Le migliori parate di Gianluca Curci
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Tour the flagship location in St. Petersburg with Bonefish Grills founder Tim Curci, and discover why Bonefish Grills signature culture permeates through its food, people and atmosphere. www.bonefishgrill.com
Bonefish Grill Tim Curci Restaurant Dining Out Food Seafood Fish Bang Shrimp St. Petersburg Florida Videos
Lovely recording of "Love's Old Sweet Song" by James L. Molloy. Galli-Curci also made an electrical recording of this tune in 1928. Victor recording, June 1, 1923.
Tutti i gol subiti da Gianluca Curci nella stagione 2010/11. In questo video sono contenuti i gol subiti in Serie A, nel Preliminare di Champions League e in Europa League. [Mancano i gol di Sampdoria-PSV, a breve verranno inseriti, e le ultime tre giornate di Serie A non ancora disputate] Clicca Mi Piace & Condividi ! Seguimi su Facebook www.facebook.com Seguimi su Twitter twitter.com
Violetta/Alfredo duet from the final act of Verdi's "La Traviata". The commentary for "Un Di Felice" would also apply here. Victor recording, September 17, 1924.
Galli-Curci Schipa Coloratura Soprano Tenor opera Verdi Traviata eblackadder
A sweet performance of an old, familiar song composed by HP Danks. Victor recording, September 12, 1923.
Classic recording of the famous "Lucia Sextet" featuring Galli-Curci, Caruso, Minnie Egener, Giuseppe De Luca, Angelo Bada and Marcel Journet. Photograph taken outside of the Victor Talking Machine Company in Camden, New Jersey on January 25, 1917 prior to the sessions for this recording and the Rigoletto Quartet. Left to Right: De Luca, Galli-Curci, Caruso, Flora Perini, Bada and Egener. Marcel Journet is absent from the photo.
Galli-Curci Caruso De Luca Lucia sextet Donizetti eblackadder
Galli-Curci's beautiful recording of Giordani's popular 18th century Italian song. Victor recording, June 14, 1917.
Amelita Galli-Curci (1882.11.18 -- 1963.11.26), one of the best regarded operatic coloratura soprano of the early 20th century, sings "The Last Rose of Summer". Recorded for Victor in 1927. Piano accompanied by Homer Samuels. Played on my Numark Machine.
Amelita Galli-Curci Last Rose of Summer 78rpm 1927 transforming Art
Amina's aria from act 1 of the Bellini opera. Galli-Curci was proud of her recordings of Bellini and Donizetti, it's not difficult to understand why. Victor recording, June 22,1920.
Galli-Curci coloratura soprano Bellini Sonnambula eblackadder
Amelita Galli-Curci and Tito Schipa, two exemplars of bel canto singing, perform the simple, lovely, lilting and innocent duet "Tell me once more that you love me," from Donizetti's comic masterpiece "Don Pasquale.
Galli Curci Schipa Don Pasquale opera Tornami dir che m'ami Donizetti Edmund St Austell
Verdi, Rigoletto, act I, Gilda. enr 02-02-1917. en.wikipedia.org
Verdi Rigoletto Caro nome Gilda Amelita Galli-Curci jacquesurlus
Another "Bird Song" by Sir Julius Benedict. Joan Sutherland was quite fond of this tune, probably because of this very recording. Galli-Curci's performance is far lovelier than any of the performances I have heard of this piece from Dame Joan. Victor recording, May 12, 1927.
Galli-Curci in a very lovely performance of Tosti's "La Serenata". Victor recording, May 6, 1926.
Galli-Curci coloratura soprano serenata canzone Tosti eblackadder
It is unfortunate that Galli-Curci's vocal decline coincided with the birth of electrical recording, so nearly all of her electrical remakes of earlier acoustic recordings are inferior. However, taken by themselves, Galli-Curci's electricals still yield much pleasure and are important documents of one of the most unique and beautiful voices ever preserved on records. Her May 13, 1927 Victor recording of "Caro Nome" from Verdi's opera "Rigoletto" is heard here.
Amelita Galli-Curci Verdi Rigoletto Caro Nome Coloratura soprano eblackadder
Galli-Curci performs Alexander Albiev's "Russian Nightingale". Victor recording, December 13, 1927.
A request. Amelita Galli-Curci singing Home Sweet Home for Victor in 1917.
THIS PROJECT IS RESERVED ONLY FOR THE GREATEST! Do you agree with my choice? Please comment! Amelita Galli-Curci, Soprano (1882-1963) Vincenzo Bellini - I Puritani Qui la voce (Recorded 1917) My personal opinion: A lyrical Soprano of unusual virginally sound. Her tone was pure and crystal clear. Her Coloratura was that from a Nightingale. She was born to sing Gilda or Lucia - if you like to see in this characters a young fragile girl. PLEASE NOTE THIS RECORDING WAS MADE BEFORE THE ELECTROACOUSTIC ERA.
Amelita Gallic Curci Bellini Callas Coloratura Köth Sills 100 Singers
Acoustic recording of Philine's aria from Act 2 Thomas' opera "Mignon". While Gall-Curci's 1928 recording of this aria is fine, this version is finer still. Victor recording, September 4, 1919.
Galli-Curci coloratura soprano Migon Polonaise Io son Je Suis Titania Philnie Filina eblackadder
Galli-Curci and De Luca sing the Violetta/Germont duet from the Verdi opera "La Traviata". I prefer this electrical version over the acoustic recording the pair made of this duet in 1918. Victor recording, December 16, 1927.
coloratura soprano baritone Galli-Curci Traviata Verdi eblackadder
Composed by John B. Dykes. Another old hymn beautifully sung by Galli-Curci. Victor recording, December 22, 1925.
Another electrical remake of a classic Galli-Curci acoustic recording. Composed by Sir Henry Rowley Bishop. Victor recording, December 15, 1927.
Amelita Galli-Curci Lo here the gentle lark bishop coloratura soprano eblackadder
Act 1 duet between Gilda and Rigoletto. Victor recording, December 16, 1927.
Galli-Curci De Luca Rigoletto opera Giudeppe Verdi eblackadder
For tribute to the one and only Freddy Curci and the band Sheriffs and Alias. When im with you-Alias I never needed love Like I need you And I never lived for nobody But I live for you Ooo babe Lost in love is what I feel When I'm with you Maybe it's the way you touch me With the warmth of the sun Maybe it's the way you smile I come all undone Ooh babe Lost in love is what I feel When I'm with you Baby oh I get chills when I'm with you, wo-o wo-o Oh baby my world stands still when I'm with you When I'm with you I never cared for nobody Like I care for you And I never wanted to share the things I want to share to with you Ooo babe Lost in love is what I feel When I'm with you Baby oh I get chills when I'm with you, wo-o wo-o Oh baby, my world stands still when I'm with you, wo-o wo-o Baby oh I get chills when I'm with you, wo-o wo-o Oh baby, my world stands still when I'm with you When I'm with you When I'm with you When I'm with you
At fellow YT Galli-Curci aficionado Meltzerboy's request, here is the acoustic version of the Proch Air and Variations. Victor recording, September 13, 1917.
Amelita Galli-Curci Air And Variations Deh Torna Mio Bene Heinrich Proch Coloratura soprano eblackadder
Galli-Curci sings the Rossini-Pepoli song "La Danza" (Tarantella Napolitana). Victor recording, March 28, 1930.
Galli-Curci La Danza Rossini Italian coloratura soprano Enrico Caruso eblackadder
My favorite of the three versions Galli-Curci and Schipa made of this lovely duet from the Donizetti opera. Victor recording, September 6, 1928.
Amelita Galli-Curci Tito Schipa Donizetti Don Pasquale opera coloratura soprano tenor eblackadder
Galli-Curci sings the coloratura specialty from the Massenet opera. Melba made popular recordings of this aria, but Galli-Curci is superior on all counts. Victor recording, September 13, 1923.
Recorded during her final group of recording sessions in September 1930, Galli-Curci sings this aria very well. Her diminished breath control is evident and her high notes are a bit shaky, but her tone is still beautiful. Joan Sutherland also recorded this aria, but I'll take Galli-Curci any day. Victor recording, September 5, 1930.
Galli Curci L'etoile du Nord Star Of The North Aria with two flutes Meyerbeer coloratura soprano eblackadder
For "meltzerboy" / Italian coloratura soprano Amelita Galli-Curci (1882-1963) / Echo song (Bishop) / Clement Barone - flute / Recorded: September 8, 1921 --
Italian Coloratura Soprano Amelita Galli-Curci Acoustic 78 rpm curzonroad Curzon Road
Galli-Curci in another recording of a popular song from a Victor Herbert operetta. "Orange Blossoms" premiered in 1921. Victor recording, September 13, 1923.
It is unfortunate that Galli-Curci's vocal decline coincided with the birth of electrical recording, so nearly all of her electrical remakes of earlier acoustic recordings are inferior. However, taken by themselves, Galli-Curci's electricals still yield much pleasure and are important documents of one of the most unique and beautiful voices ever preserved on records. Her December 15, 1927 Victor re-recording of "Una Voce Poco Fa" from Rossini's opera "Il Barbiere Di Siviglia" is heard here.
Amelita Galli-Curci Barber of Seville Barbiere di Siviglia Una Voce Poco Fa Rossini coloratura soprano eblackadder
Italian Coloratura Soprano Amelita Galli-Curci (1882-1963) / Lo, Here the Gentle Lark (Bishop) / Manuel Berenguer - flute / Recorded: October 4, 1919 Lo, here the gentle lark ~ William Shakespeare (1564-1616), from "Venus and Adonis" / set to music by Henry Rowley Bishop (1785-1855) Lo, here the gentle lark, weary of rest, From his moist cabinet mounts up on high, And wakes the morning, from whose silver breast The sun ariseth in his majesty; Who doth the world so gloriously behold That cedar-tops and hills seem burnish'd gold. Venus salutes him with this fair good-morrow: 'O thou clear god, and patron of all light, From whom each lamp and shining star doth borrow The beauteous influence that makes him bright, There lives a son that suck'd an earthly mother, May lend thee light, as thou dost lend to other.' ******************************
Italian Coloratura Soprano Amelita Galli-Curci Acoustic 78 rpm curzonroad Curzon Road
Heard in Flowtow's opera "Martha", but actually composed by Sir John Stevenson from the Thomas Moore poem. Victor recording, September 10, 1921.
Amelita Galli-Curci coloratura soprano opera last rose of summer Martha eblackadder
What can one say? This electrical re-recording of the Waltz from Gounod's Romeo and Juliet doesn't approach Galli-Curci's bejeweled 1917 acoustic recording. Her waning breath control is quite audible here and her usually beautiful phrasing is almost absent. At times, she sounds as if she simply doesn't care. This almost sounds like a rehearsal rather than a serious attempt to record a usable take. Small wonder this was not issued at the time. Still, a poor Galli-Curci recording (there aren't many) is better than none at all! Victor recording, December 13, 1928.
Galli-Curci Romeo et Juliette Valse waltz Gounod opera Coloratura soprano eblackadder
