Harpsichord Performance: Comparone Plays Scarlatti
Harpsichordist Elaine plays Sonata in D minor, K. 517 by Domenico Scarlatti on her 2-manual harpsichord built in 1968 by William Dowd. For CDs & Digital Downloads: www.Lyrichord.com For more information: www.harpsichord.org;
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Scarlatti, Sonata, K. 455, harpsichord
Domenico Scarlatti's Sonata in G major, K. 455,accompanied by a scrolling bar-graph score. FAQ (Frequently Asked Questions) for this video Q: Where can I get the sheet music for this piece? A: Sheet music for this can be found here: www.musanim.com This is from the Longo edition, I think; I recommend the Fadini "critical" edition (published by Ricordi; expensive, but worth it). Q: Please tell me more about the composer. A: You can read about the composer here en.wikipedia.org Q: What instrument are you playing? A: I'm playing a sampled instrument, Gerard Atema's "Pristine Harpsichord," recorded by Frank van der Weij, and sold to me by GigaStudio. Q: What would this sound like on the piano? A: Here is Vladimir Horowitz's wonderful rendition: www.youtube.com Q: What does K stand for? A: Ralph Kirkpatrick, who did a numbering of the sonatas; more about him here en.wikipedia.org Q: How and when did you make this rendition? A: I made this rendition in the early days of MIDI (1980s, I think), by laying down left hand and right hand tracks individually, not in real time. Q: Is there a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you please do a MAM video of ______? A: First, check my "to do" list <b>...</b>
music animation visualization classical Scarlatti harpsichord piano-roll bar-graph smalin
A. Scarlatti - Stabat Mater - Mov. 1-3/18
ALESSANDRO SCARLATTI (1660-1725) "Stabat Mater" for soprano, alto strings and basso continuo 1. "Stabat Mater dolorosa" - Adagio [a due] 2. "Cujus animam gementen" - Moderato e dolce 3. "O quam tristis" - Poco andante [alto solo] Performed by Concerto Italiano Featuring Gemma Bertagnolli, soprano Sara Mingardo, contralto Conducted by Rinaldo Alessandrini *Scarlatti's "Stabat Mater" was composed for the Cavalieri della Virgine dei Dolori in Naples, who, annually, honored the Virgin by dedicating to her, during the Lenten season, a Stabat Mater. 20 Years later the same Order commissioned Pergolesi for a new Stabat Mater to replace Scarlatti's in part because his Stabat Mater was considered old-fashioned.
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Scarlatti K209
The great Scott Ross plays Scarlatti's sonate K209 in Le château de Maisons-Laffitte (1988). Harpsichord: David Ley
Domenico Scarlatti - Sonata in G - K108
Domenico Scarlatti / Napels - Italy(1685-1757) Performed by Christian Zacharias
Alexandre Tharaud plays Scarlatti
ALBUM AVAILABLE HERE: links.emi.com ... "I love the extravagance, the sunny glow, the light touch of Scarlatti," says French pianist Alexandre Tharaud, whose second Virgin Classics release is a collection of the composer's captivating and adventurous keyboard sonatas. His first release, the Chopin recital Journal intime was described by The Guardian as "altogether breathtakingly beautiful".
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D. Scarlatti - Fandango - Smiljka Isakovic
Smiljka Isakovic, harpsichord
Scarlatti Fandango baroque classical music harpsichord Smiljka Isakovic Smiljkaisakovic
Synthesized Scarlatti in W. Carlos Style - Stereo
Here are some experiments I did in trying to mimic the style of W. Carlos' synthesizer technique and style of timbres. Carlos was using a 1960's era patchable modular Moog synthesizer with a different architecture than that of the Alesis Andromeda synthesizer. Each one has some advantages and disadvantages over the other but both use analog circuitry. This video includes about 3/5 of a harpsichord sonata by Scarlatti. It is played by hand on a velocity sensitive keyboard, one monophonic passage at a time, and overdubbed onto multi-track. Be sure to check out other related videos in my synthesizer series, and check back now and then as I will be posting more in the near future. Just in case anybody wants to download the audio files heard in A6 Andromeda baroque demos, they're located at the links below. These incomplete pieces are all that I've done on the A6 in W. Carlos' style, so I don't have anymore at this time, for those who are asking. cid-642528f1bd8958cc.office.live.com cid-642528f1bd8958cc.office.live.com cid-642528f1bd8958cc.office.live.com cid-642528f1bd8958cc.office.live.com
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A. Scarlatti - Sedecia "Caldo sangue" Philippe Jaroussky
High resolution and stereo sound: www.youtube.com Alessandro Scarlatti (1660 - 1725) "Caldo sangue" Sedecia, Re di Gerusalemme Oratorio in 2 parts Libretto: Filippo Ortensio Fabbri Score: Can be found in this compilation of arias: www.scribd.com In this recording: Philippe Jaroussky, countertenor Il Seminario Musicale, Gérard Lesne Virgin Veritas, 1999 Bartoli sings "langue" instead of "manca" at 2:43 time mark, towards the end of the B section. "Sedecia, Re di Gerusalemme (performed in 1705 in Urbino, and brought to Rome the following year by Cardinal Ottoboni for a performance at the Seminario Romano)introduces us into a world of dramatic violence. The libretto is based on the Biblical account of the siege of Jerusalem by Nebuchadnezzar, King of Babylon, a tale in which King Zedekiah is the incarnation of infidelity and idolatry punished by heaven. .... Tragedy reigns in "Caldo sangue", when Ishmael, struck down by Nebuchadnezzar's dreadful fury, breathes his last. This is an aria of extraordinary expressive force whose bold harmonies have no descriptive purpose, but are transformed into poetry, pure and simple. In the central section, the vocal line is movingly emphasised with some violently vehement writing. This only lasts a moment, however, as the vital energy gradually fades, the aria ending in a spectral pianissimo." - Claudio Osele "...As a genre, Scarlatti's oratorios fared rather poorly in the early-music revival of the last century. Although we can confidently <b>...</b>
Alessandro Scarlatti Sedecia Caldo sangue Philippe Jaroussky Seminario Musicale Gerard Lesne sacred oratorio baroque civileso
Aline d'Ambricourt plays Domenico Scarlatti Sonate K.141
Aline d'Ambricourt plays the sonata K.141 of Domenico Scarlatti on the harpsichord Taskin (1787 - Museum of Art, Hamburg) in the musical documentary film "Domenico Scarlatti l'Intemporel" produced by Aline d'Ambricourt.' DVD in sale on www.clavecin.com
Domenico Scarlatti Harpsichord Pascal Taskin Clavecin classical Katsaris Alined Ambricourt
Alessandro Scarlatti: Sinfonia Il Giardino di Amore, Allegro
Alessandro Scarlatti 1660-1725 Sinfonia "Il Giardino di Amore" First Movement Allegro Markus Wuersch, trumpet Peter Solomon, organ Recorded at Catholic Church Stans, Switzerland Cameras, Editing and DVD-Production: Juerg and Marianne Rufer, Sound: Magnon Recording Studio, Paul Niederberger A Dingo and Fox Production © 2008, Markus Wuersch, Peter Solomon Contact: Hochschule der Künste Bern HKB www.hkb.bfh.ch markus.wuersch@hkb.bfh.ch Musikhochschule Luzern / HSLU www.hslu.ch/musik markus.wuersch@fhz.ch Markus Wuersch Biography Markus Wuersch was born in 1955 in Emmetten, Nidwalden. He studied trumpet and brass ensemble conducting at the conservatoire in zurich, where he received his degree with honours. He won a competition from Migros, and received the subsequent grant which enabled him to spend a year at the Conservatoire Nationale Supérieur in Paris. He also spent time studying at the Northwestern University of Chicago with Vincent Cichowicz, Charles Geyer and at the Eastman School of Music, Rochester NY with Adolphe Herseth (Solotrompeter Chicago Symphony Orchestra). For 14 years, Markus Wuersch held the prestigious post of solo trumpeter at the Tonhalle orchestra, Zurich. In 1995, he spent a year studying in London at the Royal Academy of Music and the Royal College of Music. There he was taught by Michael Laird and Crispian-Steele Perkins (Baroque-trumpet), Jeremy West (Cornetto/Zink) and Phillip Jones (Ensemble-direction). Markus Wuersch now performs with many <b>...</b>
Markus Wuersch trumpet Peter Solomon organ Domenico Scarlatti Sinfonia Il Giardino di Amore Baroque Music hslu hkb dingoandfox
Scarlatti K119
Rafael Puyana plays the Scarlatti´s sonate K119. Harpsichord: Hieronymus Albrecht Hass (1740)
Hieronymus Albrecht Hass Puyana Harpsichord Scarlatti K119 hauptwerkian
Domenico Scarlatti, Sonata in d minor, K. 1
Luc Beauséjour plays Scarlatti
Scarlatti harpsichord Luc Beausejour clavecin sonata classical Pancras Royer
Frank Stella: Scarlatti and Bali Sculpture Series
www.vernissage.tv | As part of the first edition of the St. Moritz Art Masters (SAM), theres an exhibition with 5 sculptures of Frank Stellas Bali Series and 3 sculptures of the Scarlatti Series (Courtesy Ficher Rohr Gallery, Basel). The exhibition is presented in the Paracelsus Building near the Hotel Kempinski, an old pump room of the St. Moritz Mineral Spring Water. On the first press day of SAM we met with Prof. Dr. Franz-Joachim Verspohl, who gave a short introduction to Frank Stellas latest works. Prof. Verspohl holds the chair of Art History at the Friedrich-Schiller-University Jena, Germany. Frank Stella (born in 1936) is one of the most well-known postwar American painters. St. Moritz Art Masters, St. Moritz Switzerland, August 31, 2008.
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Scarlatti, Sonata in G major, K 455, piano, animated score
"Download?" and other FAQ for Domenico Scarlatti's Sonata in G major, K. 455, performed by Stephen Malinowski,accompanied by a scrolling bar-graph score. Q: Can I download this video to play on my iPod/iPad/iPhone/computer/etc.? A: Yes, you can get it here: musanim.cerizmo.com Q Where can I get the sheet music for this piece? A: Sheet music for this can be found here: www.musanim.com This is from the Longo edition, I think; I recommend the Fadini "critical" edition (published by Ricordi; expensive, but worth it). Q: Please tell me more about the composer. A: You can read about the composer here en.wikipedia.org Q: What instrument are you playing? A: I'm playing a sampled instrument, Acoustica's "Pianissimo." Q: What does K stand for? A: Ralph Kirkpatrick, who did a numbering of the sonatas; more about him here en.wikipedia.org Q: Is there a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you do a MAM video of ______? A: Please read: www.musanim.com .
Domenico Scarlatti: Stabat Mater I-III
Performed by The BBC Singers, Elizabeth Poole (soprano), Neil MacKenzie (tenor), David Miller (theorbo), Frances Kelly (baroque harp), Gary Cooper (organ continuo), directed by Harry Christophers I: Stabat Mater dolorosa II: Cujus animam gementem III: Quis non posset contristari
Scarlatti K175
Rafael Puyana plays the Scarlatti´s sonate K175. Harpsichord: Hieronymus Albrecht Hass (1740)
Hieronymus Albrecht Hass Puyana Harpsichord Scarlatti K175 hauptwerkian
A. Scarlatti - Sedecia "Caldo sangue" Cecilia Bartoli
High resolution and stereo sound: www.youtube.com Alessandro Scarlatti (1660 - 1725) "Caldo sangue" Sedecia, Re di Gerusalemme Oratorio in 2 parts Libretto: Filippo Ortensio Fabbri In this recording: Cecilia Bartoli Les Musiciens du Louvre, Marc Minkowski Decca, 2004/2005 Bartoli sings "langue" instead of "manca" at 2:43 time mark, towards the end of the B section. Score: Can be found in this compilation of arias: www.scribd.com "Sedecia, Re di Gerusalemme (performed in 1705 in Urbino, and brought to Rome the following year by Cardinal Ottoboni for a performance at the Seminario Romano)introduces us into a world of dramatic violence. The libretto is based on the Biblical account of the siege of Jerusalem by Nebuchadnezzar, King of Babylon, a tale in which King Zedekiah is the incarnation of infidelity and idolatry punished by heaven. .... Tragedy reigns in "Caldo sangue", when Ishmael, struck down by Nebuchadnezzar's dreadful fury, breathes his last. This is an aria of extraordinary expressive force whose bold harmonies have no descriptive purpose, but are transformed into poetry, pure and simple. In the central section, the vocal line is movingly emphasised with some violently vehement writing. This only lasts a moment, however, as the vital energy gradually fades, the aria ending in a spectral pianissimo." - Claudio Osele "...As a genre, Scarlatti's oratorios fared rather poorly in the early-music revival of the last century. Although we can confidently attribute around <b>...</b>
Alessandro Scarlatti Sedecia Caldo sangue Cecilia Bartoli Les Musiciens du Louvre Marc Minkowski sacred oratorio baroque civileso
Donal Fox: Scarlatti Jazz Suite Project
PLEASE VISIT WWW.VIMEO.COM TO HEAR THE AUDIO ON THIS VIDEO OR WWW.DAILYMOTION.COM ! Donal Fox: Scarlatti Jazz Suite Project with Donal Fox, piano, Stefon Harris, vibraphone, John Lockwood, bass, Terri Lyne Carrington, drums. Regattabar Jazz Club, June 2006
Donal Fox Jazz Tango Piazzolla Classical Scarlatti Leonellis Music
Scarlatti, Sonata in C major, K. 159 (harpsichord and organ)
"Download?" and other FAQ for Domenico Scarlatti's Sonata in C major, K. 159, performed by Stephen Malinowski on harpsichord and pipe organ,accompanied by a scrolling bar-graph score. Q: Can I download this video for my iPod/iPhone/iPad/computer/etc.? A: Yes, you can get it here: musanim.cerizmo.com Q Is there a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you please do a MAM video of ______? A: First, check my "to do" list: www.musanim.com ... If the piece isn't listed, read the "Could you please do a MAM video of ______?" item on my main FAQ: www.musanim.com ... and if you think I'd consider doing it, email me (stephen at musanim dot com). Q: What instrument are you playing? A: I'm actually playing two instruments: and Ahlborn-Galanti organ module, and Gerard Atema's "Pristine Harpsichord" (a sampled French harpsichord made by Zuckermann). .
A. Scarlatti - Magnificat - Mov. 1-4/10
ALESSANDRO SCARLATTI (1660-1725) "Magnificat" for two sopranos, alto, tenor, bass and basso continuo 1. "Magnificat" 2. "Et exulatavit" 3. "Quia respexit" 4. "Fecit potentiam" Performed by Concerto Italiano Directed by Rinaldo Alessandrini *Alessandro Scarlatti was a very backward looking composer. He was not particularily interested in the style of his era, and often looked at the music of the early Baroque and Renaissance for inspiration. This is why he composed alot of madrigals, and focused alot of his sacred music on polyphony.
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