc. ) and the Mid EQ (used for kick, snare, bass, lead vocals, instruments, etc.) At the end of this tutorial you should have a good grasp of how to utilize The Mid-Side EQ technique, segment frequencies and make the Mid and Side EQs compliment each other - keep the Mids focused with an extra boost for the subs and the Sides gently rolling off lows.

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Learn more at the Dubspot blog: bit.ly Dubspot Instructor and Logic expert Evan Sutton shows you how to navigate the various sound design features and parameters in Logic's Ultrabeat drum machine in this new video tutorial. Ultrabeat is a drum sampler and synthesizer in Logic which allows you to sequence and sculpt unique drum sounds. Evan starts by explaining the three essential sections in Ultrabeat - mixer, synth section, and sequencer. He imports a standard Ultrabeat preset, Classic Electro Kit with samples, including an 808 style kick and drums which Evan then teaches us how to recreate using the Phase Oscillators, and changing the pitch, volume, and duration of the sound. At the end of the tutorial you should have a good grasp of how to synthesise a kick and a snare from scratch in Ultrabeat. For further exploration of Ultrabeat and Logic be sure to check out Dubspot's new six level Logic Pro program designed by Dutty Artz founder Matt Shadetek. In the six levels of the course, both in Dubspot's new online school and physical classroom in New York City students will learn to create a four track EP, starting with a set of musical sketches and developing them over the course of six levels, refining their craft as they advance.

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In this quick tip from Live @ Tainted Blue, Recording Engineer Matthew McCorkle explains the basics of close micing a tom. In this example the Sennheiser MD421 is used as it's a popular microphone choice for capturing drums, as well as vocals due to it's variable rolloff filter. Live @ Tainted Blue is an episodic web series documenting life in a state of the art recording studio in Times Square, New York City. The series features audio technology and music production quick tips from the Tainted Blue team, music performances as well as lifestyle and cultural segments that give you insight into the contemporary music industry community. Learn more about Tainted Blue Studioswww.taintedblue.com What mics do you find work best when recording percussive instruments such as drums?

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Part 1 of 2 on how to setup, record, and mix lead vocals. This is a basic instructional video for those looking to record and mix better vocals for music production. By J Anthony ThompSon from JatWorld Studios, Media Pa

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