Bach - The Art of Fugue, BWV 1080 [complete on Organ]
The Art of Fugue or The Art of the Fugue (original German: Die Kunst der Fuge), BWV 1080, is an incomplete masterpiece by Johann Sebastian Bach (1685--1750). The work was most likely started at the beginning of the 1740s, if not earlier. The first known surviving version, which contained 12 fugues and 2 canons, was copied by the composer in 1745. This manuscript has a slightly different title, added afterwards by his son-in-law Johann Christoph Altnickol: Die Kunst der Fuga. Bach's second version was published in 1751 after his death. It contains 14 fugues and 4 canons. "The governing idea of the work", as the eminent Bach specialist Christoph Wolff put it, is "an exploration in depth of the contrapuntal possibilities inherent in a single musical subject." Structure 0:00 - Contrapunctus I 3:12 - Contrapunctus II 6:24 - Contrapunctus III 9:20 - Contrapunctus IV 14:38 - Contrapunctus V 17:55 - Contrapunctus VI in Stylo Francese 22:04 - Contrapunctus VII per Augmentationem et Diminutionem 26:04 - Contrapunctus VIII 32:06 - Contrapunctus IX alla Duodecima 35:06 - Contrapunctus X alla Decima 39:30 - Contrapunctus XI Triple fugue 46:41 - Canone all'Ottava 49:35 - Canone alla Duodecima in Contrapunto alla Quinta 51:52 - Canone alla Decima in Contrapunto alla Terza 56:36 - Canone per Augmentationem in Contrario Motu 1:01:27 - Contrapunctus XIII rectus 1:03:59 - Contrapunctus XIII inversus 1:06:57 - Contrapunctus XII rectus 1:09:50 - Contrapunctus XII inversus Herbert Tachezi <b>...</b>
JS Bach - Christmas Oratorio BWV 248 - Part I 'For the First Day of Christmas' - Mvt. I
Sir John Eliot Gardiner conducts the Monteverdi Choir and the English Baroque Soloists in a performance of Bach's Christmas Oratorio BWV 248 to begin their year long Cantata Pilgrimage. I. Coro 'Jauchzet, frohlocket'
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Glenn Gould - Bach - BWV 828 - 5 - Sarabande
Buy this DVD at: amzn.to Glenn Gould playing Sarabande from Partita No.4 (BWV 828) by Johann Sebastian Bach. Canada, 1981. 1 - Ouverture: www.youtube.com 2 - Allemande: www.youtube.com 3 - Courante: www.youtube.com 4 - Air: www.youtube.com 6 - Menuet: www.youtube.com 7 - Gigue: www.youtube.com
Glenn Gould Sarabande Partita No BWV 838 Johann Sebastian Bach
Andres Segovia : Bach Prelude BWV 1007
Andres Segovia plays Bach Prelude Suite I BWV 1007 : I love this transcription by Segovia, I would like to play it but I can not find the score. If anyone knows where I can buy this score please let me know. thanks, Daniele www.classicalguitarvideo.com
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Bach BWV 1004 Chaconne Nathan Milstein Violin - Part 1
Please go to www.youtube.com to enjoy the uninterrupted video. I've uploaded this video in 2007 when there was a time limit of ten minutes for each video. I am keeping this old version because of the comments. Thanks. Wonderful! One of my favorites. As all kind of pure artistry, incomparable. .The Part 2 is here: www.youtube.com
Dinu Lipatti plays JS Bach - Cantata BWV 147 (1950)
Choral "Jesus bleibet meine Freude" from Cantata "Herz und Mund und Tat und Leben", BWV 147 (arr. Hess) recorded in Geneva, 1950, Siciliana from Sonata No. 2 for Flute and Harpsichord, BWV 1031 (arr. Kempff) recorded in Geneva, 1950. Dinu Lipatti (born 19th March, 1917, in Bucharest - died 2nd December, 1950, in Geneva) ...Lipatti: an artist filled with divine spirituality." F. Poulenc "How I envy you for your talent. It should go to the devil. Why should you have so much talent and I so little? Is that justice on earth?" Clara Haskil "...(he is) the epitomy of a spirit world, untouched by pain and suffering." Yehudi Menuhin www.flickr.com
Dinu Lipatti Piano JS Bach Kantate BWV 147 1031 Wilhelm Kempff Hess Jesus bleibet meine Freude
1.Allegro - Concerto in D Minor BWV 1059 R for Harpsichord JSBACH
Allegro(1st mov) - Concerto in D Minor BWV 1059R ("R" stands for reconstructed) for harpsichord by Johann Sebastian Bach.This piece is based on cantata BWV 35. Music Score from BWV35 is shown. Gustav Leonhardt - harpsichord. Leonhardt-Consort, con. Gustav Leonhardt. High Quality Version: www.youtube.com
Concerto BWV 1059R 1059 Bach Johann Sebastian Gustav Leonhardt Barroque Barroco Score Harpsichord
JS Bach: BWV 1007 Prelude in D
I have released my 3rd CD called "AIR". I play music by: Dowland, Galilei, Weiss, Bach, Handel, Albinoni and Pachelbel. All, popular classical pieces that I have been asked to record on a CD. And also this piece is on it! You can order it from my website per-olovkindgren.com and soon also listen to sound samples there. ____________________________ Per-Olov Kindgren plays JS Bach: BWV 1007 "Prelude in D" from Suite for Violoncello solo in G-Major. arranged for classical guitar. I am also proud to announce that my arrangements, compositions and transcriptions are now available for purchase/download at www.per-olovkindgren.com Also this arrangement! Per-Olov
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VIDEO - JSBach - Passacaglia BWV 582/1 - Karl Richter - Organ
Johann Sebastian Bach Passacaglia BWV 582 /1 Karl Richter Organs in Ottobeuren (D)
Bach: Toccata and Fugue in D minor, BWV 565
Posibly my favourite Bach composition. The Toccata and Fugue in D minor, BWV 565, is a piece of organ music composed by Johann Sebastian Bach sometime between 1703 and 1707. It is one of the most famous works in the organ repertoire, and has been used in a variety of popular media ranging from film, to video games, to rock music, and ringtones. As indicated by the accepted title of the piece, the Toccata and Fugue is scored in D minor. It is not in dorian mode as the key signature supposes, as it was common practice in the Baroque period to write in leading tone accidentals rather than in the key signature. It begins with a single-voice flourish in the upper ranges of the keyboard, doubled at the octave. It then spirals toward the bottom, where a diminished seventh chord appears, built one note at a time. This resolves into a D major chord, taken from the parallel major mode. The subject of the four-voice fugue is made up entirely of sixteenth notes, with an implied pedal point set against a brief melodic subject that first falls, then rises. The second entry starts in the sub-dominant key rather than the dominant key. Although unusual for a Bach fugue, this is a real answer and is appropriate following a subject that progresses from V to I and then to V below I by a leap. A straightforward dominant answer would sound atonal and odd in a Baroque piece. After the final entry of the fugal melody, the composition resolves to the key's corresponding major, B-flat, that is <b>...</b>
Toccata and Fugue in minor Johann Sebastian Bach organ Phantom of the opera Fantasma de la BMV 565 Baroque Barroco
Bach, Fugue in A minor, BWV 904
The fugue from JS Bach's Fantasia and Fugue in A minor, BWV 904, composed in 1725, arranged by Stephen Malinowski for brass and woodwind octet, accompanied by an animated score.FAQ Q: Where can I get the sheet music for this piece? A: The original, for keyboard, can be downloaded here: tinyurl.com Q: Who is performing? A: Nobody; this rendition was produced by the Sibelius notation program. Q: What do the colors and shapes mean? A: The shapes are associated with instruments: circles for brass, bars for woodwind. This fugue has two themes, and I've arranged the music so that the brass plays one theme and the woodwinds play the other (except at the very end, where all instruments play). The four colors show the four voices (soprano, alto, tenor and bass). In a couple of places I changed which instrument played which part. Q: Is there a way I could make bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate a display similar to this; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you do a MAM video of ______? A: Please read this: www.musanim.com .
JS Bach - Sinfonia, Oster-Oratorium BWV 249 / Philippe Herreweghe
※ Better than / Please, click here (watch in high quality - 480p) ※ youtube.com Johann Sebastian Bach (1685~1750) 《Kommt, eilet und laufet》Oster-Oratorium, BWV 249 - Sinfonia - Collegium Vocale, Gent Philippe Herreweghe (conductor)
유선빈 Johann Sebastian Bach JSBach Kommt eilet und laufet Sinfonia Philippe Herreweghe Collegium Vocale Ghent Baroque Sacred Music Easter Oratorio Oster Oratorium Osteroratorium BWV249 Frohe Ostern Marcel Ponseele Historically informed performance On period instruments
Nigel Kennedy - Bach - BWV 1060R - II - Largo
Buy this DVD at: amzn.to Nigel Kennedy playing the Reconstructed Concerto for Violin and Oboe (BWV 1060R) - Allegro by Johann Sebastian Bach with Irish Chamber Orchestra. Oboe: Aisling Casey
Nigel Kennedy Harpsichord Concerto BWV 1060R Largo Johann Sebastian Bach Irish Chamber Orchestra Oboe Aisling Casey
Bach - Christmas Oratorio, BWV 248
The Christmas Oratorio (German: Weihnachtsoratorium) BWV 248, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It was written for the Christmas season of 1734 incorporating music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a now lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The Christmas Oratorio is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander). The work belongs to a group of three oratorios written towards the end of Bach's career in 1734 and 1735 for major feasts, the others being the Ascension Oratorio (BWV 11) and the Easter Oratorio (BWV 249). All include a tenor Evangelist as narrator and parody earlier compositions, although the Christmas Oratorio is by far the longest and most complex work. The oratorio is in six parts, each part being intended for performance on one of the major feast days of the Christmas period. The piece is often presented as a whole or split into two equal parts. The total running time for the entire work is nearly three hours. The first part (for Christmas Day) describes the Birth of Jesus, the second (for December 26) the annunciation to the shepherds, the third (for December 27) the <b>...</b>
Bach - BWV 1017 - Gould, Menuhin - Pt.1
Buy this at: amzn.to Glenn Gould and Yehudi Menuhin playing Violin Sonata No. 4 in C minor (BWV 1017) - Siciliano. Largo by Johann Sebastian Bach. High Quality: www.youtube.com Pt.2 - www.youtube.com Pt.3 - www.youtube.com Pt.4 - www.youtube.com
Johann Sebastian Bach Glenn Gould Yehudi Menuhin Violin Sonata Siciliano Largo
Glenn Gould - Bach Goldberg Variations, BWV 988 [Aria - 11]
Pianist: Glenn Gould (1932 - 1982) Photos: All rights reserved to Life magazine The majority of the photos were taken during the recording sessions for Gould's 1955 debut recording of the Goldbergs. While I realize the "Gouldbergs" are in abundant supply here on YouTube, I felt I would give a rendition of my own. I wanted to do something in tribute of Glenn, and I couldn't come up with a better idea than the Goldbergs. I hope they capture as many new listeners as old, and perhaps make fans for Bach and Gould alike.
Sviatoslav Richter plays Bach Prelude & Fugue BWV 849
JSBach Das Wohltemperierte Klavier BWV 849, C-sharp minor
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Bach - St. John Passion, BWV 245 - Part One
The St John Passion (in German: Johannes-Passion), BWV 245, is a sacred oratorio of Johann Sebastian Bach. The original Latin title: Passio Secundum Johannem translates to "The Suffering According to John" and is rendered in English also as St. John Passion and in German as Johannespassion. During the first winter that Bach was responsible for church music at the St. Thomas Church, Leipzig and the St. Nicholas Church, he composed the St John Passion for the Good Friday Vespers service of 1724. The St John Passion is a dramatic representation of the Passion, as told in the Gospel of John, constructed of dramatically presented recitatives and choruses, commented by reflective chorales, ariosos, and arias, framed by an opening chorus and a final one, followed by a last chorale. Compared to the St Matthew Passion, the St John Passion has been described as more extravagant, with an expressive immediacy, at times more unbridled and less "finished." Originally Bach intended that the St. John Passion would be first performed in the St. Thomas Church in Leipzig, but due to a last-minute change by the music council, it was first performed in 1724 in the St. Nicholas Church. Bach quickly agreed to their desire to move the service to St Nicholas Church, "but pointed out that the booklet was already printed, that there was no room available and that the harpsichord needed some repair, all of which, however, could be attended to at little cost; but he requested that a little additional <b>...</b>
Bach Cantata BWV 127
Beautiful performance of Barbara Schlick with Accademia Daniel conducted by Shalev Ad-El, with Ofer Frenkel on the oboe, Drora Bruck, Eyal lerner - recorders, Ryo terakado, Dafna Ravid - Violins, Amos Boasson - Viola and Thomas Fritzsch, Cello. live TV from the opening concert of Brezice festival 1997
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Johann Sebastian Bach, Sonata II BWV 1003, Fuga
Video is made by JeTa Productions (jeta-mail@gmx.de) Performed by Tatyana Ryzhkova. Recording was made in Weimar, where JSBach lived from 1708 to 1717. My website: www.tatyana-ryzhkova.de
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JS Bach - Adagio, Oster-Oratorium BWV 249 (Philippe Herreweghe & Marcel Ponseele)
※ Better than, watch in high quality ※ www.youtube.com Johann Sebastian Bach (1685~1750) 《Kommt, eilet und laufet》Oster-Oratorium, BWV 249 - 2. Adagio - Marcel Ponseele (Baroque Oboe) Collegium Vocale, Gent Philippe Herreweghe (conductor)
유선빈 Johann Sebastian Bach JSBach Kommt eilet und laufet Sinfonia Philippe Herreweghe Collegium Vocale Ghent Baroque Sacred Music Easter Oratorio Oster Oratorium Osteroratorium BWV249 Frohe Ostern Marcel Ponseele Baroque-Oboe Hautbois Historically informed performance On period instruments
Bach Toccata & Fugue d minor BWV 565 - Transcribed for Solo violin and played by Andrew Manze
Bach Toccata & Fuge d-moll BWV 565 - Transcribed for solo violin and played by Andrew Manze. www.amazon.de Other records by Manze: www.amazon.de www.amazon.de
Bach: Jesu, meine Freude, BWV 227 (Mvt. I, II, III)
Johann Sebastian Bach Jesu, meine Freude, BWV 227 (Motet No. 3 in E minor) (From Wikipedia, the free encyclopedia) "Jesu, meine Freude" is a motet composed by Johann Sebastian Bach. The full title of the work is Motet No. 3 in E minor, BWV 227. The Work There are six authenticated funeral motets (BWV 225-230) written for St Thomas's Church, Leipzig between 1723-1727. A seventh has only recently been subjected to some scholarly doubt as to its authorship. This third is the earliest, longest, most musically complex and justifiably the most popular of the six, and was written in Leipzig in 1723 for the funeral (on 18 July 1723) of Johanna Maria Käsin, the wife of that city's postmaster. The 5th voice of the chorus is a second soprano part of harmonic richness, adding considerably to the tonal palette of the work as a whole. The chorale melody on which it is based, was by Johann Crüger (1653), and first appeared in his Praxis pietatis melica. The German text is by Johann Franck, and dates from c. 1650. The words of the movement nos. 2, 4, 6, 8, and 10 are based on the Epistle to the Romans 8:1-2, 9-11. The scriptures here speak of Jesus Christ freeing man from sin and death. The chorale text is from the believer's point of view and praises the gifts of Jesus Christ as well as longing for his comforting spirit. It also abounds with stark contrasts between images of heaven and hell, often within a single section. Bach's vivid setting of the words heightens these dramatic <b>...</b>
Johann Sebastian Bach Jesu Meine Freude BWV 227 Motet Ton Koopman Netherlands Chamber Choir Baroque Chorale Chorus
Nigel Kennedy - Bach - BWV 1060R - III - Allegro
Buy this DVD at: amzn.to Nigel Kennedy playing the Reconstructed Concerto for Violin and Oboe (BWV 1060R) - Allegro by Johann Sebastian Bach with Irish Chamber Orchestra. Oboe: Aisling Casey
Nigel Kennedy Concerto Violin Oboe BWV 1060R Allegro Johann Sebastian Bach Irish Chamber Orchestra Aisling Casey
Johann Sebastian Bach, Suite BWV 997, Sarabande
Performed by Tatyana Ryzhkova. Guitar is made by Michel Brück. My website: www.tatyana-ryzhkova.de Video is made in St.-Lukas-Church in Bremen (Germany) by JeTa Productions (jeta-mail@gmx.de)
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Bach - Musette in D Major BWV 126 [Easy Piano Tutorial]
More tutorials: www.youtube.com Share this video on Facebook: on.fb.me Share this video on Twitter: bit.ly Piano tutorial for beginners: how to play Johann Sebastian Bach - Musette in D major BWV 126 from the Notebook for Anna Magdalena Bach. Subscribe! www.youtube.com Twitter! www.twitter.com Facebook! www.facebook.com
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Bach - Goldberg Variations, BWV 988 (for string ensemble)
Transcription for Strings by Dmitry Sitkovetsky / NES Chamber Orchestra