Created by Jim Stout for DesigningSound.org

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SoundWorks Collection - The Sound of "Black Swan"

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Ben Burtt talks about creating the sounds for the lightsabers in Star Wars. As he worked on "A New Hope", Burtt probably wasn't aware that he was inventing modern sound design.

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Read my blog post about sound and Frozen Crossing 2: www.freddiew.com A look at our post-production sound process. i discuss equipment and methodology. Also you'll learn the proper way to sound like you're getting shot! I love sound, so what else do you guys want to learn about?

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Nord Lead 2x Demo. All sounds programmed by WC Olo Garb. Video editing by WC Olo Garb. You might get better sound quality here: www.vimeo.com Visit: www.syntezatory.prv.pl ------------------------------------------------------------------ This video is created for nonprofit educational purposes only, namely to present the possibilities of sound creation in a given type of musical instrument.

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A showreel of some of my sound design work and details on how the sound design was created. All work has involved a substantial amount of Foley, SFX creation, ADR, editing and mixing in Pro Tools, Logic, Soundhack, and Amadeus Pro. The showreel includes 4 animations, 1 short and the trailer for a feature film. 1) Train of Thought - A stop motion animation created with paper. The sound creation for this involved extensive foley work as the directors wanted the paper sounds to be part of the sonic environment but not overpower the realistic sounds in the mix. The train SFX were recordings I made of a local steam railway over a series of recording sessions using a Sennheiser ME66 and my Zoom H4n. All the sound was mixed in Pro Tools. The film recently won Best Experimental Animation at the Animex awards. I was also Shortlisted at the British Animation Awards for Best Sound Design where it is also nominated in the Public Choice Award, more info here www.britishanimationawards.com More information on how the film was made can be found at www.leobridlefilms.co.uk Go to www.leobridlefilms.co.uk for the glorious film in full. The music was scored by Mercury Prize nominated band Portico Quartet porticoquartet.com All copyright is part of www.aucb.ac.uk 2) I am Vertical - This film follows the story of Ana, as she attempts to reconnect with her life amidst an unexpected psychological episode. The director wanted a sound design that reflected the mind-set of Ana. At times the sonic <b>...</b>

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Here's Peter Jacksons soundcrew recording SFX for King Kong. The SFX library is building up to be 1TB yeah! :D (sound effects)

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Part 1 of the ongoing Subtractor Sound Design Series. In this tutorial we explore the oscillators, FM and Ring Mod. More tutorials at www.samplecraze.com. Sign up to our newsletter and receive tons of freebies.

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Sweet CONCEPT ART on Facebook: www.fb.com Click to tweet: clicktotweet.com Ask Rob questions on twitter: @robkrekel Sam Gorski invites Rob Krekel, Prism's sound designer, to talk about the masterful sound design he created. Warning: intense technical discussion ahead.

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The lead audio designer for Battlefield 3 explains his creative process and how the audio team at DICE uses real world recordings to recreate the battlefield. Be sure to check out plenty more behind the scenes videos at gameinformer.com/battlefield3

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www.youtube.com Click here to see all of the IGA winners! Inside Gaming Awards 2011 - Best Sound Design Sound design in a game has the power to change what we see into a whole virtual reality we can explore. For the Inside Gaming Awards 2011, the nominees for Best Sound Design are: Dead Space 2, Battlefield 3, Bastion, Portal 2, and Uncharted 3: Drake's Deception. www.insidegamingdaily.com This video will show you... HOW TO put on a video game awards show! HOW TO have a great year in gaming! HOW TO watch the Inside Gaming Awards! - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Like Machinima on Facebook! facebook.com Prove your gaming skills on the Respawn Army app therespawnarmy.com FOR MORE MACHINIMA, GO TO www.youtube.com FOR MORE GAMEPLAY, GO TO: www.youtube.com FOR MORE SPORTS GAMEPLAY, GO TO: www.youtube.com FOR MORE MMO & RPG GAMEPLAY, GO TO: www.youtube.com FOR MORE TRAILERS, GO TO: www.youtube.com Tags: inside gaming awards 2011 iga igas nomination nominee nominees "dead space 2" "battlefield 3" bastion "portal 2" "uncharted 3" drake's deception electronic arts ea visceral dice bastion supergiant games valve software naughty dog best sound design Steve Papoutsis Dead Space

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I've been working on a lot of projects lately and managed to get this one in. I've been expanding my abilities in the art of sound design and I feel it's time for some criticism. Below is a link to a video comparing the original Godzilla vs Spacegodzilla with my new rendition of it. Watch it, comment, rate, let me know not only what you think of my design, but if the experience of the scene felt more real or not; better or worse; etc.

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In the third episode, James Bernard gives you even more tips on creating dub step wobble bass sounds in Record and Reason. Get the files for this tutorial here: www.propellerheads.se

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VISIT torley.com to hear my musical Dream Journal!

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Q (as in cue) is a virtual instrument powered by the Native Instruments Kontakt Player which can be loaded into almost any software package including Cubase, Logic, Pro Tools, Ableton and many more. Q contains almost two thousand patches and 16GB of sample material including cinematically thunderous drums, percussion, winds, vocals, ethnic instruments, metallic textures, glass, guitar, toy, ambient atmospheres, synth landscapes, and trailer-ready effects. The library includes both playable melodic pitched instruments and multisampled one-shot percussion and effects. A large collection of epic percussion loops which automatically sync to tempo and are playable both whole and by the slice, are also included. In this video, Time+Space product specialist Jon Dennis gives you a demonstration of Q and some of it's features. Follow this link for more information - www.timespace.com

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oharema.org Since graduating from Boston College in 2005, I have designed sound for over fifty theatre productions. This brief video is an attempt to encapsulate what the experience has meant to my development as an artist, as well as showcase some of my work.

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This week we have Jeremy Rogers, Sound Designer at Neversoft. For more information, show notes, and an upcoming schedule, go to www.thisweekin.com.

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En savoir plus: www.avid.com Découvrez comment le sound designer et compositeur franco-danois Yann Coppier (alias -i snor) utilise Pro Tools 9 pour créer les bandes son de créations visuelles plusieurs fois récompensées. Cette session d'une heure extraite de la date française de la tournée Pro Tools 9 Elevate your Sound présente de nombreux exemples, comme l'habillage sonore de la chaine MTV et la re-création étape par étape de la bande-son d'une publicité Swatch.

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Watch This Video In 1378x768 Full HD by using the Link Below blip.tv ** FREE MASCHINE , PROTOOLS & ABLETONLIVE TUTORIALS AT WWW.DIGITALMUZICK.YOLASITE.COM ** Pro Tools 8/9 Signal Generator Sound Design, Use Spot Mode & Elastic Audio on Windows 7

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Originally a surround sound installation presented in a gallery space. My first proper attempt at 3D, so its kind of a work in progress. The main emphasis being on the sound design and sound distribution. Sound and visuals by myself. The syncing was done after the animation in logic pro 8. :)

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Vidéo clip de présentation réalisé afin d'être diffusé principalement auprès de producteur et réalisateur de film. Contact Frédéric PERROUX 06 10 36 09 03. www.myspace.com/fredperroux - (œuvre déposée à la sacem)

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Communication Sonore Réalisé par City Video Musique Composée par Aris K

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For the free gun SFX download, click here: www.bit.ly Ryan grabs some leftover firecrackers to try and make his own gun sound effects from scratch. Transformers sound design video: www.bit.ly Get Netflix free for one month! www.netflix.com

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In the garden of my house there's a tree with lots of randomly grown twigs. It looks odd and nice at the same time. One day I asked myself if I could create a piece of music with it. To tune the tree I picked a fundamental note and tuned the twigs by trimming them with a pencil sharpener. I used two Røde NT6 and a NTG-2 as microphones, combined with a customized stethoscope. I recorded the tracks live on a Pro Tools LE system. I didn't use any synthesizer or sampler to create or modify the sounds. All the sounds come from playing the tree, by bowing the twigs, shaking the leaves, playing rhythms on the cortex and so on. At this link you can see some pictures with more detailed descriptions: behance.net/Gallery/Music-from-a-Tree/263872 I hope you'll like it. The track is also available as an high-quality download on my Bandcamp page: diegostocco.bandcamp.com/track/music-from-a-tree

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Almost everyday, on my way to a local bakery, I walk in front of a dry cleaners. When they have the front door open, I hear a lot of interesting sounds coming from their work equipment. Eventually, the different mechanical and steam sounds sparked something in my mind, so one day I asked the owners if I could record a piece of music by using their machines as musical instruments. I used a puff iron, press and dry cleaning machines, a washer, clothes hangers, and a bucket full of soap. The bass and lead sounds were created from the buzzing tones coming from the conduits and engines. There are no additional sounds from any traditional or electronic instruments. Enjoy! More info and pictures are available at the Behance gallery: www.behance.net

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Buy this song on iTunes here: ow.ly Production Company: Funk Factory Films Artist: James Struthers Talent: Jay Netka (Optimus Prime) Producer: Chelsea Stier Director: Funk Brothers Cinematography: Funk Brothers Editor: Steve McClean Sound Design: Unbridled Sound Sound Designer: Brent Kiser VFX: The Base Studio VFX Producer: Jordan Freda Color: Ntropic Colorist: Marshall Plante Song Produced and Mixed by: Arun Chaturvedi Song Mastered by: H-Bomb Studios Clothing by French Kings Clothiers: frenchkingsclothing.com www.facebook.com www.youtube.com www.myspace.com @jamesstruthers Lyrics: I always wondered if I could be your Captain Thunder You'd be my lighting... Together we'd be so frightening In the playpen we'd stay then fighting crime until bed time One more story I implore thee, but please won't you leave the night light on You, Me and Optimus Prime We'd have a real good time And if you would like to grow up you just shouldn't show up We could live in a castle by the sea if you please We'd hold off the siege, we could fight the cavalry All the lego would say oh you two should act your age So put away those horses and play thrones while mother is on the phone You, Me and Optimus Prime We'd have a real good time And if you would like to grow up you just shouldn't show up And when we get older I'll become a soldier But you'll wait and I'll get home safe We can pick it up where we left it off We could have our friends over for tea nightly Biscuits from the easy bake on your <b>...</b>

'Optimus Prime' 'James Struthers' pop acoustic music 'Official Video' James Struthers

Here is the music from the amazing and breathtaking trailer for the upcoming game, Dead Island. A lot of people are wondering how to get the music without the screaming and other sound effects in the trailer -- well here it is. This is the full version of the Dead Island Theme composed by Giles Lamb. The beautiful piano piece that plays in the background of the recently released trailer for Techland's upcoming 2011 game Dead Island for the Playstation 3 and Xbox 360, without the sound effects heard in the trailer. Credits: Giles Lamb - Composer Kahl Henderson - Sound Design Tom Griffiths - Sound Design Enjoy and please subscribe!

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www.camelaudio.com Luftrum: Ambient is a journey between worlds, from summer afternoons to the icy depths of space. With dense washes of warm, shimmering pads and soundscapes, gentle guitar and piano arpeggios, music boxes, delicate, and ethereal sound effects that totter between beauty and despair, this is a particularly inspiring collection for the ambient musician, film, TV or game soundtrack composer. Its darker elements include chilling machine sounds, disturbing alien atmospheres, the voices of haunted children, water droplets, plus a sprinkling of the avant-garde. Luftrum is a respected sound designer and electronic experimentalist, known for his Ambient ReFills and atmospheric field recordings. This library incorporates a 127 MB sample library full of fascinating details covering interior and exterior atmospheres, rural ambiences, creatures at rest, and synth soundscapes.

PROJECT PRESET Luftrum Ambient soundbank for Camel Audio Alchemy Torley

Parental warning: there's swearing in this. Client: Whistler Film Festival Agency: Dare, Vancouver Creative Director: Bryan Collins, Rob Sweetman Copywriter: Mia Thomsett Art Director: Rob Sweetman Producer: Mike Hasinoff Account Supervisor: Tamara Bennett Production Company: Picasso Pictures, London Executive Producer: Jane Bolton, Richard Price Producer: Richard Price Director: Tokyoplastic Production Manager: Shiraz Peer Liberman Concept Artist: Damian Johnston Matte Painters: Nicolas Loudot, Carlos Nieto, Eduardo Bera Modeller & Texture Artists: Andrew Hickinbottom, Martin Ocheng Rigger: Mark Tsang Animators: Janek Lender, Dominic Griffiths, Ricardo David Generalist: Dorianne Fibleuil Renderer: Ravinder Sembi Compositor: Andy Hague Music/Sound Design: Adelphoi Music, London Music Producer: Greg Moore Composer: Jamie Masters Sound Design: Andrew Sherriff Sound Mix: Koko Productions Sound Producer: Steve Lowe Sound Engineer: Chris Hobbs

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DetriMEMNTAL is a shotgun shooter video incorporating stunt falls and elements of Parkour. Originally conceptualized by Jesse La Flair (Actor and Stunts) from www.youtube.com and brought to life by Andrew Fraczak (Video) www.youtube.com and Jason Minardi (Sound) www.youtube.com The production of this project was decided upon on the spot and improvised in a few hours on Christmas night. After filming was complete, Andrew Fraczak professional compositor took the video and added the SFX. Once the special effects were added we knew we had something cool. But it wasn't until Jason Minardi a professional sound designer and producer signed on that this project reached its full potential. In 5 days this 3 part collaboration was completed! STORYLINE: We all face demons in are head, they whisper in the darkness and tell us to give up or do things that we are not proud of. Sometimes we take a stand and fight back but even then we are not always strong enough to defeat them. Thanks for watching please SHARE, LIKE, & FAVORITE!!!! FACEBOOK!!! www.facebook.com PARKOUR AND FREERUNNING PAGE! www.youtube.com WATCH ME BECOME FAMOUS! www.youtube.com FOLLOW ME! www.twitter.com MY OFFICIAL WEBSITE! www.JesseLaFlair.com JASON MINARDI (SOUND DESIGNER) http ANDREW FRACZAK (EFFECTS) www.youtube.com

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Created by Vancouver Film School student Todd LeBlanc through the VFS Sound Design for Visual Media program. Visual Media provided by Blur Studio www.blur.com.

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Make sure you click the CC icon to enable English subtitles. This is a short action film that we shot in 2 days. It was shot with a Canon 550D/T2i using the Technicolor Cinestyle picture profile. Editing was done in Adobe Premiere and effects in Adobe After Effects. Color correction in AE using Magic Bullet Colorista and Mojo. Sound design done in Cubase. The lenses that we used were: Canon EF-S 17-85mm f4-5.6 Olympus Zuiko OM 28mm f2.8 Olympus Zuiko OM 50mm f1.4 Olympus Zuiko OM 75-150mm f4 Stock footage from: www.videocopilot.net www.detfilmshd.com Directed & Edited by Fotis Fotiou Produced by Chris Anastopoulos, George Fotiou, Vasilis Bakris, Fotis Fotiou Sound Recordist: Giorgos Ksanthinakis Visual Effects: Fotis Fotiou Sound Design: Tasos Maschalidis, Giorgos Ksanthinakis On Set Savior: Vasilis Sofias Cast: Chris Anastopoulos, George Fotiou Special thanks to "The Pilgrims" MIL-SIM Airsoft team for bringing all their cool toys and for being awesome. Michalis (Crypto) Vasilis (Παύλος Μελάς) Giorgos (Bulldog) Giannis (Jocker) Panayiotis (Gunner)

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Mark Lampert, Skyrim's Sound Designer and Audio Director, talks about working with Jeremy Soule on the composition of the theme for Elder Scrolls V: Skyrim.

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Song name & chronological version in description and response. A new trailer for zombie survival video game, Dead Island. Developed by Techland and published by Deep Silver. It is an open-ended game, centered on the challenge of survival on a zombie-infested island. The game uses a first-person perspective with RPG elements. However, the developers are claiming that the game will be far beyond a typical first-person shooter experience, mainly due to a bigger emphasis on melee combat, role-playing elements and a clear focus on story-telling. Gameplay will feature a sandbox style gameplay on a tropical island. A zombie style story are massively influenced by George A Romero's movies, melee combat involving the ability to pick up almost anything and use it as a weapon, and will have multiple playable characters. Multiplayer will include 4 Player drop in/out Co-Op. It will be released for PC, Xbox 360, and Playstation 3. Dead Island Trailer Theme by Savalas: Giles Lamb - Composer Kahl Henderson - Sound Design Tom Griffiths - Sound Design Visit the Facebook page for the song - www.facebook.com

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I'm on facebook now!! :) www.facebook.com And don't forget to add my Twitter! :) www.twitter.com The music for this video was composed by my friend Elton Luz. You can contact him at his website down below, he also did the sound design. www.eltonluz.com He also did the music for my fire knife dance video in which you can see right below. http Film was made by Devin Graham For the filming of this video my friend Jace LeRoy was a huge part of it. He spent the day filming it with me, running his camera (Canon T3i). This video would not have happened if it wasn't for my friends Danielle Jensen and Tyce Jensen. They are the original creators of the modified trikes that were rode in the video. They even had a speedometer attached to the bikes they were riding, and they clocked in going 55mph down the road we filmed at, passing cars in the process. We shot this in a place called Powder Mountain Utah. As far as the sound design for this video, we actually didn't use a SINGLE piece of audio from the actual day of filming. For all the bike sounds and shoe noises, we recorded those the next day in a parking lot. I had my friends Scott Clarke and Ryan Faulkner help me record the audio for it. We recorded the sounds by getting a broken bike and throwing that against the cement for bike crash sounds. We then towed me behind a truck with my feet dragging against the cement to capture the same noises that were made the day of filming with the shoes skidding against the concrete. I did all <b>...</b>

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