Learn more: goo.gl Whether you're a seasoned pro or just getting started in audio recording, you want to create the best sounding mixes possible, quickly and easily. With industry-leading Pro Tools software and systems, you can do just that and more.
In this www.artistshousemusic.org clip, producer, engineer & songwriter Aaron Sternke gives an introduction to Digidesign's Pro Tools software, including differences between Pro Tools HD and Pro Tools LE.
Russ from the AIR Users Blog gets his hands on Avid Pro Tools 9 and gives his review of the new key features and his impressions. A must watch video for both existing Pro Tools users and those considering Pro Tools for the first time.
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Learn more: www.avid.com Whether you're in a professional facility, home studio, or on the road, nothing gives you the quality, speed, capability, ease, and inspiration to create like Pro Tools, the most widely used audio creation/production system in the industry. With Pro Tools 9, you can compose, record, edit, and mix music and sound for picture the way you want—with a high-performance Avid audio interface or without, on a Mac or PC, and with more flexibility than ever.
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Pat Nellestein Composition Coordinater at the Australian Institute of Music presents the first a new series of Micro Lectures.The first is a introduction in Composing in Pro Tools. It demonstrates how to use the basic tools and functions to start composing. This includes using the the pencil tool and drawing in notes, adjusting the durations of notes and grid lines, changing tempos and time signatures and manipulating the velocities. Pats Website: www.patricknellestein.com AIM Composition Department Link : www.aim.edu.au Other Aim Links : Check out our Website, www.aim.edu.au Our Facebook Page, www.facebook.com Our Video Page, www.aim.edu.au Our Twitter, twitter.com My Space, www.myspace.com You Tube Channel, www.youtube.com Bachelor of Music | Composition & Music Production | Course Description The Composition & Music Production Department of the Australian Institute of Music provides a professional and dynamic environment for music producers, electronic musicians and composers to gain a unique balance of technical and musical skills to take full advantage of opportunities in today's music industry. Students receive an unparalleled preparation for industry by being instructed in both production and music. They also receive an unsurpassed allotment of one-to-one tuition to hone their skills. Students will also have access to the hundreds of talented musicians that thrive on the exciting environment of the Institute campus. The ability for students to learn with real <b>...</b>
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This is part of my "Mixing with Protools" Series In this video I talk about: 1) Proper gain staging for tracking vocals 2) Compressing, EQ'ing, and De-essing Vocals (API 2500, SSL EQ, Waves De-esser) 3) Controlling Vocal Dynamics 4) Learning what frequencies relate to vocals 5) Parametric VS. Graphical EQ (Which to use for beginners?)
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Study Pro Tools online with Berklee: www.berkleemusic.com Fill up the empty space in your hit tracks with a nice full sounding rhythm guitar part by doubling tracks and adding layers of compression in Pro Tools.Berkleemusic.com is the continuing education division of Berklee College of Music, delivering online access to Berklee's acclaimed curriculum from anywhere in the world and teaching online music production, music business, songwriting, guitar, bass, music theory, arranging and performance. www.berkleemusic.com
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Save time by using mixing templates in your sessions. This video shows you how. For the ultimate guide to learning Pro Tools, check out my in depth video series, REthink Pro Tools www.REthinkProTools.com
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Subscribe to WinkSound: bit.ly Watch more Pro Tools video tutorials here: bit.ly In this tutorial learn how to re-create the classic Wobble Bass effect within Pro Tools 8. This technique was made popular in Dubstep music by producers such as Skream, Rusko and Caspa. Keep up to date on the latest tutorials from WinkSound by following our feeds: YouTube - www.youtube.com Twitter - twitter.com Facebook - www.facebook.com Blog - blog.winksound.com www.youtube.com
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SALE TODAY: Learn Piano on iOS bit.ly To record a single track, you'll first need to create a new track. To do so, first either navigate to the top menu bar and click Track -- New or press Shift+Command+N on your keyboard. The New Tracks window will appear. Choose the type of track you would like to create, which would most likely be an Audio Track if you're recording something with a microphone, and press Create. Make sure the Input and Output settings are correct. Your Interface should be set to the same Input that your microphone is plugged in to. If your microphone is plugged into Input 1, then choose IN 1 for the track's Input in Pro Tools. Your Output should be set to OUT 1-2 (Stereo). You should now be able to turn on the Track Record Enable button and receive an audio signal. You can tell if everything is working correctly by viewing the Velocity meter in the edit window. You should see the green, yellow, orange and red bars light up accordingly. If not, either check your Input and Output settings and make sure they're correct and matching, or adjust your signal levels. When you're ready to record, either navigate to the top tool bar and press the Record button followed by the Play button, or press 3 on the numeric keypad. Press 3 again to stop recording when you're done. Read more by visiting our page at: www.mahalo.com
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Free Pro Tools Tutorial! Learn how to set levels for recording with expert tips and advice on sound editing in this free video. Expert: Alexander Markowski Bio: Alexander Markowski has been using Pro Tools since 1991 which has become a large portion of his professional experience in sound engineering for television and feature films. Filmmaker: Reggie Hayes
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Subscribe to WinkSound: bit.ly Watch more Pro Tools video tutorials here: bit.ly In this tutorial learn how to create and record to instrument tracks within Pro Tools. Keep up to date on the latest tutorials from WinkSound by following our feeds: YouTube - www.youtube.com Twitter - twitter.com Facebook - www.facebook.com Tumblr - blog.winksound.com
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When you choose Pro Tools, you are not only stepping into a world of unmatched quality, simplicity, and total production power — you are also joining the largest community of audio professionals in the world. Whatever area of audio production you are involved in, audio is your most important asset. Regardless of which Digidesign system you use, working with Pro Tools software ensures that the quality of your projects is never compromised. Whether you are a beginner or a professional working in music, broadcast, multimedia, or film, Digidesign has a Pro Tools system that suits your needs. From our portable personal studio products to massive 80-fader ICON integrated consoles, we deliver the features and power to meet any level of demand.
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PRO TOOLS 10 LAUNCH MEETING! What really happened with the Avid board of directors! (To be clear, I take no credit for the film clip nor the captions. I am simply the uploader. I have no intention to generate income, this is purely for entertainment. It does not represent the views of Avid, the filmmakers or anyone involved.)
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Avid Pro Tools 10 is here! Mitch Gallagher goes over the new features and workflow enhancements, including for new clip gain editing, new 32-bit floating-point processing, support for different file types within the same session, and many more improvements. There is also a new disk cache system in Pro Tools 10 HD, allowing you to load your entire session into RAM! That means you can work much faster, and perform many tasks without having to stop playback. And you'll be amazed at how fast your sessions load and close down compared to previous versions of Pro Tools! This is a huge update - to learn everything you need to know, and to download your own copy of Pro Tools 10, check out Sweetwater's Pro Tools 10 resource page here: bit.ly
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A quick tutorial about syncing an MPC with Pro Tools 8. Stay tuned for more beatmaking video's and tutorials on kneticblog.com Feel free to comment and if you need to get in touch with me, all my relevant info is at kneticmusic.com
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Pro Tools: How To Loop Record | WinkSound Loop recording is a great feature to use when having to run through overdubs and doubling a vocal take or an instrumental performance. In this tutorial learn how to use the loop recording feature within Pro Tools to get the perfect take. Keep up to date on the latest tutorials from WinkSound by following our feeds: YouTube - www.youtube.com Twitter - twitter.com Facebook - www.facebook.com Blog - blog.winksound.com
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pro tools 8 tips and techniques part 1, echoes, delay, how to 'screw' vocals
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This video shows you how to set up Duet 2 in Pro Tools and begin recording quickly. To follow this tutorial, you need to have Duet 2, Mac OS 10.6.7 or greater and Pro Tools 9 Open Pro Tools and create a new session. Click on "Setup, Playback Engine" Set the buffer to 128, For lower latency you can set it to 64, but you may need to adjust the buffer higher depending on the size of the project you are working on. For "Current Engine" Choose "Duet USB" You will see the following message asking if you would like to proceed... choose Yes. Click "OK" in the I/O window Next open the I/O setup by clicking on "Setup, I/O" Check "Input" and "Output" and make sure they appear as the do on the screen. If they appear any other way, you will want to click on "Delete Path"... and then "Default" Make sure to do the same for both Input and Output. Open Maestro 2, found in the applications folder Select "Input" Here you can select from the different Duet input choices +4 and -10 bypass Duet's mic pre amp, and are a direct line level connection to the A to D converter. "Mic" is for connecting a Dynamic or Ribbon Mic to Duet's XLR breakout cable. If you are connecting a Condenser mic, you will need to click on the "48" button to turn phantom power on. "Instrument" is for connecting a guitar or bass to the 1/4" instrument input. Now click on "Output" In the Output section you can select how you want to route Duet's four outputs, assigning them to the Main or Headphone outputs. After <b>...</b>
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Subscribe to WinkSound: bit.ly Watch more Pro Tools video tutorials here: bit.ly Sidechaining takes one sound and uses it to manipulate another sound creating the popular "breathing" or "pumping" sound heard in genres such as House music. This tutorial explains how to setup the sidechain effect using a compressor within Pro Tools 8. Keep up to date with the latest tutorials from WinkSound by following our feeds: YouTube - www.youtube.com Twitter - twitter.com Facebook - www.facebook.com Tumblr - blog.winksound.com
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SALE TODAY: Learn Piano on iOS bit.ly What Is a Metronome? The Metronome in Pro Tools is a track that is dedicated solely to keeping the timing and rhythm of your beats per minute perfectly on cue. It makes a repeated, mechanical clicking sound and can be adjusted easily. Working with the Metronome Click Track You need to set up your click track before you start recording, because you'll want to record to its tempo. This will keep you in time with your song. Without the click track your playing and singing could potentially sound sloppy. It also really comes in handy when you're editing, because playing in time to a click track makes it much easier to line up your instrument and vocal tracks with the grid. 1. The Click Track can be seen as the far left channel in the mixer window. 2. Right-click on it for more options. You can delete it if you wish. 3. If you want to add a click track, make a new track by pressing Command+Shift+N. You can also navigate to the top menu bar and click Track -- New. 4. This will bring up the New Tracks dialog box. To make a click track, choose Aux Input from the drop down menu. You need to choose this input type because, technically speaking, the click is like an instrument. 5. Double-click your new track in the mixer window to rename it. 6. To specify its use, navigate to the very top of the track in the mixer window and click on the top. A menu will appear. Choose plug-in -- Instrument -- Click (mono). 7. You have the ability to change how <b>...</b>
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Free Pro Tools Tutorial! Learn how to mix sound with expert tips and advice on sound editing in this free video. Expert: Alexander Markowski Bio: Alexander Markowski has been using Pro Tools since 1991 which has become a large portion of his professional experience in sound engineering for television and feature films. Filmmaker: Reggie Hayes
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In this video I show you how to open sessions, find sessions, setup Hardware and I/O as well as some basic recording and over dubbing technics.
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Hey everybody, If you know me, you know that I've been writing and producing music for about seven years now. Using popular programs such as Reason, ProTools, and Ableton Live. I've decided that it is time to start giving back. I am going to start producing video tutorials that teach new producers some of the best tricks and shortcuts I've learned over the past 7 years. Feel free send me an email to brianboylemusic@gmail.com with any suggestions for tutorials. Otherwise, I'll be starting from the very basics. I look forward to sharing what I know with all of you. Brian
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SALE TODAY: Learn Piano on iOS bit.ly After you've recorded your music and want to start mixing it, it's a good idea to set up a master fader. This lets you control all of the sound output from one single channel. Start off with the mixing window in your Pro Tools session. You don't really need the editing window while you're mixing, so you can focus on the mix window instead. To open or close the mix window, press Apple+"=" sign. The window will display all of the track channels for your project. Now you can create a master fader once you're in the mix window. Do this the same way you would add a new track: hold Shift+Apple+N or go to Track--New. A New Tracks window will open. Select Master Fader from the dropdown menu and make sure to make it Stereo. Then click Create and your new channel will be added to the window. The master fader automatically controls the sound of all the tracks in your project. You can play the song and use the the master fader's slider to raise or lower the overall volume. Master faders also have a top Inserts section where you can add effects to the output. Click on an empty Inserts box, select multichannel plug-in and then select the effect you want to use. The master fader also allows you to control the entire song's peak level so that there's room left when you master it. Read more by visiting our page at: www.mahalo.com
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Some tips on how to use Auxes, Busses, and Sends in Pro Tools 8 on Mac OS X
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Learn how to create your own Multiband Compressor within Pro Tools using the Digi EQ's.
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SALE TODAY: Learn Piano on iOS bit.ly The reverb effect gives your track an echoey quality and makes it sound like it was recorded inside a room by adding ambience and reflection of sound waves. Reverb can be used on almost everything, including drums, vocals and guitar. Many people overuse reverb. Use it lightly, because it gets lost in the mix very easily. Reverb creates depth, so the more reverb you have, the further away you sound. If you're trying to add more and more reverb to make your vocals sound bigger, they'll only get drowned out. Directions If you'd like to give multiple tracks reverb, don't just add it as an insert in every one of those tracks. Too many plug-ins will eat up a lot of your CPU power. Instead, use reverb globally by using a send on all of the tracks and having those sends output to a single aux track with one reverb plug-in. This method is already covered in the Auxiliary Inputs for Mixing lesson in the Set Up Your Mix chapter, but here's a short review: 1. In the mix window, choose the track you'd like to add reverb to. Click on an empty send section in that track's channel strip, then click bus--Bus 1-2. 2. Create a new Stereo Aux Input track and name it after your effect, Rvb (for reverb). Click the I/O menu, then click bus-- Bus 1-2 (Stereo). To add the reverb effect, click on one of its empty insert boxes, then click multichannel plug-in--Reverb--D-Verb (stereo). Now that we've gotten that review out of the way, let's get a little deeper <b>...</b>
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This is part 2 of my Pro Tools for beginners series. In this tutorial I go through the following topics by exploring a composition of my own. 1) Auxillary Channels and Bussing for effects usage. 2) Recording to Audio Tracks for mix versions and manual fade out techniques. Thanks! -M1
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Learn more: www.m-audio.com The new Fast Track interface turns your computer into a powerful music studio—complete with the same Pro Tools platform the pros use.
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Avid at IBC 2011: goo.gl The information in this presentation is not a commitment, promise or legal obligation to deliver any material, code, or functionality, the development, release and timing of any features or functionality described for our products remains at Avid's sole discretion. Here is the official Avid version of the IBC 2011 Pro Tools Tech Preview that has generated much interest and discussion. It is a compilation of two demos from the third day of the show. It features Pro Tools HD Native with HD MADI and HD OMNI interfaces , System 5-MC control surface, Media Composer Video Satellite, Pro Tools HD as a Stem Recorder, and Satellite Link all working together to create the soundtrack of an independent short film from Avid called: AGENT MX-Z3RO. Be sure to check out Tom's blog on the making of the movie: community.avid.com
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Subscribe to WinkSound: bit.ly Watch more Pro Tools video tutorials here: bit.ly Learn how to time stretch and compress audio files in Pro Tools 8 using the Elastic Audio Audio Suite plugin. Keep up to date with the latest tutorials from WinkSound by following our feeds: YouTube - www.youtube.com Twitter - twitter.com Facebook - www.facebook.com Tumblr - blog.winksound.com
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Learn how to internally bounce your tracks within Pro Tools 8. This technique can help with the mixing process enabling you to bounce a portion or the entire mix onto a stereo track for further mixing in with the individual elements of the session.
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SALE TODAY: Learn Piano on iOS bit.ly There is a wide variety of types of vocals. You'll hear nasally vocals, airy vocals, high-pitched and low ones. So when you're equalizing vocals, you have to pay close attention to how the singer sings and how they sound. For example, if someone has a low baritone voice, you can't assume that their voice only has low frequencies. There will be more low frequencies present, but, like every singer, they will have a whole frequency spectrum. You'll need a good understanding of each singer's spectrum. We recommend EQing tracks before you add any effects to them, because effects can change or distort the overall sound. Leave effects like reverb for afterward, then come back and EQ again. To get started with EQing, first solo out your vocal track in the Pro Tools mix window. Click on an empty insert section in the track's channel strip, then click plug-in--EQ--EQ 3 7-Band (mono). Listen to the track. Pay attention to the type of voice, keeping an ear out for "airiness," lowness," "muddiness," "boxiness" or any other negative qualities. Directions 1. With vocals, start by cutting off a lot of the lower end at 80 to 100 Hz (depending on the voice and the recording). This will help to make the track stand out in the mix. Vocals should be very present, because most people want to hear those more than the other instruments. You can tell while listening to this track that there's not too much low end or "boominess" in the voice, so we don't need <b>...</b>
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From puremix.net, Ben shows how to painlessly export your session from Logic and import it back into Pro Tools.
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