London On Da Track Making a beat for Young Booke The Beat Is Copyrighten Hit me up on londonondatrack@gmail.com for beat prices!!!
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ATL'S 2 FAVORITE PRODUCERS KE ON THE TRACK IS HEAVY ON THE STREETS COMING FROM FLORIDA HE HAS THREE HIT SINGLES AS LONDON ON DA TRACK THE UPCOMING PRODUCER HAS THE WHOLE ATL UP ON THERE FEET FOR 2010 THEY ARE BOTH SIGNED UNDER THEY SAME YOUNG LABEL MMI THIS IS GOING TO BE A CHALLENGING YEAR FOR BOTH PRODUCERS STAND UP ATL!!!!
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-Only able to be used for PROMO reasons. -JUST BECAUSE IT SAYS FREE DOWNLOAD, DONT MEAN ITS A FREE BEAT. TO USE IT COMMERCIALLY YOU GOTTA BUY A LEASE. IM PUTTIN UP A FREE DL SO YALL WONT HAVE TO USE A YOUTUBE DOWNLOADER AND IM BEIN NICE SO GIMME CREDIT FO THE BEAT YA DIGG- -The Beat is entitled "Straight Like That" -This Beat and many others can be purchased at soundclick.com/djmortality -Its a DJ Mortality Beat Production!- Free Download: www.megaupload.com
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(twitter.com Bandit Gang Marco's latest Video Goodbye when a gurl grabs a knife it's time to say goodbye simple as that follow me @loveoohyie and to book me call 6786515367 @big8atl (big8) [Mixtape] Bandit Gang Marco - @LoveOOHyie :: Get It LIVE! livemixtap.es @IndyTapes @DJPlugg @DJ_JayT @iAmDjLilKeem
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Rich Kidz performing My Life from Everybody Eat Bread in-studio with Waka Flocka from Everybody Eat Bread. (c) 2012 Rich Kidz Music Group, LLC. RK4L.com, https Booking: 678.949.8509
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Karltin Bankz - Shoestrings Part 2 [Prod. By London On The Track] DL Link: hulkshare.com
Buy the track from iTunes here: itunes.apple.com DIRECTED AND PRODUCED BY BISON COMMISSIONED BY JAMES STEVENSON BRETTON AT BLINKINK BISON: "We'd been looking into an old 3D technique called "Anaglyph", which is the familiar red and cyan version of 3d that you used to get on the back of cereal boxes. The more we looked at various images that used this technique, the more we fell in love with the colours and decided that they should drive the aesthetic of the piece. In particular, we were intrigued as to what might happen if the two images were from drastically different sources. "The song is full of light and shade; with euphoric melodies and skipping glitchy beats. It seemed to us that themes of 'duality' ran through both the song and our visual idea. "We took those themes to our stylist, Justine Josephs who, along with our make-up artist Sally Marshall, created two opposing looks for our dancer, Claire Meehan. We spent a single day shooting in a South East London studio with Chris Nunn behind the camera and lights. "Finally came the edit and post-production process: We locked ourselves in the studio for 2 weeks working with After Effects. The process was pretty organic; we spent a week or so playing with the footage, developing different ideas and techniques, and then spent a further week moulding the disparate pieces into a solid video that ebbed and flowed in the right places." Cinematography - Chris Nunn Stylist - Justine Josephs Make-up - Sally Marshall Dancer <b>...</b>
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The Track "Close Your Eyes / Je Crois Entendre Encore" is taken from the soundtrack album of the movie "The Man Who Cried" (2000, Director: Sally Potter, Starring: Christina Ricci, Cate Blanchett, Johnny Depp, John Turturro, Harry Dean Stanton). The Official Soundtrack is composed by Osvaldo Golijov and performed by the Royal Opera House Orchestra Covent Garden, conducted by Sian Edwards, sung by tenor Salvatore Licitra. Listen & Enjoy it. The pictures are taken from the original movie ("The Man Who Cried"). For this clip I joined the following two tracks to one track: 0:00 - 2:08 min: Track 16 - "Close Your Eyes" Yiddish Lyrics, Salvatore Licitra, The Kronos Quartet 2:09 - 5:47 min.: Track 01 - "Je Crois Entendre Encore" Nadir's aria from Act I sung by tenor Salvatore Licitra in Italian Lyrics From "Les Pêcheurs de perles", an opera in 3 acts (1863) Composed by Georges Bizet (1838-1875) ** RIP Salvatore Licitra ** (www.salvatorelicitra.com "Salvatore Licitra has died Here is to announce with great sadness that the wonderful Italian tenor Salvatore Licitra, 43, died today, September 5, 2011 of his severe injuries at Garibaldi Hospital in Catania, Italy. Salvatore Licitra was one of the leading tenors in the dramatic Italian repertoire where he showed his 'worthiness of the great Italian tradition' (The New York Times)." ** ITALIAN Lyrics: ** Mi par d'udire ancora o scosa in mezzo ai fior la voce sua talora sospire l'amor! O notte dicarezze, gioir che non ha fin, o <b>...</b>
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You Fat Bastards - Saturday, April 28, 1990 . Track list: 1. Untitled (Intro) 00:00 2. "From out of Nowhere" 00:50 3. "Falling to Pieces" 04:18 4. "The Real Thing" 09:10 5. "Underwater Love" 16:55 6. "As the Worm Turns" DELETED BY YOUTUBE 7. "Edge of the World" 20:25 8. "We Care a Lot" 25:44 9. "Epic" 29:50 10. "Woodpecker from Mars" (Instrumental) 34:35 11. "Zombie Eaters" 40:20 12. "War Pigs" 46:30 Personnel Faith no More * Mike Patton -- vocals * Jim Martin -- guitar * Billy Gould -- bass * Roddy Bottum -- keyboards * Mike Bordin -- drums Production * Matt Wallace -- mixing, producer on "The Grade" and "The Cowboy Song" * Jessica Barford -- producer * John Booth -- director * Will Shapland -- engineer ENJOOOOOOOOOOOOOOOOOOYYY!!!!!
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Official video for the second single taken from Moby's latest album 'Destroyed'. The video was directed by acclaimed UK filmmakers Institute For Eyes. More info on 'Lie Down In Darkness' and 'Destroyed' here: moby.com Buy 'Lie Down In Darkness' on iTunes itunes.com Get the track stems for 'Lie Down In Darkness' and make your own remix here: remix.moby.com Best known for their striking documentary Isolation, about former paratrooper Stuart Griffiths, as well as videos for the likes of British Sea Power and Wild Beasts, Institute For Eyes were invited to visually realise Moby's new single, taken from his most recent studio album Destroyed (self-released on Moby's very own label Little Idiot). Lie Down In Darkness is a soulful track of sublime melancholy and symphonic grandeur and the video's narrative reflects this sense of epic scale, as it follows an astronaut looking back on his life of space travel, journeying through an architecturally heightened London. Shot in contemporary London, the locations for Lie Down in Darkness reference 1960's and 1970's periods, recalling modernist and Soviet austerity. The astronaut travels past such iconic London landmarks as the Barbican Centre and Southbank, in a journey of angles and minimalism, tunnels and flashes of dark and light. Visual elements of JG Ballard meet A Clockwork Orange undertones, intercut with sequences depicting outer space. Luke Seomore and Joseph Bull, aka Institute For Eyes, said about the idea for the video "The <b>...</b>
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Bruce Springsteen and the E street band live in London The Full Track List: 1. London Calling 2. Badlands 3. Night 4. She's The One 5. Outlaw Pete 6. Out In The Street 7. Working On A Dream 8. Seeds 9. Johnny 99 10. Youngstown 11. Good Lovin' 12. Bobby Jean 13. Trapped 14. No Surrender 15. Waiting On A Sunny Day 16. Promised Land 17. Racing In The Street 18. Radio Nowhere 19. Lonesome Day 20. The Rising 21. Born To Run 22. Hard Times (Come Again No More) 23. Jungleland 24. American Land 25. Glory Days 26. Dancing In The Dark
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Bruce Springsteen and the E street band live in London The Full Track List: 1. London Calling 2. Badlands 3. Night 4. She's The One 5. Outlaw Pete 6. Out In The Street 7. Working On A Dream 8. Seeds 9. Johnny 99 10. Youngstown 11. Good Lovin' 12. Bobby Jean 13. Trapped 14. No Surrender 15. Waiting On A Sunny Day 16. Promised Land 17. Racing In The Street 18. Radio Nowhere 19. Lonesome Day 20. The Rising 21. Born To Run 22. Hard Times (Come Again No More) 23. Jungleland 24. American Land 25. Glory Days 26. Dancing In The Dark
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Christy was born in London, England. She studied at the Bush Davies Ballet School as a child, before she decided to become a musical artist. Christy was a member of several bands. Her first band, Pink Ash, consisted of six male members and herself. Her stage name was Susie Reptile. After frantically writing and looking for inspiration from her keyboards, Christy achieved both a publishing deal with EMI and a major label record contract with Polygram Records. She released her self-titled debut album on February 19, 1993, including the singles "You Read Me Wrong" and "Steep," which targeted the adult contemporary market. Her second, Breed, was released on July 22, 1997 and featured a substantially different style than Lauren Christy, being more of a pop rock album. In 1994, Christy had a minor AC hit with "The Color of the Night", the theme song to the Bruce Willis film Color of Night. After the song gained airplay, her eponymous debut album was re-released with "The Color of the Night" included as a bonus track. Three years later, she contributed the song "Breed" to the Batman and Robin soundtrack, which was also released as the first single for the Breed album. Though the song's video received heavy rotation on MTV, the single and album failed to chart. The second single, "Magazine" also failed to make an impression. Though Breed is Christy's most recent full length album as of 2007 (reportedly plans for a third album were shelved with the demise of Mercury Records <b>...</b>
Uncensored & Unrestricted Music Videos you can't find on other Social Networks! bvmtv.com Twitter: #BVMTV - @JeffBVMTV "A Forest" is a single by the British rock band The Cure, released on April 8, 1980 as the only single from their second album Seventeen Seconds. It was also their first chart single in the UK, reaching #31. The lyrics tell a vague story about a man looking for a girl in a forest. He hears her calling for him, and as he chases her, he suddenly stops and realizes that he is lost and that the girl is not there. The song is fairly upbeat compared to the other material on the album, and Lol Tolhurst's machine-like steady beat together with Simon Gallup's minimalistic bassline gives this nervous chase more depth and keeps the song on the edge of a frantic groove until the end. Though not their biggest hit, it is regarded by many fans and critics as one of the best examples of The Cure's sound, particularly their use of chorusing effects. The song is also notable for securing the band its first slot on BBC's Top of the Pops. The track has been re-recorded a number of times by The Cure. In 1990 the track was re-recorded and remixed as the "Tree mix" on the band's "Mixed Up" album.
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yo 2006 msm on the buttons goodchild on production black the ripper slash samson this one is beautiful i cant control it too much madness going on but keep your head up look hear what im saying i know how it feels to live in a messed up area where nobody cares for ya police just stop search and hassle me that angers me all because stereotypical views put me in a certain category from the way i lace my shoes to the slang i speak even down to the way my trousers hang off of me my patience runs out daily like my phone battery this worlds full of blasphemy agony, hate and tragedy every bar i write has to be deep and creative like an art gallery a footballer is what i planned to be but that werent the plan for me after i tasted the greatness of illegal salary ive always got my pen and pad with me with my unpredictable mind these lyrics pop up randomly im tryna play the cards god handed me faced by reality trying not to lost my sanity [chorus] how come most violence is black on black face facts we're trapped in a cycle thats fill with rifles and gats crack police chat crap theyre raiding the flats cos they know we laze in the flats a boy got jacked for his chain and his chaps another boy got stabbed cos of the way that he acts girls act like slags and wonder why they get called slags dont ask me to solve it i cant control it broad daylight jackings oversized hooded jackets fatal stabbings welcome to London it all happens where every teen has a dream of rapping but gets <b>...</b>
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"I've Just Seen a Face" is a song by The Beatles. It appears on their 1965 UK album, Help!, and was also the lead-off track on the American (Capitol Records) release of their album Rubber Soul from the same year. "I've Just Seen a Face" was written by Paul McCartney(credited to Lennon-McCartney), and features McCartney on vocals. Before its release, the song was briefly titled "Aunty Gin's Theme," after his father's youngest sister, because it was one of her favorites.It is one of the very few guitar based Beatles songs which doesn't have a bass track. Another notable one is "Blackbird". The Help! version was recorded on 14 June 1965 at Abbey Road Studios in London in the same session with "Yesterday
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PJ Harvey - The Glorious Land -- The 4th Film, From A Series Of 12 Short Films, By Seamus Murphy From the album 'Let England Shake' A word from the director, Seamus Murphy; The Glorious Land As with the other films, I wanted to avoid too literal an interpretation of Polly's lyrics, but to try to remain true to the spirit and feel of the track. The Glorious Land was the third film we edited and completed in Berlin in the cycle of the 12 films, the first was The Words That Maketh Murder and the second was The Last Living Rose. Both editor, Sebastian, and I loved this track, and for me the bugle blast and where it sits is truly a glorious thing. It has the courage to be discordant, out of place and yet perfect on its own terms, surely the quality of great Art? At the first London show at the Troxy last week, when the bugle came in as they played The Glorious Land it was like experiencing the music floating high above the band and audience and hovering over all of us like a massive Jackson Pollack. And it swung. I had noticed interesting things coming through the trees when driving around Dorset in October. Autumn colours, the sunlight streaming through the trees, the effect of movement during driving, how things changed if I speeded up or slowed down. How the angle at which the camera was held changed things so I started experimenting with shooting and driving. Some of this was shot through the car sunroof straight up into the sky, some deliberately overexposed and out of <b>...</b>
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Courtesy Evergreen International Aviation www.evergreenaviation.com The Evergreen Supertanker showed impressive results during the US Forest Service administered grid tests earlier this year. From high, medium and low coverage levels, the Supertanker showed it provides quality, consistent retardant line construction. The cutting-edge aircraft proved it belongs on the front line, from the onset, to fight wildfire day and night. The uniformed pattern of the Supertanker drops, and its ability, in a single flight, for split loads at multiple coverage levels, gives agencies an incredibly versatile firefighting tool. The multi-role B747 Supertanker is the largest tanker aircraft available today. With a payload of more than 20000 gallons and a response time of 600 mph, it has more than eight times the drop capability and twice the speed of any other federal air tanker currently fighting fires. The Supertankers patented pressurized system has the capability to disperse product at high pressure for an overwhelming response, or disperse at the speed of falling rain in a single or several segmented drops. This pressurized system will also allow for drops at higher altitudes, creating a significant safety buffer and enabling the Supertanker to fight fires during the day and at night, when they are most vulnerable. It also offers a significant value for American taxpayers; saving homes, natural resources, and most importantly, lives. When employed properly, the Supertanker has the <b>...</b>
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