from end of Regan's speech of love to her father to Lear's exit at end of scene. here is one link for all the excerpts uploaded of the Holm "Lear": www.youtube.com Ian Holm ... Lear Barbara Flynn ... Goneril Amanda Redman ... Regan Victoria Hamilton ... Cordelia David Burke ... Kent Timothy West ... Gloucester Adrian Irvine ... France Nicholas R. Bailey ... Burgundy Holm has been acting professionally since joining the Royal Shakespeare Company as a spear-carrier in 1954. He was a young 66 when he filmed this "Lear". from an interview: Was Lear a difficult role for you? Difficult physically, because you expend an enormous amount of energy. But mentally, it is not a difficult journey compared, say, to Antony in Antony and Cleopatra. The verse structure helps you enormously. You get carried along by it. Back to the beginning of the play: What is Lear's motivation for the who-loves-me-most contest? Is he being serious? Is he capricious? He's all of those things. You're quite right to take the beginning of the play, because the first scene is unquestionably pivotal in the action. As Gloucester says, "All this done upon the gad," which means in the instant. You start out with a nice family meeting. He's removing his crown, he's going to divide the kingdom among his daughters, and they're going to play the game. Goneril and Regan saying, "Oh God, here we go again. Yes, we love you, we love you, we love you." Then this silly little shit Cordelia -- forgive me -- says, "No <b>...</b>

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A scene with Sir Ian Holm and Penelope Cruz in "Chromophobia" (2005)

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Act 4, scene 7, line 25-87 - Cordelia with Lear as he awakes (Arden edition) Act 5, scene 2, Edgar's "Away, old man, give me thy hand, away!" Act 5, scene 3, "No, no, no, no! Come, let's away to prison" Ian Holm ... Lear Victoria Hamilton ... Cordelia David Burke ... Kent Paul Rhys ... Edgar Timothy West ... Gloucester Holm has been acting professionally since joining the Royal Shakespeare Company as a spear-carrier in 1954. He was a young 66 when he filmed this "Lear". AC Bradley, Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth: "...already recognized his injustice towards Cordelia, is secretly blaming himself, and is endeavouring to do better, the disposition from which his first error sprang is still unchanged. And it is precisely the disposition to give rise, in evil surroundings, to calamities dreadful but at the same time tragic, because due in some measure to the person who endures them. The perception of this connection, if it is not lost as the play advances, does not at all diminish our pity for Lear, but it makes it impossible for us permanently to regard the world displayed in this tragedy as subject to a mere arbitrary or malicious power. It makes us feel that this world is so far at least a rational and a moral order, that there holds in it the law, not of proportionate requital, but of strict connection between act and consequence. It is, so far, the world of all Shakespeare's tragedies. But there is another aspect of Lear's story <b>...</b>

Shakespeare King Lear kinglear Ian Holm ianholm victoriahamilton And More

Sir Ian Holm and Nigel Hawthorne in "The Madness of King George".

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Ian Holm ... Lear Michael Bryant ... Fool David Burke ... Kent Barbara Flynn ... Goneril David Lyon ... Albany Holm was 10 years younger than Olivier when he filmed this scene. The youthful energy helps. Olivier's version here: www.youtube.com from an interview with Ian Holm: Could you contrast your own Lear with some of the other celebrated interpretations, for example those of Laurence Olivier and Paul Scofield? All I can say is that mine was subjectively an unfussy performance. I tried to be as clear as the text allowed. I didn't see Olivier's, except his television performance in the last days of his life. It was really rather a sad affair. It was more King Olivier than King Lear. Paul Scofield I saw, a great performance in a very different production by Peter Brook. All performances are different. I don't think it's necessary to compare one with another. I am just me playing the role of Lear. You're bound to get a Holm approach to it, whatever that may be. I just got out there and did it. I'm very much a doer in my acting. Anyway, you cannot play the king on your own. Richard Eyre surrounded me with an absolutely brilliant cast: a magnificent Kent and wonderful performers like Michael Bryant as the Fool. Good idea to have an elderly Fool, I think -- an old guy who's been around the court all his life cracking bad jokes. It becomes a sort of gerontocracy, a story about old men. I don't think that's going against the text at all. How would you describe your acting <b>...</b>

Shakespeare ianholm kinglear Ian Holm King Lear And More

~ December 01, 2008 ~

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the mock trial scene with the "joint-stool". Ian Holm ... Lear David Burke ... Kent Paul Rhys ... Edgar Michael Bryant ... Fool Timothy West ... Gloucester Holm has been acting professionally since joining the Royal Shakespeare Company as a spear-carrier in 1954. He was a young 66 when he filmed this "Lear".

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from line 338, Edmund's: "Yet Edmund was belov'd./The one the other poisoned for my sake,/And after slew herself." here is one link for all the excerpts uploaded of the Holm "Lear": www.youtube.com Ian Holm ... Lear Finbar Lynch ... Edmund Victoria Hamilton ... Cordelia David Burke ... Kent David Lyon ... Albany Holm has been acting professionally since joining the Royal Shakespeare Company as a spear-carrier in 1954. He was a young 66 when he filmed this "Lear". AC Bradley, from "Shakespearean Tragedy", seems out of touch with our nihilistic views on Lear today: ..If to the reader, as to the bystanders, that scene brings one unbroken pain, it is not so with Lear himself. His shattered mind passes from the first transports of hope and despair, as he bends over Cordelia's body and holds the feather to her lips, into an absolute forgetfulness of the cause of these transports. This continues so long as he can converse with Kent; becomes an almost complete vacancy; and is disturbed only to yield, as his eyes suddenly fall again on his child's corpse, to an agony which at once breaks his heart. And, finally, though he is killed by an agony of pain, the agony in which he actually dies is one not of pain but of ecstasy. Suddenly, with a cry represented in the oldest text by a four-times repeated 'O,' he exclaims: Do you see this? Look on her, look, her lips, Look there, look there! These are the last words of Lear. He is sure, at last, that she lives: and what had he said when <b>...</b>

Shakespeare King Lear kinglear Ian Holm ianholm victoriahamilton And More

Hello, I've been collecting rare films and television programmes for nearly twenty years now and I thought it was high time I shared some clips from a few of the titles in my archive with you nice people out there. If you've a similar passion or just want to say hello, thanks etc. get in touch with me here or at statesedgefilms@virginmedia.com I look forward to hearing from (at least) a few of you and hope that you enjoy my humble offerings.

Game Set and Match 1988 Len Deighton Ian Holm Bernard Sampson Amanda Donohoe Michael Culver Gail Harrison Anthony Bate Degen Frederick Treves Mel Martin Cold War spies secret agents espionage russia USSR UK British television mini-series States Edge Films

Sir Ian Holm as 'Nicholas Porter' , and Sir Anthony Hopkins as 'Supt. John McCleod' in "Juggernaut" (1974) ~ PART 3 ~

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Sir Ian Holm as Ben Gurion in "O, Jerusalem".

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Sir Ian Holm as Reverend Grissom in "Bless the Child".

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Sir Ian Holm as the Devil in "Simon Magus".

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Sir Ian as Dr. Putney in "Strangers with Candy".

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Sir Ian Holm as Baron Frankenstein. I'm sorry guys, but this clip is in Spanish !!!

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French trailer of "Esther Kahn" movie (in English with Fr. subtitles), starring Summer Phoenix and Ian Holm. It's different from the other one I uploaded.

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Sir Ian Holm as Pascal in "Big Night" Part 1 / 2.

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Excerpt from Peter Hall's 1973 film of Pinters play. Starring Ian Holm, Paul Rogers and Vivien Merchant.

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Sir Ian Holm as Sam Mussabini in "Chariots of Fire". part 2

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Sir Ian Holm as Nathan Quellen in "Esther Kahn".

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Sir Ian Holm as John in "Incognito".

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Sir Ian Holm as Pascal in "Big Night" Part 2 / 2.

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Mystery and Imagination DVD is out 5th July 2010 at all good retailers. www.networkdvd.net Special features: • The Fall of the House of Usher and The Open Door -- the two remaining, complete episodes produced by ABC in 1966 (Disc Four) • An extract from Casting the Runes -- all that exists from this 1968 ABC episode (Disc Four) • Extensive image gallery (Disc One) • Episode guide booklet by Archive TV historian Andrew Pixley This highly acclaimed anthology series presented a selection of Gothic tales by major 19th century writers. Among the adapted works featured in this collection are Robert Louis Stevenson's nihilistic The Suicide Club, Sheridan le Fanu's Uncle Silas, Bram Stoker's classic Dracula and a commendably faithful adaptation of Mary Shelley's Frankenstein. A distinguished cast includes Ian Holm (Chariots of Fire), Denholm Elliot (Indiana Jones), Patrick Mower (Callan) and Freddie Jones (The Elephant Man), who gives an astonishing performance as the demented barber, Sweeney Todd. This release contains every remaining episode of Mystery and Imagination and brings together all six of the feature-length teleplays produced by Thames Television between 1968 and 1970 alongside the two remaining ABC-produced episodes from 1966.

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Ian Holm (12 September 1931, Goodmayes, Essex, England, UK) "Beautiful Joe" (2000) de Stephen Metcalfe

Ian Holm actor Beautiful Joe 2000 interview entrevista Stephen Metcalfe Hablandecine

Sir Ian Holm as 'Nicholas Porter' , and Sir Anthony Hopkins as 'Supt. John McCleod' in "Juggernaut" (1974) ~ PART 2 ~

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Sir Ian Holm as Nathan Quellen in "Esther Kahn".

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Sir Ian Holm as Nathan Quellen in "Esther Kahn".

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Sir Ian Holm as Doctor Murnau in "Kafka".

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Sir Ian Holm as 'Nicholas Porter' , and Sir Anthony Hopkins as 'Supt. John McCleod' in "Juggernaut" (1974)

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In this effective scene from Egoyan's movie, Holm plays a troubled Lawyer dealing with personal problems- including her drug addicted daughter.

SWEET HEREAFTER 16X9 01 ebhughes

Ian Holm (September 12, 1931 in Goodmayes, Essex, England, UK) "A Life Less Ordinary" (1997) de Danny Boyle

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Sir Ian Holm as Dr. Ernesto Morales in "The Treatment".

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Sir Ian Holm as Nathan Quellen in "Esther Kahn".

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Sir Ian Holm as Dr. Ernesto Morales in "The Treatment".

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Click 'Show more' for script. Sir Nigel Hawthorne, playing King George, and Sir Ian Holm, the physician, scene from the movie where the authority of a doctor precedes that of the mad king. Do you look at me, sir? I do, sir. I have you in my eye. No, I have you in mine. You're bold, sir. But by God, I'm bolder. Don't look at me! I'm not one of your farmers! You must behave! Must? Whose must is this, your must or my must? Get away from me, you bum sucker. Lincolnshire lick-fingers! Clean your tongue, sir. I will not! I'll be a guest in the graveyard first. Very well. If Your Majesty will not behave, you must be restrained. When felons were induced to talk, they were shown first the instruments of their torture. The king is shown the instrument of his to induce him not to talk. Well, I won't, I won't. I won't. Bring him back. Bring him back! What are you doing? This is the king! Stop. What are you doing, sir? No. No. No. No. This is the king, sir! This is the king! Bastard! I'm the king! Take your hands off me! This is the king! Sit him down. Sit him down. I'll have your hospital... Help me! Help! If the king refuses food, he will be restrained. If he claims to have no appetite, he will be restrained. If he swears and indulges in meaningless discourse... he will be restrained. If he throws off his bedclothes, tears away his bandages, scratches at his sores, and doesn't strive every day towards his own recovery, then he must be restrained. - I am the king of England! - No <b>...</b>

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Early work from Helen Mirren, Diana Rigg and Ian Holm. This clip starts with Act 3, scene 2, line 132 (Pelican edition, Helen's "Your vows to her ad me, put in two scales") and ends with Helena and Hermia's exit, line 344 (Hermia's "I am amazed, and know not what to say") David Warner ... Lysander Helen Mirren ... Hermia Diana Rigg ... Helena Michael Jayston ... Demetrius William Shakespeare's "A Midsummer Night's Dream" - 1968 film Directed by Peter Hall William James Rolfe notes in his edition: line 172: 'Home returned.'... Cf. Sonn. 109. 5: — " That is my home of love; if I have rang'd, Like him that travels I return again." Johnson quotes Prior: — "No matter what beauties I saw in my way, They were but my visits; but thou art my home." line 188: 'Oes.'... Orbs. S. elsewhere uses O for anything round. See LLL v. 2. 45, Hen. V. prol. 13, and A. and C. v. 2. 8I. Steevens quotes John Davies of Hereford's Microcosmos, 1605: "Which silver oes and spangles over-ran"; and The Partheneia Sacra, 1633: "the purple canopy of the earth, powdered over and beset with silver oes," etc. Cf. Bacon, Essay 37 : "And Oes, or Spangs, as they are of no great Cost, so they are of most Glory." line 213: 'Two of the first, like, etc.'.... The allusion is to "the double coats in heraldry that belong to man and wife as one person, but which have but one crest" (Douce). line 282: 'Canker-blossom'....Some understand this to mean the canker-worm, like cankers in ii. 2. 3 ; but Schmidt and Furness <b>...</b>

Shakespeare Helen-Mirren Diana-Rigg Midsummer-Night's-Dream 1968 David-Warner Michael-Jayston play theatre performing arts And More

1994 Advert For Duracell Batteries

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The creator/tester of a corporeally ivasive game must elude assassins with the help of a security guard. (CC, Stereo, SAP)

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There is an inn, a merry old inn beneath an old grey hill, And there they brew a beer so brown That the Man in the Moon himself came down one night to drink his fill. The ostler has a tipsy cat that plays a five string fiddle; And up and down he runs his bow, Now squeaking high, now purring low, now saving in the middle. The landlord keeps a little dog that is mighty fond of jokes; When there's good cheer among the guests, He cocks an ear at all the jests and laughs until he chokes. They also keep a hornéd cow as proud as any queen; But music turns her head like ale, And makes her weave her tufted tail and dance upon the green. And O! the rows of silver dishes and the store of silver spoons For Sunday there's a special pair, And these they polish up with care on Saturday afternoons. The Man in the Moon was drinking deep, and the cat began to wail; A dish and spoon on the table danced, The cow in the garden madly pranced, and the little dog chased his tail. The Man in the Moon took another mug, and then rolled beneath his chair; And there he dozed and dreamed of ale, Till in the sky the stars were pale, and dawn was in the air. Then the ostler said to his tipsy cat: 'The white horses of the Moon, They neigh and champ their silver bits; But their master's been and drowned his wits, and the Sun'll be rising soon!' So the cat on his fiddle played hey-diddle-diddle, a jig that would wake the dead: He squeaked and sawed and quickened the tune, While the landlord shook the Man <b>...</b>

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Wish you all the best !!! 12.09.2010

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This is a Music Project i did for my Grade 9 music class. I recorded the whole thing my self in an Afternoon. Hope you all enjoy.

Ian Holm Chasing Cars Cover Dim 40

Like us on FACEBOOK: www.facebook.com TWITTER: www.twitter.com Officer Meanie gives Ghost Rider a ticket for parking in a handicap spot. Ian McKellen Martin Freeman Cate Blanchett Orlando Bloom Ian Holm Christopher Lee Hugo Weaving Elijah Wood Evangeline Lily Andy Serkis Richard Armitage The Hobbit Trailer Peter Jackson Ian McKellen Martin Freeman Cate Blanchett Orlando Bloom Ian Holm Christopher Lee Hugo Weaving Elijah Wood Evangeline Lily Andy Serkis Richard Armitage The Hobbit Trailer Peter Jackson Ian McKellen Martin Freeman Cate Blanchett Orlando Bloom Ian Holm Christopher Lee Hugo Weaving Elijah Wood Evangeline Lily Andy Serkis Richard Armitage The Hobbit Trailer Peter Jackson

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Helen Mirren is a rather mysterious Englishwoman and Ian Holm is a Russian journalist in this drama about international and interpersonal relationships. From 1982. Part 2: www.youtube.com

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