good male alt Gerard Lesne sings Bassani's "Salve regina"

music countertenor alto hogeyama

Henry Purcell (1658/9-1695) "O solitude, my sweetest choice", Z. 406, published 1684/5. Note before beginning: The original score suppposed to be in C minor, whereas the only score I found is in B-flat minor and only two recordings I have (Deller and Lesne) are in F minor. Sorry you guys out there who claim to have absolute pitch. All I can suggest is, just close your eyes and try to enjoy it. Henry Purcell (1659-1695), English Baroque composer. He has often been called England's finest native composer. Purcell incorporated Italian and French stylistic elements but devised a peculiarly English style of Baroque music. The text of the powerful "O solitude, my sweetest choice" is a translation of a poem by Antoine Girard de Saint-Amant (1594-1661) , "La solitude". Thanslation is by Katherine Philips, known as "Orinda" as she called herself. It appeared in the fourth book of the anthology The Theater of Music in 1686. The ground bass was not new when Purcell began composing; in fact, it was somewhat old-fashioned. He may have used the device as often as he did because he found it challenging. Repeated bass patterns, especially if they are diatonic, limit the harmonic exploration of a piece, and Purcell succeeded in breaking through this barrier on many occasions, most successfully in O solitude. In other songs, such as "Now that the sun hath veiled his light" and "Music for a while", Purcell transposes the ground bass in order to modulate. More on Katherine Phillips and her <b>...</b>

Henry Purcell solitude Z406 Gerard Gérard Lesne countertenor english baroque civileso

Antonio Caldara "Soffri mio caro Alcino" I decided to do a series of videos with the material that I don't have the scores. I have been waiting patiently one day to find them. But it seems that these cantatas /arias that I want to upload are not interesting enough for score publishers that I cannot even find an expensive copy of them.. They just won't publish these scores.. Forget the scores most of the time I cannot even get the lyrics/translations. Oh well... Here I go, doing one-slide silly videos with great music. Unfortunately, this is one of those pieces I cannot find any info on, no matter what I do.. All I know is it was composed by one of my favorite composers Caldara. THe other thing that I kind of realized myself is that Handel used the same text (at least part of it) in his Cantata "Dolc'e pur d'amor l'affanno", which is also the 2nd movement of this Caldara cantata. I tried to at least get the lyrics but cannot even find that much. I am not gonna try and guess with my non-existent Italian, so again I appeal to those who speak/know Italian to provide the lyrics. If possible, I would appreciate the translation as well.. Thanks a lot in advance. UPDATE: Thanks to MehdiCaps, I can post the lyrics and the translation for the 2nd mvt. aria "Dolc'e pur d'amor l'affanno": Original: Dolc'è pur d'amor l'affanno se, compagno del tormento, il contento viene ancor. Se le pene insieme vanno con la speme e con l'affetto, il diletto è poi maggior. Translation: The anxiety of <b>...</b>

Antonio Caldara Soffri mio caro Alcino Gerard Lesne Cantata countertenor civileso

A french special about the French Countertenor Gerard Lesne. *****Please note that the commentary is in French**** Personally I don't speak a word of french but enjoyed listening to him singing the various arias from the Baroque era as well as the Rossini Cat duet.

gerard lesne countertenor haute contre altus contratenor male alto contraltista Cubby NH

A french special about the French Countertenor Gerard Lesne. *****Please note that the commentary is in French**** Personally I don't speak a word of french but enjoyed listening to him singing the various arias from the Baroque era as well as the Rossini Cat duet.

gerard lesne countertenor haute contre altus contratenor male alto contraltista Cubby NH

A french special about the French Countertenor Gerard Lesne. *****Please note that the commentary is in French**** Personally I don't speak a word of french but enjoyed listening to him singing the various arias from the Baroque era as well as the Rossini Cat duet.

gerard lesne countertenor haute contre altus contratenor male alto contraltista Cubby NH

A french special about the French Countertenor Gerard Lesne. *****Please note that the commentary is in French**** Personally I don't speak a word of french but enjoyed listening to him singing the various arias from the Baroque era as well as the Rossini Cat duet.

gerard lesne countertenor haute contre altus contratenor male alto contraltista Cubby NH

A french special about the French Countertenor Gerard Lesne. *****Please note that the commentary is in French**** Personally I don't speak a word of french but enjoyed listening to him singing the various arias from the Baroque era as well as the Rossini Cat duet.

gerard lesne countertenor haute contre altus contratenor male alto contraltista Cubby NH

Portuguese vilancetes, cantigas and romances Circa 1500 Gérard Lesne (countertenor), Nancy Hadden (flute), Erin Headley (viol, lirone), Christopher Wilson (lute, guitar)

Gérard Lesne Nancy Hadden Erin Headley Christopher Wilson O Lusitano Portuguese vilancetes cantigas romances Rodrigues Puestos estan frente Eric Boul

A french special about the French Countertenor Gerard Lesne. *****Please note that the commentary is in French**** Personally I don't speak a word of french but enjoyed listening to him singing the various arias from the Baroque era as well as the Rossini Cat duet.

gerard lesne countertenor haute contre altus contratenor male alto contraltista Cubby NH

Antonio Vivaldi Salve Regina RV618, Gerard Lesne (countertenor)

Antonio Vivaldi Salve Regina RV618 Gerard Lesne countertenor alto baroque music classic classical dark 999 crow

"Jerusalem convertere" from "Le Lamentazioni del profeta Geremia per il Mercoledi Santo" for soprano, alto, and orchestra (written in Rome c. 1751) by Niccolò Jommelli (1714--1774) Performed here by: Véronique Gens & Gérard Lesne Il Seminario musicale / Christophe Rousset, director Jommelli wrote three different settings of the Lamentations of Jeremiah: - Incipit lamentio Jeremiae Prophetae (c minor) for soprano & orchestra - Vau- Et egressus est (F Major) for soprano, alto & orchestra - Jod-Manum suam misit (D Major) for alto, orchestra They were written for Holy Week in Rome c. 1751, and each ends with a setting of the text "Jerusalem convertere," following the liturgical practice of ending each text/lecture from the prophet Jeremiah with this verse from the prophet Hosea: "Jerusalem convertere ad Dominum Deum tuum [Jerusalem, return onto the Lord thy God]." (Hosea 14:1) CD available from Vergin Veritas: www.amazon.com FURTHER RESEARCH: www.newworldencyclopedia.org www2.cpdl.org www.medieval.org veroniquegens.com www.gerardlesne.com www.ilseminariomusicale.com ARTISTS: commons.wikimedia.org www.biblical-art.com

Jommelli Lamentations Jeremiah Gens Lesne Rousset jdstivers

High resolution and stereo sound: www.youtube.com Antonio Vivaldi Cessate, omai cessate, RV 684 cantata for contralto voice, instruments and basso continuo In this recording: Gérard Lesne, countertenor Il Seminario Musicale Fabio Biondi The cantata follows the typical scheme of Recitative--Aria--Recitative--Aria (RARA). There is a variant of this cantata (RV 684a), an earlier version without the first recitative and quite different from this one. The only source of the text, by an unknown author, is the autograph score. One observation is that a similar text was used in an aria from Vivaldi's opera "L'incoronazione di Dario", at the opening of the second act. The text by Adriano Morselli is as follows: Cessa tiranno amor di tormentarmi più. Già barbaro e crudel quest'anima fedel hai posta in servitù. "... if one examines the content, one sees that in the first aria the aggrieved singer resolves to kill himself; in the following recitative he prepares to die; in the last aria he pictures himself as the "shade of a Bacchante" on the gloomy banks of Acheron, ready to take revenge. So we have a conventional, but complete plot. ... As for the content, there is a mixture of ferocity and commiseration arising from the fact that the singer addresses two different objects: his "cruel memories" and his "wretched, injured and forsaken heart". Only in the last two verses does cruelty pertain no longer to the memories but to the beloved's "pitiless countenance" and "faithless soul <b>...</b>

Antonio Vivaldi Cessate omai Gerard Lesne Seminario Musicale Fabio Biondi cantata countertenor civileso

Same passages of the life of Her Majesty the Queen Catherine of Braganza (Catarina de Bragança, in Portuguese) (25 November 1638 31 December 1705) The epigraph:) : A health to Kate! Our sovereign´s mate, Of the royal house of Lisbon; But the Devil take Hyde, And the bishop beside Who made her bone his bone. John Wilmot, 2 Earl of Rochester -Manuel Machado (Lisbon, c. 1590 - Madrid, 1646) was a Portuguese composer and harpist. - Dos estrellas le seguen Morena, Morena Y dan luz al sol: Va de apuesta, Senora morena, morena Que esos ojos son Two stars follow the sun, Morena, Morena And lend it light I wager Senora Morena, Morena, They are your eyes -Gerard Lesne (alto) Circa 1500 Nancy Hadden (flute & director) Erin Headley (viola da gamba, lirone) Andrew Lawrence-King (harps) Paula Chateauneuf (guitar, lute, vihuela) Stephen Stubbs (lute, vihuela) Recording: St Paul's, New Southgate, London, November 1989

Manuel Machado La folia Gérard Lesne and Circa 1500 oberega

GF Handel - Mi palpita il cor - Gérard Lesne (1of2) George Frederic Handel - "Mi palpita il cor" HWV 132c Video part I: I. Recitativo accompagnato: Mi palpita il cor II. Aria: Agitata è l'alma mia III. Recitativo: Tormento e gelosia IV. Aria: Ho tanti affanni in petto Video part II: V. Clori, di te mi lagno VI. Se un dì m'adora In this recording: Gérard Lesne Handel: Lucrezia - Cantatas for Alto Ensemble: Il Seminario Musicale Released: April 2001 Label: Virgin Thanks to my dear MehdiCaps, I can post a reliable text complete with accurate punctuation, spelling and accents. Original Text: Mi palpita il cor, né intendo perché. Agitata è l'alma mia, né so cos'è. Tormento e gelosia, sdegno, affanno e dolore, da me che pretendete? Se mi volete amante, amante son; ma, oh Dio! non m'uccidete, ch'il cor, fra tante pene, più soffrire non può le sue catene. Ho tanti affanni in petto, che, qual sia il più tiranno, io dir nol so. So ben che do ricetto a un aspro e crudo affanno, e che morendo vo. Translation (by Anthony Hicks): My heart throbs, and I do not understand why. My soul is troubled, and I do not know the reason. Torment and jealousy, rage, grief and sorrow, what do you want from me? If you want me to be a lover, a lover am I, but, ah! do not kill me, for my heart, amid such anguish, can no longer endure its chains. I have so many troubles in my breast that I cannot say which is the most oppressive. I am sure that I give refuge to a cruel and bitter grief, and that I am dying.

George Frideric Handel Mi palpita il cor Gerard Gérard Lesne Seminario Musicale Italian cantata countertenor baroque civileso

High resolution and stereo sound: www.youtube.com For all the unhappy Valentines. "Perfidissimo cor! Iniquo fato!", RV 674 Text: Anonymous Music: Antonio Vivaldi Gérard Lesne, countertenor Il Seminario Musicale, Fabio Biondi Recorded in 6,7 & 8 September, 1985 l'Eglise évangélique allemande de Paris ___ Recitativo Perfidissimo cor! Iniquo fato! Iniquissimo amor! Tirsi spietato! Dov'e, dov'e l'amore, che per me nel tuo core si nutriva? Ah, lungi al tuo petto svani, si fermo affetto. Lo so bene, lo so, che se un amante ottiene cio che brama, di poi piu non si cura. Ah disleal, ah ingrato! Perfidissimo cor, Tirsi spietato! Aria Nel torbido mio petto s'aggira un'ombra squallida di sdegno e crudelta. E quest'e la vendetta che cancellar pretende l'onta d'infedelta. Recitativo Cosi dunque tradisci chi contenta t'offerse i primi affetti? Dimmi, qual fede mai infido aver tu puoi, se chiaro vedi che di tua fe il candore si rassomiglia alla vernale brina, che tocca un poco dall'artura face in niente tutta si dissolve e sface. Cosi per te, o inumano, per crederti in amor ognuna cede. Misera amante e quella che ti crede. Aria Piu amar non spero, n, se il prim m'inganno e infido mi tradi. Misera ancor per me, che ancor non spero fe se l'amor mio svani. ___ Translation (by Hugh Graham): Recitativo Most treacherous heart! Unjust fate! Most infamous love! Pitiless Tirsis! Where, where is the love you used to harbour for me in your heart? Ah, far from your breast that once steadfast <b>...</b>

Antonio Vivaldi Perfidissimo cor Iniquo fato Gerard Lesne Il Seminario Musicale Fabio Biondi civileso

Antonio Caldara (c1670-1736) "Vicino a un rivoletto", cantate pour alto solo Gérard Lesne, alto/countertenor Il Seminario musicale 1991. -

antonio caldara gerard lesne vicino_a_un_rivoletto cantata alto countertenor operazaile

High resolution and stereo sound: www.youtube.com Antonio Vivaldi Cessate, omai cessate, RV 684 cantata for contralto voice, instruments and basso continuo In this recording: Gérard Lesne, countertenor Il Seminario Musicale Fabio Biondi The cantata follows the typical scheme of Recitative--Aria--Recitative--Aria (RARA). There is a variant of this cantata (RV 684a), an earlier version without the first recitative and quite different from this one. The only source of the text, by an unknown author, is the autograph score. One observation is that a similar text was used in an aria from Vivaldi's opera "L'incoronazione di Dario", at the opening of the second act. The text by Adriano Morselli is as follows: Cessa tiranno amor di tormentarmi più. Già barbaro e crudel quest'anima fedel hai posta in servitù. "... if one examines the content, one sees that in the first aria the aggrieved singer resolves to kill himself; in the following recitative he prepares to die; in the last aria he pictures himself as the "shade of a Bacchante" on the gloomy banks of Acheron, ready to take revenge. So we have a conventional, but complete plot. ... As for the content, there is a mixture of ferocity and commiseration arising from the fact that the singer addresses two different objects: his "cruel memories" and his "wretched, injured and forsaken heart". Only in the last two verses does cruelty pertain no longer to the memories but to the beloved's "pitiless countenance" and "faithless soul <b>...</b>

Antonio Vivaldi Cessate omai Gerard Lesne Seminario Musicale Fabio Biondi cantata countertenor civileso

Solist: Gérard Lesne Composer: Du Buisson Album: Altus - From Castrato to Countertenor

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War lucera 2009 Diehard (brs) vs Lesne Byki (pl)

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Teledysk Leśnego Licha z Władcą Pierścieni w tle. Wykorzystałem obraz z "Dwie wieże" oraz "Powrót Króla". Zapraszam do oglądania i komentowania. To mój pierwszy teledysk, więc uwagi mile widziane. Więcej o zespole na www.lesnelicho.com lub www.myspace.com/lesnelicho . I to tyle, pozdrowienia dla wszystkich fanów Tolkiena i szeroko pojętej muzyki. Sława !!!! Miki vel. Keeper

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Giovanni Battista Bononcini Siedi, Amarilli mia Forces: alto, violins & continuo A cantata for solo alto voice with a complicated structure. The story deals with the pain of love and includes a dialogue between the lovers Amarilli and Fileno (though sung by the same voice). It starts with a two-part opening prelude. The first aria sighs, alternating with recitative, the second is sobbing and the third is sprightly. In this recording: Gérard Lesne "Amarilli" Il Seminario Musicale Virgin Classics - Veritas (1993) Video Part I: 1. Preludio 2. Aria: Siedi, Amarilli mia 3. Arioso: Io ti miro Video Part II: 4. Recitativo: Ah! sì che i tuoi begl'occhi 5. Aria: Se scherza e ride **Thank you, my Marc, for all your help with the text** Original Text: Aria: "Siedi, Amarilli mia, siedi e m'ascolta. Qui lungi io dal timor, tu dalla noia de' rivali pastori; ragionar ben potrem' de' nostri amori. Non v'è chi n'oda o chi favelli intorno, né chi di gelosia tinto ne guardi. Siedi, Amarilli mia, siedi, che tardi? Quest'erbe, questi fior, questi ruscelli, e quest'amene collinette apriche, che fur gran tempo a miei sospiri amiche e pietose al mio pianto, sol mi vedranno a te sedere accanto. Lascia ch'io parli almen solo una volta. Siedi, Amarilli mia, siedi e m'ascolta. Arioso: Io ti miro e poi sospiro. Dir vorrei e dir non so. Sì confonde il labbro e il cor e smarrita l'alma aita chieder tenta e poi non può. Ahi che pena, ahi che dolor!" *** Translation (by Peter Vogelpoel): Aria: 'Sit <b>...</b>

Giovanni Battista Bononcini Siedi amarilli Gerard Lesne italian cantata contralto countertenor classical civileso

Pierwszy oficjalny teledysk Leśnego Licha zmontowany przez Konia i Oniriusza w Głogówku podczas konwentu fantasy bractwa Sorontar. Dziękujemy i SŁAWA WAM !!!!

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Gerard Lesne signs "Flow my tears". * * * * * Flow my teares fall from your springs, Exilde for ever: Let me morne Where nights black bird hir sad infamy sings, There let me live forlorne. Downe vaine lights shine you no more, No nights are dark enough for those That in dispaire their last fortunes deplore, Light doth but shame disclose. Never may my woes be relieved, Since pittie is fled, And teares, and sighes, and grones My wearie days of all joyes have deprived. From the highest spire of contentment, My fortune is throwne, And feare, and griefe, and paine For my deserts, are my hopes since hope is gone. Hark you shadowes that in darnesse dwell, Learn to contemne light, Happy that in hell Feele not the worlds despite. * * * * *

Gerard Lesne Flow my tears countertenor contratenor lasultanica

Claudio Monteverdi (1567-1643) O quam pulchra es. Gérard Lesne-Alto. Pascal Monteilhet-Theorbe.

Zenliguayette

Alessandro Scarlatti (1660-1725) Salve Regina Veronique Gens-Soprano. Gérard Lesne-Alto. Il Seminario Musicale

Zenliguayette

Playlist (Hymns and Litanies): www.youtube.com 'Magnificat', H 73 Canticle for alto, tenor, bass, 2 violins and basso continuo Text: 'Luke', I, 46-55 in the 'Vulgate' Music: Marc-Antoine Charpentier (1643-1704) ___ Gérard Lesne, countertenor Bernard Loonen, tenor François Fauché, bass Les Arts Florissants, conducted by William Christie Musicians: Hugo Reyne, Jean-Pierre Nicolas, recorders Anne-Marie Lasla, Kaori Uemura, treble viols Elisabeth Matiffa, bass viol William Christie, organ Recording: December 1989 Chapelle Royale du Château de Versailles Pitch: A = 415 Hz ___ More information about this work on my website: the-persian-hours.perso.sfr.fr Marc D.

Marc-Antoine Charpentier Magnificat Gerard Lesne William Christie Mehdi Caps II

Alessandro Scarlatti (2 May 1660 -- 24 October 1725) Sedecia, Re Di Gerusalemme. Gerard Lesne, Philippe Jaroussky - countertenors

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Pani Jeziora. Utwór pochodzi z pierwszego oficjalnego dema Leśnego Licha.

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Johann Sebastian Bach's sacred cantata 'Widerstehe doch der Sünde' BWV 54 in full. Score for solo alto. Wiederstehe doch der Sünde - aria Die Art verruchter Sünden - recitative @ 8.48 Wer Sünde tut - aria @ 9.55 Gérard Lesne, countertenor Il Seminario Musicale conducted by Patrick Cohen-Akenine, Anne-Marie Lasla - bass viol. More Lesne - JC Bach Wie bist du denn, O Gott - www.youtube.com Ach, daß ich Wassers g'nug hätte - www.youtube.com

Johann Sebastian Bach Widerstehe Sünde BWV54 cantata Lesne Seminario Musicale Cohen-Akenine score lyrics Lesser Hypericum

George Frederic Handel - "Mi palpita il cor" HWV 132c Video part I: I. Recitativo accompagnato: Mi palpita il cor II. Aria: Agitata è l'alma mia III. Recitativo: Tormento e gelosia IV. Aria: Ho tanti affanni in petto Video part II: V. Clori, di te mi lagno VI. Se un dì m'adora In this recording: Gérard Lesne Handel: Lucrezia - Cantatas for Alto Ensemble: Il Seminario Musicale Released: April 2001 Label: Virgin Original Text: Clori, di te mi lagno, e di te, o nume, figlio di Citerea, ch'il cor feristi per una che non sa che cosa è amore. Ma se d'egual saetta a lei ferisci il core, più lagnarmi non voglio; e riverente innanti al simulacro tuo, prostrato a terra, umil, devoto, adorerò quel Dio, che fe' contento e pago il mio desio. Se un dì m'adora la mia crudele, contento allora il cor sarà. Che sia dolore, che sia tormento, questo mio seno più non saprà. Translation (by Anthony Hicks): Chloris, it is of you that I complain, and of you, oh god, son of Venus, who has wounded my heart for one who does not know what love is. But if you have wounded her heart with a similar arrow, I would complain no more; and in reverence before your image, prostrate on the ground, humble and adoring, I will worship that god who happily fulfilled my desire. If one day my cruel lady adores me, happy then will be my heart. What sorrow is, what torment is, this heart of mine will no longer know.

George Frideric Handel Mi palpita il cor Gerard Gérard Lesne Seminario Musicale Italian cantata countertenor baroque civileso

Gerard Lesne, countertenor, sings "Senhora del mundo" (by an anonymous Portuguese, ca.1500)

gerard lesne senhora del mundo countertenor contre-ténor haute-contre portuguese song operazaile Portugal ines_de_castro musica portuguesa

Antonio Vivaldi - L'Incoronazione di Dario, RV 719 (Venezia, S.Angelo, 1716-1717) Gerard Lesne: Statira * interprete originale: Anna Vincenza Dotti Ensemble Baroque de Nice Gilbert Bezzina 1987

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Gerard Lesne, countertenor, sings "Vos señora a maltratarme" by an anonymous Portuguese, ca.1500.

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Georg Friedrich Händel (1685-1759) Serse: Frondi tenere e belle/Ombra mai fu. Gérard Lesne-Alto. Il Seminario Musicale

Händel Lesne Zenliguayette

Utwór pochodzi z oficjalnego dema Leśnego Licha

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Giovanni Battista Bononcini Siedi, Amarilli mia Forces: alto, violins & continuo A cantata for solo alto voice with a complicated structure. The story deals with the pain of love and includes a dialogue between the lovers Amarilli and Fileno (though sung by the same voice). It starts with a two-part opening prelude. The first aria sighs, alternating with recitative, the second is sobbing and the third is sprightly. In this recording: Gérard Lesne "Amarilli" Il Seminario Musicale Virgin Classics - Veritas (1993) Video Part I: 1. Preludio 2. Aria: Siedi, Amarilli mia 3. Arioso: Io ti miro Video Part II: 4. Recitativo: Ah! sì che i tuoi begl'occhi 5. Aria: Se scherza e ride **Thank you, my Marc, for all your help with the text** Original Text: Recitativo: "Ah! sì che i tuoi begl'occhi con silenzio loquace sì favellano al cor se il labbro tace, parla, parla, Fileno mio, parla, che pensi?" "Ah, mia cara Amarilli, penso a parlar, ma del mio fuoco ascoso tanto t'ho a dir che incamminciar non oso." Aria: Se scherza e ride, se parla e dice quant'è infelice amando un cor, non ama allor ma finge. Se non favella ma guarda e tace, e senza pace sospira ognor, laccio d'amor lo stringe. *** Translation (by Peter Vogelpoel): Recitativo: 'O, since your lovely eyes in silence so eloquent speak to my heart though your lips are silent, speak, speak, my dear Fileno, speak - what are your thoughts?' 'O my dear Amaryllis, would that I could speak, but I have so much to tell of my hidden flame <b>...</b>

Giovanni Battista Bononcini Siedi amarilli Gerard Lesne italian cantata contralto countertenor classical civileso

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Pergolesi - Stabat Mater : dolorosa - Il Seminario Musicale (Gérard Lesne, Véronique Gens)

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