In this episode of Live @ Tainted Blue, electronic music producer and Azuli Records artist Biboulakis talks about his production work flow. For this project Biboulakis needs to record live piano parts. Recording Engineer Louie Follo is at hand to help capture the tonal characteristics of a restored Steinway & Sons baby grand piano. Learn about the microphones used during the session and how their placement can affect the end tone and character of the final recording. To listen to more of Biboulakis music visit:soundcloud.com Live @ Tainted Blue is an episodic web series documenting life in a state of the art recording studio in Times Square, New York City. The series features audio technology and music production quick tips from the Tainted Blue team, music performances as well as lifestyle and cultural segments that give you insight into the contemporary music industry community. Learn more about Tainted Blue Studioswww.taintedblue.com What microphone choice and placement do you prefer when recording acoustic instruments?

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Electronic music production workshop with Gregor Zemljič.

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Discover YOUR workflow through Pyramind training.

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Seriously, if you're even remotely interested in creating electronic music then you NEED this app.

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Excerpt from 'The Studio-X Guide To Producing Electronic Music'. Head to www.officialstudio-x.com for more information.

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Check out "The Trance Experience". It's an OpenMix™ dance music education, with 5 DVDs that you can pop in your computer and upload onto your DAW—whether you use Pro Tools, Sonar, Cubase, Logic, Digital Performer, Nuendo, even GarageBand. Author/DJ Torsten Fassbender is known in the dance world for his Blank & Jones and PPK remixes as well as his own Wellenrausch project. He gives insider tips and secrets about producing, mixing and remixing electronic dance music. He also breaks down all the genres from club mix to chillout.

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Learn more at www.dubspot.com One of the original Ableton Certified Training Centers in the world, Dubspot has become the premier music school for experienced and aspiring artists alike. Just as importantly, Dubspot is an ever-growing community of musicians, DJs, visual artists, audio professionals, veteran producers and enthusiasts of all genres who share one thing — A genuine passion for music.

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While in LA D. Ramirez filmed a 6 part Masterclass Music Production Tutorial Video at Icon Collective. In the videos D. Ramirez takes you through the whole process of creating a track from scratch - finding inspiration, putting down ideas, creating beats, working with synths, basic vocal production, arrangement and final mix-down. The videos are split into 6 parts (around 40 mins each). The part creating beats we invited Steve Duda to show us his new drum plug-in Nerve and we manipulated all the beats in Nerve and there's also a little run down of the plug-in's features etc. For an open discussion with D. Ramirez come to the "D. Ramirez Electronic Music, Music Production and DJ Forum." www.dramirez.com

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This is part 1 of a 10 hour long high definition tutorial video series on how to write electronic music, from scratch! All aspects are covered.... basic and advanced synthesis... sampling... progression... mixing... everything is explained in depth as I construct a tune while you watch. I talk to you like your sitting next to me, thinking out loud, cracking jokes and moving at the right pace, rather than focusing on boring shit. My goal is to get you producing good music as fast as possible. I've been performing electronic music around the world for years, and have much experience in production and the electronic music industry, I'm not just some guy who knows how to use a computer. The rest of this series is available to special members of my personal website, you can check it out here. www.cosm.co.nz Enjoy

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This Kick Bass Bounce tutorial shows you how to create a fat, wide sounding synth bass by splitting your synth bass into a sub, mid, and a highs that gets spread for stereo width without losing definition. There are a lot of cool techniques that are shown as well as some EQing techniques. To do musical cuts and boosts search online for a note to frequency chart and keep this around when you mix. Check out: www.kickbassbounce.com for more tutorials and wisdom on producing electronic music!

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Peter Zinovieff's pioneering work into the fields of electronic music production and research led to many innovative electronic music instrument developments that were outstanding for the time. Peter was fascinated by electronic music and used his financial resources to develop a huge voltage-controlled studio that occupied an entire room in his home premises. There was a time when EMS (Electronic Music Studios) stood as equal to Moog and Arp. In many ways, EMS was more advanced with several pioneering ideas being investigated. Peter used two PDP8 minicomputers in the late 1960s to control the voltage-controlled analogue modules for research into electronic music exploration. Twenty years before affordable computing and sequencing packages, Zinovieff's computers could store and replay compositions, complete with sound shaping parameters even inventing a form of spectral or additive synthesis. Excerpts are edited from the television documentaries "What the Future Sounded Like" and "The New Sound of Music" featuring the first public performance of music by a computer in the Queen Elizabeth Hall in 1967. The spirit of EMS continues, and Peter's synthesizer innovations like the VCS3 and Synthi 100 have become outstanding analogue classics.

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A tutorial showing how to make a nice progressive house chord sound similar to the great- deadmau5. If you have any questions at all just fire away! Follow me: facebook.com/ryan.enzed.nzmusic101 soundcloud.com/ryan_enzed_nzmusic101 I have made a new video of this exact tutorial which i think might be a bit better??? Please subscribe and i will continue to make lots more tutorials! :-)

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Hi electronic music lovers out there. I want to give you a little view behind the scenes of our music productions. This project is very special in this case! We got a little discussion with some guys about music production and what programs suits. After talking about the usual progs like, Cubase, Logic, Ableton those guys really said... FL Studio won´t fit in this case of professional music production software..... Have to say we also use other progs the main time because of several reasons but not because of the widely spread myth "FL Studio got a bad audio quality"...! Because I´ma "FL Studio lover" of the early days (I would never had started making music without FL), and this "MYTH" I want to prove the power of this program to those who got no idea what they are talking about and also to check our producing skills! So we decided to produce this whole track in FL Studio ONLY this time! If you know how... there is no problem of creating professional music with FL. Wish you much fun with "Spiky (Session One Mix)" Andy Finn & Nick Sunchild

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While in LA D. Ramirez filmed a 6 part Masterclass Production Tutorial Video at Icon Collective. In the videos D. Ramirez takes you through the whole process of creating a track from scratch - finding inspiration, putting down ideas, creating beats, working with synths, basic vocal production, arrangement and final mix-down. The videos are split into 6 parts (around 40 mins each). The part creating beats we invited Steve Duda to show us his new drum plug-in Nerve and we manipulated all the beats in Nerve and there's also a little run down of the plug-in's features etc. For an open discussion with D. Ramirez come to the "D. Ramirez Electronic Music, Music Production and DJ Forum." www.dramirez.com

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www.sonicacademy.com - The second in a series of Ableton Live music production training videos available in full at SonicAcademy.com. In this tutorial we'll show you how to create a bass line for your track.

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Witness the revolution... "Music is important because it conveys emotions, memories, and descriptions in ways that nothing else can. elecTONIC, the student electronic music club at UC Berkeley, derives its name from the combination of electronic music and the tonic, the first note of a musical scale. Our mission is to be the first step for electronic music at UC Berkeley. We share aspects of this diverse genre of sound with our diverse university campus. We also carry forward the Peace, Love, Unity, and Respect (PLUR) principles intrinsic to the music. Finally, we support anyone interested in endeavors in music. To meet our goals, we bring together like-minded individuals interested in anything about electronic music. Those curious about new music or even old music are encouraged to read our weblog, and come to meetings to meet amazing people. Do you want to help music reach the ears and hearts of all your friends and the world? We want to, too! To those who are pursuing musicality and artistic endeavors, let's join together and help each other succeed. What exactly do we do? Think dance events, music production tutorials, music swap night, glowsticking and dance workshops, and more. And the best part is if you have any awesome idea we can make it happen together!" - electonic.us

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Native Instruments' Maschine is fast becoming the weapon of choice for producers worldwide due to it's fast workflow and physical interface that brings instant musical gratification to computer-based music production. Maschine combines the strengths of a DAW with the flexibility of MPC-style sequencing and the massive sound library that Native Instruments has been developing since the company's inception in 1996. NI introduced a massive upgrade to the platform this spring with the release of Maschine 1.6 - an update that added more sounds, functionality and flexibilty for producers. Read more - bit.ly The most significant feature to come with Maschine 1.6 is support for third-party plugin hosting which allows you to use VST and AU plugins as individual sound sources and effects in your Maschine project. It also incorporates some of Kore 2's functionality for combining plug-ins which allows for creative sound design possibilities. Layering synth sounds is a fundamental part of sound design and an essential production technique in electronic music. Read more - bit.ly

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More info - bit.ly In September, Dubspot had the wonderful pleasure of hosting a live streaming workshop with Create Digital Music's Peter Kirn and Martin Kaltenbrunner of Reactor. Developed in Spain by Austrian and Spanish music and media technologists, Reactable is a musical instrument that is changing the way modern electronic music is produced and performed. In this video recap of the live webcast, Peter Kirn asked the necessary question "what makes this an instrument?" and Martin Kaltenbrunner answered that question with a demonstration using Reactable's tangible and intuitive interface to create and manipulate sounds on the fly. Furthermore, Peter and Martin talked about interface design, music technology, production and performance of electronic music without a computer, and much more.

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Subscribe - youtube.com This is a mix of 2 new tracks i produced recently. Hope you enjoy, and give me some feedback :) Download Mystik [Original Mix] @ www.gkoot-electronic.com Buy my Excuse track @ www.tooclashrecords.com

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www.sonicacademy.com Music Production For Beginners Using Ableton Live Module 1 'Creating a drum beat' Creating a drum beat using samples, MIDI and the Impulse machine. Topics Covered Session set up File Browser Window Impulse Machine MIDI Clip Windows MIDI sequencing Creating Drum Beats Drum Samples To view the full course visit www.sonicacademy.com

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Free Mp3 download @ soundcloud.com This track will shortly be taken down from all sites since it will be re-released in 2012. Like my music on Facebook: on.fb.me :) This track has been traveling a bit until it got published... I came up with the idea of it in Dubai (UAE), produced it in Cyprus during summer 2010, got the background vocals recorded in the Netherlands and finally published it back in Sweden. Enjoy and take care! /Audio Hills Background vocals: Daniëla Torlentino Mastered by: www.audiomastering.nl

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Start making beats today with Cakewalk Kinetic. Get all the power of a hardware studio inside of your computer. Kinetic is simply the fastest and easiest way to create electronic music, even if you have no musical background.

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MIDIhead (Michael) takes you through a quick, 5 minute tour on creating an "electro" style synth bass with Trilian from Spectrasonics

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For more info, please visit Dubspot Blog bit.ly Dubspot Electronic Music Production Instructor, Synthesis & Sound Design and Logic expert Evan Sutton shows you how to navigating various effects parameters of Native Instruments powerful sampler Kontakt, and offers tips and techniques for transforming irregular audio samples into rich, harmonic, musical materials. Kontakt 4 already contains a vast and diverse library of samples for you to utilize, but here Even demonstrates how to morph a peculiar vocal sample - by editing, slicing, time-stretching, pitch-shifting, and syncing - transforming it into various elements for musical composition.

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For more information, please visit: bit.ly In this week's Ableton Live tutorial, Professor Nalepa shares some tips on using the built-in Beat Repeat effect. Beat Repeat is great in the studio for creating interesting drum fills. Using a simple drum loop, Nalepa demonstrates how Beat Repeat works, re-sampling the effected audio with all of its random variations, then mining those parts to give new life to your drum arrangements. He also shares a live performance technique using MIDI Mapping and the Beat Repeat's Pitch Decay control.

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For more info - bit.ly In this video Native Instruments product specialist Matt Cellitti, explains and demonstrates how to use Maschine to control Ableton Live and simultaneously as a plugin inside the software. Together Maschine and Ableton are a powerful combination for production and performance. Cellitti starts by showing us how to load the Ableton Live template that can be accessed via Maschine's hardware or Native Instruments bundled Controller Editor software. He then goes into detail of how Maschine can be used to trigger clips, scenes and FX as well as control other parameters such as individual track volume. After this, he explains how to switch Maschine to a standard MIDI controller within Ableton to program and perform new drum parts and synth lines, all without stopping the music in Ableton Live.

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For more, please visit Dubspot's blog bit.ly Inspired by a recent studio session with the legendary producer Photek, Dubspot Instructor and electronic music producer Professor Nalepa shares some techniques for preparing your live set for DJing, live performance and DJ mixes in this week's Ableton Live tutorial. In particular, using recent remixes of his own tracks by Salva and St. Andrew, he shares some useful advice on warping your tracks properly, a few tricks for setting up your live performance document, and some ideas to incorporate when making a DJ mix.

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While in LA D. Ramirez filmed a 6 part Masterclass Music Production Tutorial Video at Icon Collective. In the videos D. Ramirez takes you through the whole process of creating a track from scratch - finding inspiration, putting down ideas, creating beats, working with synths, basic vocal production, arrangement and final mix-down. The videos are split into 6 parts (around 40 mins each). The part creating beats we invited Steve Duda to show us his new drum plug-in Nerve and we manipulated all the beats in Nerve and there's also a little run down of the plug-in's features etc. For an open discussion with D. Ramirez come to the "D. Ramirez Electronic Music, Music Production and DJ Forum." www.dramirez.com

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A brand new production from Justice. This is not fake, it's REAL!!! It's from Birdy Nam Nam's new vinyl Manual for Successful Rioting. Dowloand link right here: theburpedsneakers.blogspot.com ET JUSTICE POUR TOUS!!!!

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Check out blog.dubspot.com for more goodies... In this video series Dubspot Instructor and Ableton Expert STEVE NALEPA takes us step by step through the process of creating a dubstep style track in Ableton Live. Starting with a basic beat, in this video he uses the Impulse instrument to make a basic beat and then shows some tips on how to make it more interesting. Be sure to check out parts two and three in the series to watch the track take shape. Was this helpful to you? Do you have questions? Leave us a comment below!

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Great sounds in electronic music often do not stem from one killer source. Rather, they result from blending many small elements into what becomes a singular sound. In this video, Brian demonstrates how Trifonic applies a "call and response" layering technique to create bass lines using multiple bass tracks. PS The music you hear in the video is from Trifonic's remix of Hecq's forthcoming track "With Angels." www.trifonic.com http www.hecq.de

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For more info, visit Dubspot blog - bit.ly In part two of this Ableton Live tutorial series on creative composition and production techniques, Professor Nalepa shares some great tips for drum programming and sequencing he picked up from fellow Dubspot Instructor, producer Matt Shadetek. It is a simple and efficient technique you can apply using any software or drum machine to get your ideas down fast when you're inspired. This method involves creating a linear 2, 4 or 8 bar drum pattern, duplicate it, and add some variations - the key is making sure something interesting is happening every 4 or 8 bar. This is a fundamental lesson in drum programing for all electronic music genres; add variations from bar to bar, even if they're slight and subtle changes; avoid sounding loopy.

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www.zirconmusic.com for FREE tutorials, FREE music, albums sounds and more! What is sidechaining compression, and how do you do it in FL Studio 9? If you want to make any kind of electronic music, you should learn these things, and this quick video answers both questions. The new method of sidechaining in FL 9 is far superior to the old one, so if you're still using the old-and-busted Peak Controller method, get up to speed!

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More info - bit.ly In this tutorial, Dubspot Electronic Music Production and Sound Design Instructor Evan Sutton will demonstrate two techniques for sidechain compression in Logic Pro in the context of dance pop production. These techniques can be used in a number of different musical contexts, and can be even more handy when made part of a Logic template. The first technique will involve simple ducking of a bass in order to make room for a kick drum. When mixing, subtractive equalization is very important to make sure that there is room for all of the sounds, and that they're not clashing. With this technique, we can have sounds share a particular frequency range, while also creating some interesting rhythmic effects. The second technique uses an instance of Ultrabeat with the sequencer turned on, to create a ghost sidechain. In some cases, you may want to create a rhythmic ducking effect, even though there is no other instrument useful as a sidechain. That's where this trick comes in, and it's simple to build into templates. Ultrabeat's unique features make this one possible. Simple automation can create a transition between rhythmic ducking, and no ducking, so as to create a dynamic, evolving sound. These two compression techniques are grounded in principles that are portable to all DAWs and compressors, but Logic's unique interface, and features like Ultrabeat's sequencer make it perfect for use with alternate and unique routings.

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Check out this video of Cyndi Seui which is a Electronic Producer and Performer from Smallroom Music Label in Bangkok, Thailand....5years of intense werk life in Advertising music production, Music album, and his very own album.....Micro Bitz Life....Overall....Cyndi Seui is an imaginery faminent expressing her music in french and Japanese

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www.facebook.com www.youtube.com soundcloud.com twitter.com www.myspace.com Phonokol is proud to announce the upcoming 2nd studio album release from one of the most promising acts to hit the scene, the multi talented Twina. This top notch producer which combines a vast knowledge of music in all its forms and a profound understanding of the electronic music production process has channeled all his abilities into his Twina project, to our great satisfaction. Coming right at ya, Twina's 'Secret Identity' is a leap forward in time positioning this album in its rightful place as a must have CD for every Dj. This album contains a few collaborations with California Sunshine, PsySpam (aka Erez ITP), Domateck, Synsun and Elik (selective memory). From the first track you are bombarded with powerful and alternating baselines, rhythmic diversity and richness of sound which creates a Stadium like atmosphere aimed to influence the masses and join them together in this ancient trance ritual deriving its essence from the pure psychedelic experience in all of us. When all this is met with full on dance floor elements and a sense of a moving train in supersonic speeds, you are left with no other choice than dance till you drop. PsyTrance 2010 ,Psytrance 2011 rave, psytrance music soundcloud.com www.myspace.com www.facebook.com www.youtube.com psytrance,trance

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For more info - bit.ly In this new video tutorial titled To Waveshape the Future, Dubspot instructor and electronic music producer Chris Petti shows you how to create a WaveShaper Combinator effect patch from scratch using Propellerhead Reason's powerful synthesizers Malström and Thor. First, Petti starts with a fully-built WaveShaper effect patch plugged into to the output of Thor (which is generating an unprocessed sine wave) with a series of real-time controls mapped to Combinator. When the WaveShaper is engaged, the unprocessed sound is transformed dramatically. Then, in a step by step process, Petti demystifies the method he used to create the effect patch and shows you how to build your own WaveShaper effect from scratch, utilizing with a blank combinator patch. At the end of the tutorial you should have a good grasp of how to Wave Shape (process, bend, twist, or modify) any incoming sound and make the lead elements in your tracks more effective and lively.

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Read an article by John Selway and find out more here: bit.ly In the first installment of Techno Fundamentals, electronic musician and Dubspot Instructor John Selway explains and shows you how to create interesting, deep, and lush bass sounds with Ableton Live's versatile software instrument Operator.

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www.TranceMusicMastery.com Video tutorial on creating rolling basslines using Ableton Live and Native Instruments Massive. Bass patch is from 7Skies Massive Soundset available at http Kick sample from Sounds of Revolution Club Revolution Vol. 1. available at www.sounds-of-revolution.com Please visit www.TranceMusicMastery.com for more tips, tutorials, and techniques you can use to produce trance music. Midi files for the sequences created in this video are available at http

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Artist/Title: Mathew Jonson | Learning To Fly Catalogue No.: MINUS108 Label: MINUS Format: 12", MP3, WAV Distribution: Beatport / M-nus.com / WordAndSound Barcode: 815349011118 Release Date Physical: June 13th, 2011 Release Date Digital: June 15th, 2011 There are few artists at work in electronic music today with a sound as unmistakable as Mathew Jonson. The Vancouver producer has been steadily turning out some of the most inspiring electronic compositions of the past decade, beginning with his debut 12" for Canadian imprint Itiswhatitis Recordings in 2001, with a career taking in releases on Minus, Perlon and Kompakt - along with a steady output on the Wagon Repair label he co-founded in 2005, and numerous related side projects including Cobblestone Jazz, The Modern Deep Left Quartet and Midnight Operator (alongside his brother Nathan aka Hrdvision). Learning To Fly will be Jonson's second release on Minus, following 2004's Decompression EP - the release that truly launched him on the international stage and laid out a blueprint for his ever-evolving style, one that manages to consistently explore new territory whilst maintaining the aesthetic that makes his productions distinct from every other artist working today. Learning To Fly is arguably one of the most exciting singular works of Jonson's career, recalling his first Wagon Repair release: 2005's Marionette, a record that continues to inspire cultish devotion six years after its release and thoroughly deserves every <b>...</b>

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While in LA D. Ramirez filmed a 6 part Masterclass Production Tutorial Video at Icon Collective. In the videos D. Ramirez takes you through the whole process of creating a track from scratch - finding inspiration, putting down ideas, creating beats, working with synths, basic vocal production, arrangement and final mix-down. The videos are split into 6 parts (around 40 mins each). The part creating beats we invited Steve Duda to show us his new drum plug-in Nerve and we manipulated all the beats in Nerve and there's also a little run down of the plug-in's features etc. For an open discussion with D. Ramirez come to the "D. Ramirez Electronic Music, Music Production and DJ Forum." www.dramirez.com

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www.zirconmusic.com - Subscribe and Like if you enjoyed this! Check out my 310+ Zebra 2 patches at bit.ly Zebra 2 available exclusively at: www.u-he.com I love synths like Massive, but it's a little known fact that Zebra 2 can make equally amazing dirty bass sounds. In this tutorial I'll show you how to use things like custom wavetables, oscillator FX, modulation, XMF and VCF filters to create your own patches from scratch, perfect for genres like dubstep, big beat, electro house, etc. Hope you enjoy. Feel free to ask questions, and if you want to learn more about Zebra, check out the other videos in my channel. Facebook! www.facebook.com Twitter! www.twitter.com Awesome Vocals! www.JillianAversa.com

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Dubspot Instructor, Michael Hatsis shows the fundamentals of making an electronic dance music style build in Ableton Live 8. Part 1 covers pitch effects and filter effects using the Simpler instrument. You can download the sample set used in the video here: dubspot.squarespace.com

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For more info, please visit Dubspot Blog - bit.ly In the latest edition of Ableton Live Production Tips with Steve Nalepa, Professor Nalepa shares mixing techniques using one of his current works in progress as the example. Ableton's built-in Utility plug-in has a width setting that adjusts how wide that track stretches across the panoramic spectrum. Setting different width values for different tracks helps give differentiation and separation to the individual elements of your song, and it helps each part cut through so it can be heard clearly in the mix.

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The Glitch Mob visits AOTS for an in-depth look at how the trio makes electronic music, the music production tools they use and more awesome details. Jam out! For more from Musical Playtime, go here: g4tv.com

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Subscribbbbbbee! :D Likeee :D Commentttt :D Like me on facebook: www.facebook.com Follow my soundcloud :) soundcloud.com Add me as a friend on facebook :) www.facebook.com To owners or copyright holders: If you dont want see your track in my channel, contact me and I will IMMEDIATELY remove the video. Thanks! Random Tags: deadmau5 skrillex dj way electronic house trancish 2009 2010 2010 top best dj blend david guetta electro dj producer feed me sofi bang software dubstep unique Professor Green freestylers ukf dubstep epic network lazy richrecords wolfgang gartner dj blend youtube xmas christmas upload electronic house dj producer tiesto electro beat chase and status Electro House Techno Top Best New swedish house mafia quantum 2011 top best electro top best techno top best house daft punk rihanna immediate DnB Drum n bass nzmusic101 enzed ryan electro house deadmau5 electro house logic bassline massive electro bassline skrillex music tutorial synth tutorial ryan enzed tiesto wolfgang gartner music how to how to make a bassline music production dance production progressive best wolfgang ryanenzed music tutorials Apple logic tutorials dirtyloud porter robinson synthesizer electro house bassline native club instruments complextro dance music production skrillex bassline trance synths native instruments FTCA lazy rich making electro drums dubstep wobble wolfgang bassline produce dance music FREE Best Tunez Daily, Remixes, Dj's, Videos, Party's you can download FREE house <b>...</b>

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Download link soundcloud.com Follow Me www.facebook.com twitter.com www.reverbnation.com www.myspace.com DJ VIN, Raised in Mumbai, India, discovered his passion for music and Writing lyrics when he was passing out of high school. His constant touch with music from childhood through his family gave him an extra edge when he realized his mania for music and transformed his being and thoughts to breathe and live music.His first ever stage performance as a rapper was an inter-collegiate festival where he bagged the Best Personality award. His latest gig has been composing three official mixes in ISHQ BECTOR's latest album JHAGDE. His mixed song "JHAGDE" is an official video of the album with RAKHI SAWANT. He is also one of the band members of a hip-hop band in Mumbai called Skizzophonic. They have been written about in many columns like Hindustan Times, Times of India, planetradiocity.com, noghetto.org, expressindia.com among many.The Album Desi - 'They See Revolution' was released worldwide and is also available online on Itunes, Amazon and Napster. You can find him giving voice in 6 tracks like Street Tantra, Moment, Mere Naal 2, Ethnic, Dnoax is back, and Quanta. With a background of rapping, lyric writing and music production DJ Vin felt he could do more than that to reach out to his people with his natural talent and so he learnt spinning under DJ Akhtar and his troupe. Mastering music production on keyboard and understanding rhythm made it easy breezy for our DJ to <b>...</b>

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