Johann Sebastian Bach (1685-1750) Cantata BWV 21: Ich hatte viel Bekümmernis (17 June 1714) Part I. 00:00 - Sinfonia 02:54 - Ich hatte viel Bekümmernis in meinem Herzen (Chorus) 06:49 - Seufzer, Tränen, Kummer, Not (Aria: S) 11:05 - Wie hast du dich, mein Gott (Recitative: T) 12:41 - Bäche von gesalznen Zähren (Aria: T) 19:05 - Was betrübst du dich (Chorus) Part II. 22:34 - Ach Jesu, meine Ruh (Recitative: S, B) 24:02 - Komm, mein Jesu, und erquicke/Ja, ich komme und erquicke (Aria: S, B) 27:56 - Sei nun wieder zufrieden, meine Seele (Chorus) 32:17 - Erfreue dich, Seele, erfreue dich, Herze (Aria: T) 35:14 - Das Lamm, das erwürget ist (Chorus) Soloists: Soprano: Barbara Schlick Tenor: Howard Crook Bass: Peter Harvey Performed by La Chapelle Royale & Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1990. "The text of Cantata BWV 21 is generally attributed to the Weimar cleric and court poet Salomo Franck who based it on verses from the Psalms and from the Epistle for the Third Sunday after Trinity: 'Cast all your cares upon Him, for He careth for you.' This picture of deep suffering, through which the soul finds heavenly joy, is the central and all-pervading theme of the work which, alone among the Weimar cantatas in their original form, is constructed in two parts, allowing for a sermon. Cantata BWV 21 is scored for soprano, tenor and bass soloists, a four-part choir and a colorful instrumental ensemble of trumpets <b>...</b>

Johann Sebastian Bach Ich hatte viel Bekümmernis BWV 21 Herreweghe Collegium Vocale Gent La Chapelle Royale Cantata Sacred Cantata Barbara Schlick Howard Crook Peter Harvey

Gabriel Fauré (1845-1924) Requiem in D minor, op.48 Soprano: Sibylla Rubens Baritone: Detlef Roth Netherlands Kamerkoor Philippe Herreweghe Royal Concertgebouw Orchestra Concertgebouw, Amsterdam, 23 10/1997

Classical Fauré Requiem Herreweghe Royal Concertgebouw Orchestra Koninklijk Concertgebouworkest Amsterdam クラシック フォーレ レクイエム ヘレヴェッへ ロイヤル・コンセルトヘボウ管弦楽団 アムステルダム

Ludwig van Beethoven: Derde symfonie, op. 55 'Eroica' Radio Kamer Filharmonie olv. Philippe Herreweghe Opgenomen 20 februari 2011 Concertgebouw Amsterdam

beethoven eroica eroïca third symphony derde symfonie Philippe Herreweghe radio kamer filharmonie rkf avro avro klassiek radio 4 klassiek klassieke muziek classical classical music concertgebouw

Johann Sebastian Bach, 1685 - 1750 Christoph Prégardien, tenor Tobias Berndt, baritone Dorothee Mields, soprano Hana Blažíková, soprano Damien Guillon, countertenor Robin Blaze, countertenor Colin Balzer, tenor Hans Jörg Mammel, tenor Matthew Brook, bass Stephan MacLeod, bass Collegium Vocale Gent Conducted by Philippe Herreweghe

V Bach Matthus Passion Philippe Herreweghe

Johann Sebastian Bach, 1685 - 1750 Christoph Prégardien, tenor Tobias Berndt, baritone Dorothee Mields, soprano Hana Blažíková, soprano Damien Guillon, countertenor Robin Blaze, countertenor Colin Balzer, tenor Hans Jörg Mammel, tenor Matthew Brook, bass Stephan MacLeod, bass Collegium Vocale Gent Conducted by Philippe Herreweghe

VI Bach Matthus Passion Philippe Herreweghe

Johann Sebastian Bach, 1685 - 1750 Christoph Prégardien, tenor Tobias Berndt, baritone Dorothee Mields, soprano Hana Blažíková, soprano Damien Guillon, countertenor Robin Blaze, countertenor Colin Balzer, tenor Hans Jörg Mammel, tenor Matthew Brook, bass Stephan MacLeod, bass Collegium Vocale Gent Conducted by Philippe Herreweghe

Passion (Christianity) Johann Sebastian Bach Classical Orchestra Classical Music

Johann Sebastian Bach, 1685 - 1750 Christoph Prégardien, tenor Tobias Berndt, baritone Dorothee Mields, soprano Hana Blažíková, soprano Damien Guillon, countertenor Robin Blaze, countertenor Colin Balzer, tenor Hans Jörg Mammel, tenor Matthew Brook, bass Stephan MacLeod, bass Collegium Vocale Gent Conducted by Philippe Herreweghe

Passion (Christianity) Bach Orchestra Johann Sebastian Bach Classical

Johann Sebastian Bach, 1685 - 1750 Christoph Prégardien, tenor Tobias Berndt, baritone Dorothee Mields, soprano Hana Blažíková, soprano Damien Guillon, countertenor Robin Blaze, countertenor Colin Balzer, tenor Hans Jörg Mammel, tenor Matthew Brook, bass Stephan MacLeod, bass Collegium Vocale Gent Conducted by Philippe Herreweghe

IX Bach Matthus Passion Philippe Herreweghe

Johann Sebastian Bach, 1685 - 1750 Christoph Prégardien, tenor Tobias Berndt, baritone Dorothee Mields, soprano Hana Blažíková, soprano Damien Guillon, countertenor Robin Blaze, countertenor Colin Balzer, tenor Hans Jörg Mammel, tenor Matthew Brook, bass Stephan MacLeod, bass Collegium Vocale Gent Conducted by Philippe Herreweghe

XII Bach Matthus Passion Philippe Herreweghe

Johann Sebastian Bach, 1685 - 1750 Christoph Prégardien, tenor Tobias Berndt, baritone Dorothee Mields, soprano Hana Blažíková, soprano Damien Guillon, countertenor Robin Blaze, countertenor Colin Balzer, tenor Hans Jörg Mammel, tenor Matthew Brook, bass Stephan MacLeod, bass Collegium Vocale Gent Conducted by Philippe Herreweghe

XIV Bach Matthus Passion Philippe Herreweghe

Johann Sebastian Bach, 1685 - 1750 Christoph Prégardien, tenor Tobias Berndt, baritone Dorothee Mields, soprano Hana Blažíková, soprano Damien Guillon, countertenor Robin Blaze, countertenor Colin Balzer, tenor Hans Jörg Mammel, tenor Matthew Brook, bass Stephan MacLeod, bass Collegium Vocale Gent Conducted by Philippe Herreweghe

VII Bach Matthus Passion Philippe Herreweghe

Johann Sebastian Bach, 1685 - 1750 Christoph Prégardien, tenor Tobias Berndt, baritone Dorothee Mields, soprano Hana Blažíková, soprano Damien Guillon, countertenor Robin Blaze, countertenor Colin Balzer, tenor Hans Jörg Mammel, tenor Matthew Brook, bass Stephan MacLeod, bass Collegium Vocale Gent Conducted by Philippe Herreweghe

III Bach Matthus Passion Philippe Herreweghe

Johann Sebastian Bach, 1685 - 1750 Christoph Prégardien, tenor Tobias Berndt, baritone Dorothee Mields, soprano Hana Blažíková, soprano Damien Guillon, countertenor Robin Blaze, countertenor Colin Balzer, tenor Hans Jörg Mammel, tenor Matthew Brook, bass Stephan MacLeod, bass Collegium Vocale Gent Conducted by Philippe Herreweghe

XI Bach Matthus Passion Philippe Herreweghe

Anton Bruckner (1824-1896) Mass No.3 in F minor, WAB28 Soprano: Hanneke de Wit Mezzo-soprano: Tania Kross Tenor: Werner Güra Bass: David Wilson-Johnson Groot Omroepkoor Philippe Herreweghe Royal Concertgebouw Orchestra Concertgebouw, Amsterdam, 17 6/2007

Classical Bruckner Mass Herreweghe Royal Concertgebouw Orchestra Koninklijk Concertgebouworkest Amsterdam クラシック ブルックナー ミサ曲 ヘレヴェッヘ ロイヤル・コンセルトヘボウ管弦楽団 アムステルダム

Johann Sebastian Bach (1685-1750) Cantata BWV 198: Laß, Fürstin, laß noch einen Strahl "Trauerode" (17 October 1727) Part I. 00:00 - Laß, Fürstin, laß noch einen Strahl (Chorus) 05:58 - Dein Sachsen, dein bestürztes Meißen (Recitative: S) 07:08 - Verstummt, verstummt, ihr holden Saiten! (Aria: S) 11:00 - Der Glocken bebendes Getön (Recitative: A) 11:58 - Wie starb die Heldin so vergnügt! (Aria: A) 19:21 - Ihr Leben ließ die Kunst zu sterben (Recitative: T) 20:29 - An dir, du Fürbild großer Frauen (Chorus) Part II. 22:37 - Der Ewigkeit saphirnes Haus (Aria: T) 26:43 - Was Wunder ists? Du bist es wert (Recitative: B) 29:11 - Doch, Königin! du stirbest nicht (Chorus) Soloists: Soprano: Ingrid Schmithüsen Alto: Charles Brett Tenor: Howard Crook Bass: Peter Kooy Performed by La Chapelle Royale under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1988. "The Trauerode BWV 198 occupies a special place among Bach's secular cantatas. It is at once his only surviving secular music of mourning and the only extant cantata that he contributed to an official university ceremony. The work's genesis is unusually well documented. The Electress of Saxony Christiane Eberhardine had died suddenly on 5 September 1727 at the age of fifty-six. She was highly respected in Saxony for resisting the pressure of the court to embrace the Roman Catholic faith which her husband had adopted in 1697 in order to become eligible as king of Poland. Since that time she had lived in <b>...</b>

Johann Sebastian Bach Philippe Herreweghe La Chapelle Royale BWV 198 Trauerode Laß Fürstin Peter Kooy Howard Crook Charles Brett Ingrid Schmithüsen Secular Cantata Cantata Kantatenwerk Baroque Music Funeral Ode Electress Lament

Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 00:00 - Mit Fried und Freud ich fahr dahin (Chorus) 05:27 - Ich will auch mit gebrochnen Augen (Aria: A) 13:19 - O Wunder, daß ein Herz (Recitative: B) 15:36 - Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 20:55 - O unerschöpfter Schatz der Güte (Recitative: A) 21:37 - Er ist das Heil und selig Licht (Chorale) Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the <b>...</b>

Mit Fried und Freud ich fahr dahin BWV 125 Philippe Herreweghe Johann Sebastian Bach Collegium Vocale Gent Ingebord Danz Mark Padmore Peter Kooy Cantata Kantatenwerk Sacred Music Baroque Music

Johann Sebastian Bach (1685-1750) Cantata BWV 159: Sehet, wir gehn hinauf gen Jerusalem (27 Februrary 1729) 00:00 - Sehet, wir gehn hinauf gen Jerusalem (Arioso and Recitative: B, A) 02:50 - Ich folge dir nach (Aria and Chorale: S, A) 06:44 - Nun will ich mich, mein Jesu (Recitative: T) 07:33 - Es ist vollbracht (Aria: B) 12:02 - Jesu, deine Passion ist mir lauter Freude (Chorale) Soloists: Soprano: Dorothee Mields Alto: Matthew White Tenor: Jan Kobow Bass: Peter Kooy Collegium Vocale Gent performs under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 2007. "The cantata Sehet, wir gehen hinauf gen Jerusalem (BWV 159) was probably written for performance in February 1729 as part of the enigmatic Picander Jahrgang. In the summer of 1728 the secretary to the Leipzig post office and occasional poet Christian Friedrich Henrici, alias Picander, had commenced publication of a cycle of cantata librettos, in the preface to which he announced that the 'incomparable Herr Kapellmeister Bach' would set these texts and perform them in successive weeks in the principal churches of the city of Leipzig. However, it is a matter of debate whether Bach actually composed music for the Picander cycle in its entirety. At any rate, only some ten works from it are extant, including the cantata recorded here, BWV 159. The work opens with a setting of Jesus' words from the Gospel appointed for Quinquagesima, which point ahead to the beginning of Passiontide. The biblical <b>...</b>

Johann Sebastian Bach Sehet wir gehn hinauf BWV 159 Cantata Kantatenwerk Sacred Music Baroque Music Collegium Vocale Gent Philippe Herreweghe Dorothee Mields Jan Kobow Matthew White Peter Kooy

Johann Sebastian Bach (1685-1750) Cantata BWV 22: Jesus nahm zu sich die Zwölfe (7 February 1723) 00:00 - Jesus nahm zu sich die Zwölfe (Chorus and Arioso: T,B) 04:48 - Mein Jesu, ziehe mich nach dir (Aria: A) 09:15 - Mein Jesu, ziehe mich, so werd ich laufen (Recitative: B) 11:25 - Mein alles in allem, mein ewiges Gut (Aria: T) 14:22 - Ertöt uns durch dein Güte (Chorale) Soloists: Alto: Matthew White Tenor: Jan Kobow Bass: Peter Kooy Collegium Vocale Gent performs under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 2007. "From a biographical perspective, Quinquagesima was a memorable date for Bach. For on this day in 1723 he performed the two cantatas he had composed as test-pieces, which eventually gained him the post of Thomaskantor. The process was extraordinarily complicated, and was obviously followed with close attention by contemporaries. There was even a report on the event in a national newspaper; the Hamburger Relationscourier wrote a week later: 'Last Sunday morning, the Kapellmeister to His Highness the Prince of Cöthen, Mr. Bach, performed his audition in St. Thomas's Church for the currently vacant position of Kantor, and the music of the same was much praised on that occasion by all knowledgeable persons.' As can be conclusively established thanks to the performance material, which luckily is still extant, two complete cantatas were heard in the course of this service, one before the sermon and one after. The works in question <b>...</b>

Johann Sebastian Bach BWV 22 Cantata Kantatenwerk Sacred Music Baroque Music Collegium Vocale Gent Philippe Herreweghe Peter Kooy Jan Kobow Matthew White

Compressed video excerpt from Herreweghe's live session @ The V. Sessions Cristobal de Morales - Emendemus in melius Recorded on June 11th, 2009, Paris. The whole session is available here: vimeo.com

herreweghe collegium morales missa beata vergine mass messe vocal religious bach gent renaissance

Johann Sebastian Bach (1685-1750) Cantata BWV 23: Du wahrer Gott und Davids Sohn (7 February 1723) 00:00 - Du wahrer Gott und Davids Sohn (Duet: S, A) 05:50 - Ach! gehe nicht vorüber (Recitative: T) 07:10 - Aller Augen warten, Herr (Chorus) 10:52 - Christe, du Lamm Gottes (Chorale) Soloists: Soprano: Dorothee Mields Alto: Matthew White Tenor: Jan Kobow Collegium Vocale Gent performs under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 2007. "From a biographical perspective, Quinquagesima was a memorable date for Bach. For on this day in 1723 he performed the two cantatas he had composed as test-pieces, which eventually gained him the post of Thomaskantor. The process was extraordinarily complicated, and was obviously followed with close attention by contemporaries. There was even a report on the event in a national newspaper; the Hamburger Relationscourier wrote a week later: 'Last Sunday morning, the Kapellmeister to His Highness the Prince of Cöthen, Mr. Bach, performed his audition in St. Thomas's Church for the currently vacant position of Kantor, and the music of the same was much praised on that occasion by all knowledgeable persons.' As can be conclusively established thanks to the performance material, which luckily is still extant, two complete cantatas were heard in the course of this service, one before the sermon and one after. The works in question were Jesus nahm zu sich die Zwölfe (BWV 22) and Du wahrer Gott und Davids Sohn (BWV <b>...</b>

Johann Sebastian Bach BWV 23 Cantata Kantatenwerk Sacred Music Baroque Music Collegium Vocale Gent Philippe Herreweghe Dorothee Mields Jan Kobow Matthew White

JS Bach: passion selon St Matthieu par le Collegium Vocale de Gand sous la direction de Philippe Herreweghe

Bach passion St Matthieu Herreweghe Gand

Cantatas sacras, BWV 27, 84, 95 y 161, de Johann Sebastian Bach interpretadas por el Collegium Vocale Gent, bajo la dirección de Philippe Herreweghe.

Bach Herreweghe Collegium Vocale Gent BWV 27 BWV 84 BWV 95 BWV 161

Philippe Herreweghe is dit seizoen 20 jaar in residentie in het Paleis voor Schone Kunsten. Op 15.11, net voor zijn concert van die avond, ontmoette hij het publiek. Bekijk hier het verslag van de gemoedelijke uitwisseling tussen maestro en melomanen.

Philippe Herreweghe collegium vocale Gent Palais des Beaux Arts Centre for Fine Paleis voor Schone Kunsten Beethoven Missa Solemnis

Ludwig van Beethoven (1770-1827) : Missa Solemnis - "Benedictus" Philippe Herreweghe Choeurs de la Chapelle Royale et du Collegium Vocale Orchestre Des Champs Elysees soprano : Rosa Mannion alto : Birgit Remmert tenor : James Taylor basse : Cornelius Hauptmann Live Recording 1995

Beethoven Missa Solemnis Benedictus Philippe Herreweghe

Johann Sebastian Bach (1685-1750) Cantata BWV 8: Liebster Gott, wenn werd ich sterben? (24 September 1724) 00:00 - Liebster Gott, wenn werd ich sterben? (Chorus) 06:40 - Was willst du dich, mein Geist, entsetzen (Aria: T) 10:25 - Zwar fühlt mein schwaches Herz (Recitative: A) 11:19 - Doch weichet, ihr tollen, vergeblichen Sorgen! (Aria: B) 16:05 - Behalte nur, o Welt, das Meine! (Recitative: S) 17:08 - Herrscher über Tod und Leben (Chorale) Soloists: Soprano: Deborah York Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Collegium Vocale Gent performs under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "'Liebster Gott, wenn werd ich sterben?' was completed on 24 September 1724. For a performance in Bach's later years the work was transposed from E major to D major, which resulted in a number of minor changes. [The version here is the one in E major.] Caspar Neumann's chorale melody appears in an expressively ornamented form in the opening chorus, but in comparison with most of the other chorale-cantatas, this choral writing is conspicuously simple. Bach makes one of the lines of the chorale -- 'Meine Zeit läuft immer hin' -- the point of departure for an atmospherically extremely dense musical depiction. The main weight of the opening movement lies in the unusually expansive instrumental ritornelli, for which Bach has devised an extraordinary 'pictorial' sound texture. Over an unremitting quaver movement in the muted strings, the <b>...</b>

Liebster Gott wenn werd ich sterben BWV 8 Philippe Herreweghe Johann Sebastian Bach Collegium Vocale Gent Deborah York Ingebord Danz Mark Padmore Peter Kooy Cantata Kantatenwerk Sacred Music Baroque Music

Meistermusik, K. deest Composed by Wolfgang Amadeus Mozart Performed by Collegium Vocale, Champs Elysees Orchestra with La Chapelle Royale Label: Harmonia Mundi en.wikipedia.org I hope you enjoy this as much as I do! It's one of my favorite pieces and in my experience fairly rare to find a performance of the original piece with vocal arrangement.

Meistermusik Maurerische Trauermusik 477 herreweghe wolfgang amadeus mozart

Anton Bruckner (1824-1896) Mass in E minor for 8 part chorus and wind ensemble: Kyrie/Agnus Dei. La Chapelle Royale-Collegium Vocale-Ensemble Musique Oblique. Philippe Herreweghe.

Bruckner Herreweghe

Ludwig van Beethoven (1770 † 1827) Work: Missa Solemnis in D major, Op.123 / Missa solemnis D-Dur Op.123 (Messe) The first performed on April 7, 1824 in St. Petersburg, under the auspices of Beethoven's patron Prince Nikolai Galitzin. Dedicated to Archduke Rudolf of Austria 01. Kyrie (00:01) 02. Gloria (11:49) 03. Credo (28:41) 04. Sanctus (46:17) 05. Benedictus (51:36) 06. Agnus Dei (1:00:53) Performer: Rosa Mannion, soprano Birgit Remmert, alto James Taylor, tenor Cornelius Hauptmann, bass Alessandro Moccia, solo violin in (Benedictus) La Chapelle Royale, Collegium Vocal Gent Orchestre des Champs-Élysées Philippe Herreweghe, director ------------------------ Artwork: Hector by Jacques Louis David, (1778)

Händel Vivaldi Bach Beethoven Mozart Friedrich II. der Große Haydn Porpora Fasch Locatelli Telemann Corelli Albinoni Galuppi Marcello Tartini Zelenka Conti Klassik Classic Baroque Barock Musik Music Opera Aria Royal Fireworks Feuerwerksmusik Water Wassermusik Suite Oratorio Symphony Concerto Mass Motet Cantata Quartet Trio Sonata Piano Fotrepiano Strings Violin Cello Organ Harpsichord Horn Trumpet Viola Flute Oboe Bassoon Clarinet Piccolo Timpani Theorbo Guitar Lute Mandolin Ensemble Orchestra

JS Bach: un extrait de la messe en si mineur par l'orchestre et le choeur du Collegium Vocale de Gand dirigé par Philippe Herreweghe. Concert donné le 29-01-2000 à Nantes.

Bach messe en si crucifixius Herreweghe

Johann Sebastian Bach (1685~1750) 《Erfreut euch, ihr Herzen》Kantate, BWV 66 (Kantate Nr. 66 für Solisten, Chor, 2 Oboen, 2 Trompeten, Streicher und Basso Continuo) 1. Chor: "Erfreut euch, ihr Herzen" - 00:00 2. Rezitativ: "Es bricht das Grab" - 09:41 3. Arie: "Lasset dem Höchsten ein Danklied erschallen" - 10:17 4. Rezitativ (Arioso): "Bei Jesu Leben freudig sein" - 16:14 5. Duo Arie: "Ich fürchte zwar" / "Ich fürchte nicht" - 20:40 6. Choral: "Alleluja! Des sollen wir alle froh sein" - 29:29 Kai Wessel (countertenor) James Taylor (tenor) Peter Kooy (bass) Collegium Vocale, Gent Philippe Herreweghe (conductor)

유선빈 Johann Sebastian Bach JSBach cantata for soloists chorus two oboes trumpets strings and basso continuo BWV66 No.66 Kantate Nr.66 Philippe Herreweghe Collegium Vocale de Gand Ghent Peter Kooij German Church Baroque Sacred Music Coro Lassen dem Hochsten ein Danklied erschallen Alleluja Des solln wir alle froh sein Duet Aria Ich furchte zwar nicht Recitative Recitativo Counter-tenor Historically informed performance On period instruments