Goethe: "TOTENTANZ" - (deutsch) - golego
Totentanz - deutsche Version, frei nach Johann Wolfgang von Goethe.
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Totentanz - Liszt
Composed by Liszt (1838, revised later and finished in 1859). Played by Enrico Pace, 1989 at the Liszt Competition, Utrecht, Netherlands. 1st prize. The music you're listening to comes from S.126, the score (S.652) has 2 parts, the second part is the orchestral one (for piano), and the first one is the original piano part.
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Totentanz
London, u1365 ~~ Ring around the Rosie ~~ A pocketful of Posies ~~ ah-tishoo, ah-tishoo ~~ We all fall down ==================== IKONEN: Johann Rudolf Feyerabend "Der Prediger Totentanz" MUSIK: Camille Saint-Saëns: "Dance Macabre"
Totentanz black_death bubonic_plague Ring_around_the Rosie black_sea ottoman_empire Venice
[Valentina Lisitsa] Liszt: Totentanz for Piano Solo
Franz Liszt (1811-1886) Totentanz for Piano Solo S.525 Dies Irae Theme & I-VI. Variationen Valentina Lisitsa (piano) 00:00 Dies Irae Theme 02:06 1.Variation - Allegro moderato 02:47 2.Variation 03:29 3.Variation - Molto Vivace 04:03 4.Variation - Lento (canonique) 07:10 5.Variation - Vivace (fugato) 10:52 6.Variation - Sempre Allegro (ma non troppo) Original video with ~600.000 viewcount (in good quality) www.youtube.com
PA Philharmonic - Totentanz
Péter Tóth was the guest piano soloist performing Liszt's "Totentanz" in October 2011.
Totentanz (Liszt) Palo Alto Philharmonic Franz Liszt Classical Piano Orchestra Symphony Concerto
Liszt Totentanz - Michelangeli PART 1
Rafael Kubelik with the Orchestra Sinfonica di Torino della Radiotelevisione Italiana. Recording made live 28 of april 1961 in the Auditorium from RAI in Torino. Thanks to Catalangeli86 for the name of the orchestra and conductor.
Franz Liszt Totentanz Arturo Benedetti Michelangeli Piano Dies Irae Classical Music
Bernard C. Bayer - "Totentanz" Danse Macabre for solo piano by Franz Liszt - Part 1
"Totentanz" Danse Macabre for solo piano by Franz Liszt - Part 1 © 2011 Bernard C. Bayer Performed live at the Bridge Recording Studio in Glendale, CA on Dec. 11, 2010. Recorded on a Steinway D-274, CD0154. Video Credits: Executive Producer: Bernard C. Bayer Director/Producer: Kareem Dimashkie Director of Photography: Dan Marino Grip: Mike Mazurek Editing: Scott Melendez, Bernard C. Bayer Color Correction: Scott Melendez Audio Credits: Producers: Nicole C. Bayer, Bernard C. Bayer, Jennifer Lynn Engineer/Mixing: Greg Curtis Editing: Milton Gutierrez Mastering: Brad Cobb Bernard is a faculty member of: The Bayer Music Studio San Diego, CA (858) 228-7731 and The Coast Music Conservatory 300 Pacific Coast Highway Hermosa Beach, CA 90254 (310) 372-4753 www.coast-music.com For booking and other information, email: info@bernardcbayer.com If you're an evil robot, Bernard will not trust you.
Bernard C. Bayer Impromptu Op. 90 No. Franz Schubert Piano Classical Music Steinway Bridge Recording Studio Keyboard USC Jane Bastien John Perry Thornton School of Pianist Keyboardist Musical Totentanz Danse Macabre Dies Irae The San Diego Coast Conservatory Hermosa Beach California Los Angeles virtuoso technique technical octaves romantic Liszt
Liszt. Totentanz - Martha Argerich (Live Paris 1986)
Originally uploaded by Kimolerik. Franz Liszt (1811-1886). Totentanz: Paraphrase über Dies Irae S.126 Orchestre de Paris. Daniel Barenboim, conductor. Martha Argerich, piano. Live February 7, 1986. Salle Pleyel, Paris.
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Ragnaröek-Totentanz
LoFi Sound, but nice to see. www.ragnaroeek.de , www.myspace.com/ragnaroeek Music by Der Koenig
Bernard C. Bayer - "Totentanz" Danse Macabre for solo piano by Franz Liszt - Part 2
"Totentanz" Danse Macabre for solo piano by Franz Liszt - Part 2 © 2011 Bernard C. Bayer Performed live at the Bridge Recording Studio in Glendale, CA on Dec. 11, 2010. Recorded on a Steinway D-274, CD0154. Video Credits: Executive Producer: Bernard C. Bayer Director/Producer: Kareem Dimashkie Director of Photography: Dan Marino Grip: Mike Mazurek Editing: Scott Melendez, Bernard C. Bayer Color Correction: Scott Melendez Audio Credits: Producers: Nicole C. Bayer, Bernard C. Bayer, Jennifer Lynn Engineer/Mixing: Greg Curtis Editing: Milton Gutierrez Mastering: Brad Cobb Bernard is a faculty member of: The Bayer Music Studio San Diego, CA (858) 228-7731 and The Coast Music Conservatory 300 Pacific Coast Highway Hermosa Beach, CA 90254 (310) 372-4753 www.coast-music.com For booking and other information, email: info@bernardcbayer.com Bernard vs Evil Robot. Bernard wins every time.
Bernard C. Bayer Impromptu Op. 90 No. Franz Schubert Piano Classical Music Steinway Bridge Recording Studio Keyboard USC Jane Bastien John Perry Thornton School of Pianist Keyboardist Musical Totentanz Danse Macabre Dies Irae The San Diego Coast Conservatory Hermosa Beach California Los Angeles virtuoso technique technical octaves romantic Liszt
Totentanz - Calkiem sam
Debiutancki teledysk debiutanckiego zespołu Totentanz z Tarnowa. Jedno z największych objawień polskiej sceny rockowej. Piosenka "Całkiem sam" pochodzi z debiutanckiej płyty zespołu - "Nieból" (wydawca - Mystic Production) scenariusz i reżyseria klipu - Krzysiek Witek i Totentanz zdjęcia - Jarek Blonka montaż - Fabryczna ART światła - Grzesiek Jaszczuk (Graffiti - Lublin)
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Hamburguer Totentanz Opus 136, No. 3 - Guy Bovet.
Compositeur et Joeur: Guy Bovet ( 1942 ) Totentanz Hamburgo , uno de los tres preludios sobre la base de improvisaciones realizadas en Hamburgo con otros organistas. Gillian Weir, que describió como "el organista Bolero " Guy Bovet (b. Thun, Switzerland, 1942) Hamburger Totentanz Liszt found the devil's antics a powerful source of inspiration, and besides the four Mephisto Waltzes he also composed the sprawling Faust Symphony and the piano-and-orchestra powerhouse Totentanz (Dance of Death). Swiss organist and composer Guy Bovet reverses the menacing gravitas of that work, and probably also of Saint-Saëns' Dance Macabre, with his Hamburger Totentanz. The piece was conceived in 1970, when impresario Herbert Wulf arranged a concert with Bovet in Hamburg, Germany. In that program, Bovet joined in a four-hand improvisation, meant to be a light-hearted romp. When eventually published in 1989, it was designated the third Hamburger Prelude, along with two created in later tours to the United States and Spain. But the one played in this recital is, by far, the most often programmed. Bovet shows a sense of humor rare in organ works, providing some spice to this varied program, and some of those ingredients are a handful of themes from other composers.
Johann Wolfgang von Goethe - Totentanz
Johann Wolfgang von Goethe: Totentanz, Erstveröffentlichung 1815. Specher: Joachim Kerzel
TotentanZ - "Sacrifice unto sebek"(Nile cover.MAX speed ver)
Japanese deathmetalband "TotentanZ" LIVE at 赤坂SOUNDBOOTH,17/3/2012 We covered "sacrifice unto sebek"from Nile.Of course we love Nile. but played with some mistakes, sorry.so we understood that we are not good player and have to practice more and more,so plz dont accuse us! ※Tuning:We played DropB. But the original piece of music is DropA. HP www.audioleaf.com MIXIページp.mixi.jp FaceBook page www.facebook.com TotentanZ are Vo.REN(Ex.STRANGULATION) Gt.HIDE(NEMESIS) SpBa.Eiichi(SENATIVE) Dr.KEN(Ex.DEVOUR)
Japan SAMURAI Speed Nile Metal Cover Thrash Brutal Heavy Metal Music Live Music Sacrifice Unto Sebek Annhilation of the Wicked Egyptian Death Cannibal Corpse Suffocation Morbid Angel Black Dahlia Murder Red Chord Cephalic Carnage Necrophagist Slayer Cover Song drum blastbeat デスボイス グロウル ブラスト GEORGE KOLLIAS KARL SANDERS PAPYRUS DEREK RODDY DEVOUR gxsxd SENATIVE STRANGULATION デス メタル ビート 東京 Drums Drumming totentanz BPM300 0ver 兀突骨
THUNDERKRAFT 2012 "Totentanz" - Teaser
Second album of Ukrainian band THUNDERKRAFT is a sinister combination of classical Death Metal "spiced" with modernized symphonically arranged Black Metal sounds more than convincing, and proves the band's uniqueness. Pierce the infernal guitar trills with machine-gun fire bursts of the drums; add some industrial effects, real violins, flute and saxophone parts, and you'll get... "Totentanz" - Dance of Death on the stage of post-Apocalypse! Release dates: 02.04.2012 (World) 06.04.2012 (Western Europe) More info: www.svarga.eu This release is exclusively distributed by Code7/PHD (UK & Worldwide) and Rock Inc (BeNeLux). Official distribution by Australis Records (Chile), Casus Belli Musica (Russia), Dead Shop (Ukraine), Fono (CIS), The End Records (USA).
Thunderkraft Svyatogor Quintessence Mystica Munruthel Ukraine
TOTENTANZ - KARG-ELERT (Jonathan Scott - MUSTEL HARMONIUM)
Totentanz Op. 70 No.2 by Sigfrid Karg-Elert (1877-1933) Performed by Jonathan Scott on a 1908 Art Harmonium by Mustel, Paris (Serial Number 1924 - 1057) at Victoria Hall, Saltaire. From the collection of Pam & Phil Fluke, Harmonium Museum, Saltaire. Totentanz (Dance of Death) is the second of two 'Orchestral Studies' for Art Harmonium written by Karg-Elert in 1907. It is based on the following verse: DANCE OF DEATH A vision. Death as a musician. On a bone harmonica he plays a bizarre dance, every now and then making a pause and a scornful laughing and grimacing. The dancers spin in grotesque rhythms, sometimes orgiastic, wild,sometimes shadowy and transfigured. The dance scatters. Quietly from the invisible depths lament the voices of the departed. A child, a virgin, a young man, a man. Their laments go unheard in the awful loneliness. Once again the musician clearly raises the horrific bone harmonica. The dance begins again. A clap of thunder - and the nightmare is over. (Translation from the German by Jonathan Scott) Please visit: www.jonathanscott.co.uk
Jonathan Scott Mustel Harmonium Reed Organ d'art Karg-Elert Totentanz Dance of Death Danse Macabre Classical Music RNCM Chetham's Kunstharmonium
Liszt: Totentanz Paraphrase uber 'Dies Irae'final version,I
Leslie Howard. Budapest Symphony Orchestra. Karl Anton Rickenbacher
Liszt: Totentanz Paraphrase uber 'Dies Irae'final version,II
Leslie Howard. Budapest Symphony Orchestra. Karl Anton Rickenbacher
Franz Liszt - Totentanz solo piano
Inspired by Valentina Lisitsas amazing performance and my mothers death. The ending is from the two piano version of Totentanz that i have edited so that it is possible to play solo. Midi: www.2shared.com **This midi file is not perfect and contains some wrong notes**
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Totentanz (The marionettes of Scott Radke)
Scott Radke was born in Cleveland, Ohio, and grew up in the nearby suburb of Strongsville. Radke has experimented with various media throughout his life and currently focuses on the creation of sculptural hybrid creatures with an extraordinarily, innocent, yet dark twist. In 1999 the popularity of his marionettes allowed him to leave his mind-numbing job at a bed-frame factory to pursue his creative passion on a full-time basis. His marionettes have been featured in films including Voices In My Head, a BBC documentary directed by David Malone; Desolation Sound, starring Jennifer Beals; God in the Machine, starring Thomas Jay Ryan; and Birthday Massacres music video, Blue. Radkes work has been published internationally in magazines including Bizarre (England), DPI (Taiwan), Refused, and Skratch. He has shown his work at BLK/MRKT Gallery (CA), M Modern Gallery (CA), Strychnin Gallery (Germany), Jonathan Levines former Tin Man Alley (PA), and CBs 313 (NYC) among others. Radke currently lives in Cleveland where he has created set designs, costumes, and masks for choreographer Sarah Morrison. Sarah and Scott married soon after their first creative collaboration, and their home has grown over the past ten years to include their daughter Isabella, 4 cats, and a lot of goldfish. www.scottradke.com Music by Olivier Messiaen, 'The Eyes in the Wheels'
Coroner - Totentanz
RIP (1987) While somewhat less focused and mature than its successors, Coroner's first full-length album remains essential listening not only for the group's fans, but for all who like their metal to go down fast, slippery and blistering. Coroner virtually reinvented the boundaries of late-Eighties speed metal on RIP, with Tommy T. Baron's fluid riffs and leads soaring above the jazz-influenced bedrock of Ron Royce and Marky Marquis' rhythm section. Despite lackluster production values, the album is rich and varied in textures, making excellent use of keyboards and acoustic guitars to create a mood of genuine dread that few bands can match. The kickoff track, "Reborn Through Hate," was an instant fan favorite and a concert mainstay throughout Coroner's career. RIP's lyrics occasionally leave something to be desired (especially a lyric sheet!), but Marky Marquis would address this flaw on later releases. Without question, this is one of the strongest debut albums any band has ever unleashed--and things would only get better from here. Ron Broder | Vocals/Bass Tommy Vetterli | Guitars Marky Edelmann | Drums Lyrics: www.darklyrics.com
Esteban Sanchez plays Liszt Totentanz
Totentanz. Paraphrase on "Dies irae" (Dance of the Dead), S.126 Orquesta Sinfonica de RTVE dir. Enrique Garcia Asensio Esteban Sánchez Herrero (April 26, 1934 -- February 3, 1997) was a Spanish pianist. Born in the town of Orellana la Vieja in Badajoz in the province of Extremadura, Sánchez studied with his grandfather, Joaquin Sánchez Ruiz, choirmaster in the cathedral. He went to the Real Conservatorio (Royal Conservatory) in Madrid and studied piano with Julia Parody. He perfected his technique under Carlo Zecchi in Rome and Alfred Cortot in Paris. Sánchez won numerous major international awards, including the Ferruccio Busoni in Bolzano, the Alfredo Casella in Naples, and the Dinu Lipatti Medal from the Harriet Cohen Foundation, but chose to return home in 1978 to teach at the Badajoz Conservatoire. Between 1968 and 1974 he made a series of recordings in Barcelona, with producer Antonio Armet, of Beethoven, Fauré, Albéniz, and Turina. In 1976 he recorded an album of solo piano music by Manuel de Falla at Abbey Road Studios in London. These recordings have been issued on CD by the Spanish label Ensayo, and the complete Albéniz recordings have been reissued in a budget box set by Brilliant Classics. The recording of Albéniz's Iberia has been singled out for special praise and has been favorably compared to the recordings of Alicia de Larrocha by professional reviewers such as Jed Distler. Sánchez remains little known outside of Spain, but Cortot called him "a musical <b>...</b>
Esteban Sanchez plays Liszt Totentanz Paraphrase Dies irae Dance of the Dead piano orchestra
pianist Louis Lortie, NC Symphony, Liszt Totentanz
pianist Louis Lortie plays Liszt Totentanz with the North Carolina Symphony in Winston-Salem NC November 14, 2011.
Coroner - Totentanz (Unofficial Music Video Homage)
Music video synopsis: Puppetry. A skelleton dancing underwater, the ghost of a pirate captain and talking fish. Fan made video for Coroner: Totentanz from the album RIP Coroner Ron Broder Tommy Vetterli Marky Edelmann More puppetry on the toremetal channel Metallica: Master Of Puppets All my videos are fan made metal videos. I also run The History Of Metal on Facebook: www.facebook.com The copyrights belong to the owners of the film clips and music. The tv show is public domain. RIP 1. "Intro" 2. "Reborn Through Hate" 3. "When Angels Die" 4. "Intro (Nosferatu)" 5. "Nosferatu" 6. "Suicide Command" 7. "Spiral Dream" 8. "RIP" 9. "Coma" 10. "Fried Alive" 11. "Intro (Totentanz)" 12. "Totentanz" 13. "Outro" Producer: Harris Johns Recorded at Music Lab, Berlin.
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Choral Arts Philadelphia: Totentanz by Hugo Distler (finale)
On November 11, 2011, Choral Arts Philadelphia presented IN MEMORIAM, a program of music by Heinrich Schütz (1585-1672) and Hugo Distler (1908-1942). In this excerpt: the two final Songs (13 and 14) from Distler's Totentanz (Dance of Death), Opus 12, Number 2, including the dialogue between the Death (narrator Christian Johnson) and the Young Child (read by Laura Nagle). Matthew Glandorf, conductor. Video by Arin Sang-urai. SONG TRANSLATIONS: 13. The soul which here on earth is smaller yet than small, shall in the realm of God the fairest angel be. 14. The soul, since it is born for eternity, never truly finds peace in worldly goods and gains. Thus it's astonishing that you love the world so much and put your faith in frail mortality.
Choral Arts Philadelphia Choral Arts Society Matt Glandorf Glandorf Saint Mark church Hugo Distler Totentanz death dance of death Julian Rodescu Christian Johnson Laura Nagle voice vocal sing singing human voice a capella choir chorus song music live arts The Arts Death (personification) Concert Live Music Performing A Cappella