Lourié - Two Mazurkas
Two Mazurkas Op. 7 (1912) Arthur Lourié (1892-1966) was an important musical figure in post-1917 Russia and a composer of decidedly avant-garde music. In the wake of the October Revolution, Lourié was appointed chair of the Music division of Soviet Education Ministry, which was established to cultivate a new and revolutionary music suitable for the Soviet citizen. During the 1910s, Lourié was viewed as a fanatical advocate of all modern art and some of his early compositions anticipate the musical advances of the West vis-à-vis the Second Viennese School and "Les Six". His extreme policies eventually clashed with a number of musicians and Soviet bureaucrats, causing him to bitterly resign his post, and in 1921, Lourié followed the footsteps of other Russian émigrés and left Russia for good. He settled in Berlin and then Paris, joining Stravinsky's circle, but when WWII engulfed Europe, Lourié fled again to America, where he remained in obscurity for the rest of his life. His early works show tangible influences from Scriabin, but the trajectory of his aesthetics is far-reaching: one can find Scriabinesque, Rachmaninovian or Webern-like piano works, orchestral compositions hinting at Prokofiev, and choral music recalling Mussorgsky.
Chopin Mazurkas Op 56 No 1 & Op 63 No 2 Neuhaus Rec 1953.wmv
Heinrich Neuhaus (1888-1964) studied with Blumenfeld and Michalowski in Russia and with Godowskv in Vienna. He taught at the Kiev Conservatory and later at the Moscow Conservatory. He was the cousin of Szymanowski and the nephew of Blumenfeld. Neuhaus became one of the most famous teachers of the century; his classes at the Moscow Conservatory were crowded with students hoping to gain inspiration. He taught some of the outstanding pianists of Russia including Gilels and Richter, both of whom greatly acknowledged their debt to him. His warmth and great teaching instincts are evidenced in his book, The Art of Piano Playing. Byran Crimp writes that Alexander Goldenweiser, Konstattin Igumnov and Heinrich Neuhaus dominated the Russian/Soviet tuition during the first half of the twentieth century. It is also interesting that on page 43 of Horowitz, a Biography, Glenn Plaskin writes, "Volodya took an instant interest in the man, (Neuhaus), and later insisted that, next to Blumendfeld., Neuhaus (1888-1964), was the most important influence in his early development." A comparison of Neuhaus's performances of Chopin mazurkas with those of Horowitz is enlightening.
Chopin - Mazurka In A Minor Op. 17, No. 4
I love this piece. Though some may disagree with my interpretation (as a mazurka is a dance), it was inspired by a recording made by a pianist by the name of Michel Block. Anyway, enjoy. Played on a Hamburg Steinway Model D.
frederic chopin mazurka in minor op 17 no classical romantic piano quinn kimball mightyquincy 109
Menahem Pressler - Chopin, Mazurka Op. 17 No. 4
Watch full live performance free of charge at www.medici.tv Menahem Pressler, piano Frederic Chopin, Mazurka Op. 17 No. 4 Piano recital at the Cité de la musique, Paris. Broadcast live on medici.tv on March 23, 2011 © Idéale Audience 2011
Chopin Mazurkas Op 33 No 2 and 4 Friedman
Many concider Friedman's recordings of the Chopin mazurkas to be among the finest ever made. Here he plays the Mazurkas In D major Op. 33 No.2 recorded in 1924 and B minor Op.33 No. 4, recorded in 1926.
Ignaz Friedman: 4 Chopin Mazurkas (vol. 1)
Ignaz Friedman flings his suit jacket into the corner, removes his dress shoes and joins his fellow Poles in the national festivities. Nobody does it better... Friedman danced the mazurka with Polish peasants in his youth, venturing beyond the urban intellectual circles of most classical musicians. (Allan Evans just wrote Friedman's bio: "Ignaz Friedman: Romantic Master Pianist".) Chopin Mazurkas: op. 7 no. 1 in B flat op. 7 no. 2 in a minor op. 7 no. 3 in f minor op. 24 no. 4 in B flat (all recorded Nov 13, 1930 for Columbia) from the Pearl 4 CD set IF 2000. (ARBITER will release a 5 CD Friedman set including hitherto unpublished material, and all new transfers in 2010)
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Szymanowski Mazurka Op 50 No 2 Rubinstein Rec 1946
Karol Szymanowski (1882- 1937) was a personal friend of Rubinstein. This friendship provided Rubinstein with a unique insight into the composers music. This photograph shows Szymanowki to the right of Rubinstein and violinist Paul Kochanski on their return from America in 1922.
Chopin ALL Mazurkas PART1
RYSZARD BAKST - the COMPLETE Mazurkas recordings (4-Lp-Box-Set) very rare Vinyl LP record early STEREO (made in Poland) 1 - Op. 6 No. 1 - fis-moll (in F sharp minor) 2 - Op. 6 No. 2 - cis-moll (in C sharp minor) 3 - Op. 6 No. 3 - E-dur (in E major) 4 - Op. 6 No. 4 - es-moll (in E flat minor)
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William Kapell: Mazurka in A minor, Op. post. - Notre Temps (Chopin)
William Kapell (1922-1953) performs Chopin's Mazurka in A minor, Op. post. - Notre Temps. Recorded at Town Hall, New York, December 27, 1951.
William Kapell Chopin Mazurka in A minor Notre Temps Half Moon Bay Australia Уильям Каппелль Dorothea Anderson La Follette Olga Samaroff José Iturbi Julliard Anna Lou Dehavenon שופן Мазурка Австралия מזורקה Шопен Μαζούρκα הפסנתרן האמריקני Αυστραλία Американский пианист Pianydd Americanaidd Mazurek Mazurca classicvinylbiz
Ignaz Friedman: 3 Chopin Mazurkas (vol. 2)
Ignaz Friedman plays more Chopin Mazurkas and shows us how to make music one's own: op. 33 no. 2 in D op. 33 no. 4 in b minor op. 41 no. 1 in c sharp minor (rec. Nov. 13, 17 1930 for Columbia) [New Friedman bio: "Ignaz Friedman: Romantic Master Pianist") from the Pearl set IF 2000 (ARBITER will release a 5 CD Friedman set with unpublished material and new transfers in 2010).
ROBERTO POLI PLAYS CHOPIN MAZURKA IN A MINOR, OP. 7, NO. 2
Frederic Chopin (1810-1849): Mazurka in a minor, Op. 7, no. 2 (1833) Roberto Poli, piano Recorded November 2008 - Rivera Recital Hall, Rivers School Conservatory, Weston, Massachusetts USA
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Scriabin Mazurka Op 40 No 2 Artur Pizarro
This awesome pianist of our times "Artur Pizarro" has a disc with the full mazurkas! you may find it on amazon, i think this is a really good interpretation.
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Chopin Mazurka op 17 no 4 A minor - Pianist Michel Mañanes
For a better Audio click here: www.youtube.com Michel Mañanes plays one of the most beautiful Chopin Mazurka No 4 op.17 A minor 13. Withrecitals for europa and suramerica specially. He won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Chopin Mazurca.classical concert pianist. www.michelmananes.com Frédéric Chopin (Polish Fryderyk [Franciszek] Chopin, sometimes Szopen; French: Frédéric [François] Chopin; surname pronunciation in English: IPA: /ˈʃoʊpæn/ and French: French pronunciation: [ʃɔpɛ̃]) March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.[4] He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration." In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,[5][6] in France he used the French versions of his names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[7][8][9] After some ill-fated romantic involvements with <b>...</b>
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Patricio Molina - Szymanowski Mazurka No. 2
PATRICIO MOLINA, PIANIST A native of Chile, the 18- year-old pianist Patricio Molina made his debut at the tender age of three appearing with the Catholic University of Chile's Orchestra on the popular television program "Venga Conmigo" (come with me). Immediate following his appearance, Patricio was awarded a full scholarship by "Amigos del Teatro Municipal", the educational funding arm of the Municipal Theater of Santiago. This scholarship enabled Patricio to study free of charge in the School for the Arts within the University of Chile for the next ten years. During this time he won the "Claudio Arrau International Piano Competition" three times (I, II and III Level), and performed concerts in Germany, Jordan and throughout Chile. Upon his arrival in the United States in 2004, Patricio entered Manhattan School of Music where he is a full scholarship student in the studio of Dr. Marc Silverman, Chairman of the Conservatory's Piano Department. His talents were quickly recognized by the New York Times which described him as "a gifted young artist" when they heard his performance on the Symphony Space "Wall-to-Wall Stravinsky" program. In 2005, Patricio was awarded First Prize in the International Piano Competition of New as well the Grand Prize as the outstanding performer in all categories of the competition. As the winner of last season's Precollege Concerto Competition, Patricio performed Saint Saens's Concerto No. 2 in G minor with the Manhattan School of Music <b>...</b>
classical Chile Los Andes Universidad de Chile NY New York Passaic Valley Claudio Arrau Polish Poland music musica piano clasico chileno latino americano NJ New Jersey carnegie Hall NJPAC art. patriciofmolinak
Karol Szymanowski plays Szymanowski his own mazurka op 50 and op 62 recorded around 1935
Karol Szymanowski (1882-1937) plays his own mazurkas op 50 nr 1 and op 62 nr 1 recorded around 1935 (perhaps earlier). Quite magical to hear karol szymanowski playing the piano himself! He is one of my favorite composers If you have any questions, contact me at twitter.com Karol Szymanowski mazurka mazurkas op 50 62 78rpm 1935 piano acetate disc
Karol Szymanowski mazurka mazurkas op 50 62 78rpm 1935 piano acetate disc otterhouse
Chopin Mazurka Op. 17 No. 4 Paderewski Rec. 1912
Paderewski recorded this mazurka three times--in 1911,1912 (here posted) and 1923. This recording was made in London one year after Paderewski made his first recordings at his home in Morges, Switzerland.(1911) The performance is mesmerizing and obviously influenced the interpretation of another "legendary pianist.'
Janina Fialkowska (piano) plays Chopin (3 Mazurkas: Opus 41/1, Opus 33/2, Opus 59/1)
Janina Fialkowska, Piano London, Cadogan Hall May 25th, 2010 Frédéric Chopin: Three Mazurkas Mazurka in e minor, Opus 41/1 Mazurka in d major, Opus 33/2 Mazurka in a minor, Opus 59/1
Janina Fialkowska Chopin Mazurka Piano Mazurka in e minor Opus 41/1 Mazurka in d major Opus 33 Mazurka in a minor Opus 59/1 PROHO
Mazurkas Op. 59: No 3 In F Sharp Minor
As requested: Mazurkas, Op. 59 are a set of three Mazurkas for solo piano by Frédéric Chopin. The set was composed and published in 1845. Mazurka in F-sharp minor, the final piece of the set is a waltz-like composition. The piece begins with a memorable and powerful melody, the second theme is somewhat more joyful than the first. The left hand accompaniment of the piece experiments with descending chromatic harmonies, although this does not affect the melody which remains defined throughout the piece. Disclaimer: The performer of this is by Maestro Jamalpour, and is not to be profited from.
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Chopin Mazurka Op 50 No 2 Rosenthal Rec 1935.wmv
At age 8,Rosenthal,as did Koczalski,became a student of Chopin's pupil, Karl Mikuli and studied with him for about 5 years. He later became a pupil of Liszt. Josef Hofmann, is quoted as saying that as a youth, he thought Rosenthal was "terrific" and that he tried to imitate his playing. The eminent American piano critic, James Huneker wrote of Rosenthal that "he plays his instrument magnificently, overwhelmingly. He is the Napoleon, the conqueror among virtuosi. His tone is very sonorous, his touch singing, and he commands the entire range of nuance from the ripplmg fiortura of the Chopin Barcarolle, to the cannon-like thunderings of the A-flat Polonaise. His octaves and chords baffle all critical experience and appraisement. As others play presto in single notes, so he dashes off double-notes, thirds, sixths and octaves. His Don Juan Fantasy, part Liszt, part Mozart, is entirely Rosenthalian in performance He is the epitome of the orchestra and in a tonal duel with the orchestra he has never been worsted. ... His touch is crystal-like in its clearness, therefore his tone lacks the sensuousness ot Paderewski and de Pachmann." It is unfortunate that Rosenthal never choose to record the works mentioned in Huneker's paean to Rosenthal's playing.
Edouard Risler plays Chopin Mazurka op 17 no 4
Edouard Risler playing Chopin's A minor Mazurka, op 17/4. This recording comes from 1917 and, unfortunately, is in very poor sound due to Pathe's recording process. The interpretation however is exceptional. Risler studied with Descombes, Diemer, Stavenhagen and d'Albert (several Liszt pupils).
Edouard Risler Eduard Chopin Mazurka piano classical Antonio DGO
Samuil Feinberg plays Scriabin Mazurka Op 3 no 1
Alexander Scriabin (1872-1915) from 7 Mazurkas Opus 3 no. 1 piano: Samuil Feinberg (rec. 1952) Feinberg (1890-1962) was a pupil of Alexander Goldenweiser and one of the most eminent Russian virtuosos of his generation. Feinberg met Scriabin at the age of 23, he had the furtune of being one of the very few young pianists Scriabin appreciated; while he reproached almost all of them for a style which he considered too hard and insufficiently expressive. In these 7 mazurkas Opus 3 which I present here, we may understand Scriabin's appreciation!
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