First song on their only album 'Magical Love' from 1969 Saturnalia were a British psychedelic band, whose only album was claimed to be the world's first 3D picture disc. It also gained a certain amount of notoriety by featuring the band members topless on one side of the picture disc. The band, including former members of the band Horse, went on a headlining tour of the UK, culminating in a concert at London's Rainbow Theatre. The tour was not a financial success and the band disbanded soon afterwards. The record "Magical Love" was produced by Keith Relf (RENAISSANCE, YARDBIRDS), and it was first released year 1969, having several reissues being done later (by Italian Akarma label for example). The album contains slightly occult themed Psychedelic early progressive rock, resembling JEFFERSON AIRPLANE with their similar male/female double vocals and West Coast psych sounding guitar tones. The singers were Adrian Hawkins and Aletta, guitar was played by Rod Roach and the rhythm section had Richard Houghton on Bass guitar and Tom Crompton playing the Drums. The definitive version of Magical Love had a 28 page booklet about cosmology (written by Richard A. Gardner and Tammo de Jongh), which was a strong element to the players doing this record, and free love. Track listing 1. "Magical Love" 2. "She Brings Peace" 3. "And I Have Loved You" 4. "Winchester Town" 5. "Traitor" 6. "Soul Song" 7. "Princess & The Peasant Boy" 8. "Dreaming" 9. "Step Out Of Line"

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from the album 'Greetings from LA' in 1972

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from the movie 'Maharaja' in 1998 sang by Sonu Nigam, music by Nadeem Shravan

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the original morning dew song from one of the best female voices ever! Morning Dew", also known as "(Walk Me Out in the) Morning Dew", is a post-apocalyptic folk-rock song written by Canadian singer Bonnie Dobson in 1962, that has become a standard. According to Dobson in a 1993 interview, "Morning Dew" was inspired by the film On the Beach.[1] Fred Neil heard Dobson's song and re-arranged it to suit his own style. Tim Rose heard Neil's version and then recorded his own in 1966, adding himself as co-writer. Through a loophole in US copyright law, Rose was able to claim royalties. Dobson has consistently questioned Rose's right to a co-writing credit.[2]

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from the album 'reflections in a cristal wind' in 1965

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from the album 'reflections in a cristal wind' in 1965

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from the album 'memories' in 1965

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from the Majesty demos 1985 -1986, Chris Collins on vocals.

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from the album 'this sentence is true (the previous is false)'

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from the album 'this sentence is true (the previous is false)'

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from the album 'this sentence is true (the previous is false)'

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from the album 'celebrations for a grey day' in 1965

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live at folk city in New York. She was only 21 years old. Setlist: Bonnie Dobson At Folk City 1. ONCE MY TRUE LOVE 2. LOVE HENRY 3. IRISH EXILE SONG 4. SHULE AROON 5. BONNIE'S BLUES 6. PETER AMBERLEY** 7. C'EST L'AVIRON* 8. THE HOLLY BEARS A BERRY 9. TWO CAROLS FOR A NUCLEAR AG a. A CAROL FOR SHELTERED SHUT-INS b. A CAROL FOR UN DELEGATES 10. MORNING DEW BONNIE DOBSON, vocals and guitar ART ROSENBAUM, guitar** and banjo*

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live at folk city in New York. She was only 21 years old. Setlist: Bonnie Dobson At Folk City 1. ONCE MY TRUE LOVE 2. LOVE HENRY 3. IRISH EXILE SONG 4. SHULE AROON 5. BONNIE'S BLUES 6. PETER AMBERLEY** 7. C'EST L'AVIRON* 8. THE HOLLY BEARS A BERRY 9. TWO CAROLS FOR A NUCLEAR AG a. A CAROL FOR SHELTERED SHUT-INS b. A CAROL FOR UN DELEGATES 10. MORNING DEW BONNIE DOBSON, vocals and guitar ART ROSENBAUM, guitar** and banjo*

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amazing song from his first album 'for the sake of the song' in 1968, with an Ennio Morricone spaghetti western feel Let me tell you a story 'bout a girl I knew fair of skin with eyes of blue I swear to the Lord that I loved her true it's a year now she's been gone Her spirit was as bright as the soft sunshine lips the color strawberry wine I wish to God she still was mine The chance won't come again After first we lay in love's sweet bed with one look at her eyes I might have read all the pain that was flying through her head through my guilt I could not see I turned to her when the morning came hungry thoughts racing through my brain but the knife in her heart screamed herself she'd slain and a note whispered love too soon Her old man screamed and her mother cried all I could do was to wonder why a girl in her youth was forced to die is loving such a crime She died few in the years her breasts still small seeing sixteens summers and fifteen falls me in my blindness never realized all the fear she kept inside Let me tell you a story 'bout a girl I knew fair of skin with eyes of blue I swear to the Lord that I loved her true

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live at folk city in New York. She was only 21 years old. Setlist: Bonnie Dobson At Folk City 1. ONCE MY TRUE LOVE 2. LOVE HENRY 3. IRISH EXILE SONG 4. SHULE AROON 5. BONNIE'S BLUES 6. PETER AMBERLEY** 7. C'EST L'AVIRON* 8. THE HOLLY BEARS A BERRY 9. TWO CAROLS FOR A NUCLEAR AG a. A CAROL FOR SHELTERED SHUT-INS b. A CAROL FOR UN DELEGATES 10. MORNING DEW BONNIE DOBSON, vocals and guitar ART ROSENBAUM, guitar** and banjo*

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from the album 'journey to you' in 1991

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her rendition of the popular american abolitionist song 'Battle Hymn Of The Republic', from the album Best Of The Vanguard Years. Odetta is one of the most influential artists of the 20th Century. By combining the power and grace of an opera singer with the earthiness of a blues singer and the conviction of a folk singer, Odetta became a commanding, stirring singer unlike any other. Odetta released her first album, Odetta Sings Ballads and Blues, in 1956. This is some two years before the beginning of the folk revival with which she is usually associated. The power of her singing seems to connect her to an earlier folk music, more elemental and raw than her late-50s and early-60s peers. Unlike the Highwaymen or other popular interrupters of classic folk songs, Odetta seems closer in both approach and presentation to Leadbelly. Her interest in folk music appeared to be less of a personal "revival" or awakening, than a continuation of a living tradition. She was referred to as the "female Leadbelly." Bob Dylan was major inspired by Odetta - - in 1956 her album, "ODETTA Sings Ballads & Blues," inspired him to trade in his electric guitar for a Gibson acoustic guitar,and got him into folk .

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From the album 'Never Say Goodbye', released in 1999 As frontman for the incendiary 13th Floor Elevators from 1965 to 1968, outsider singer-songwriter Roky Erickson helped fuse the raw excitement of garage rock with the spiritual seeking and sublime silliness of the farthest-reaching psychedelic rock. Never Say Goodbye showcases Erickson's solo style--the songs are strong (if idiosyncratic), the lyrics delicately wrought and informed by a Christian sensibility. The fidelity approaches that of an Edison cylinder, but it somehow fits the material just fine--the tunes dig so nakedly and unpretentiously into the human heart, they sound like they come from Mars. Mostly recorded between 1971 (when he was still interned in Rusk State Hospital during a three-year stint for possession of marijuana) and 1974, Never Say Goodbye is wholly recommended despite its sound quality; there are no other known versions of these songs. On each tune, Erickson tosses off pure pop hooks ("I've Never Known This 'Til Now") with seemingly total ease and croons in that Buddy Holly-esque, high-pitched voice of his, which never falters. Most of all, his lyrics and spirit demonstrate true grace and love in the face of far worse.

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from her lost heavy folk rare gem 'paint a lady' in 1970! almost 40 years ago now, a Philly based folk singer named Susan Christie was dropped by her record company. After one novelty song hit 'i love onions', the label bosses didnt think her melancholy take on country and solitude would ever be of any interest. Five copies of her album 'paint a lady' were pressed and faded into obscurity. Skip forward to present time, and a small label, Finders Keepers salvages three out of these five copies and decides to release it. Susan Christies album is a beautiful piece of despondent tales and folky psychedelia. The fascinating thing is that it sounds very current.

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From the album 'Never Say Goodbye', released in 1999 As frontman for the incendiary 13th Floor Elevators from 1965 to 1968, outsider singer-songwriter Roky Erickson helped fuse the raw excitement of garage rock with the spiritual seeking and sublime silliness of the farthest-reaching psychedelic rock. Never Say Goodbye showcases Erickson's solo style--the songs are strong (if idiosyncratic), the lyrics delicately wrought and informed by a Christian sensibility. The fidelity approaches that of an Edison cylinder, but it somehow fits the material just fine--the tunes dig so nakedly and unpretentiously into the human heart, they sound like they come from Mars. Mostly recorded between 1971 (when he was still interned in Rusk State Hospital during a three-year stint for possession of marijuana) and 1974, Never Say Goodbye is wholly recommended despite its sound quality; there are no other known versions of these songs. On each tune, Erickson tosses off pure pop hooks ("I've Never Known This 'Til Now") with seemingly total ease and croons in that Buddy Holly-esque, high-pitched voice of his, which never falters. Most of all, his lyrics and spirit demonstrate true grace and love in the face of far worse.

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Odetta Sings Dylan is the 1965 album by American folk singer Odetta, an entire album of covers of Bob Dylan songs. In addition to a number of well known Dylan compositions, a couple of fairly obscure songs were included, including "Baby, I'm in the Mood for You". Odetta is one of the most influential artists of the 20th Century. By combining the power and grace of an opera singer with the earthiness of a blues singer and the conviction of a folk singer, Odetta became a commanding, stirring singer unlike any other. Odetta released her first album, Odetta Sings Ballads and Blues, in 1956. This is some two years before the beginning of the folk revival with which she is usually associated. The power of her singing seems to connect her to an earlier folk music, more elemental and raw than her late-50s and early-60s peers. Unlike the Highwaymen or other popular interrupters of classic folk songs, Odetta seems closer in both approach and presentation to Leadbelly. Her interest in folk music appeared to be less of a personal "revival" or awakening, than a continuation of a living tradition. She was referred to as the "female Leadbelly." Bob Dylan was major inspired by Odetta - - in 1956 her album, "ODETTA Sings Ballads & Blues," inspired him to trade in his electric guitar for a Gibson acoustic guitar,and got him into folk .

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from the album 'Odetta and the blues' Odetta is one of the most influential artists of the 20th Century. By combining the power and grace of an opera singer with the earthiness of a blues singer and the conviction of a folk singer, Odetta became a commanding, stirring singer unlike any other. Odetta released her first album, Odetta Sings Ballads and Blues, in 1956. This is some two years before the beginning of the folk revival with which she is usually associated. The power of her singing seems to connect her to an earlier folk music, more elemental and raw than her late-50s and early-60s peers. Unlike the Highwaymen or other popular interrupters of classic folk songs, Odetta seems closer in both approach and presentation to Leadbelly. Her interest in folk music appeared to be less of a personal "revival" or awakening, than a continuation of a living tradition. She was referred to as the "female Leadbelly." Bob Dylan was major inspired by Odetta - - in 1956 her album, "ODETTA Sings Ballads & Blues," inspired him to trade in his electric guitar for a Gibson acoustic guitar,and got him into folk .

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from the album 'struggle'

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From the album 'Never Say Goodbye', released in 1999 As frontman for the incendiary 13th Floor Elevators from 1965 to 1968, outsider singer-songwriter Roky Erickson helped fuse the raw excitement of garage rock with the spiritual seeking and sublime silliness of the farthest-reaching psychedelic rock. Never Say Goodbye showcases Erickson's solo style--the songs are strong (if idiosyncratic), the lyrics delicately wrought and informed by a Christian sensibility. The fidelity approaches that of an Edison cylinder, but it somehow fits the material just fine--the tunes dig so nakedly and unpretentiously into the human heart, they sound like they come from Mars. Mostly recorded between 1971 (when he was still interned in Rusk State Hospital during a three-year stint for possession of marijuana) and 1974, Never Say Goodbye is wholly recommended despite its sound quality; there are no other known versions of these songs. On each tune, Erickson tosses off pure pop hooks ("I've Never Known This 'Til Now") with seemingly total ease and croons in that Buddy Holly-esque, high-pitched voice of his, which never falters. Most of all, his lyrics and spirit demonstrate true grace and love in the face of far worse.

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first song on the 'The Edge', a 1997 progressive metal masterpiece! We'd like to take you to a place so far from here A lesson in lost and shattered men Welcome to the story of their solemn fears Spare all the innocence you can Here in this world of lost misery A bit of faith isn't that what you said Sometimes they face endless futility All of them have lived on the edge Here we stand...It's a long way down Lives in hand...Can you see the end Ours to take...Find a reason Ours to waste...Before you make the call All Alone...It's a long way home Free to go...Are you really free? Revenge is sweet...Sickeningly so Best served cold...What are you thinking Are you saying that all you had means nothing? If that's your sight now then you will be here forever... The sting of hatred is all too real to you A face in time is all you know A world shut out unable to rescue you A final plea begging for your soul As you leave to carry out your final masquerade It becomes so clear this darkness in your head A pawn in the game of humanity Another lost soul crying from the edge Where is home?...It's a long way down Where is me?...On the edge of life Reflections of...I'll take the time Broken dreams...To help you understand Lost in time...It's a long way home No place here...It's the life you lead May be hope...I'll take the time I don't care...Forgive yourself If you're convinced that all in life means nothing Then I can't help you, you have reached the edge...

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from the album 'Good Morning Rain' in 1970 By the time she moved permanently to London in 1970, Canadian Bonnie Dobson had a pretty susbtantial career under her belt: four albums on the Prestige label including the song for which shes best known (Walk me out in the) Morning Dew plus two on RCA Victor. Born in Toronto in 1940, she got into folk seriously as a teenager on summer camps where people like Pete Seeger and Leon Bibb would turn up to give concerts. She got her break in 1960, left university and started touring in the States. I did my first tour with Brownie McGee and Sonny Terry who had been my idols and then I was playing with them, she recalled in 1993. And then I went off to Los Angeles. There was a festival up in Idlewild, the University of California had this arts festival every summer and I taught Canadian folk songs. I never got back to University. I just kept going and eventually I hit New York. Grief over theft What followed were those six albums, years of touring and lots of grief over her song Morning Dew being stolen by Tim Rose. In November 1969 she made her London debut at the Queen Elizabeth Hall, and settled in the city the following year. Lost Ladies of Folk She recorded just this one album for Argo, then one for Polydor in 1976 (Morning Dew), followed by a few singles in the early eighties. Since then its been pretty much reissues, retrospectives and compilations. She had in fact called it quits I didnt feel I was growing, I didnt feel I was <b>...</b>

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strong love song from her 1969 self-titled jewel By the time she moved permanently to London in 1970, Canadian Bonnie Dobson had a pretty susbtantial career under her belt: four albums on the Prestige label including the song for which shes best known (Walk me out in the) Morning Dew plus two on RCA Victor. Born in Toronto in 1940, she got into folk seriously as a teenager on summer camps where people like Pete Seeger and Leon Bibb would turn up to give concerts. She got her break in 1960, left university and started touring in the States. I did my first tour with Brownie McGee and Sonny Terry who had been my idols and then I was playing with them, she recalled in 1993. And then I went off to Los Angeles. There was a festival up in Idlewild, the University of California had this arts festival every summer and I taught Canadian folk songs. I never got back to University. I just kept going and eventually I hit New York. Grief over theft What followed were those six albums, years of touring and lots of grief over her song Morning Dew being stolen by Tim Rose. In November 1969 she made her London debut at the Queen Elizabeth Hall, and settled in the city the following year. Lost Ladies of Folk She recorded just this one album for Argo, then one for Polydor in 1976 (Morning Dew), followed by a few singles in the early eighties. Since then its been pretty much reissues, retrospectives and compilations. She had in fact called it quits I didnt feel I was growing, I didnt feel I <b>...</b>

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from the album 'Good Morning Rain' in 1970 By the time she moved permanently to London in 1970, Canadian Bonnie Dobson had a pretty susbtantial career under her belt: four albums on the Prestige label including the song for which shes best known (Walk me out in the) Morning Dew plus two on RCA Victor. Born in Toronto in 1940, she got into folk seriously as a teenager on summer camps where people like Pete Seeger and Leon Bibb would turn up to give concerts. She got her break in 1960, left university and started touring in the States. I did my first tour with Brownie McGee and Sonny Terry who had been my idols and then I was playing with them, she recalled in 1993. And then I went off to Los Angeles. There was a festival up in Idlewild, the University of California had this arts festival every summer and I taught Canadian folk songs. I never got back to University. I just kept going and eventually I hit New York. Grief over theft What followed were those six albums, years of touring and lots of grief over her song Morning Dew being stolen by Tim Rose. In November 1969 she made her London debut at the Queen Elizabeth Hall, and settled in the city the following year. Lost Ladies of Folk She recorded just this one album for Argo, then one for Polydor in 1976 (Morning Dew), followed by a few singles in the early eighties. Since then its been pretty much reissues, retrospectives and compilations. She had in fact called it quits I didnt feel I was growing, I didnt feel I was <b>...</b>

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from the album 'Good Morning Rain' in 1970 By the time she moved permanently to London in 1970, Canadian Bonnie Dobson had a pretty susbtantial career under her belt: four albums on the Prestige label including the song for which shes best known (Walk me out in the) Morning Dew plus two on RCA Victor. Born in Toronto in 1940, she got into folk seriously as a teenager on summer camps where people like Pete Seeger and Leon Bibb would turn up to give concerts. She got her break in 1960, left university and started touring in the States. I did my first tour with Brownie McGee and Sonny Terry who had been my idols and then I was playing with them, she recalled in 1993. And then I went off to Los Angeles. There was a festival up in Idlewild, the University of California had this arts festival every summer and I taught Canadian folk songs. I never got back to University. I just kept going and eventually I hit New York. Grief over theft What followed were those six albums, years of touring and lots of grief over her song Morning Dew being stolen by Tim Rose. In November 1969 she made her London debut at the Queen Elizabeth Hall, and settled in the city the following year. Lost Ladies of Folk She recorded just this one album for Argo, then one for Polydor in 1976 (Morning Dew), followed by a few singles in the early eighties. Since then its been pretty much reissues, retrospectives and compilations. She had in fact called it quits I didnt feel I was growing, I didnt feel I was <b>...</b>

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Rare performance live in a Tv Studio

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from her self-titled album, cover of a song originally written by Ian Tyson, inspired by the seasonal movement of workers around the country, from one harvest to the next, and the effect of such transiency on a love affair; it was written ca 1961, recorded by Ian and Sylvia as the title song of their second LP, and later included in their collection Greatest Hits, Volume I. The song quickly became a part of the standard folk and country repertoire; By the timeshe moved permanently to London in 1970, Canadian Bonnie Dobson had a pretty susbtantial career under her belt: four albums on the Prestige label including the song for which shes best known (Walk me out in the) Morning Dew plus two on RCA Victor. Born in Toronto in 1940, she got into folk seriously as a teenager on summer camps where people like Pete Seeger and Leon Bibb would turn up to give concerts. She got her break in 1960, left university and started touring in the States. I did my first tour with Brownie McGee and Sonny Terry who had been my idols and then I was playing with them, she recalled in 1993. And then I went off to Los Angeles. There was a festival up in Idlewild, the University of California had this arts festival every summer and I taught Canadian folk songs. I never got back to University. I just kept going and eventually I hit New York. Grief over theft What followed were those six albums, years of touring and lots of grief over her song Morning Dew being stolen by Tim Rose. In November 1969 she <b>...</b>

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from their only album 'Magical Love' in 1969 Saturnalia were a British psychedelic band, whose only album was claimed to be the world's first 3D picture disc. It also gained a certain amount of notoriety by featuring the band members topless on one side of the picture disc. The band, including former members of the band Horse, went on a headlining tour of the UK, culminating in a concert at London's Rainbow Theatre. The tour was not a financial success and the band disbanded soon afterwards. The record "Magical Love" was produced by Keith Relf (RENAISSANCE, YARDBIRDS), and it was first released year 1969, having several reissues being done later (by Italian Akarma label for example). The album contains slightly occult themed Psychedelic early progressive rock, resembling JEFFERSON AIRPLANE with their similar male/female double vocals and West Coast psych sounding guitar tones. The singers were Adrian Hawkins and Aletta, guitar was played by Rod Roach and the rhythm section had Richard Houghton on Bass guitar and Tom Crompton playing the Drums. The definitive version of Magical Love had a 28 page booklet about cosmology (written by Richard A. Gardner and Tammo de Jongh), which was a strong element to the players doing this record, and free love. Track listing 1. "Magical Love" 2. "She Brings Peace" 3. "And I Have Loved You" 4. "Winchester Town" 5. "Traitor" 6. "Soul Song" 7. "Princess & The Peasant Boy" 8. "Dreaming" 9. "Step Out Of Line"

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from her self-titled album,cover of a song originally written by Ian Tyson in 1964 By the time she moved permanently to London in 1970, Canadian Bonnie Dobson had a pretty susbtantial career under her belt: four albums on the Prestige label including the song for which shes best known (Walk me out in the) Morning Dew plus two on RCA Victor. Born in Toronto in 1940, she got into folk seriously as a teenager on summer camps where people like Pete Seeger and Leon Bibb would turn up to give concerts. She got her break in 1960, left university and started touring in the States. I did my first tour with Brownie McGee and Sonny Terry who had been my idols and then I was playing with them, she recalled in 1993. And then I went off to Los Angeles. There was a festival up in Idlewild, the University of California had this arts festival every summer and I taught Canadian folk songs. I never got back to University. I just kept going and eventually I hit New York. Grief over theft What followed were those six albums, years of touring and lots of grief over her song Morning Dew being stolen by Tim Rose. In November 1969 she made her London debut at the Queen Elizabeth Hall, and settled in the city the following year. Lost Ladies of Folk She recorded just this one album for Argo, then one for Polydor in 1976 (Morning Dew), followed by a few singles in the early eighties. Since then its been pretty much reissues, retrospectives and compilations. She had in fact called it quits I didnt <b>...</b>

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from their only album 'Magical Love' in 1969 Saturnalia were a British psychedelic band, whose only album was claimed to be the world's first 3D picture disc. It also gained a certain amount of notoriety by featuring the band members topless on one side of the picture disc. The band, including former members of the band Horse, went on a headlining tour of the UK, culminating in a concert at London's Rainbow Theatre. The tour was not a financial success and the band disbanded soon afterwards. The record "Magical Love" was produced by Keith Relf (RENAISSANCE, YARDBIRDS), and it was first released year 1969, having several reissues being done later (by Italian Akarma label for example). The album contains slightly occult themed Psychedelic early progressive rock, resembling JEFFERSON AIRPLANE with their similar male/female double vocals and West Coast psych sounding guitar tones. The singers were Adrian Hawkins and Aletta, guitar was played by Rod Roach and the rhythm section had Richard Houghton on Bass guitar and Tom Crompton playing the Drums. The definitive version of Magical Love had a 28 page booklet about cosmology (written by Richard A. Gardner and Tammo de Jongh), which was a strong element to the players doing this record, and free love. Track listing 1. "Magical Love" 2. "She Brings Peace" 3. "And I Have Loved You" 4. "Winchester Town" 5. "Traitor" 6. "Soul Song" 7. "Princess & The Peasant Boy" 8. "Dreaming" 9. "Step Out Of Line"

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from her album Bonnie Dobson in 1972. She also has an entire album titled Bonnie Dobson from 1969 with totally different songs. BONNIE DOBSON (Argo Decca LP 1972, re-released on CD by Dutton Vocalion, 2006) Tracks Side 1 1 Thyme (Trad arr Dobson) 2 Long River (Lightfoot) 3 Farewell to Nova Scotia (Trad arr Dobson) Bonnie Dobson tracks notes4 Un Canadien Errant (Trad arr Dobson) 5 Poor Little Girl of Ontario (Trad arr Dobson) 6 Four Strong Winds (Tyson) Side 2 1 Vive La Canadienne (Trad arr Dobson) 2 Land of the Silver Birch (Trad arr Dobson) 3 Ise the Bye (Trad arr Dobson) 4 Sixteen Miles to Seven Lakes (Lightfoot) 5 A La Claire Fontaine (Trad arr Dobson) 6 Someday Soon (Tyson) By the time she moved permanently to London in 1970, Canadian Bonnie Dobson had a pretty susbtantial career under her belt: four albums on the Prestige label including the song for which shes best known (Walk me out in the) Morning Dew plus two on RCA Victor. Born in Toronto on 13th november 1940, she got into folk seriously as a teenager on summer camps where people like Pete Seeger and Leon Bibb would turn up to give concerts. She got her break in 1960, left university and started touring in the States. ''I did my first tour with Brownie McGee and Sonny Terry who had been my idols and then I was playing with them, she recalled in 1993. And then I went off to Los Angeles. There was a festival up in Idlewild, the University of California had this arts festival every summer and I taught Canadian <b>...</b>

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From their only album 'Magical Love' in 1969 Saturnalia were a British psychedelic band, whose only album was claimed to be the world's first 3D picture disc. It also gained a certain amount of notoriety by featuring the band members topless on one side of the picture disc. The band, including former members of the band Horse, went on a headlining tour of the UK, culminating in a concert at London's Rainbow Theatre. The tour was not a financial success and the band disbanded soon afterwards. The record "Magical Love" was produced by Keith Relf (RENAISSANCE, YARDBIRDS), and it was first released year 1969, having several reissues being done later (by Italian Akarma label for example). The album contains slightly occult themed Psychedelic early progressive rock, resembling JEFFERSON AIRPLANE with their similar male/female double vocals and West Coast psych sounding guitar tones. The singers were Adrian Hawkins and Aletta, guitar was played by Rod Roach and the rhythm section had Richard Houghton on Bass guitar and Tom Crompton playing the Drums. The definitive version of Magical Love had a 28 page booklet about cosmology (written by Richard A. Gardner and Tammo de Jongh), which was a strong element to the players doing this record, and free love. Track listing 1. "Magical Love" 2. "She Brings Peace" 3. "And I Have Loved You" 4. "Winchester Town" 5. "Traitor" 6. "Soul Song" 7. "Princess & The Peasant Boy" 8. "Dreaming" 9. "Step Out Of Line"

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from their only album 'Magical Love' in 1969 Saturnalia were a British psychedelic band, whose only album was claimed to be the world's first 3D picture disc. It also gained a certain amount of notoriety by featuring the band members topless on one side of the picture disc. The band, including former members of the band Horse, went on a headlining tour of the UK, culminating in a concert at London's Rainbow Theatre. The tour was not a financial success and the band disbanded soon afterwards. The record "Magical Love" was produced by Keith Relf (RENAISSANCE, YARDBIRDS), and it was first released year 1969, having several reissues being done later (by Italian Akarma label for example). The album contains slightly occult themed Psychedelic early progressive rock, resembling JEFFERSON AIRPLANE with their similar male/female double vocals and West Coast psych sounding guitar tones. The singers were Adrian Hawkins and Aletta, guitar was played by Rod Roach and the rhythm section had Richard Houghton on Bass guitar and Tom Crompton playing the Drums. The definitive version of Magical Love had a 28 page booklet about cosmology (written by Richard A. Gardner and Tammo de Jongh), which was a strong element to the players doing this record, and free love. Track listing 1. "Magical Love" 2. "She Brings Peace" 3. "And I Have Loved You" 4. "Winchester Town" 5. "Traitor" 6. "Soul Song" 7. "Princess & The Peasant Boy" 8. "Dreaming" 9. "Step Out Of Line"

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from the album 'struggle'

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from the album 'this sentence is true (the previous is false)'

sheila chandra experimental world music andrijadragon

live at folk city in New York. She was only 21 years old. Setlist: Bonnie Dobson At Folk City 1. ONCE MY TRUE LOVE 2. LOVE HENRY 3. IRISH EXILE SONG 4. SHULE AROON 5. BONNIE'S BLUES 6. PETER AMBERLEY** 7. C'EST L'AVIRON* 8. THE HOLLY BEARS A BERRY 9. TWO CAROLS FOR A NUCLEAR AG a. A CAROL FOR SHELTERED SHUT-INS b. A CAROL FOR UN DELEGATES 10. MORNING DEW BONNIE DOBSON, vocals and guitar ART ROSENBAUM, guitar** and banjo*

BONNIE DOBSON FOLK CITY ACOUSTIC RARE andrijadragon

from the album 'memories' in 1965

mimi richard farina pirate morgan folk andrijadragon

live at folk city in New York. She was only 21 years old. Setlist: Bonnie Dobson At Folk City 1. ONCE MY TRUE LOVE 2. LOVE HENRY 3. IRISH EXILE SONG 4. SHULE AROON 5. BONNIE'S BLUES 6. PETER AMBERLEY** 7. C'EST L'AVIRON* 8. THE HOLLY BEARS A BERRY 9. TWO CAROLS FOR A NUCLEAR AG a. A CAROL FOR SHELTERED SHUT-INS b. A CAROL FOR UN DELEGATES 10. MORNING DEW BONNIE DOBSON, vocals and guitar ART ROSENBAUM, guitar** and banjo* ''Morning Dew", also known as "(Walk Me Out in the) Morning Dew", is a post-apocalyptic folk-rock song written by Canadian singer Bonnie Dobson in 1962, that has become a standard. According to Dobson in a 1993 interview, "Morning Dew" was inspired by the film On the Beach. Fred Neil heard Dobson's song and re-arranged it to suit his own style. Tim Rose heard Neil's version and then recorded his own in 1966, adding himself as co-writer. Through a loophole in US copyright law, Rose was able to claim royalties. Dobson has consistently questioned Rose's right to a co-writing credit.

bonnie dobson morning dew acoustic folk city gem rare andrijadragon

from the album 'memories' in 1968

mimi richard farina acoustic folk blues andrijadragon

from the album 'journey to you' in 1991

cameron doug electric violin andrijadragon

from the album 'struggle'

sheila chandra retro fusion indian andrijadragon

From the album 'Never Say Goodbye', released in 1999 As frontman for the incendiary 13th Floor Elevators from 1965 to 1968, outsider singer-songwriter Roky Erickson helped fuse the raw excitement of garage rock with the spiritual seeking and sublime silliness of the farthest-reaching psychedelic rock. Never Say Goodbye showcases Erickson's solo style--the songs are strong (if idiosyncratic), the lyrics delicately wrought and informed by a Christian sensibility. The fidelity approaches that of an Edison cylinder, but it somehow fits the material just fine--the tunes dig so nakedly and unpretentiously into the human heart, they sound like they come from Mars. Mostly recorded between 1971 (when he was still interned in Rusk State Hospital during a three-year stint for possession of marijuana) and 1974, Never Say Goodbye is wholly recommended despite its sound quality; there are no other known versions of these songs. On each tune, Erickson tosses off pure pop hooks ("I've Never Known This 'Til Now") with seemingly total ease and croons in that Buddy Holly-esque, high-pitched voice of his, which never falters. Most of all, his lyrics and spirit demonstrate true grace and love in the face of far worse.

roky erickson acoustic rare love peace andrijadragon

From the album 'Never Say Goodbye', released in 1999 As frontman for the incendiary 13th Floor Elevators from 1965 to 1968, outsider singer-songwriter Roky Erickson helped fuse the raw excitement of garage rock with the spiritual seeking and sublime silliness of the farthest-reaching psychedelic rock. Never Say Goodbye showcases Erickson's solo style--the songs are strong (if idiosyncratic), the lyrics delicately wrought and informed by a Christian sensibility. The fidelity approaches that of an Edison cylinder, but it somehow fits the material just fine--the tunes dig so nakedly and unpretentiously into the human heart, they sound like they come from Mars. Mostly recorded between 1971 (when he was still interned in Rusk State Hospital during a three-year stint for possession of marijuana) and 1974, Never Say Goodbye is wholly recommended despite its sound quality; there are no other known versions of these songs. On each tune, Erickson tosses off pure pop hooks ("I've Never Known This 'Til Now") with seemingly total ease and croons in that Buddy Holly-esque, high-pitched voice of his, which never falters. Most of all, his lyrics and spirit demonstrate true grace and love in the face of far worse.

roky erickson love peace acoustic rare andrijadragon