GFHaendel - Watermusic (Minuett I-II-etc)
The Banqueting House Whitehall London TRILION PICTURES (1987) present George Frederick Handel's "THE WATER MUSIC" English Bach Festival Dancers: Sarah Cremer, Ursula Hageli, Alison Pooley, Angela Robinson, Chris Evan, Ray Holland, Rai Harell, Richard Slaughter Choreography: Belinda Quirey Dancers Costumes from original designs Realised By Derek West The English Bach Festival Orchestra Directed By and Solo Violinist: Christopher Hirons
handel haendel ballet minuet balletto baroque music tobit 2008
GFHaendel - Watermusic (PART III: Hornpipe-Menuet-Rigaudon I/II-etc.)
This video was ripped from a VHS: The Banqueting House - Whitehall London TRILION PICTURES (1987) present: George Frederick Handel's "THE WATER MUSIC" English Bach Festival Dancers: Sarah Cremer, Ursula Hageli, Alison Pooley, Angela Robinson, Chris Evan, Ray Holland, Rai Harell, Richard Slaughter Choreography: Belinda Quirey Dancers Costumes from original designs Realised By Derek West The English Bach Festival Orchestra Directed By and Solo Violinist: Christopher Hirons.
Farinelli - Venti turbini - Lascia ch'io pianga
"Farinelli" (1994) Director: Gérard Corbiau Awards: Best Foreign Language Film (Golden Globes 1995) Nominated for Oscar in the same category ---------------------------------------- In this video appear the arias "Venti, turbini" and "Lascia ch'io pianga" from the opera "Rinaldo" written by Haendel. If you wonder why the people and Farinelli are so sad when he is singing "Lascia ch'io pianga", is because the translation is "Let me weep over my cruel fate, and that I long for freedom" (en castellano es "Déjame que llore mi triste suerte, y que añore la libertad")
Farinelli Broschi castrato baroque opera Rinaldo Handel lascia ch'io pianga venti turbini Stefano Dionisi Clau 83
Tim Thompson, Handel's Hallelujah Chorus
The guitar is a Batson, Ebony back and sides and a spruce top. You can watch in HD. Handel 1280 720 5 17 09
Handel fingerstyle guitar acoustic christmas easter steel string timthompsonguitar
Haendel: Dixit Dominus HWV 232
Ensemble vocal Lausanne Michel Corboz conductor Nathalie Gaudefroy soprano Anne Montandou soprano Maëlle Vivarès soprano Valérie Bonnard mezzo-soprano Christophe Einhorn tenor Fabrice Hayoz bass Sainte-Bernadette Church (Annecy, France) 2011
baroque Händel Haendel sacred choir chorus Baroque Music George Frideric Handel pitonisa 62
Hallelujah-Messiah , Haendel
An extract from a BBC program. Director: Trevor Pinnock Orchestra: The English Concert
Hallelujah Messiah Haendel Trevor Pinnock The English Concert Davccelion
GF Haendel - Organ concerto Op.4 No.6 HWV294 (1/2)
Georg Friedrich Handel (1685 - 1759) Concerto, in B flat major, for organ, strings and continuo Op.4 No.6 HWV294 - I. Andante allegro - Matthew Halls (organ), Ensemble Sonnerie, Monica Huggett (dir.). * The early 1730s were a difficult stage in Handel's career. There was a growing aversion against Italian opera, and an increasing interest in dramatic works on English text. A rival opera company was founded, which attracted most of the singers who used to sing in Handel's productions. There was also a trait of nationalism in the opposition against Handel, as his German birth was specifically mentioned in negative articles in the press. As a result Handel's attention increasingly shifted to the composition of English oratorios. In order to attract audiences he introduced a new phenomenon: the organ concerto. It wasn't the first time that he composed an orchestral work with a solo part for the organ. His oratorio 'Il trionfo del Tempo e del Disinganno', which received its first performance in Rome in 1707, begins with a 'Sonata' for oboes and strings with solo organ. Handel started to play organ concertos during the intervals of his oratorio performances in 1735. The attempt to regain his popularity seemed not to be very successful at first. A newspaper wrote that during a revival of his oratorio Esther (first performed in 1718), he "has introduced two Concertos on the Organ that are inimitable. But so strong is the Disgust taken against him, that even this has been far from <b>...</b>
Georg Friedrich Handel 1685 1759 Concerto flat major organ strings continuo Op.4 No.6 HWV294 Andante allegro Matthew Halls Ensemble Sonnerie Monica Huggett Harmonieuniverselle
Haendel: Julius Caesar in Egypt: V'adoro, pupille (Cleopatra)
Julius Caesar in Egypt HWV 17 - 1724 Glyndebourne Opera Festival 2006 Sarah Connolly, Angelika Kirchschlager, Danielle de Niese, Christophe Dumaux, Patricia Bardon, Christopher Maltman, Rachid Ben Abdeslam The Glyndebourne Chorus / Orchestra of the Age of Enlightenment / William Christie Stage Director David McVicar David McVicars production of Giulio Cesare manages to combine serious insight with entertainment, bringing Handels masterpiece to life in a powerful, convincing and highly intelligent way. In every line of the complex narrative the subtle nuances are apparent, reflecting perfectly the transparent and exquisite nature of Handels musical expression. Filmed in High Definition and recorded in true surround sound, the outstanding singing of the all-star cast, led by a superb Sarah Connolly, and the vivid playing of the Orchestra of the Age of Enlightenment under the energising baton of William Christie reveal the colour and dramatic character of Handels music in a most delightful manner.
youtube Handel Julius Caesar in Egypt HWV 17 V adoro Pupile Stereo William Christie rotpunkt 2009
GF Haendel - Music For The Royal Fireworks HWV351 - I. Ouverture (1/5)
Georg Friedrich Handel (1685 - 1759) The Music For The Royal Fireworks HWV351 - I. Ouverture - Le Concert Des Nations, Jordi Savall. The Music for the Royal Fireworks was written in 1748 to celebrate the signing of the peace treaty at Aix-la-Chapelle, which brought the War of the Austrian Succession to an end. In this war between Austria and Prussia, Britain supported Austria, and France and Spain were allied to Prussia. King George II, who was not exactly an outstanding leader in war, commanded that the event be celebrated with great festivities, crowned by an immense firework display, the latter being set up on a huge wooden structure (known as the Machine) erected in Green Park by the theatrical designer Giovanni Niccolò Servandoni. This structure, 410 feet long and 114 feet high, was completed on 26th April 1749, on the eve of the day the display was to take place. Handel had been commissioned to compose the music, and a raised gallery was built for the musicians, above a statue of Peace surrounded by a statue of Neptune and Mars and a low relief showing George II offering peace to Britannia. Suspended above all this was a sun, which caught fire on the night of the celebration, illuminating Green Park as if it was in broad daylight. George II wanted only martial music without fiddles, whereas Handel had in mind a work for strings and wind instruments. The composer did not give in until the last moment. On 21st April, he gave a public rehearsal in Vauxhall Gardens <b>...</b>
Georg Friedrich Handel 1685 1759 The Music For Royal Fireworks HWV351 Ouverture Le Concert Des Nations Jordi Savall Harmonieuniverselle
Haendel Le Messie Hallelujah Handel Aleluia Alelluia
Haendel Le Messie Hallelujah Handel Aleluia Alelluia
Haendel Le Messie Hallelujah Handel Aleluia Alelluia ranstorpedo
GF Haendel - Organ concerto Op.4 No.1 HWV289 (2/2)
Georg Friedrich Handel (1685 - 1759) Concerto, in G minor, for organ, strings and continuo Op.4 No.1 HWV289 - II. Allegro (G major) - III. Adagio (E minor) [organo ad libitum] - IV. Andante - Matthew Halls (organ), Ensemble Sonnerie, Monica Huggett (dir.). * The early 1730s were a difficult stage in Handel's career. There was a growing aversion against Italian opera, and an increasing interest in dramatic works on English text. A rival opera company was founded, which attracted most of the singers who used to sing in Handel's productions. There was also a trait of nationalism in the opposition against Handel, as his German birth was specifically mentioned in negative articles in the press. As a result Handel's attention increasingly shifted to the composition of English oratorios. In order to attract audiences he introduced a new phenomenon: the organ concerto. It wasn't the first time that he composed an orchestral work with a solo part for the organ. His oratorio 'Il trionfo del Tempo e del Disinganno', which received its first performance in Rome in 1707, begins with a 'Sonata' for oboes and strings with solo organ. Handel started to play organ concertos during the intervals of his oratorio performances in 1735. The attempt to regain his popularity seemed not to be very successful at first. A newspaper wrote that during a revival of his oratorio Esther (first performed in 1718), he "has introduced two Concertos on the Organ that are inimitable. But so strong is the <b>...</b>
Georg Friedrich Handel 1685 1759 Concerto organ strings continuo Op.4 No.1 HWV289 Allegro Adagio minor organo ad libitum Andante Matthew Halls Ensemble Sonnerie Monica Huggett Harmonieuniverselle
Ida Haendel plays Beethoven (vaimusic.com)
vaimusic.com Ida Haendel plays Sonata for violin and piano No. 9 in A major, Op. 47, "Kreutzer" by Beethoven (Finale: Presto) (excerpt) From: VAI DVD 4395 Ida Haendel in Recital Ida Haendel, violin Ilya Itin, piano Bach's monumental Chaconne for solo violin, Beethoven's ViolinSonatas Nos. 8 in G major and 9 in A Major ("Kreutzer"), and Chausson's Poéme, Op. 25. Ilya Itin, piano. Bonus: and interview with Ida Haendel. Color, Digital Stereo, 85 minutes. Playable worldwide. TO PURCHASE THE COMPLETE DVD, PLEASE VISIT www.vaimusic.com OR CALL TOLL-FREE IN THE US 1(800)477-7146 (OUTSIDE OF THE US, CALL 914-769-3691).
Ida Haendel Beethoven Violin Ilya Itin Piano Kreutzer Video Artists International vai vaimusic
IDA HAENDEL PABLO de SARASATE GYPSY AIRS Zigeunerweisen Israel 2006
from a 2006 performance in Israel..Ida ABOUT IDA HAENDEL: miamipianofest.com Haendel is associated with the Miami International Piano Festival and under management of non-profit Patrons of Exceptional Artists, our parent organization. SHORT BIO OF MS. HAENDEL: www.thirteen.org Walter DeLehunt is the pianist
HAENDEL - ODE A SAINTE CECILE - Arthur ROTHER ( enregistrement historique de 1943 )
HAENDEL Ode à Sainte-Cécile version allemande Lore HOFFMANN, soprano Walther LUDWIG, ténor Chorale Rudolf- Lamy Orchestre de Radio-Berlin Direction Arthur ROTHER Enregistré à Berlin en 1943 VINYL de 1951, marque URANIA Evidemment, le son n'est pas terrible et l'orchestration trafiquée, mais les chanteurs sont magnifiques et le tout a une allure que beaucoup de baroqueux.... etc...
Haendel Ode à Sainte-Cécile Ode for Saint-Cecilia's day Walther Ludwig Lore Hoffmann Arthur Rother trumpet bach RIRRATTO
Haendel: Disserratevi porte d'averno (La Resurrezione HWV 47)
Dear Youtube User If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY. It is in fact impossible for me to know if some of my videos constitute copyright infringement because all the material I uploaded is the result of TV recording and passion for the music. I uploaded the video just to promote the music I love. I don't want problems with anybody and I never intended to break the copyright law. Thanks for your understanding REDPRRIEST ------------------------------------------ Mezzo TV broadcast ORATORIO PER LA RESSURRETIONE di Nostro Signor GESU' CRISTO HWV 47 composed by George Friedrich Händel Cast: Katerina Knezikova, soprano Hana Blazikova, soprano Mariana Rewerski, alto Eric Stoklossa, tenor Tobias Berndt, bass Choir & Orchestra: Collegium Vocale 1704 Collegium 1704 Dir. Vaclav Luks
Handel Haendel Händel Resurrezione Knezikova Blazikova Rewerski Stoklossa Berndt Collegium Vocale 1704 Luks redprriest
GF Haendel : Cantate & concerto
Orchestre Sinfonia Varsovia Albrecht Mayer, cor anglais Matthieu Gauci-Ancelin, flûte 1. "Qui l'augel da pianta in pianta" (extrait de Aci, Galatea e Polifemo) HWV 72 2. Adagio, E staccato (Concerto pour orgue en si bémol M, Opus 4/2) HWV 209
haendel flute flûte flöte cor anglais english horn perplex 33
King's College Choir - Thine be the glory (Haendel)
Choir of King's College Cambridge - Handel: Thine be the glory (from/de Judas Maccabeus) - Stephen Cleobury. www.kings.cam.ac.uk Thine be the glory, risen, conquering Son; endless is the victory, thou o'er death hast won; angels in bright raiment rolled the stone away, kept the folded grave clothes where thy body lay. Refrain: Thine be the glory, risen conquering Son, Endless is the vict'ry, thou o'er death hast won. Lo! Jesus meets us, risen from the tomb; Lovingly he greets us, scatters fear and gloom; let the Church with gladness, hymns of triumph sing; for her Lord now liveth, death hath lost its sting. No more we doubt thee, glorious Prince of life; life is naught without thee; aid us in our strife; make us more than conquerors, through thy deathless love: bring us safe through Jordan to thy home above.
King's College Choir cambridge Thine be the glory Haendel boychoir knabenchor sangerknaben escolania petits chanteurs maitrise manécanterie knapenkoor pueri cantores donhenri 01
Natalie DESSAY - "Cleopatra" Airs d'opéra extraits de Giulio Cesare de Haendel
Album déjà disponible sur: www.emi-boutique.com Natalie DESSAY - "Cleopatra" Airs d'opéra extraits de Giulio Cesare de Haendel Le Concert d'Astrée / Emmanuelle HAÏM Parution: 17 janvier 2011 Natalie Dessay est Cléopâtre, à la scène et au disque. Natalie Dessay interprète sa première Cléopâtre dans une nouvelle production du Giulio Cesare de Haendel à l'Opéra Garnier du 17 janvier au 7 février 2011. En écho à cette prise de rôle, la soprano française sort un nouveau disque, consacré aux arias de la reine égyptienne. Avec la complicité d'Emmanuelle Haïm, Natalie Dessay redonne vie à tout un théâtre de la passion baroque et à la complexité de cette héroïne, partagée entre manigances politiques, érotisme tout-puissant et désespoir suicidaire...
Natalie Dessay Emmanuelle HAÏM opera Haendel Handel Jules César Egypte drame classique Cleopâtre emiclassics
