I can show you that i know how to use it.

vectorscope

When you don't have access to a color-calibrated monitor, the vectorscope is a crucial tool for color correction, camera matching, checking skin tones, and keeping your images legal (broadcast safe colors). This 4 minute tutorial will go through the basics of using the vectorscope to improve your images.

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library.creativecow.net The vectorscope provides graphical information on the colors in your footage and is an excellent way of checking your footage to find out if it is within broadcast safe limits or if additional work needs to be done. In this Premiere Pro tutorial, Andrew Devis shows how to find the vectorscope in PP, how to interpret the information it gives and how to use regions of interest to check out specific parts of your footage to get a more detailed understanding of its chrominance levels and how any changes you make affect your footage.

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Playing with Wave Candy

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A cinema only ad from the pre-THINK! campaign. Featuring the first road-safety advert appearance (until the TfL motorbike advert came out, anyway) from Ewan McGregor. This is a pretty rare film, and after hunting for it for years I finally came across it on some dodgy Russian advert archive website. This was originally to only be shown in cinemas with a 15 certificate, but I'm not entirely sure why. It's pretty tame, really. But the effects are really cool.

road safety detr uk advert commercial seatbelts

library.creativecow.net The vectorscope is a powerful tool to help users get a graphical representation of the chrominance values of their footage instead of just having to rely on their eyes because - as we all know - our eyes don't always tell us the whole truth when it comes to dealing with color! Because the vectorscope is somewhat hidden in AE, it is sometimes overlooked, so in this tutorial, Andrew Devis shows how to find, set-up and use the vectorscope in AE to look at whole images as well as specific regions of interest.

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A Tektronix 7603 Oscilloscope displays a guitar medley followed by a variety of other instruments displaying the complex L and R channel phase and amplitude relationships in music. . .

Tektronix 7603 Tektronix Lissajous Music Mike Oldfield Marantz 4400 2110

A Tektronix 7603 is used in XY mode to display the Left and Right Program channels in X versus Y form in Lissajous patterns. These patterns are capable of displaying the phase and magnitude of Left and Right stereo channels, letting the eyes 'see' what the ears are hearing.

Tektronix Tektronix 7603 Lissajous music Oscilloscope O-scope CRT scope

Dylan, Evan, and I talking about dicks while I play with the spectrograph in the Telecine room. *Name change, found out this is called a vectorscope, not a spectrograph.*

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Working on a color smear problem

vectrascope

Project: Samaritans 'Vectorscope' Agency: Lunar BBDO London Production Company: Therapy Films, London Director: Christian Bevilacqua This film follows up the award winning 'Doodle', from director Christian Bevilacqua at Therapy. The latest campaign is aimed at potential Samaritans volunteers, with 'Vectorscope' posing the question 'could you listen to this?' after guiding us through a haunting psyche of birds, glass and hearts. Adelphoi Music's evocative piano soundtrack adds to the overall effect, creating a very powerful piece of work.

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A Tektronix 7603 Oscilloscope in XY mode shows Left and Right stereo channels reveal both phase and amplitude relationship. . . .

Tektronix 7603 Tektronix Lissajous Peter Gabriel Down to Earth

Video highlighting the issue with using a light vector in UDK and needing to have it be reversed. If anybody knows the answer, please contact me at jgibson@magicstonestudios.com. Thank you.

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I am investigating why it feels like soft, thin, dull, digital. In this video it is showing the vector scope of Operator and Inst rack. There are many Operator preset whose vector scope looks so artificial. In this case, the vector scope draws simple shape such as square and uniform layered cloud. Looking through several preset of them. In the last part of the video, the effect called Amp makes same kind of artificial vector scope shape. Amp is intentionally shaping the wave I think. This will be fine that you can avoid to use if you don't want, unlike the inevitable filter inside the generator.

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Captain Disillusion puts Japan under the vectorscope.

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Vintage Tektronix CRT Oscilloscope is used to display Left vs RIght channels in Lissajous form, revealing the complex nature of music in Lissajous form. . .

Tektronix 7603 Lissajous I'm losing you Rod Stewart Vectorscope

Robert Goodman (of the Goodman's Guides) talks about how to use DSC Labs charts and shows many of the features and benefits. Robert shows the pattern the charts make on a vectorscope and explains why the charts are made to such narrow tolerances.

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Santa Rosa Junior College CS74.21C - Advanced DV post production class, assignment 6 Instructor: Jeff Sengstack -- jsengstack@santarosa.edu How to use the Vectorscope or the RGB Parade scope to analyze clips' chroma (color or hue). Then use either the Fast Color Corrector or the RGB Curves video effect to adjust chroma (along with tonality) to ensure your clips do not have an unwanted color cast. Jeff Sengstack is the author of the lynda.com tutorial: Premiere Pro - Color Correction and Enhancement. www.lynda.com

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Executive production: Vectorscope (www.vectorscope.be) Written & directed by Monica Minneci & Yoko Sound Edited by Monica Minneci & Arnaud Gilon SFX Thomas Dubucq Hair & Make up: Valérie Denis Thanks to Adam & Josefina for letting us shoot the video in their beautiful house :-)

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Australian Screen Editors presents "Making The Grade", a seminar on colour grading in FCP by Peter Cave. This is part 4 of 9. Topics covered in this part include: Vector Scope, Waveform Monitor, Saturation, Skin Tone, Histogram, RGB Parade, LCD Monitors, CRT Monitors. Peter Cave is a colourist with 20 years freelance experience. Special thanks to Swinburne University School of Film &TV for hosting and filming the event on 13 July 2009. Playlist for entire seminar: www.youtube.com See also: www.screeneditors.com http

ASE Australian Screen Editors Peter Cave Final Cut Pro FCP Colour Grading Seminar Tutorial Vector Scope Waveform Monitor Saturation Skin Tone Histogram RGB Parade LCD Monitors LCD CRT Monitors CRT

My Sole Wish is the first single from the forthcoming debut album of Yoko Sound. Song: Written and composed by Yoko Sound & Arker Produced by Arker Video: Executive production: Vectorscope (www.vectorscope.be) Written &directed by Monica Minneci & Yoko Sound Filmed by Loïc Delvaulx Edited by Monica Minneci & Arnaud Gilon SFX: Thomas Dubucq Hair & Make up: Valérie Denis Thanks to Adam & Josefina for letting us shoot the video in their beautiful house :-)

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Wes Donahue, Director of Channel Marketing for TVLogic USA tells us about their new 7" Monitor. A larger version of the very popular 5.6" monitor, the LVM-074W features HDMI to HD-SDI loop-through, waveform and vectorscope, and much more! Available to order now! www.filmtools.com Follow us on Twitter: www.twitter.com Like us on Facebook: www.facebook.com

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Vectorscopes in Premiere CS5

Vectorscopes Adobe Premiere CS5

Waveform data and harmonic content data recorded over a 33 hour period at a residential area of central London. The time-lapse video clearly shows the diurnal cycle with greater distortion during the day, together with greater variability in the harmonic content. As is often the case, the 7th harmonic (shown here in yellow) is the most dominant, although at this address the overall harmonic content is over 10-fold higher than recordings at other sites. The waveform is also interesting, as it has a significantly distorted shape with large 'spikes' - these can spike up to 600 V, whereas the normal 240 V AC peak would be around 340 V. You can also see smaller spikes appear and disappear away from the peak, presumably, these are spikes from phase-angle control devices. Waveform display scale: 5 ms/div; 50 V/div Vectorscope display: 3%/div Music: OCRemix - Darren Izzard - Driller (Prototype mix)

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Evaluating the color kinetics IW LED unit for video use. Using DSC Labs line up charts and vectorscopes we compare the IW LED to 3200K tungsten light and 5600 K color corrected tungsten.

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In this video I show how I've setup my monitoring for audio mastering. Few things you need for monitoring: 1. Vectorscope 2. Spectrum meter 3. Graphic equalizer (eg EQUO) 4. All the little dB meters on the mixer WaveCandy VST can do most of it and more. Also it consumes less processing power than everything else which is very important.. Any questions? :)

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SQUARE-BRUSSELS MEETING CENTRE has just open its doors in the heart of Brussels! On this occasion, there was an amazing show with contemporary dancers, acrobatics, musicians Vectorscope in partnership with Manythink (attention utiliser police correcte) realized one of the video projected on the large glass entrance of the SQUARE. Here is the result of an incredible moment. Enjoy!

The Square Opening Short

Lissajous Go Figure A DIY vectorscope is constructed from two pairs of speakers and a laser light pen. The four speakers face inward into a wooden box. Opposite pairs of speakers are wired out of phase, in a push-pull configuration, one pair for the horizontal axis and the other pair for the vertical axis, with each pair connected to one channel of a stereo audio signal. A laser light pen is suspended taut with fine thread and hot glue in the center of the four inward facing speakers. As stereo audio is fed to the device the pen position is displaced by movement of the speaker cones to which it is tethered. Laser light from the pen projects an illustration of the x,y plot of the interference pattern of the two waveforms of the stereo signal. In other words, the device can be used to display Lissajous figures. The instrument used to provide the stereo audio signal is a custom built synthesizer. The unit has 6 oscillators with separate control of the sin, triangle and square-wave components. Each oscillator can be panned or used to modulate another oscillator. This installation is intended to be hands on, allowing visitors to make their own adjustments to the oscillators. Users are welcome to experiment and discover what patterns they may create with the controls. A tuner will also be provided to allow precise tuning and/or reading of the oscillators. Previous Documentation: www.soundart.org

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