Motet "Nesciens Mater" Jean de Hollinge dit Jean Mouton (1459-1522) ami de Desprez The Theater of Voices dir. Paul Hillier

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The Motet performing "Scarlet Begonias" by the Grateful Dead on October 29, 2011 at the Ogden Theatre in Denver, CO for the Funk Is Dead Halloween Weekend Extravaganza. Edited by James Marshello Producer, Director, Engineer: Jeff Carman Executive Producer: Thomas Lofstrom Camera by: Thomas Lofstrom - (Electric Cinematography) Matt Hainey Dave Cline Bryan Cline AJ Johnson The Motet was this night: Paul Creighton (Vocals) Kimberly Dawson (Vocals) Jans Ingber (Vocals) Ryan Jalbert (Guitar) Gabe Mervine (Trumpet) Scott Messersmith (Percussion) Matt Pitts (Tenor) Joey Porter (Keys) Dan Schwindt (Guitar) Garrett Sayers (Bass) Pete Wall (Baritone, Flute) Dave Watts (Drums) Sound Engineer - Dave Tash Lighting Designer - Robyn Mascolino LED Visuals - James Marshello

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The Motet perform the song "Afrotech" from the album Instrumental Dissent at the Tatanka Music & Arts Festival in Boulder, CO 9-28-08.

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Here is a fun clip to get your feet moving. These guys can really boogie. The rain was falling and nobody seemed to care.

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THE MOTET performing "take me to the river" by The Talking Heads on 01-23-2010 CERVANTES MASTERPIECE BALLROOM IN DENVER COLORADO Video by James Marshello (sorry only 1 angle) LED video display projection by James Marshello Lighting Design by Robin Sound by Dave Tash The band on this night was: Jen Durkin - vocals Sam Kininger - sax Ryan Zoidis - sax Dan Lebowitz - guitar Ryan Jalbert - guitar Jans Ingber - vocals Garrett Sayers - bass Joey Porter - keys Dave Watts - drums Scott Messersmith - percussion Gabe Mervine - trumpet Kim Dawson - vocals Matt Pitts - sax

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Antonio Lucio Vivaldi (1678 † 1741) Work: Motet "Nulla in mundo pax sincera" in E major, RV630 1. Aria: Nulla in mundo pax sincera, sine felle; pura et vera dulcis jesu est in te. Inter poenas et tormenta, vivit anima contenta, casti amoris, sola spe. Performed: Emma Kirkby (soprano) Dir: Cristopher Hogwood The Academy of Ancient Music Nulla in mundo pax sincera (RV 630) is a sacred motet composed by Antonio Vivaldi to an anonymous Latin text, the title of which may be translated as "In this world there is no honest peace". Written in the key of E major and in the typical lyrical Italian Baroque style, it is scored for solo soprano, two violins, viola and basso continuo, this would normally be a cello and keyboard instrument, in Vivaldi's case often the organ. The text dwells on the imperfections of a world full of evil and sin, and praises Jesus for the salvation he offers from it. The motet consists of three parts (Aria; Recitative; Aria), followed by a concluding Alleluia. A full performance of the piece takes approximately 13 minutes. The first aria of the piece was featured in the closing credits of the 1996 film Shine.

Vivaldi Motet Nulla in mundo pax sincera major. RV630 Emma Kirkby Cristopher Hogwood The Academy of Ancient Music

First set, fourth song for the December 27, 2008 show at Boulder Theater, Boulder, Colorado. This show is available in 1080i, Surround Sound on Blu-Ray DVD. The Motet joined by Kyle Hollingsworth (SCI) on keys, Fuzz (Deep Banana Blackout) on guitar, Jans Ingber on vocals and percussion, Liza Oxnard on vocals, Joey Porter also on keys, Carrie Sangiovanni on background vocals, Paul McDaniel on bass, Dave Tash on sound, Adam Shapiro on lights, James Marchello on projection screens, Jennifer Allen, Thomas Lofstrom, James Marshello on cameras

Motet Girlfriend Is Better Talking Heads Dave Watts Kyle Hollingsworth Fuzz Liza Oxnard Joey Porter Carrie Sangiovanni Paul mcdaniel Universal Movement Super Video Bros Adam Shapiro James Marchello Jennifer Allen Thomas Lofstrom 08.12.27.1.4

Paul Mealor www.youtube.com UK iTUNES itunes.apple.com USA iTUNES itunes.apple.com Crimson Petal MP3 www.amazon.co.uk Music sheet www.musicroom.com Paul Mealor interview www.telegraph.co.uk Paul Mealor's Ubi Caritas et Amor - Royal Weddiing PRINCE WILLIAM PRINCESS Catherine DUKE AND DUCHESS OF CAMBRIDGE choral westminster also known as 'Now Sleeps the Crimson Petal'

Paul Mealor Ubi Caritas et Amor Royal Wedding

This is Yellowjackets playing the tune Motet from the Mint Jam album. my favorite tune from them and i hope u all enjoy as much as i do!!

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University of Nottingham Music Society "Mussoc" Tour Choir performing in Poland 2008.

University Nottingham Music Society Mussoc Poland 2008 Bruckner Motet Locus Iste

An original motet in the sixteenth century style composed by John McClung. Performed by Mandy Franklin Johnson, Catherine Nelson, and Eric Johnson, spring 2005.

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The Motet performing "Shakedown Street" by the Grateful Dead on October 29, 2011 at the Ogden Theatre in Denver, CO for the Funk Is Dead Halloween Weekend Extravaganza. Edited by James Marshello Producer, Director, Engineer: Jeff Carman Executive Producer: Thomas Lofstrom Camera by: Thomas Lofstrom - (Electric Cinematography) Matt Hainey Dave Cline Bryan Cline AJ Johnson The Motet was this night: Paul Creighton (Vocals) Kimberly Dawson (Vocals) Jans Ingber (Vocals) Ryan Jalbert (Guitar) Gabe Mervine (Trumpet) Scott Messersmith (Percussion) Matt Pitts (Tenor) Joey Porter (Keys) Dan Schwindt (Guitar) Garrett Sayers (Bass) Pete Wall (Baritone, Flute) Dave Watts (Drums) Sound Engineer - Dave Tash Lighting Designer - Robyn Mascolino LED Visuals - James Marshello

The motet halloween grateful dead Colorado Denver shakedown street ogden theatre funk is Jeff Carman Matt Hainey AJ Johnson Dave Cline Bryan Thomas Lofstrom Electric Cinematography Super Video Bros

Buy link: gamine.bandcamp.com Motet is the first Gamine Super 8 film from our marvellous album, "You Can Cry (And Other Lullabies)", released in the autumn of 2009. You can also download from iTunes, Amazon etc. if you wish.

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Early Motet 1. Trop sovent - Brunette - In seculum (double motet) Late 13th Century Continental Motet 2. J'ai mis - Je n'en puis - Puerum (Franconian motet) 0:41 Rogers Covey-Crump, John Potter (also organ), Paul Hillier The Franconian Motet The Franconian Motet was named after Franco of Cologne. These motets, composed around 1250-60, differed from the earlier Notre Dame motets in that they did not use the rhythmic modes, the triplum was more subdivided, and the multiple texts could also be in multiple languages. An example of a Franconian Motet is Amours mi font/En mai/Flos filius eius. Franco of Cologne (fl. mid-13th century) was a German music theorist and possibly composer. He was one of the most influential theorists of the late Medieval era, and was the first to propose an idea which was to transform musical notation permanently: that the duration of any note should be determined by its appearance on the page, and not from context alone. The result was Franconian notation.

Two Motets 13th and late cent

The Motet performing Shakedown Street at The Aggie in Fort Collins, Colorado.

The Motet Motet The Aggie Fort Collins Colorado Shakedown Street Jam Grateful Dead Dead Funk is Dead Funk

Upcoming Tour Dates for The Motet performing FUNK IS DEAD: 02/23/12 - SAN FRANCISCO at YOSHI'S SF - Tickets: sfyoshis2.inticketing.com 04/07/12 - PORTLAND, OR at ALADDIN THEATER www.aladdin-theater.com 04/21/12 - BOULDER, CO at BOULDER THEATER bouldertheater.frontgatesolutions.com 04/26/12 - PHILADELPHIA, PA at THE TROCADERO THEATRE www.ticketfly.com 04/27/12 - BALTIMORE, MD at BALTIMORE SOUNDSTAGE www.ticketfly.com 04/29/12 - NEW YORK CITY, NY at HIGHLINE BALLROOM www.ticketweb.com The Motet performing "Franklin's Tower" by the Grateful Dead on October 29, 2011 at the Ogden Theatre in Denver, CO for the Funk Is Dead Halloween Weekend Extravaganza. Edited by James Marshello Producer, Director, Engineer: Jeff Carman Camera by: Thomas Lofstrom - (Electric Cinematography) Matt Hainey Dave Cline Bryan Cline AJ Johnson The Motet was this night: Paul Creighton (Vocals) Kimberly Dawson (Vocals) Jans Ingber (Vocals) Ryan Jalbert (Guitar) Gabe Mervine (Trumpet) Scott Messersmith (Percussion) Matt Pitts (Tenor) Joey Porter (Keys) Dan Schwindt (Guitar) Garrett Sayers (Bass) Pete Wall (Baritone, Flute) Dave Watts (Drums) Sound Engineer - Dave Tash Lighting Designer - Robyn Mascolino LED Visuals - James Marshello

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Exsultate, Jubilate K165 Part 2 www.youtube.com Hi res version at www.elizabethparcells.com Translation: Rejoice, be glad, O you blessed souls, Rejoice, be glad, Singing sweet songs; In response to your singing Let the heavens sing forth with me. The friendly day shines forth, both clouds and storms have fled now; for the righteous there has arisen an unexpected calm. Dark night reigned everywhere [before]; you who feared till now, and joyful for this lucky dawn give garlands and lilies with full right hand. You, o crown of virgins, grant us peace, console our feelings, from which our hearts sigh. Alleluja Elizabeth Parcells

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The Forty Part Motet, by Janet Cardiff, at Inhotim. Recorded on February 5, 2010 using a Flip Video camcorder.

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※ Better than / Please, click here (watch in high quality - 480p) ※ youtube.com Jean-Philippe Rameau (1683~1764) 《In convertendo》grand motet, 1718 1. ' In convertendo ' 2. ' Tunc repletum est gaudio os nostrum ' 3. ' Magnificavit Dominus ' Nicolas Rivenq Sophie Daneman Jeffrey Thompson Olga Pitarch Les Arts Florissants (orchestre et choeur) William Christie (direction)

유선빈 William Christie Les Arts Florissants Jean Philippe Rameau JPRameau J.Ph.Rameau JP Rameau J.Ph. Rameau Grand Motet In convertendo Les-Grand Motets Mottetto Motette French Baroque Sacred Music Historically informed performance On period instruments

Occasion unknown. Ps. 117:1-2. Text: Praise ye the Lord, all ye nations, and honor him, all ye peoples! For that his grace and his truth have power over us for evermore. Alleluia. Hilliard Ensemble Bach-Motets playlist: www.youtube.com

Bach Motet Lobet Den Herrn Alle Heiden BWV 230 Hilliard Ensemble Mottetto Mottetten Choir Coro cappella

※ Better than, watch in high quality ※ youtube.com Jean-Philippe Rameau (1683~1764) 《In convertendo》grand motet, 1718 4. ' Converte Domine captivitatem nostram ' 5. ' Laudate nomen Dei c.um cantico ' Nicolas Rivenq Sophie Daneman Jeffrey Thompson Olga Pitarch Les Arts Florissants (orchestre et choeur) William Christie (direction)

유선빈 William Christie Les Arts Florissants Jean Philippe Rameau JPRameau J.Ph.Rameau JP Rameau J.Ph. Rameau Grand Motet In convertendo Les-Grand Motets Mottetto Motette French Baroque Sacred Music Historically informed performance On period instruments

JEAN-JOSEPH CASSANÉA DE MONDONVILLE (1711-1772) Grand Motet: Psalm 113 "In exitu Israël" 1. Marche et choeur "In exitu" 2. "Mare vidit" 3. "Jordanis conversus est restrorum" Performed by Les Arts Florissants Directed by William Christie *Jean-Joseph de Mondonville, also known as Jean-Joseph Cassanéa de Mondonville, was a French violinist and composer. He was a younger contemporary of Jean-Philippe Rameau and enjoyed great success in his day. Pierre-Louis Daquin (son of the composer Louis Claude Daquin) claimed: "If I couldn't be Rameau, there's no one I would rather be than Mondonville. Mondonville was born in Narbonne in Southwest France to an aristocratic family which had fallen on hard times. In 1733 he moved to Paris where he gained the patronage of the king's mistress Madame de Pompadour and won several musical posts, including violinist for the Concert Spirituel. His first opus was a volume of violin sonatas, published in 1733. He became a violinist of the royal chapel and chamber and performed in some 100 concerts; some of his grands motets were also performed that year receiving considerable acclaim. He was appointed sous-maître in 1740 and then, in 1744, intendant of the Royal Chapel. He produced operas and grands motets for the Opéra and Concert spirituel respectively, and was associated with the Théatre des Petits-Cabinets, all the while maintaining his career as a violinist throughout the 1740s. In 1755, he became director of the Concert Spirituel on the death <b>...</b>

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This is a promotional film, made by Channel Classics, about the new Nederlands Kamerkoor CD with the 6 JS Bach motets. It contains interviews with the conductor, Peter Dijkstra (in English), Jared Sachs (recording engineer and producer) and Leo Samama, general manager of the Nederlands Kamerkoor (both in Dutch)

Nederlands Kamerkoor Netherlands Chamberchoir Chamber choir Peter Dijkstra JS Bach Motets Motetten cappella

JEAN-JOSEPH CASSANÉA DE MONDONVILLE (1711-1772) Grand motet: Psalm 92 "Dominus regnavit" 1. "Dominus regnavit" 2. "Etenim firmavit" 3. "Parata sedes" Performed by Les Arts Florissants Directed by William Christie *Jean-Joseph de Mondonville, also known as Jean-Joseph Cassanéa de Mondonville, was a French violinist and composer. He was a younger contemporary of Jean-Philippe Rameau and enjoyed great success in his day. Pierre-Louis Daquin (son of the composer Louis Claude Daquin) claimed: "If I couldn't be Rameau, there's no one I would rather be than Mondonville. Mondonville was born in Narbonne in Southwest France to an aristocratic family which had fallen on hard times. In 1733 he moved to Paris where he gained the patronage of the king's mistress Madame de Pompadour and won several musical posts, including violinist for the Concert Spirituel. His first opus was a volume of violin sonatas, published in 1733. He became a violinist of the royal chapel and chamber and performed in some 100 concerts; some of his grands motets were also performed that year receiving considerable acclaim. He was appointed sous-maître in 1740 and then, in 1744, intendant of the Royal Chapel. He produced operas and grands motets for the Opéra and Concert spirituel respectively, and was associated with the Théatre des Petits-Cabinets, all the while maintaining his career as a violinist throughout the 1740s. In 1755, he became director of the Concert Spirituel on the death of Royer. He died in <b>...</b>

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Members of the Motet perform "Hang Up Your Hang Ups" by Herbie Hancock and the Headhunters at Quixotes Denver, Colorado on February 6, 2010. Dave Watts: drums Joey Porter: keys Dominic Lali: sax Garrett Sayers: bass

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The Hilliard Ensemble

dunstable motet

One of the most prolific and versatile of 16th-century composers, Lassus wrote over 2000 works in almost every current genre, including masses, motets, psalms, hymns, responsorial Passions and secular pieces in Italian, French and German. Most of his masses are parody masses based on motets, chansons or madrigals by himself or others; the large number of Magnificats is unusual. His motets include didactic pieces, ceremonial works for special occasions, settings of classical texts (some secular, eg Prophetiae Sibyllarum, 1600), liturgical items (offertories, antiphons, psalms, eg Psalmi...poenitentiales, 1584) and private devotional pieces. He issued five large volumes of sacred music as Patrocinium musices (1573-6), and after his death his sons assembled another (Magnum opus musicum, 1604).

Lassus

Nicolas Gombert (bc 1495; dc 1560) Flemish composer. Gombert was one of the leading composers of his generation, and one of the most technically advanced composers of polyphonic vocal music in Western history. Highly regarded by his contemporaries as a great innovator, he favoured dense textures and often used dark, rich timbres. He used pervading imitation more consistently than anyone of his own or an earlier generation, creating textures in which the voices tend to be equally important. Gombert was born in a village in Flanders, in the vicinity of Lille, now a part of France. He later became choir master to the most prestigious court in Europe, that of Emperor Charles V in Spain. His position allowed him to travel throughout the continent, together with the Imperial entourage. Contemporaries suggested that Gombert had been a student of Josquin Des Préz, but the details of this possible association are unknown. Gombert's compositions are entirely vocal, some for ensembles of up to twelve distinct voices. As opposed to his Italian contemporaries, who had begun work on a more animated and harmonically-oriented idiom, Gombert kept entirely within the domain of strict counterpoint and in fact seemed to hold the new musical developments of the time in low regard. His contrapuntal language is based on that of Josquin, but taken to the next level of complexity. A substantial volume of Gombert's compositions survive, including masses, a large number of motets, secular chansons <b>...</b>

Huelgas Ensemble Paul Van Nevel

The Motet covers Tony Allen's "Afro Disco Beat"... Instrumental Dissent reflects much of the band's new, electronically textured explorations while still driving home hard hitting, percussive dance grooves. The album touches on many of the band's influences, from afro-beat to salsa, in addition to delving into new realms of house, break-beat, and down-tempo. Instrumental Dissent is a hypnotic creation which will have old Motet fans excited by the new direction of the band, and new fans captivated by the group's deliciously trancy throw down.

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※ Better than, watch in high quality ※ youtube.com Jean-Philippe Rameau (1683~1764) 《In convertendo》grand motet, 1718 6. ' Qui seminant in lacrimis ' 7. ' Euntes ibant et flebant ' Sophie Daneman Olga Pitarch Jeffrey Thompson Nicolas Rivenq Les Arts Florissants (orchestre et choeur) William Christie (direction)

유선빈 William Christie Les Arts Florissants Jean Philippe Rameau JPRameau J.Ph.Rameau JP Rameau J.Ph. Rameau Grand Motet In convertendo Les-Grand Motets Mottetto Motette French Baroque Sacred Music Historically informed performance On period instruments

The Tallis Scholars Victoria Requiem Funeral Motet Versa est in luctum

ricxand Funeral Motet Versa est in luctum música sacra sacro coral coro clássica clássico The Tallis Scholars Victoria choir music church choral classic religión sagrado clásica clásico iglesia musique chorale classique église Kirche Chormusik religiöse heilige Chor Klassik musica religione corale classico 音樂 宗教 神聖的 合唱團 古典 經典 音楽 神聖 合唱、クラシック

Pueri Concinite is a beautiful Christmas motet that touches the hearts of all who hear the soaring melody of the boy soprano. Like an angel, he proclaims the birth of God to the Virgin "as the Divine Mercy willed" while the children kneeling before the creche are encouraged to sing songs to the newborn king. The first composition by the name of "Pueri Concinite" was written by Jacob Handl, a devout Cistercian monk from the 16th century. Roughly three centuries later, set to the same lyrics, the Austrian Composer Johan Von Herbeck (1831-1877) composed a new version of this sacred motet that is used in this video. Sing together, children, sing songs to the newborn King; in pious tones, say: He who was born of Mary appears. Now we see fulfilled the word of Gabriel: Eya, eya! The Virgin has given birth to God, As the divine mercy willed. Please note that music for this video is not the property of Catholicharboroffaithandmorals.com but has been used in accord with the fair use copyright laws for the purpose of educating the general public. Catholicharboroffaithandmorals is a non-profit organization. Please visit us during this Advent and Christmas Season at our website: catholicharboroffaithandmorals.com Also visit our online Advent Calendar with Meditations: catholicharboroffaithandmorals.com For a full list of our videos in full digital quality: catholicharboroffaithandmorals.com

Pueri Concinite Johan Ritter Von Herbeck Christmas Catholic Harbor Video Vienna Boys Choir Music Motet Hymn Carol Sacred Latin Virgin Mary Gabriel Jacob Handl

Fusing instrumental, indie-rock, and electronically textured improvisation, The Motet explores a vast musical landscape that can only be described as intelligent.

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George Frideric Händel (1685 † 1759) Silete venti, Motet for Soprano, Strings & Orchestra in B flat major, HWV242 04. Aria: Date serta, date flores 05. Presto: Alleluia Performer: Karina Gauvin, (soprano) Bernard Labadie Les Violons du Roy

George Frideric Händel 'Silete venti' Motet for Soprano Strings Orchestra in flat major HWV242 Part.2 Karina Gauvin Bernard Labadie Les Violons du Roy

This is Juno What?! Bitches, with Joey Porter on keys and Talk Box, Dave Watts on Drums, and Dominic Lalli on Keys/Saxophone. Video projection by VJ JIMMY JAMES www.vjjimmyjames.com Edited by: James Marshello Camera by: Jennifer Rose Allen Thomas Lofstrom James Marshello

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Masaaki Suzuki and his Bach Collegium Japan have taken a short break from Bachs cantatas in order to record these Motets, remarkable for their expressiveness and beauty as well as for Bachs virtuoso choral writing. Rather than performing a cappella, Suzuki has included accompaniments from organ and different combinations of strings and wind instruments. But nevertheless it is the singers of the Bach Collegium Japan that stand in the limelight here and as followers of the Cantata series will already know, it is a marvellous choir, a choir to dream of (Diapason). Included on the disc are the six motets BWV 225-231, as well as BWV 118 O Jesu Christ, meins Lebens Licht and BWV Anh. 159 Ich lasse dich

Bach Collegium Japan Motets Bach Masaaki Suzuki Baroque Choir Music Select Cantatas

'Ecce tu pulchra es' by Josquin des Prez with words from the Song of Solomon. Performed by Capella Duriensis

motet

www.themotet.net www.musicmarauders.com

Motet Best Halloween Music Marauders Fox Theatre Boulder Colorado

Jam Cruise 8 The Motet plays The Talking Heads "Life During Wartime" on the Pool Deck 1-4-10. Featuring Fuzz (guitar) and Kyle Hollingsworth (keys, synth). Recorded by adam @ cheeseheadproductions.

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1. Der Geist Hilft Unser Schwachheit Auf For the Funeral of Johann Heinrich Ernesti, Rector of the School of St. Thomas Rom. 8:26-27; Martin Luther, verse 3 of "Komm, Heiliger Geist, Herre Gott," 1524 (Wackernagel, I, #19). Composed in 1729 Text: [Rom. 8:26-27] (Chorus I, Chorus II) "The Spirit doth our weakness help, for we do not know what we should be asking or what is proper; rather, the Spirit himself intercedeth for us, ineffably sighing" Hilliard Ensemble Bach-Motets playlist: www.youtube.com

Bach Motet Der Geist Hilft Unser Schwachheit Auf BWV 226 Hilliard Ensemble Mottetto Mottetten Choir Coro cappella

13th Century French chanson - motet. The third voice sings "Domino" throughout - voices 1 sings a love song, voice two joins in, on the repeat, with another love song. It makes for a very effective "olde worlde" harmony. Performed by the dwsChorale. Rough translation provided for guidance.

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JS Bach: Motet, Komm Jesu Komm, BWV 229, performed by the Choir of Trinity College, Cambridge at the Stanford University Memorial Church, September 17, 2009, as part of the Stanford Summer Concert Series. Stephen Layton director. Canon 5D Mark II 24-105mm/f4 hand-held. Colour temperature 2500K

Bach Komm Jesu Komm Motet Stanford University Summer Concert Series Trinity College Choir Stephen Layton Memorial Church

At the VOX 3 concert "Here I Stand - music of the Reformation," sopranos Kimberly Beasley & Jennifer Haworth, tenor Brian Hoffman, and baritone Brian von Rueden sing the a capella motet, "Non moriar, sed vivam." This motet was by Bavarian court composer Ludwig Senfl, who although employed by a Catholic monarch, wrote several enduring works in the new Lutheran idiom. Visit www.vox3.org. At Holy Trinity Lutheran Church in Chicago.

Classical Music Choir Choral Motet Renaissance Reformation Senfl Acapella

The Motet "Funk is Dead" rehearsal, October 2011. Band members answer a few questions about the upcoming Halloween shows where the band will be covering the music of the Grateful Dead. By Quentin Young & Alan Crandall. Copyright Prairie Mountain Publishing. All Rights Reserved. For more information visit www.themotet.com.

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From Charles Villiers Stanford's Cambridge Years(1870-1892) 1 - Justorum animae; 2 - Coelos ascendit hodie; 3 - Beati quorum via David Hill, dir. Stephen Farr, organ

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ANTONIO VIVALDI (1678-1741) Motet in C minor "in furore iustissimae irae" for soprano, strings, and basso continuo RV626 1. Aria: "In furore iustissimae irae" Performed by Ensemble Caprice Featuring Monika Mauch, soprano Directed by Matthias Maute

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The Motet performing "Fire On The Mountain" and "Turn On Your Lovelight" on Halloween 10-31-11 at the Boulder Theater in Boulder, Colorado. Video by: James Marshello LED Visuals by: James Marshello Lights by: Robyn Mascolino

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Oxford camerata Jeremy Summerly

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THE MOTET PERFORMING 'KNOCK YOURSELF OUT' BY TOP, TOWER OF POWER ON JANUARY 23, 2010 AT CERVANTES MASTERPIECE BALLROOM IN DENVER, COLORADO. Video by James Marshello (sorry only 1 angle) LED video display projection by James Marshello Lighting Design by Robin Sound by Dave Tash The band on this night was: Jen Durkin - vocals Sam Kininger - sax Ryan Zoidis - sax Dan Lebowitz - guitar Ryan Jalbert - guitar Jans Ingber - vocals Garrett Sayers - bass Joey Porter - keys Dave Watts - drums Scott Messersmith - percussion Gabe Mervine - trumpet Kim Dawson - vocals Matt Pitts - sax

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