Voyage on the North Sea

Marcel Broodhaers (1974)
voyage on the north sea experimental film marcel broodthaers collage film rosalind krauss broodthaers

Marcel Broodhaers (1974)
voyage on the north sea experimental film marcel broodthaers collage film rosalind krauss broodthaers

en.wikipedia.org video shot at the Centre Pompidou, Paris, october 2010 during a conference about Nam JUNE PEIK

Marcel Broodthaers started his career in the arts as a poet, After decades of poverty and destitution he decided to try his hand at the visual arts. His conceptual approach to the institutions of culture, particularly the art museum, captured the attention of avant-garde critics and collectors. This exhibition includes rarely seen works and some of the few paintings ever executed by the artist.
James Kalm Marcel Broodthaers Michael Werner conceptual art gallery Ne0-Modern institutional critique painting drawing sculpture New York

Ceci est une interview recueillie au Musée d'Art Moderne, Département des Aigles, 12 Burgplatz, Düsseldorf, 1970

Marcel Broodthaers Tribute II Closure. Coffin for the Broodthaers piece 2, September 16, 2010.

CLArtVision - "Une bouteille de vin de Marcel Broodthaers" / "A bottle of wine of Marcel Broodthaers" - Liège Février/February 2011. Lors d'une vente aux enchères une bouteille de vin vide signée Marcel Broodthaers va disparaître malencontreusement le lendemain de la vente dans les poubelles de l'histoire. Explications. What happened with a bottle of wine of MB?
clartvision Marcel Broodthaers Jacques Charlier Michel LHOMME salle de ventes

Emma Crebolder, geboren in 1942 te Sint-Jansteen in Zeeuws-Vlaanderen, studeerde Duitse taal- en letterkunde. Na een verblijf van enkele jaren in Tanzania deed zij aan de universiteiten van Leiden en Keulen een studie Afrikaanse talen en Bantoeïstiek, met als hoofdvak Swahili. Crebolder woont tegen de helling van de Sint Pietersberg in Maastricht. Haar meest recente bundel: VERGETEN, Nieuw Amsterdam 2010

UN COUP DE DÉS JAMAIS NABOLIRA LE HASARD (MUSIQUE) Michalis Pichler, 2009 all the text of Stéphane Mallarmé's poem of the same name is cut out and played on an automatic piano instrument: Pianola Metrostyle Themodist The Aeolian Company, NY 1910 location: Musikinstrumenten-Museum Berlin Staatliches Institut für Musikforschung Preußischer Kulturbesitz camera & sound engineering: Michael Otto sound assistance: Misaki Kawabe, Nick Thurston www.buypichler.com ----- reference: UN COUP DE DÉS JAMAIS NABOLIRA LE HASARD (SCULPTURE) Un Coup de Dés Jamais N'Abolira Le Hasard (A Throw of the Dice will Never Abolish Chance) is a book by Michalis Pichler published 2008 in Berlin. The work is a close copy of the 1914 edition of the french symbolist poet Stéphane Mallarmé's poem of the same name, but with all the words cut out by laser, in a way that corresponds directly to the typographic layout used by Mallarmé to articulate the text*. A Preface features the entire poem written as a block of text with each line separated by a slash (/). This block-transcription of the Mallarme-Text was carried out in 1969 by Broodthaers. 12 double spreads follow, with immaculately cut out windows standing in for the text. When turning the pages, numerous shadows are being generated by the cutouts. The work is soft bound and feels quite insubstantial. The cover is a facsimile of the original cover as published in 1914 by Librairie Gallimard, with the word 'SCULPTURE' replacing 'POEME' (or 'IMAGE') in <b>...</b>
pianola aeolian company 1897 1910 1914 1969 2008 2009 visual visuelle music musique musik coup Konzeptkunst Appropriation conceptual art conceptual writing conceptual music conceptuelle Artists Book Artist Poesie Stephane Mallarme Marcel Broodthaers Michalis Pichler Conlon Nancarrow

A short black and white film based of Marcel Broodthaers' original of the same name made in 1969.

James Kalm responds to a gracious invitation from MoMA to attend the press preview of this timely exhibition. Like the coming of summer, or the swallows returning to Capistrano, the cycles in the art world have returned to focus on the practice of painting. Organized by Anne Umland, this show spotlights 50 works of art that are painting, or relate to, the question, "What is Painting?" and displays works from the museum's permanent collection. Ann Temkin, curator in the Department of Painting and Sculpture leads viewers through a brief walk-through and delivers an insightful explanation of the works. Artists represented include Philip Guston, Philip Pearlstein, Lee Lozano, AR Penck, George Baselitz, John Baldessari, Lynda Benglis, Lee Bontecou, Marcel Broodthaers, Chuck Close, John Currin, Anselm Kiefer, Sigmar Polke, Gerhard Richter, et al.
James Kalm Museum Modern Art painting Anne Umland Ann Temkin George Baselitz John Baldessari Chuck Close Currin Dumas

HIYO WWW! ITS BEEN A MINUTE, MUCH APOLO-G'S, BUT YA BOY HAD TO HANDLE SOME PHYSICAL WORLD SHIT, BUT NOW IM BACK ON MY DIGITAL EMINENCE LIKE THE BLACK MAX HEADROOM. ANYWAY, TODAY I WANT TO ENWISEN YA'LL ABOUT AN ARTISTIC PRACTICE CALLED INSTITUTIONAL CRITIQUE, ENJOY!
art thoughtz hennessy youngman PS1 New Museum the whitney ICA yerba buena LACMA MOMA andrea frasier hans haacke marcel broodthaers kanye art

Here is Always Somewhere Else is a 2008 documentary film directed by Rene Daalder and co-produced and edited by Aaron Ohlmann. The film is about the life and work of Dutch/Californian conceptual artist Bas Jan Ader, who in 1975 disappeared under mysterious circumstances at sea in the smallest boat ever to cross the Atlantic. As seen through the eyes of fellow emigrant filmmaker Rene Daalder, the picture becomes a sweeping overview of contemporary art films as well as an epic saga of the transformative powers of the ocean. Featuring work from artists Tacita Dean, Rodney Graham, Marcel Broodthaers, Ger van Elk, Charles Ray, Wim T. Schippers, Chris Burden, Fiona Tan, Pipilotti Rist and many others.
bas jan ader disappearance documentary rene daalder aaron ohlmann

Ein Film von Thomas Schmitt 1998 / 49 Min. Dr. Speck sagt: „Sammeln macht krank, verschuldet, führt zu Familienstreit und schlaflosen Nächten. - Ein Sammler, der auch nur einen Pfennig übrig hat ist kein ernsthafter Sammler. - Manche Künstler meinen, daß man sich brüskieren lassen muß, weil man mit Forderungen an sie herantritt. Das führt bis hin zu Beschimpfungen durch Künstler bei öffentlichen Anlässen. Auch diese Form der Selbstaufgabe gehört zur Passion. - Nur ein Sammler kann einen Sammler wirklich verstehen." Als ich gefragt wurde, ob ich einen Film zum Thema „Sammeln" machen wollte, dachte ich sofort an den Kölner Urologen und Sammler Reiner Speck, war ich doch voller Bewunderung für diesen Mann, der Dinge geschafft und angeschafft hat, von denen ich oft geträumt habe, aber das war's dann eben auch. Offensichtlich ein Genie im produktiven Umgang mit Zeit, von der ich, bei weit geringerem output, immer nur zu wenig habe. Ein Besessener, der mit atemberaubender Energie seine Obsessionen bedient, dabei aber stets kontrolliert und gelassen erscheint und obendrein noch ein guter Arzt sein soll. Irgendwie too much also und dabei kann man sich auch ganz normal mit ihm unterhalten, wenn auch nicht unbedingt vor der Kamera. Seit den frühen Siebzigern hat Speck eine einzigartige Kunstsammlung zusammengetragen: Werkgruppen von Beuys, Twombly, Broodthaers, Byars, Flavin, das beste von Polke und Förg, ausgesuchte Arbeiten von Trockel, Herold, Kippenberger, A. Oehlen und noch <b>...</b>
Kunstsammler Köln Büchersammler Trockel Herold Polke Beuys Twombly Broodthaers Byars Kippenberger A.Oehlen Förg Petrac Proust

Sorry about the couple of detail shots that blink by, not sure if it's my editing/compression or happening on upload, but the Artists are below in order Richard Serra Marcel Broodthaers Gustav Klimt Marcel Duchamp Pablo Picasso Jasper Johns Lee Bontecou Marcel Duchamp Claude Monet Eva Hess Meret Oppenheim Jackson Pollock Henri Matisse

CLArtVision presents the exhibition at / présente l'exposition en / präsentiert die Ausstellung im Museum / Musée Marta Herford "Asche und Gold" "Ashes and Gold" "Cendre et Or" 28. Januar - 22. April / January 28 - April 22 / 28 Janvier - 22 Avril 2012 Interviews with / mit / avec Guillaume Bijl, Igor Eskinja, Douglas Henderson Museum / Musée Marta Herford, www.marta-herford.de copyright CLArtVision (Jacques Charlier & Ute Willaert)
Asche Ashes Cendre Gold Or Jacques Charlier clartvision Marta Herford Asche und Gold Ashes and Gold Cendre et Or musée critique Museum Guillaume Bijl Filip Gilissen Marcel Broodthaers James Lee Byars Luka Fineisen Douglas Henderson Rainer Ruthenbeck Feliz Gonzales-Torres Polke Yves Klein Navid Nuur Man Ray Jürgen Stollhans Anja Ciupka Erich Reusch Lars Rosenbohm David Hammons Maik Dirk Löbbert Heinz Mack hermann devries Lawrence Wiener

www.sebastianbieniek.com Sebastian Bieniek is painting "The two, which try to make the third fit again" (2009) Sebastian Bieniek malt "Die Zwei, die den Dritten wieder fit machen wollen"
REALFAKE Buchvorstellung Bieniek performance Raymond Pettibon Shirin Neshat Dan Flavin Yoko Ono Marcel Broodthaers Hiroshi Sugimoto Günther Förg Christian Marclay Ilya & Emilia Kabakov Gabriel Orozco Liam Gillick Antoni Tàpies Tacita Dean Maurizio Cattelan Anri Sala Carl Andre Edgar Degas Willem de Kooning Lucio Fontana Frank Stella Cy Twombly Josef Albers John M. Armleder Daniel Buren Marion Ackermann 2001 Import/Export

In 1977, Plastic Bertrand started his solo career with the hit single "Ça plane pour moi", composed and written by Alan Ward and originally recorded as Jet Boy, Jet Girl by Elton Motello. He toured Canada, Japan, Australia, the United Kingdom, Scandinavia, Europe and the USA, becoming one of the few French-speaking artists to appear in the Billboard chart. He also appeared on a number of major television shows, presenting Jackpot on TF1, Destination Noël on France 2, Due Per Tutti on RAI2 and Supercool on RTBF, which he also produced. Between 1982 and 1985 he lived in Milan, and millions of Italians followed his adventures in a photo-story of which he was the star. With Daniel Balavoine and ABBA's Anni-Frid Lyngstad, he recorded Abbacadabra, a musical tale for children. In the early 1980s he appeared in movies such as Légitime Violence and the short film Baoum. Working with Vladimir Cosma, he wrote several film scores, including Astérix et la surprise de César (Asterix Versus Caesar). In 1987 he represented Luxembourg in the Eurovision Song Contest with the song "Amour Amour". This failed to impress the juries, however, scoring only 4 points and placing 21st out of 22 entries. During the 1990s Bertrand explored other facets of music, including songwriting and producing, and also recorded the album Suite Diagonal for Sony in 1994 with Jacques Lanzmann. Forming the company MMD with Pierrette Broodthaers, he produced two albums for David Janssen, an album of classic music <b>...</b>

In 1977, Plastic Bertrand started his solo career as the credited artist of the international hit single Ça plane pour moi, though in fact the song had been sung and produced by its composer Lou Deprijck with the engineer Phil delire for RKM/Vogue at Studio Morgan in Brussels. Plastic Bertrand received only 0.5% of the song's royalties. Ca Plane Pour Moi would be further adaptated in English as Jet Boy, Jet Girl by Elton Motello (aka Alan Ward). Plastic Bertrand toured Europe, Japan, Australia and North America with Lou Deprijck, becoming one of the few French-speaking artists to appear in the Billboard chart. He also appeared on a number of major television shows, presenting Jackpot on TF1, Destination Noël on France 2, Due Per Tutti on RAI2 and Supercool on RTBF, which he also produced. However, the first 3 albums of Plastic Bertrand were in fact entirely sung in studio by Lou Deprijck and not by Roger Jouret. Between 1982 and 1985 he lived in Milan, and millions of Italians followed his adventures in a photo-story of which he was the star. With Daniel Balavoine and ABBA's Anni-Frid Lyngstad, he recorded Abbacadabra, a musical tale for children. In the early 1980s he appeared in movies such as Légitime Violence and the short film Baoum. Working with Vladimir Cosma, he wrote several film scores, including Astérix et la surprise de César (Asterix Versus Caesar). In 1987 he represented Luxembourg in the Eurovision Song Contest with the song "Amour Amour". This failed to <b>...</b>
Television Radio & Films Rock N Roll 1950's 1960's 1970's 1980's 1990's australian archive australian documentary

Erste Blicke auf unsere "Frisch Ausgepackt"en Werke mit Roland Nachtigäller. Die Ausstellung ist Teil des Großprojektes "Kraftwerk Depot vom 8. Oktober 2011 bis 8. Januar 2012 im Marta Herford. mit/with: Matthew Barney, Robert Barry, Joseph Beuys, Marcel Broodthaers, Franky Deconinck (DC), Loek Grootjans, Luise Lawler, Pierro Manzoni, Dieter Roth, Ulrich Rückriem, Wilhelm Sasnal, Oskar Schlemmer, Nedko Solakov, Pascale Marthine Tayou, Gavin Turk, Jan Vercruysse, Lois Weinberger ua Ein Film von Ivo Tödtmann
Marta Herford Roland Nachtigäller Joseph Beuys Nedko Solakov Pascale Marthine Tayou Dieter Roth

Vicente Rojo habla sobre "Mudanza", libro de Verónica Gerber Bicecci en la Feria Internacional del Libro de Guadalajara 2010
Auieo Autoria Ditoria Marcel Broodthaers Sophie Calle Ulises Carrión Verónica Gerber Bicecci Vito Acconci Öyvind Fahlström Vicente Rojo FIL

Exhibition inspired by the film La Jetée (1968) by Chris Marker with source footage from Collection: MOCA's First Thirty Years at MOCA Grand, LA.
La Jetée MOCA Lee Bontecou Dan Flavin Jack Goldstein Eva Hesse Guy de Cointet Franz Kline Bruce Nauman Nancy Spero Marcel Broodthaers Andy Warhol

Más vídeos en http:://www.arte10.com. Polifacética y compleja, la obra de René Daniëls (Eindhoven, Holanda, 1950) reactiva y reformula algunos elementos clave de las vanguardias históricas, tratando de vincular las artes visuales con la literatura y la vida cotidiana. En su trabajo desempeñan un papel fundamental la ironía, la ambigüedad y los dobles sentidos, a la vez que se desbordan las fricciones entre abstracción y figuración, entre realidad y representación. Más cercano a René Magritte, Francis Picabia, Marcel Duchamp oa Marcel Broodthaers que a los artistas neoexpresionistas de la década de los ochenta -con los que a menudo se le ha asociado-, Daniëls concibe la pintura como veladura, como un juego de apariciones y desapariciones, al tiempo que considera que la obra de arte no puede desligarse de su contexto social y que el artista tiene que huir de cualquier tentación de hermetismo y ensimismamiento. Sus pinturas, cargadas de alusiones irónicas y referencias cruzadas que se van desvelando tras una observación minuciosa, son intrigantes y evocadoras. En estas, René Daniëls, que siempre intentó que su trabajo se mantuviera abierto a la interpretación en tantos niveles como fuera posible, juega con el lenguaje y la poesía, con la tensión entre figura y fondo, con la opacidad y la transparencia, logrando crear una atmósfera irreal y familiar, que desconcierta y cautiva a la vez. Son pinturas apelan a la imaginación y guardan un vínculo común: tan importante es aquello <b>...</b>

more info: museesansmusee.wordpress.com museumzondermuseum.wordpress.com 8 ème rassemblement contre la fermeture du Musée d'art moderne de Bruxelles 8ste samenkomst tegen de sluiting vant het Museum voor moderne kunst in Brussel action et performance: réalisation de faire-part de disparition pour le Musée d'Art moderne de Bruxelles dépôt de fleurs performance de "MIREIO" déroulant les noms des artistes dont les œuvres ont disparu au fond de l'institution !!
Art Museum Bruxelles Brussels Musée d'art moderne kunst painter Mont des Arts peinture perfomance installation fermeture Arman Byars Broodthaers Klee Magritte Kawara Matisse Miro Panamarenko Picasso Swennen Villers architecte Bastin

Hand and Process Series se compose de : Hand Catching Lead, de Richard Serra, 1968, 3' Dans son insistence sur l'acte constitutive lui-même, le film produit une image de que l'on a appelé "pur procédé" à la fin des années 1960. Cependant, dans la mesure où cette action est pulsionnelle, composée de battements réguliers, elle crée aussi cette sorte de sérialité spéciale que Donald Judd a décrite comme "juste une chose après l'autre", dans une célèbre explication de la structure de son propre travail. » -- Rosalind Krauss Hands Scraping, de Richard Serra, 1968, 3'50" Hand Lead Fulcrum, de Richard Serra, 1968, 2'30" La Pluie, de Marcel Broodthaers, 1969, 2'15 www.centrepompidou.fr