A demo of the prototype for the Arri ALEXA camera by Frank van Vught shot by Benjamin B at the AFC Micro Salon. You may also be interested by other videos at thefilmbook.com or by links and news on facebook facebook.com
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A surprisingly effective demonstration of the Direct To Edit feature on the Arri Alexa. www.inspirationstudios.com.au www.facebook.com www.twitter.com
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The fifth episode of Cinematography Tips for Video Lighting. Hosted by Tony Reale. Today I compare the Arri 650 with the Britek 600 and show the difference in price vs. quality. Stuff I talk about: www.briteklighting.com www.filmtools.com Check out our website at: nextwavedv.com Visit our Facebook page facebook.nextwavedv.com Produced by Creative Edge Productions http
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this is the first of a series of tests we are making in moviepeople with digital cameras. In thie episode we tested the actual framing, the sensitivity and the resolution of our brand new Arri Alexa, our newly upgraded Red One Misterium X and one of our "workhorses", the Red One camera.
DIGITAL CINEMA CAMERA 2K 4K RED ONE REDONE MISTERIUM EPIC SCARLET ARRI ALEXA D21 HDSLR MOVIE FILM INDIE RENTAL SERVICE TEST SENSITIVITY DYNAMIC RANGE STOPS LENS OPTICS PL MOUNT ULTRA PRIME MOVIEPEOPLE COLOGNO MONZESE MNOGOFILM VICENZA CANON NIKON
ARRI quality and reliability now covers DSLR cameras with rugged base plates, follow focuses, matte boxes, zip gears and more. Here, we guide you through how to outfit your camera so you can start shooting your next production. For more go to www.arri.com/pca.
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This overview is not meant to be comprehensive, but aims to address a few units and measures that have been misused by speakers at conferences and by others in the industry. But the true Cost of Light involves several other factors such as the cost of energy, replacement cost of the lamp. ARRI Compact HMI 1200W www.arri.com ARRILITE 750 Plus www.arri.de Linco Flora www.lincostore.com LitePanel 1x1, www.litepanels.com Kinoflo Diva 400 lite www.kinoflo.com
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The Arriflex 35 was the worlds first reflex mirror shutter motion picture camera introduced in the year 1937. This is the latest modell made in 1959. The original lens turret is removed for a new PL lens mount by P+S Technik.
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hollywoodreinvented.com Arri's new MMB-1 Matte Box, MFF-1 Follow Focus and MBP-1 Baseplate are designed specifically for the new generation of lower cost, lightweight HD cameras such as the EX-1 HVX-200 and upcoming EX-3 and PD-170
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by Rami Katzav A short test i have shot on the Arri Alexa testing LogC vs Rec709, Prores 422 vs 444, Exposure & ISO. All shots were recorded on SxS cards. Obviously the difference between the 422 vs 444 can't be seen here, only on the original files. 444 seems crispier and more defined on color separation. Test includes Exposure differences only between -3 to +4, but the camera holds detail in a larger scale.
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This is a video introducing the very latest Arri LoCaster & BroadCaster Instruments. Produced by Digital Cinema Training to help keep our students informed on the latest gear, techniques, and tips on staying ahead in the Film and Video Industry. This video is included in the course's GEAR GUIDE Volume. We never get paid by manufacturers to make these videos. We simply have a great relationship with them, and teach our students how to use their products from a purely educational point of view. If they seem to be marketing their products, it's just because they believe deeply in their companies. They're just in love with their gear! :-) We hope that our videos help you feel more confident when you walk on any set, knowing that you can communicate using the jargon and technical terms that other professionals utilize. Sincerely, Digital Cinema Training
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ARRI ALEXA Test Recorded with AJA Ki pro SDI recorder 1920x1080 Pro rez 4:2:2 Arri Compact lenses Raw materials, No color correction
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Snehal Patel gives an overview using ARRI's Pro Camera Accessories on the Sony PMW-F3 camera and how they can enhance your next shoot. For more, go to www.arri.com
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Ryan Fletcher, ARRI's LED Lighting Product Manager guides us through the L-Series: three LED fixtures that are the first to truly incorporate Fresnel characteristics in function and performance. For more, go to: www.arri.com
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Stargate Studios tested the new ARRI Alexa Camera and produced a short written and directed by Sam Nicholson, ASC
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Product Manager Marc Shipman-Mueller talks through the latest developments to the ALEXA digital camera system, including the new ALEXA Plus model, which incorporates wireless remote control, improved connectivity and the ARRI Lens Data System.
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ALEXA Plus with Marc Shipman-Mueller
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ARRI Pro Camera Accessories (PCA) are ready to outfit Canon's newest body, the C300, with the most stable and reliable support systems in the industry. ARRI's Philip Vischer offers the first peek at the new adapter plate. Music courtesy of Jason Shaw @ audionautix.com. For more info go to www.arri.com/pca
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www.markertek.com Markertek News Channel coverage of the new lighting solutions from ARRI Lighting at the Government Video Expo 2008, Washington, DC Products covered include the new high output ceramic series lights, the lightweight softbank d-kits, and the true blue professional lights.
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Here is a little side-by-side comparison of the more popular follow focus units for HDSLR work available today. We show Arri, Chrosziel, Zacuto, and Red Rock Micro. Check it out.
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An interview with Arri manager Stephan Schenk about Arri's strategy for the ALEXA camera and other digital products. You may also be interested by other videos on thefilmbook.com - Interview by Benjamin B at the AFC Micro Salon in Paris.
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Learn more: goo.gl ARRI announces a major new recording feature for its ALEXA camera range, offering in-camera support for our open standard and widely adopted Avid DNxHD codec. Download the Avid DNxHD AMA Plug-in from ARRI.com: www.arri.com
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We found a dog. We're keeping her. Her name is Arri. Be sure to Like and Favorite! I'm ZackScott! Subscribe if you have not! youtube.com BUY ZACKSCOTT SHIRTS zackscott.spreadshirt.com ZACKSCOTT CHANNELS http youtube.com youtube.com youtube.com FOLLOW ZACKSCOTT profiles.google.com facebook.com twitter.com dailybooth.com ZackScott.tumblr.com FACEBOOK FAN PAGES http facebook.com facebook.com facebook.com
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Just got my Alexa and decided to do a little test shooting around the house. Mostly a low-light test. Please watch in HD! If I were to give this test shoot a name it'd be "Silence In the Home" since the Alexa doesn't shoot sound and this took place at home. :P Some notes: h264 and youtube seems to have hurt the color and detail in this video. My ProRes file looks significantly more balanced. shot in LogC 1-pass in apple color Camera is available for rental in Los Angeles, CA area (contact me) Enjoy! www.Paper-Pictures.com
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While on location in Vancouver, Canada, Scott Duncan talks about his passion for visual imagery and how the Arri Alexa has pushed his creativity from the world of film to HD. Director: Michael Haldane DP: Todd Duym Sound: Jeff Carter Editor: Tom Schachte Music: The Flashbulb: Alone in a City Colorist: Dermot Shane
This is a test of Chinese fresnel 650W head. NO FILTERS NO GELS NO EDIT Canon 7d, 14mm 2.8 ISO 125 f-from 2.8 - 22 to show the light focus, AWB.
The ARRI Studio Follow Focus FF-5 System -- a completely modular, film style follow focus now available for digital productions. ARRI's Snehal Patel takes us through the many options afforded with this system. For more go to: www.arri.com/pca
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Miguel Goodbar talks with Stephan Ukas-Bradley of ARRI Digital Cameras about some new concept technologies in development, software updates adding features like additional codec support, and peripherals on the way for the ALEXA family. He discusses the ALEXA Plus, which adds lens metadata tracking and an integrated wireless remote control, the ALEXA M modular camera for action and aerial photography, and the ALEXA Studio flagship, with a 4:3 sensor for true anamorphic capabilities. Read more NAB Show 2012 coverage at blog.adoramarentals.com and visit http for more photography videos!
ARRI'S Marc Shipman-Mueller talks to the press about the new ARRI ALEXA developments.
Philip Vischer presents the latest from ARRI's PCA range, including a new option for the MMB-2 Mini Matte Box; the MFF-2 Mini Follow Focus; a new shoulder support, the SP-1; and various new MBP adapter plates.
ARRI's Michael Best shows what our versatile Mini Base Plates can offer for almost every professional camera on the market. For more info, go to arri.com/pca
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Pro Camera Accessories (PCA) Product Manager Philip Vischer talks about the new offerings from ARRI, including the Universal Handgrip, Recorder/Battery Bracket and Camera Cage System for Nikon D4, D800 and Canon 5D Mark III. For more go to www.arri.com/pca
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We get a peek inside the ARRI Reference Theater at NAB 2012. Inside are two Dolby PRM 4200 monitors - one set up as a standard CRT monitor, the other is 6x brighter, demonstrating extended dynamic range. ARRI's Joseph Goldstone, Imaging Science Engineer explains the motivation behind the special space.
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Ariana Gillis "Shake The Apple" www.arianagillis.com This four minute video was shot at Stereo3D Unlimited's studio in Toronto (http using two Arri Alexa cameras, Zeiss Master Prime lenses, the Stereo3D Tango beamsplitter rig, and Dashwood Cinema Solutions's Stereo3D Live calibration/analysis software. Post was completed in Final Cut Pro and After Effects with Dashwood Cinema Solutions' Stereo3D Toolbox. www.dashwoodcinemasolutions.com We had originally intended to just test the Alexa's ability to work in a stereoscopic configuration on the Stereo3D Tango beamsplitter and also test the camera's latitude in various lighting setups. I only had one afternoon available to shoot so I borrowed some random set pieces from various productions around town and set out to light each one in a different style. It occurred to me that it would be the most interesting to have a model walk from set to set without changing the T-stop or shutter and see how the camera reacted in LogC mode...all in one take. I rang up Ariana to see if she would perform a new song for us just to make our test more interesting to watch. The whole crew reacted so positively when we played back the dailies that I figured we should upload it here and share it with the world. I will post a version with behind-the-scenes shots, uncorrected original footage and commentary so those interested in the technical stuff can learn more about how we did this. If you are attending IBC 2010 in Amsterdam please visit the <b>...</b>
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This is iPhone 4 footage showing a typical day of camera preparation before a shoot. The loading is very interesting if you're used to Panavision cameras. ARRI has a fine 35MM camera that has been an industry standard for years. I have an amazing team with unlimited potential. I see you Carlos Vargas, Edward Turnquest, Kirin Dolezal, Samantha Viellgas, Tania Morales, Michael Kaupner, and many more! *Feeling blessed! (Music by @GrafikRuffin on Twitter feat. Ke'Nethia Young - Fresno, CA) THANK YOU SASHA Rendulic (www.saha-rendulic.com International Cinematographers Guild Local 600) for the opportunity to learn from the BEST! You're #1 sir! Thank you for watching! Very Respectfully George Ohan @Fresno_Famous on Twitter
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This video introduces the newest features of the ARRI True Blue studio and tungsten lights, along with the benefits of using these powerful units. Here, we learn how to prepare the fixture for use right out of the box.
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Philip Vischer and Mark Dollery introduce the latest additions to ARRI's range of Professional Camera Accessories, including professional quality matte boxes, follow focus units and support systems for smaller HD cameras and DSLRs.
Henning Raedlein, Head of Digital Workflow Solutions, goes over the versatile options that ALEXA offers including the newly introduced ProRes 4:3, ProRes 2K and existing features like ARRIRAW, DNxHD and more. www.arridigital.com
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