www.wopg.org http Pease select 480p for best resolution Incredible video with Indian classical music, beautiful nature scenes and Maharaji's words of peace and wisdom.
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Yaman Alaap a piece from "Indian Classical Music On Sitar & Tabla" *more see video response* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * "Indian Classical Music on Sitar & Tabla" was recorded by sitar player Matthew Weekes and tabla player Shen Flindell and released by MasterSong on CD in Australia in 2000. It is now available only as a download. for more information or to download visit : www.ethnosuperlounge.com * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
wopg.org http Please select 480p for best resolution and sound Bismillah Khan performs live with his group of musicians for Prem Rawat, revered by many around the world by the honorary title Maharaji, at an outdoor venue before a massive audience of over 100000 people who came to attend Maharajis event in Delhi India. Watch this video for a free viewing.
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Indian music encompasses some of the richest most remarkable traditions of the world.In this documentary we intend to present the complexities behind Indian classical music for a western listener.
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www.ravishankar.org The Indian sitar is derived from the long-necked lutes of western Asia and from the veena family of Indian musical instruments. It should not be confused with the similarly named "setar". In the Persian language, sitar (سی تار ) literally means "30 strings," while setar (سه تار ) means "3 strings." Both names are deceptive, however. The guitar appears to be derived from earlier instruments known in ancient India and Central Asia as the Sitar or Setar. Instruments of central and west Asia circulated in the South Asian subcontinent from at least the 12th century, and some were later modified and adapted to Indian uses. Instruments of this name are current in Iran and Central Asia today, but the Central Asian or Persian setar and the Indian sitar are now similar in name only. The sitar is currently one of the predominant concert instruments of Hindustani (North Indian classical) music. The premier Indian court instrument of the 17th and 18th centuries was the rudra vina, of the stick zither family, and this became the model for some of the distinctive characteristics of the Indian sitar, most notably its raised metal frets, platform bridge, and gourd resonators. Some scholars attempt to identify the sitar with the medieval tri-tantri "three-stringed" vina mentioned in Sanskrit texts, but current scholarship traces the Indian sitar to eighteenth century Delhi. Since the nineteenth century, the sitar has been one of the predominant instruments of Hindustani <b>...</b>
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In Kerala the classical music is carnatic . Carnatic music is considered one of the oldest systems of music in the world. Carnatic music is a very complex system of music that requires much thought, both artistically and technically. The basis of Carnatic music is the system of ragas (melodic scales) and talas (rhythmic cycles). There are seven rhythmic cycles and 72 fundamental ragas. All other ragas are considered to have originated from these. An elaborate pattern exists for identifying these scales, known as the 72 Melakarta Raagas. Tyagaraja, Muthuswami Dikshitar and Shyama Shastri, the three saint composers of the 19th century, have composed thousands of krithis that remain fresh among musicians and rasikas. The most important specialty of Karnatic music is its highly devotional element. The concept of the compositions are set entirely against a devotional outline. The notes of Carnatic music is "sa-ri-gaa-ma-pa-da-ni". These are abbreviations of the real names of swaras which are Shadjam, Rishabham, Gandharam, Madhyamam, Panchamam, Dhaivatam and Nishaadam. Each note of the pattern (the swaraa) will have up to three varieties. The only exceptions for this are the two base notes shadjam and panchamam, sa & pa which have only one form, and madhyamam, the middle swara, which has only two notes. Spirituality has always been the prominent content of Carnatic music. The beautiful blending of the beauty and devotional element has made it extraordinary and divine. The basic <b>...</b>
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Indian Classical Music Dhrupad Alaap in Raga Bageshri Bageshri (Hindi: बागेश्री) is a Hindustani classical raga. It is a popular raga of the late night, which is meant to depict the emotion of a woman waiting for reunion with her lover. It is said to have been first sung by Mian Tansen, the celebrated court singer of the Emperor Akbar in the sixteenth century. Regards-SL Niranjan -contact no- 09850599447 Sursagar Music Academy Akola(MS), India.
Rudra Veena is an ancient Hindu plucked musical instrument dating back to the age of Aryans. It is the purest amongst all the Veena family of musical instruments like the Sitar, Surbahar, Saraswati Veena, Godha, Kinnari and the Jantri Veenas. Beenkar Suvir plays Alaap, Jod, Jhala and two Gats , one in slow Chau Tal (12 Beats) and another in fast Sool Taal (10 Beats), in the Raga Malgunji. Suvir is a disciple of Ustad Zia Fariduddin Dagar and Nirmalya Dey. visit www.beenkar.com .
Visit this lesson here: www.jazzguitar.be In this video you will learn the basics of Indian classical music applied on a Western tuned guitar. Learn about the Indian musical system, ragas (Indian scales), gamakas, ...
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Joel Crawford's exquisitely animated short, WATAMBI, features a north Indian classical music score composed by Robin Sukhadia and Qasim Naqvi. A wide range of world instrumentalists are featured, most notably Grammy Award nominated Aashish Khan on sarode. Sound editing by Jasmin Ruiz.
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Yaman-Vilambit Gat a piece from "Indian Classical Music On Sitar & Tabla" -for more see video response- * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * "Indian Classical Music on Sitar & Tabla" was recorded by sitar player Matthew Weekes and tabla player Shen Flindell and released by MasterSong on CD in Australia in 2000. It is now only available as a download. for more information and to download visit : www.ethnosuperlounge.com * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
Vocal : Koushik Bhattacharya, Tabla : Rajnarayan Bhattacharya.Harmonium : Pradeep Palit & Achoring: Srijan Bhattacharya
These are all Legendary Artists Of India.They Sing Or Play Indian Classical Music.In This Musical Photo Album Each Artist is Playing / Singing Musical Piece.I Choose Selected Musical Pieces For Each Artist.They Are All Musical GOD To Me. Appearance wise Names.... 1) Ustad Bismilla Khan...Sehnai 2) Pandita Gangubai Hanagal...Vocal 3) Dr.Vasantrao Deshpande...Vocal 4) Ustad Zakir Hussain...Tabla 5) Pt.Rajan Sajan Mishra...Vocal 6) Ustad Amjad Ali Khan...sarod 7) Ustad Allah Rakh...Tabla ( Zakir`s father & Guru ) 8) Pt.Hariprasad Chaurasia...Flute 9) Begum Parveen Sultana...Vocal 10) Ustad Ahmed Jan Thirakwa...Tabla 11) Ustad Ali Akbar Khan...Sarod 12) Pt.Firoz Dastur...Vocal 13) Vidushi Dr.Prabha Atre...Vocal 14) Pt Ravi Shankar...Sitar 15) Pt.Kumar Gandharva...Vocal 16) Pt.Mallikarjun mansoor...Vocal 17) Pt.Jitendra Abhisheki...Vocal 18) Pt Jasraj...Vocal 19) Vidushi Kishori Amonkar...Vocal 20) Pt.Shivkumar Sharma...Santoor 21) Pandita Malini Rujarkar...Vocal 22) Pt.Bhimsen Joshi...Vocal
Indian Classical Music Masters Bismilla Khan Shehni Vocal Vasantrao Rajan Sajan Sarod Flute Hariprasad Parveen Sultana Thirakwa Firoz Dastur Prabha Atre Sitar Mansoor Jasraj Amonkar Abhisheki Bansuri Tabla Bandish Teental Dadra Japtal Ektal Drut Bhimsen Joshi Malini Rujurkar Shivkumar Sharma Santoor Kumar Gandharva Pandit Raga Savai Master Sing Play Uday 2310
This is my video for promoting 'Gharana', my own radio programme on dutch music-radiostation De Concertzender www.concertzender.nl . Initially the programme focused on North Indian raga artists, hence the name 'Gharana', but soon (of course) I decided to include artists of the Southern Carnatic tradition as well, although this is not stated as such in the clip. 'Gharana' is a 90-minute programme broadcast four times a year. In evry single episode I focus on one particular artist. In this clip I present the artists that are featured in the first three episodes: Patiala Kasur gharana-singer Kaushiki Chakrabarty, Mewati gharana-violinist Kala Ramnath and Senia Maihar gharana-sitarist Purbayan Chatterjee. In the programme they tell about their music, their gurus and their musical career. I've created a Facebook-profile on my radioprogramme 'Gharana'. If you like this programme, feel free to join there as a member, see: www.facebook.com Info on 'Gharana' with articles and playlists etc. you can also find at the following locations on the web: www.tonalties.nl - my own website, where you'll find in the map 'Gharana-raga music' all information (articles, links and photo's) in english about the programme http - for programme schedule information with the playlists and short articles (in dutch) orientexpress.radio6.nl - for articles and nice links and photo's on the artists featured in the programme (in dutch) hope you'll enjoy this... kind regards, Pieter de Rooij (producer of <b>...</b>
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Maiya Singh Ji, My Ustad (teacher), playing a Bandish in Raag Yaman/Kaliyaan. Recording was made mainly for practice purposes. The instrument is a Tar Shehnai, which is an Esraj + a horn that produces the sweet, high pitched sound. An Esraj (similar to Dilruba) is a hybrid Sarangi + Sitar. If you noticed: I fumbled the taal at one point because I started concentrating on what my teacher was playing, but he adjusted what he was playing to fit my mistake in. Couple of other mistakes with sur towards the end also. Advanced listeners will notice instantly :P check harsangeet.com to download more MP3s of Ustad-ji on Esraj.
Sarangi Sitar tarshehnai Dilruba Esraj Yaman Kaliyaan manavk
Raag Raga Madhuvanti - Tintaal 16 Beat ( Fast Tempo ) Maiya Singh Ji On TarShehnai Manav Singh (me) on TarShehnai My cousin Kabir Singh on Tabla Lesson / Practice Session Was Great fun There's another video of us Practicing in an 11 Beat Cycle on my blog singhmusic.blogspot.com
Esraj Sarangi tarshehnai Raag Instrumental Raga Indian Classical Music Madhuvanti Drut Tintaal manavk
www.gurukul.org music is not for entertainment, it is not fashionable, not image saturated, and it transcends all of that. It came before all modern nonsense. The modern world has tried to seep into the music and turn it a certain way, but Indian musicians keep it very traditional, the way they learned it. It is for your body, mind and soul, and one of the things that is great about all the masters living , and there are not many living these days, is that they are able to be open channels for love and compassion to come through them. I think it is karma based. You are born with this gift to some extent and then it is up to you to harness that ability and I think he has worked his entire life to do that to the level of mastery where he can leave his body or consciousness while he is playing, letting the music flow through him, so that he is a listener too, without effort, that is what mastery is, to be an open channel, and I hope that one day I can do that too. My grandfather used to say that you play and devote yourself so much to the ragas that you forget the time of day, your surroundings, the place you are in, your name, everything. You completely surround yourself with the raga, to reach a higher consciousness, a higher realization, and enlightenment through music. In order to achieve that, the music has to be very pure. The emphasis has to be on real pitch, rhythm, tuning. It is a whole different level that many people miss today, especially with junk music today <b>...</b>
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I attended this awesome Indian classical music concert organized by Indian Music Circle of WI & Indian Grad Student Assoc. Sorry about the shaky video (from my cellphone)
Heartbeat Ensemble Ghatam Karthik Madison Indian Classical Njoiraja
Classical Art group performance. uploaded by sulabh
Aslam Khan Indian Classical Bhartiya Shastriya Sangeet Sulabh Jaiswal sulabhjaiswal
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Bageshri-Alaap a piece from "Indian Classical Music On Sitar & Tabla" * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * "Indian Classical Music on Sitar & Tabla" was recorded by sitar player Matthew Weekes and tabla player Shen Flindell and released by MasterSong on CD in Australia in 2000. It is now available only as a download. for more information and to download visit : www.ethnosuperlounge.com * * * * * * * * * * * * * * * * * * * * * * * * * *
Raag Bhairav (Indian Classical Music) Param Pujya Sant Shri Asharamji Bapu To Watch LIVE webcast of ASHARM TV Visit : www.ashram.org For More Information Visit : www.ashram.org http
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Kapil is one of the leading Ragic Guitarist in India. He not only composes raga tunes but design it that suits the western instruments and playability of guitar. The following tune is a traditional tune which is enhanced by Kapil and performed 10 years ago in year 2000. Kapil Guitar Styles include Blues, Rock n Roll, Country, Classical and Ragas. Kapil has been a big name in India's guitar culture, his latest music tune is also arriving in upcoming Bollywood movie Dubai Returns. To know more of Kapil's music and workshops mail at info@guitarmonk.com
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Bangladesh TV presents Rukhsana Khan (Sarod), Afsana Khan (Sitar) and Zakir Houssin (Tabla), performing Rag Manjh Khamnaj. An Indian Classical music performance. Bangladesh, January 2009. contact: Email: shahadat.sarod@yahoo.com Tel. home: 0088-02-933-2978 Mob. 0088-0171 500 1340
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Ustad-ji was Invited to play at a fusion music concert. Satpal Singh Ji is on Tabla. The program was: 30 mins Indian Classical 30 mins Jazz 30 mins fusion. Here are a couple of short clips from the Indian Classical part Raag Yaman Roopak / Rupak - 7 beat cycle
Indian Classical Music Raag Yaman Dilruba Esraj tarshehnai Sitar Sarangi Tabla manavk
Renowned Carnatic vocalist Sudha Ragunathan performs Papanasam Sivan's "Virutham Kaavaavaa" in 2004 from Amutham's "The Concert" (AM DV-003) Violin: Embar Kannan Mridangam: Skanda Subramanian Ghatam: AS Shankar Moorsing: Sundhar Tambura: MR Narayanan For more info: www.amuthammusic.com
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"Raga Saga" by VS Narasimhan is available for purchase NOW on www.stringtemple.com (option to buy CD or download the album right away!) String Temple on Facebook! - www.facebook.com Its on the way to i-tunes and other stores but available right now off the site. We will be launching many more unique titles so subscribe to our newsletter (and our youtube channel) and we will alert you when new projects come out! CUSTOMERS FROM INDIA PLEASE NOTE: We are updating the site for our Indian customers so that shopping will be more convenient (payment form, Rupee transaction etc.) Please do still subscribe to our newsletter on (www.stringtemple.com) and you will be notified when the site specifically for India is ready. Thanks! Renowned Indian virtuoso violinist VS Narasimhan and the Madras String Quartet perform one of his arrangements, Mokshamu. Mr. Narasimhan (trained in western and indian classical music) is the pioneer behind this remarkable new art form of arranging indian classical pieces for a western style quartet. Mr. Narasimhan's upcoming new album titled "Raga Saga" performed on electric instruments takes this new art form to another level. The album will be available on i-tunes, amazon and from www.stringtemple.com (coming soon) If you wish to "stay tuned" for the album release info., please subscribe to String Temple Records profile on YOUTUBE.
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