Video of Yael Bartana graciously provided by Artis. Bartana is a featured artist in our Fall 2009 exhibition "Hugging and Wrestling."

MOCA Cleveland Artis artisrael Yael Bartana

The video trilogy 'AND EUROPE WILL BE STUNNED' of Israeli artist Yael Bartana is on display at Louisiana Museum of Modern Art 28 Feb 2012 - 20 May 2012 in the exhibition "LOUISIANA CONTEMPORARY - Yael Bartana" Yael Bartana visited Louisiana in January 2012 and was interviewed by Michael Juul Holm as part of the 'Louisiana Talks'-series. Extracts from the interview are also shown at the exhibition. Produced by Sonja Strange. Copyright: Louisiana Museum of Modern Art, 2012. www.louisiana.dk

Yael Bartana Louisiana Museum of Modern Art Israel Jews Poland 'And Europe Will Be Stunned' Exhibition 'Slawomir Sierakowski'

LOUISIANA CONTEMPORARY: Yael Bartana 28. February - 20. May 2012 www.louisiana.dk Video produced by Sonja Strange for Louisiana Museum of Modern Art. 2012

Yeal Bartana Louisiana Museum Louisiana Museum of Modern Art Louisiana Contemporary udstilling exhibition denmark

www.SEAfoundation.EU We already held the Israeli artist Yael Bartana in close focus, then we saw this trilogy in the Polish pavilion on the Venice Biennale54 only last summer. We were stunned! Now the Vanabbemuseum has added the masterpiece which this trilogy is, luckily to its collection. It only happens few times in a lifetime, when an artist creates an artwork which matches as well the contemporary in arts, in society as in politics. At the same time, reflecting the pathology of our nowadays society as clear as Bartana masters in this triptych. This artwork is a sign of our time, in which all falls together and in which the artwork surpasses its momentum of creation and becomes the new arch typology of the actual problems our society faces. When history reflects (a possible) future, then we should be extra aware. Very impressive!

Yael Bartana Europe will be stunned Van Abbemuseum Charels Esche Europe Israel Middle East jrmip Warschaw Biennale54 Contemporary Art

Yael Bartana discusses her practice during the "Making Oppression Visible" session at the 2009 Creative Time Summit: Revolutions in Public Practice.

Yael Bartana Creative Time summit

Learn more about this program at www.guggenheim.org Elaine Terner Cooper Education Fund: Conversations with Contemporary Artists Yael Bartana Tuesday, January 24, 2012 Solomon R. Guggenheim Museum 5th Ave at 89th St, New York City Acclaimed artist and filmmaker Yael Bartana (b. 1970, Israel) presented her recent work at the Guggenheim Museum's Conversations with Contemporary Artists series. Her works examine and question widely accepted social rituals and structures regarding the cultural identity and historical construction of her native country and the tensions and conflicts that arise as a result. Bartana's recent project "...and Europe will be stunned" was featured as the official Polish participation at the 2011 Venice Biennale and screened as part of this program. This program is part of the Elaine Terner Cooper Education Fund: Conversations with Contemporary Artists series.

guggenheim guggenheim museum lecture artist artist talk yael bartana film video israel

Mary Koszmary (Nightmare) is the first film in the trilogy and explores a complicated set of social and political relationships among Jews, Poles and other Europeans in the age of globalisation. A young activist, played here by Sławomir Sierakowski (founder and chief editor of Krytyka Polityczna magazine), delivers a speech in the abandoned National Stadium in Warsaw. He urges three million Jews to come back to Poland. Using the structure and sensibility of a World War II propaganda film, Mary Koszmary addresses contemporary anti-Semitism and xenophobia in Poland, the longing for the Jewish past among liberal Polish intellectuals and the Zionist dream of return to Israel. As Yael Bartana says: 'This is a very universal story; as in previous works, I have treated Israel as a sort of a social laboratory, always looking at it from the outside. These are mechanisms and situations which can be observed anywhere in the world. My recent works are not just stories about two nations — Poles and Jews. This is a universal presentation of the impossibility of living together.'

Yael bartana Poland Israel Jews video art Politics Zionism nightmares history activism Poles homeland diaspora

In the film Zamach (Assassination), the final part of the trilogy, which has its premiere at the 54th International Art Exhibition in Venice and will be shown in parallel at the Zachęta National Gallery of Art in Warsaw — Bartana brings the dream about multinational community and the brand new Polish society to the ultimate test. The plot of the film takes place in not too distant a future, during the funeral ceremony of the leader of the Jewish Renaissance Movement, who had been killed by an unidentified assassin. It is by means of this symbolic death that the myth of the new political movement is unified — a movement which can become a concrete project to be implemented in Poland, Europe, or the Middle East in the days to come.

Polish trilogy Yael Bartana Assassination Slawomir sierakowski Yaron London Alona Frankel anda Rottenberg zacheta museum Poland Europe Israel Zionism anti-semitism Susanne Sachsse

Den 22 april-19 september 2010 visades Yael Bartanas utställning "och Europa kommer att häpna" i Turbinhallen på Moderna Museet Malmö. Vid finissagen för utställningen, den 10 september, framfördes en nyproducerad performance: "Återkomsten från månen". Det var en experimentell performance som intervenerade och förde dialog med filmerna i utställningen. Between 22 May and 19 September 2010, Yael Bartana's exhibition "and Europe will be stunned" was shown in the Turbine hall at Moderna Museet Malmö. At the finissage of the exhibition, on 10 September, Yael Bartana's new performance developed especially for the finissage, "The Return from the Moon", was presented. It was an experimental performance, an intervention and dialogue with the films presented in the exhibition.

Yael Bartana Moderna Museet Malmö performance

The second film in the trilogy Mur i wieża (Wall and Tower) was made in the Warsaw district of Muranów, where a new kibbutz was erected at actual scale and in the architectural style of the 1930's. This kibbutz, constructed in the centre of Warsaw, was an utterly 'exotic' structure, even despite its perverse reflection of the history of the location, which had been the Jewish residential area before the war, and then a part of Warsaw Ghetto. The film invokes previous heroic images of strong and beautiful men and women who mythically established Israel. They were depicted as determined pioneers who, despite the most unfavorable conditions, kept building houses, cultivating land, studying, bringing up children collectively, sharing their assets and constantly training to fight off potential enemy attacks. This is the world that the artist proposes to resurrect in the 21st century, in an entirely different political and geographical configuration. Bartana again: 'I quote the past, the time of Socialist utopia, youthfulness and optimism — when there was a project of constructing a modernist idea of a new world.'

miw clip Tower Wall Wieża zionism europe warsaw memorial memory kibbutz building community history

Deze week in FD Persoonlijk; Franck Hanselman ziet de zon opkomen op Samoa, Pieter Langerhorst Marathonman, Fleur Koning Kasteelvrouw, Karin de Rouw Kasteelvrouw, van Lynden Kasteelheer, Grote fotografen uit Zuid-Afrika, Zeven redenen om Yael Bartana te gaan zien in Van Abbe, De honden en meisjes van Hellen van Meene, Cornelis Bega is gek op wellustige plooien, De Josper is een barbecue in de oven, Golfen: Nu eens niet de bekende namen: vijf pareltjes in Europa, BMW verlegt de grenzen met de nieuwe generatie M5, Galopperen in Kirgizië en veel meer. Extra beelden in de FD Persoonlijk van de komende zaterdag en op de iPad versie. De nieuwe FD Kiosk app is dé plek waar u alle te downloaden FD magazines bij elkaar vindt. Natuurlijk het lifestyle magazine FD Persoonlijk, maar ook uw eerder gedownloade edities plús een aantal uitgaven exclusief voor FD abonnees. Bovendien kunt u voortaan al beginnen met lezen tijdens het downloaden! U kunt de app downloaden in de iTunes store: ‪‪‪‪itunes.apple.com Voor meer informatie over FD Persoonlijk en FD Persoonlijk op de iPad; ‪‪‪fd.nl

Franck Hanselman Samoa Pieter Langerhorst Fleur Koning Karin de Rouw Lynden fotografen Zuid-Afrika Yael Bartana Van Abbe Josper Golfen pareltjes Europa BMW M5 Kirgizië

Des artistes qui ont en commun un sentiment d'implication personnelle face aux questions liées à la guerre au Moyen-Orient. Ils sont représentatifs d'une génération de jeunes artistes capables de traduire l'oppression du conflit à l'aide d'un langage alternatif, en analysant ses causes et ses origines, dans une réflexion sur les méthodes de sa représentation. Ahlam Shibli (née en 1970) présente une série de photographies récentes prises dans le village d'Al-Shibli. Capturant tous les détails topographiques, les vestiges historiques et les détails caractéristiques du quotidien de son village natal, Shibli tente de reconstituer l'impact de l'histoire sur notre présent. La plupart des habitants se sont enfuis durant la guerre de 1948, ils ont tout quitté pour une vie d'insécurité, incertains de leur nouveau rôle et de leur futur. Les photographies d'Ahlam Shibli n'évoquent pas tant la violence que la faiblesse et la complexité des relations humaines. Yael Bartana (née en 1970) montre une pièce de 2004, Low Relief : une quadruple projection vidéo en longueur formant un bas-relief d'images mobiles. Ces images trafiquées digitalement donnent l'impression que les personnages appartiennent à une formation militaire. Le spectateur est invité à observer cette démonstration militaire mais on ne peut dire s'il s'agit d'un discours pour la paix, pour l'environnement ou pour autre chose encore. Cette oeuvre peut être interprétée comme une métaphore de la vie en Israël où il est <b>...</b>

Ahlam Shibli Yael Bartana Omer Fast Rabih Mroué palestine israel liban moyen orient art contemporain arabe Marine Gramat Pompidou guerre conflit israelo-palestinien

IImpressions of the 7th Berlin-Biennale from 27.04.2012 to 01.07.2012 at the Elisabeth-Kirche and the KunstWerke, Berlin... read more in German: Impressionen der 7. Berlin-Biennale vom 27.04.2012 bis 01.07.2012 in der Elisabeth-Kirche und den KunstWerken, Berlin. Eine nachholende Kultur-Revolution von Polen für Polen: Biennale-Kurator Żmijewski will mit Kunst handfeste Politik machen. Seine Wiederaufführung der 68er-Revolte im Kunst-Betrieb wird zur Groteske voller Déjà-Vus. Einen ausführlichen Bericht finden Sie bei bei "Kunst+Film": kunstundfilm.de

Artur Żmijewski Berlin-Biennale Artur Zmijewski Joanna Warsza Zmijewski Warsza Marx kunstwerke Elisabeth-Kirche Joseph Beuys Venedig-Biennale documenta 5 Pawel Althamer. Jonas Staal Teresa Margolles Marina Naprushkina Martin Zet Thilo Sarrazin Deutschland schafft sich ab Sarrazin Joanna Rajkowska Mirosław Patecki Miroslaw Patecki Yael Bartana JRMIP SFVV Khaled Jaffar

לאן? היא תערוכה העוסקת בכיווני מחשבה היסטוריים ועכשוויים בנוגע לשאלה היהודית. התערוכה חוזרת להיסטוריה של ראשית הציונות ובאמצעות יצירות אמנות חדשות מבקשת לבחון...

Joseph Otmar Hefter where to? holon Effi & Amir Yochai Avrahami & Doron Tavori Ariella Azoulay Michael Blum Yael Bartana Michael Zupraner Elad Larom Avi Pitchon Nirit Peled & Malkit Shoshan Chaya Ruckin Melissa Shiff Nurit Sharett המרכז הישראלי לאמנות דיגיטלית חולון לאן

יעל ברתנא, מור אי וייז'ה (חומה ומגדל), 2009 (פרט מתוך וידיאו), וידיאו, 15:00 דקות, פסקול, באדיבות האמנית וגלריה זומר לאמנות עכשווית, תל אביב Yael Bartana, Mur i Wieza (Wall and Tower), 2009 (video...

yael bartana

Fragment filmu Yael Bartana "Mary Koszmary" z udziałem Sławomira Sierakowskiego

sierakowski żydzi bartana dunin gross

In the "Weizmann Rally" the square is activated by eight works of art appearing one after the other and together forming a choreography and chronology specially adapted to Weizmann Square. The works, some new and some displayed in the past in other contexts, were adapted to the square to create a unique experience of a historic public space. This is a space we are not accustomed to experience at an age in which the public space has become the space of corporate advertizing. An age in which it is less customary to publicly express a dispute of political and social criticism. An age in which meetings between people take place in the virtual sphere, and opinions are exchanged in the hyper-media environment.

Holon Weizman Public Movement Meir Tati Daniel Landua Maya Dunitz Alona Rodeh Maya Pasternak Rally Performance Town Squere Squere Israeli Art art public Paintball Demonstration Yael Bartana Wild Seeds Desgin activism

From 4 June to 27 November 2011 the 54th Biennale takes place in Venice. Axis attended the preview week (1 - 6 June) and filmed a series of short interviews with artists, art professionals and curators who offered their tips on what to see. This film features Michelle Kasprzak, Curator at the V2_ Institute for the Unstable Media, Rotterdam, Holland. www.axisweb.org www.labiennale.org

venice biennale axis web art artists pavilion giardini arsenale Michelle Kasprzak Rotterdam V2 Institute Yael Bartana Poland

Where to? is a project for promoting new artwork, the product of collaborations between artists and academics and researchers from other fields, in the form of action proposals and new lines of thought concerning Jewish existence at the present time. This move will be realized by reassessing ideological currents and practical options developed within and ultimately rejected by the modern Jewish revolution, particularly in the Zionist movement. Where to? is composed of three stages, and will be held between April 2011 and June 2012. The first stage, from April 2 to June 11, will see the creation of a visual historical archive and various launching activities and events. The archive, which will be the centerpiece of this stage and the basis for the entire project, will include historical literature, studies, visuals and artworks. The archive materials will be collected first in preparation to the project and later classified and expanded as it progresses. The archive will constitute a dynamic and fluctuating basis for imagining alternatives and creatively reexamining both past and present.

archive israeli center for digital art exhibition trailer yael bartana yossi & itamar amit epstein jewish revenge wall and tower arab israel herzl workshop projecr effi & amir forgotten lonly paths if you will

Making of z nagrywania filmów ms opus.

Yael Bartana Jarosław Suchan Mirosław Bałka ms opus ms muzeum sztuki opus making of

Forgotten Relations: Feminist Artists and Relational Aesthetics With Guest Speaker: Ms. Helena Reckitt Sponsored by the Institute for the Humanities, the School of Contemporary Arts and the Department of English at Simon Fraser University. Date: Tuesday, November 16, 2010 This Public Lecture was held in Vancouver, BC at the World Art Theatre, SFU @ Woodward's. Over the past five decades, feminist artists have created powerful art that both engages in and critiques social relations. Yet this rich body of work is barely acknowledged in recent accounts of relational aesthetics. Helena Reckitt asks why such foundational projects have been largely dismissed. How might the humanist basis of relational aesthetics - in which the unmarked artist is biased towards the male - fuel this critical and curatorial neglect? Helena Reckitt was Senior Curator of Programs at The Power Plant Contemporary Art Gallery in Toronto. Her previous positions include Senior Director of Exhibitions and Education at the Atlanta Contemporary Art Center, GA, Head of Talks at the Institute of Contemporary Arts in London, and Associate Commissioning Editor at Routledge publishers. She has curated solo exhibitions with artists including Yael Bartana, Prema Murthy, Paul P, Hew Locke (with Julie Joyce), and Paul Shambroom (with Diane Mullin and Chris Scoates). Her group exhibitions for The Power Plant include Not Quite How I Remember It, on forms of re-enactment and reconstruction, The Power Plant, June <b>...</b>

Forgotten Relations Feminist Artists Relational Aesthetics SFU Institute for the Humanities Contemporary Arts Department of English Helena Reckitt Simon Fraser University

Kamil Malinowski - prepared this interesting presentation a while ago in the New Museum in Lower East Side, Manhattan. Under The Skin: New Video From Poland ("as per the press release from New Musem") The Declassified series presented a program of recent videos curated by Kamil Malinowski, including work by Yael Bartana, Bogna Burska, Krzysztof Franaszek, Anna-Maria Karczmarska, Anna Konik, Tomasz Kozak, Katarzyna Kozyra, Anna Molska, Krystyna Piotrowska, Aleksandra Polisiewicz, Karol Radziszewski, Piotr Wysocki and Artur Żmijewski. All of the works selected had been created within the past three years and have not yet been screened in New York City. Malinowski introduced the screening and, in a post-screening discussion, elaborated upon three related themes addressed in the works: the continued negotiation of problems emerging from Polish history (including Polish-Jewish relations, World War II, and the Holocaust); education and its ambiguous correlation with patriotism/nationalism; and imaginary or fictional history with significant emphasis on gender as a defining category. Kamil Malinowski is an emerging curator based in Warsaw, Poland. Malinowski attended the University of Warsaw and has worked as co-curator in the Supermarket of Art Foundation on the exhibitions "(Im)mortal love - VI Biennale of Young Artists" (2007) and "Welcome to the Media" (2006). Malinowski is a contributor to Sekcja art magazine and president of the recently established 93 Foundation. Devoted <b>...</b>

Kamil Malinowski Jacek Hurkala Nowy Jork Polonia New Museum

לאן? הוא פרויקט שנתי שיפתח ב-2/4 במרכז הישראלי לאמנות דיגיטלית, חולון. מטרתו היא יצירה של עבודות אמנות חדשות, תוצר של שיתוף פעולה בין אמנים לאקדמאים וחוקרים מתחומים...

archive israeli center for digital art exhibition trailer yael bartana yossi & itamar amit epstein jewish revenge wall and tower arab israel herzl workshop projecr effi & amir forgotten lonly paths if you will

לאן? הוא פרויקט שנתי שיפתח ב-2/4 במרכז הישראלי לאמנות דיגיטלית, חולון. מטרתו היא יצירה של עבודות אמנות חדשות, תוצר של שיתוף פעולה בין אמנים לאקדמאים וחוקרים מתחומים...

archive israeli center for digital art exhibition trailer yael bartana yossi & itamar amit epstein jewish revenge wall and tower arab israel herzl workshop projecr effi & amir forgotten lonly paths if you will

Druga część relacji z documenta 12 [Kassel, 2007]. Prace: Artur Żmijewski [film "Oni" wyprodukowany przez documenta 12], KwieKulik ["Działania z Dobromierzem"], Tseng Yu-Chin ["Who's Listening?"]. Całość dotyczy pojęcia "nagiego życia", które do współczesnej debaty filozoficznej wprowadził Giorgio Agamben ["Homo sacer. Suwerenna władza i nagie życie"]. Rozmawiają: Marek Staszyc, Catrin Seefranz, Georg Schöllhammer, Roger M. Bürgel, Keti Chukhrov. Prace m.in.: Inigo Manglano-Ovalle, Peter Friedl, Abdoulaye Konate, Yael Bartana, Halil Altindere, Allan Sekula, Lidwien Van De Ven, Jo Spence, Terry Dennett, Rosy Martin, Maggie Murray, Guy Tillim, Romuald Hazoume, Churchill Madikida, Dias & Riedweg, Juan Davila

documenta 12 Kassel TVP Kultura art sztuka filozofia Agamben nowoczesna modernizm postmodernizm

BEIJING HOLIDAY is a fairy tale. An ironic adaption of William Wyler's "Roman Holiday" featuring Audrey Hepburn and Gregory Peck. Beijing Holiday is a romance between the former first Lady of China, Soong May-Ling and the filmmaker Edgar Honetschl?ger. He, the Westerner, guides the sophisticated Lady Chang Kai-Shek through a thriving Beijing, showing her, what the very communists that won out against her, are doing at present. Nonetheless BEIJING HOLIDAY isn't a cute puppet show. The film, by means of symbolism and metaphors, utters harsh criticism on how "naive" the West is dealing with mainland China. For the filmmaker is not in favor of Soong Mei-Ling (even though he has to admit that he fell for her as a man), the Kumintang or the ruling party of Taiwan. Beijing Holiday deals with the "fetish politics". The film clearly states: Art needs not be political, but it is a sign of a "sane" society, if the arts can be. 13 min, miniDV / edition 5+1 vienna / tokyo / taipei / beijing 2007 actors: soong mei ling / edgar honetschläger camera: sylvie guérard / thomas woschitz editor: thomas woschitz sculptor: ouyang liqi assistant director: houxiu nagaoka director: edgar honetschläger producer: com institute tokyo / edoko institute Vienna premiere at "discovering the other" curated by gertjan zuilhof for the National Palace Museeum Taipei, with YAEL BARTANA, APICHATPONG WEERASETHAKUL DEBORAH STRATMAN ELLA RAIDEL HONGJOHN LIN MERILYN FAIRSKYE TSAI MING-LIANG

edgar honetschlaeger beijing holiday tiananmen funny papet show

2007年的夏天跟世界發現彼此故宮世界觀點影像展系列活動，自2006年3月舉辦「法語電影節」；9月舉辦「靜默之聲」後，深受觀眾好評。因此本院特於今年暑假擴大推出，故宮世界觀點影像展系列三：「發現彼此」國際電影裝置展。 「發現彼此國際電影裝置展」（"Discovering The Other"International film installations） 是本院與荷蘭鹿特丹國際影展策展人：戈揚‧祝鴻（Gertjan Zuilhof）合作策劃的一個橫跨電影與影像裝置文本的展覽，邀請國際上兼具錄影裝置與電影跨界經驗之前衛藝術家和導演，於圖書文獻大樓展出其裝置作品，並同時於文會堂放映他們其它珍貴的短片或少見的電影作品。在新與舊、最前衛的與最傳統的，讓我們與世界、讓藝術與社會，以一種新的對話機制，發現彼此，重新體驗世界。 參加這次展覽的藝術家來自不同的國家，有國際知名的泰國導演阿比查邦．魏拉希沙可APICHATPONG WEERASETHAKUL、台灣導演蔡明亮、著名以色列錄像藝術家亞爾‧芭塔娜YAEL BARTANA、澳洲錄像藝術家瑪麗琳•法爾絲基MERILYN FAIRSKYE、奧地利視覺藝術家與電影工作者愛德格•洪內史雷戈EDGAR HONETSCHLÄGER、美國芝加哥電影工作者黛博拉司拉特門DEBORAH STRATMAN，以及旅居台灣的奧地利藝術家愛拉•萊德ELLA RAIDEL。 故宮世界觀點影像展系列三發現彼此國際電影裝置展活動時間地點： 2007年7月7日至8月19日圖書文獻大樓影像裝置作品2007年7月18日至8月19日文會堂電影及短片作品免持票券．免費入場。 文會堂電影播映活動，請於每場次映演前10分鐘內排隊入場，座位有限，額滿為止。 另為維護觀影品質，影片播放後20分鐘，禁止入場。

故宮NPM National Palace Museum

Interview with Nira Pereg, July 2010

Artis Contemporary Art Israel Nira Pereg

Interview with Ohad Meromi, September 2010

Artis Contemporary Art Israel Ohad Meromi