Zion hoert die Waechter singen Conductor: Karl Richter Tenor: Peter Schreier Orchestra: Munich Bach Choir, Munich Bach Orchestra Sleepers Wake

karl richter Bach Cantata BWV 140 Sleepers Wake munich choir baroque Peter Schreier

JS Bach Cantata BWV 147 Herz und Mund und Tat und Leben. Eng: Heart and mouth and deed and living. Spa: Corazón y boca y actos y vida. Composed in Leipzig, 1723. Cantata for the Visitation of the Blessed Virgin Mary. Readings: Epistle: Isaiah 11: 1-5; Gospel: Luke 1: 39-56 Concentus Musicus Vienna. Arnold Schoenberg Choir. Nikolaus Harnoncourt, conductor. I. Coro. Herz und Mund und Tat und Leben Muss von Christo Zeugnis geben Ohne Furcht und Heuchelei, Dass er Gott und Heiland sei. English: Heart and mouth and deed and living Must for Christ their witness offer Without fear and falsity That he God and Savior is. Español: Corazón y boca y actos y vida han de dar testimonio, sin temor ni hipocresía, de que Cristo es Dios y Salvador. www.bach-cantatas.com ____________________________________________ .

Bach Cantata BWV 147 Harnoncourt baroque barroco classical

Thomas Crawford, Music Director and Founder American Classical Orchestra Wednesday, February 24, 2010 8 pm Church of the Blessed Sacrament Music of JS Bach 16 8 5 -175 0 Cantata: Schweigt stille, plaudert nicht, BWV 211, Coffee Cantata libretto by Christian Friedrich Henrici Kristen Hahn - Soprano, Steven Moore - Baritone, Alex Guerrero - Tenor The recording of the February 24, 2010 "All Bach Program" was made possible in part with public funds from the Fund for Creative Communities, supported by the New York State Council on the Arts and administered by the Lower Manhattan Cultural Council.

Bach Coffee Cantata BWV 211 Kristen Hahn Soprano Steven Moore Baritone Alex Guerrero Tenor American Classical Orchestra Thomas Crawford ACO Period Instruments

Bach: The Coffee Cantata, BWV211("Schweigt stille, plaudert nicht") (excerpt) with piece's introduction

Bach Coffee Cantata BWV 211

Made by Takeharu Ishimoto and the Kidneythieves. Lyrics & Translation: Lux! Umbra! (Light! Darkness!) Vita! Mors! (Life! Death!) Concordia! Chaos! (Harmony! Chaos!) Chaos, Deus Mortis. (Chaos, god of death.) Spiritus illius producit Mortem. (Spirit that brings death.) Chaos, Deus Exitii. (Chaos, god of ruin.) Tenebrae illius devorant omnia. (Darkness that devours all.) In palma Creatoris, (In the Creators palm,) Proelium aeternum prodit. (Eternal life springs up.) Creare rem Ultimam! (To create the final thing!) Deletrix Omnium! (The destroyer of all!) O, Chaos! (Oh, Chaos!) Progenies Belli! (Spawn of war!) Corpus incensum tuum fluctuat (Your fiery body surges in the sea) In mari inanitatis. (of emptiness) Scitote finem Vestrum fieri (Know that your end will come) In prece sola mortuorum. (In a lonely prayer for the dead.) Lux! Umbra! (Light! Shadow!) Vita! Mors! (Life! Death!) Concordia! Chaos! (Harmony! Chaos!) (Repeat x7) (Repeat x7) Mors! O, Mors! (Death! Oh, death!) Delete! Delete! (Destroy! Destroy!) O, Chaos, Deus Exitii! (Oh Chaos, god of ruin!) Devastate! Devastate! (Lay to waste! Lay to waste!) Chaos, Deus Mortis! (Chaos, god of death!) O, Chaos! (Oh, Chaos!) Gone in a second Ultimate destruction Gods are warring Sorrow never-ending Endless chaos For an eternity Welcome to the abyss Backwater town where nothing happens Don't let disguises fool you Evil is coming from everywhere Destroying all that we believe is good My mother's ghost still haunts me now Fortune <b>...</b>

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Gramophone-award winning Czech mezzo soprano Magdalena Kozõená leads a top line-up of soloists for three of Bachs most admired Cantatas (BWV 113, 179 & 199), with Sir John Eliot Gardiner conducting the Monteverdi Choir and English Baroque Soloists in the beautiful St Davids Cathedral in Wales. Sir John Eliot Gardiners Bach pilgrimage - A 60-minute film of Gardiners Millennium Bach pilgrimage tour with excerpts from many other Cantatas, recorded in Weimar, Leipzig, Hamburg, Eisenach, Arnstadt, Blythburgh, Kirkwall, Iona, St Davids, Cologne & New York completes an exceptional title and documents Gardiners remarkable dedication to the music of JS Bach. Please visit www.kultur.com for more information on this program

DVD BBC classical music Johann Sebastian Bach John Eliot Gardiner Magdalena Kozena Bach Monteverdi Choir English Baroque Soloists St Davids Cathedral Millennium Bach contata Weimar Leipzig Hamburg Eisenach Arnstadt Blythburgh Kirkwall Iona St Davids Cologne JS Bach New York

Wachet auf, ruft uns die Stimme, BWV 140 (1731) I. Chorus: Wachet auf, ruft uns die Stimme (Sleepers awake, the voice is calling us) [0:00] II. Recitative: Er kommt (He comes) [7:09] III. Aria (duet): Wann kommst du, mein Heil? (When will you come, my salvation?) [8:07] IV. Chorale: Zion hört die Wächter singen (Zion hears the watchmen singing) [14:39] V. Recitative: So geh herein zu mir (So come in with me) [18:38] VI. Aria (duet): Mein Freund ist mein! (My friend is mine!) [20:15] VII. Chorale: Gloria sei dir gesungen (May Gloria be sung to you) [26:39] A church cantata by German composer Johann Sebastian Bach (1685-1750), with the cantata chorale based on the Lutheran hymn "Wachet auf, ruft uns die Stimme" ("Sleepers awake, the voice is calling") by Philipp Nicolai. The text is based on the Parable of the Ten Virgins in Matthew 25:1-13, the reading of which is scheduled for the 27th Sunday after Trinity in the Lutheran lectionary. This cantata was first performed in Leipzig on November 25, 1731. Bach later transcribed the fourth movement chorale for organ (BWV 645) and published it along with the Schübler Chorales. English text: I. (Chorus) Wake ye maids! hard, strikes the hour, The watchman calls high on the tower, Awake, awake, Jerusalem. Midnight strikes, hear, hear it sounding, Loud cries the watch, with call resounding: Where are ye, o wise virgins, where? Good cheer, the Bridegroom come, Arise and take your lamps! Alleluja! Ye maids beware: The feast prepare, So <b>...</b>

Bach Johann Sebastian JSJS Wachet auf ruft uns die Stimme Sleepers wake awake awake! BWV 140 Cantata no. auf! bach cantata 140 wachet auf sleepers wake sleepers awake movement II III IV complete score wachet auf ruft uns die stimme Schübler Chorales schubler 645 church bible Matthew 25:1 Parable of the Ten 10 Virgins aria chorale duet chorus choir boys jesus god trinity virgin holy thomas hampson nikolaus harnoncourt baroque kantate cantate choral sacred classical music

JS Bach, complete hi res version at www.elizabethparcells.com interview comment from 2005 Elizabeth: I performed Cantata 51 before it was recorded but never where the Chorale and Alleluia were the same tempo and that worked perfectly. Those two tempos are identical. There's no tempo change indicated. The conductor did it that way and it worked. Boy was I glad I had practiced singing scales, quads, and triplets with a metronome in good time. That is what the music demands. The conductor and I were able to deliver that because I'd practiced the techniques and could sing my melismas evenly. When all the notes are created differently the melismas get choppy. The singer has to smooth out the legato and sing the notes evenly in rhythm. That has to be trained. When you get to your professional thing and that's what the conductor wants and what the music demands you want to know that you are technically ready to deliver. If there is a lack of precision it means the singer has neglected their exercises.

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Choral "Jesus bleibet meine Freude" from Cantata "Herz und Mund und Tat und Leben", BWV 147 (arr. Hess) recorded in Geneva, 1950, Siciliana from Sonata No. 2 for Flute and Harpsichord, BWV 1031 (arr. Kempff) recorded in Geneva, 1950. Dinu Lipatti (born 19th March, 1917, in Bucharest - died 2nd December, 1950, in Geneva) ...Lipatti: an artist filled with divine spirituality." F. Poulenc "How I envy you for your talent. It should go to the devil. Why should you have so much talent and I so little? Is that justice on earth?" Clara Haskil "...(he is) the epitomy of a spirit world, untouched by pain and suffering." Yehudi Menuhin www.flickr.com

Dinu Lipatti Piano JS Bach Kantate BWV 147 1031 Wilhelm Kempff Hess Jesus bleibet meine Freude

Sheep May Safely Graze. if u love bach music, this is your vid. this is an orchestral version of this bach's hit. very well played. nice basso continuo. i know there is no singing in this version, but this is the translation to english of this piece text (i got it from wikkipedia): Sheep may safely graze where a good shepherd watches. Where rulers govern well we may feel peace and rest and what makes countries happy Text (German): Schafe können sicher weiden, Wo ein guter Hirte wacht. Wo Regenten wohl regieren, Kann man Ruh und Friede spüren Und was Länder glücklich macht.

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Johann Sebastian Bach (1685 - 1750) was a German composer and organist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivaled control of harmonic and motivic organization, and the adaptation of rhythms, forms and textures from abroad, particularly Italy and France. Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg concertos, the Goldberg Variations, the Partitas, the Well-Tempered Clavier, the Mass in B Minor, the St. Matthew Passion, the St. John Passion, the Magnificat, The Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the celebrated Toccata and Fugue in D minor and Passacaglia and Fugue in C minor. Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognized as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now regarded as the greatest composer of the Baroque, and as one of the greatest of all time. Gian Lorenzo Bernini (also spelled Gianlorenzo or Giovanni Lorenzo; 7 <b>...</b>

Johan Sebastien Bach Cantata No.147 Choral Bernini Sculpture

Hunting Cantata For the birthday of Prince Christian von Sachsen-Weißenfels (23 February). Text: Salomo Franck 1. Was Mir Behagt, Ist Nur Die Muntre Jagd! 2. Jagen Ist Die Lust Der Gotter (at 0:04) 3. Wie? Schonste Gottin! Wie? (at 2:34) 4. Willst Du Dich Nicht Mehr Ergotzen (at 3:38) Gächinger Kantorei Stuttgart Bach-Collegium Stuttgart Helmuth Rilling, Director Soprano: Arleen Augér; Altos: Gabriele Schreckenbach, Helen Watts; Tenors: Kurt Equiluz, Lutz-Michael Harder; Bass: Philippe Huttenlocher Text: Diana (S1), Endymion (T), Pan (B), Pales(S2) 1. Recit. (S1) Diana My only joy Is in the merry hunt! E'en ere Aurora gloweth, E'en ere toward heaven she doth strive, Hath this my dart already found its pleasing booty.! 2. Aria (S1) Diana Hunting is the gods' true pleasure, Hunting suits the heroes well! Yield now, of my nymphs all scorners, Yield now from Diana's course! 3. Recit. (T) Endymion What, fairest goddess? What? Know'st thou no more thine erstwhile boon companion? Hast thou not thine Endymion Amidst his soft repose So many dulcet kisses offered? Art thou then, fairest, now From love's tight bonds released, Pursuing now nought but the chase? 4. Aria (T) Endymion Wouldst thou then no more take pleasure In the meshes, Those by Amor laid? Where we too, when once we're captured, At our leisure, Joy and love in bonds have plied. Bach Canatats-Rilling playlist: www.youtube.com

Bach Cantata Kantaten leipzig BWV 207 Helmuth Rilling collegium ensamble hunting caccia Was Mir Behagt Ist Nur Die Muntre Jagd

www.baroqueoboe.eu paul van der linden plays the baroque oboe made by himself. The Anciuttioboe. Florilegium Musicum

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Aquí tenéis La cantata del diablo de Mägo de Oz completa. Espero que la disfrutéis. By Reidom.

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Album playlist: www.youtube.com Album:DISSIDIA 012 FINAL FANTASY Original Soundtrack Title: "Cantata Mortis" from DISSIDIA 012[duodecim] FINAL FANTASY Composer: Arranger: Disc: 3 / 3 Track: 1 / 7 Release Date: March 2, 2011 Publisher: Square Enix Catalog Number: SQEX-10235~7

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Music composed by Johann Sebastian Bach and orchestrated by Leopold Stokowski. Sydney Symphony Orchestra.

classical Chorale (Easter Cantata) BWV Music composed by Johann Sebastian Bach and orchestrated Leopold Stokowski. Sydney Symphony Orchestra.

JOHANN SEBASTIAN BACH (1685-1750) "Weihnachtsoratorium" Cantata No. 1 (Am ersten Weihanchtsfeiertage) BWV246 for choir, soloists, 2 trumpets, timpani, 2 transverse flutes, 2 oboes, 2 oboe d'amore, strings, and basso continuo No 1. Coro: "Jauchzet, frohlocket!" Performed by Concentus Musicus Wien & the Arnold Schoenberg Chor Featuring Christine Schafer, soprano Bernarda Fink, alto Werner Gura, tenor Gerald Finley, bass Christian Gerthaher, bass Directed by Nicholas Harnoncourt *Recorded in 2007 **The Christmas Oratorio (German: Weihnachtsoratorium) BWV 248, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It was written for the Christmas season of 1734 incorporating music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a now lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The Christmas Oratorio is a particularly sophisticated example of the parody technique. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander).

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Luis Alberto Spinetta es, sin duda, uno de los artistas más originales y prolíficos del rock argentino. EL Album "SI o SI - Luis Alberto Spinetta" compila temas de distintas etapas creativas del "Flaco". Desde su Album "Spinettalandia y sus amigos" pasando por su obra cumbre "Artaud", su etapa de jazz-rock en "A 18'del sol" hasta sus grandes creaciones con "Los socios del desierto". También incluye uno de sus grandes hits de todas las épocas: "Seguir viviendo sin tu amor".

SPINETTA CANTATA DE PUENTES AMARILLOS

Sir John Eliot Gardiner on tour with the Monteverdi Choir and the English Baroque Soloists

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cantata no.147 / omodaka (far east recording) downloadable in iTunes Store searching with "omodaka" as the artist's name movie dir.:power graphixx 観てくれてどうもありがとう!!! iTunes Store からもダウンロード可能です、アーティスト名を「omodaka」で検索して下さい。 fareastrecording.com

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www.youtube.com

Bach Cantata BWV 79 Leonhardt gott der herr ist sonn und schild

DIETRICH BUXTEHUDE (C. 1637-1707) Cantata "Ich habe Lust abzuscheiden" for two sopranos, bass, two violins, violone and basso continuo BuxWV47 1. [Sonata] 2. Ich habe Lust abzuscheiden Words: "Iche habe Lust abzusheiden und bei Christo zu sein." Translation: "My desire is to depart and be with Christ." Philippians 1:23 Performed by the Purcell Quartet Featuring Suzie Leblanc, soprano Emma Kirkby, soprano Peter Harvey, bass *TRIVIA! Did you know that Buxtehude was visited by Handel in 1703 and by Bach in 1705? Bach walked more than 200 miles to meet him and studied with him for several months in 1705 and 1706. Both Handel and Bach wanted to follow Buxtehude at St. Mary's, but neither one wanted to marry his daughter as that was a condition for the position.

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CANTATA PROFANA Sz 94 (A kilenc csodaszarvas) Part 3, Moderato John Aler, tenor John Tomlinson, baritone Chicago Symphony Orchestra & Chorus Chorus Master ─ Margaret Hillis Conducted by Pierre Boulez

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Natalie Dessay performs ''Höchster, mache deine Güte'', the third movement from Bach's sublime Cantata, BWV 51. Emmanuelle Haïm conducts Le Concert d'Astrée. Buy here: www.amazon.com (Note: The sung notes are notated in the soprano clef, so the actual notes are a third lower in the treble clef!)

Natalie Dessay Emmanuelle Haïm Concert d'Astrée Baroque ''Höchster'' aria Cantata BWV 51 Johann Sebastian Bach German composer Germany religious Lutheran religion music singing singers opera French colouratura coloratura soprano

JS Bach Cantata BWV 147 Herz und Mund und Tat und Leben. Eng: Heart and mouth and deed and living. Spa: Corazón y boca y actos y vida. Composed in Leipzig, 1723. Cantata for the Visitation of the Blessed Virgin Mary. Readings: Epistle: Isaiah 11: 1-5; Gospel: Luke 1: 39-56 ...

Bach Cantata BWV 147 Harnoncourt baroque barroco classical

The title aria of the Cantata BWV 54 I also uploaded the following rezitativ & arie. Widerstehe doch der Sünde, Sonst ergreifet dich ihr Gift. Laß dich nicht den Satan blenden; Denn die Gottes Ehre schänden, Trifft ein Fluch, der tödlich ist Translation: Pray resist sin, lest its poison seize you. Don't let Satan blind you; for those who defile God's honor will incur a curse that is deadly.

Johann Sebastian Bach Cantata BWV 54 Widerstehe doch der Sünde Baroque Andreas Scholl

For Third Sunday after Trinity and For any occasion. Text: Salomo Franck. 2. Ps. 94:19; 6. Ps. 42:12; 9. Ps. 116:7 and Georg Neumark, verses 2 and 5 of "Wer nur den lieben Gott läßt walten," 1657 (Fischer-Tümpel, IV, #365); 11. Rev. 5:12-13. Probably 17 June 1714, Weimar; other performances: ?1720, Hamburg? (See Dürr, p. 344), 13 June 1723, Leipzig (revised). Included by Bach in first annual cycle (Leipzig 1723-24) Amsterdam Baroque Orchestra Ton Koopman, Director 9. Chorus [Dictum] and Chorale (S, A, T, B) Be now once more contented, O my spirit, for the Lord serves thee well. What use to us this heavy sorrow, What use all this our "Woe and Ah?" What use that we should ev'ry morning Heap sighs upon our sore distress? We only make our cross and pain Grow greater through our discontent. Think not within the heat of hardship That thou by God forsaken art, And that he rests within God's bosom Who doth on constant fortune feed. Pursuing time transformeth much And gives to ev'rything its end. First Annual Cycle Canatats-Koopman playlist: www.youtube.com

Bach Cantata Kantaten Ich Hatte Viel Bekümmernis Sei Nun Wieder Zufrieden BWV 21 Ton Koopman Amsterdam Baroque Orchestra ABO

Watch this in full screen and stereo: bit.ly Leisure of an Aria of the Cantata BWV 30 by JS Bach setting in a rehearsal of this cantata with the composer. Do not miss the amazing Bach's portrayal. Recreación de un aria de la Cantata BWV 30 de Bach ambientada en un ensayo del compositor de la propia cantata. No hay que pasar por alto la maravillosa caracterización de Bach. Video included as a bonus in the DVD "Bach Arias". www.amazon.com Conductors: Marek Stryncl Original Release Date: November 30, 1998 Label: Deutsche Grammophon Copyright: (C) 1997 Deutsche Grammophon GmbH, Hamburg. Magdalena Kožená, soprano www.kozena.cz http BWV 30. Leipzip, 1738. Cantata for the Nativity of Saint John the Baptist. GER: Freue dich, erlöste Schar ENG: Rejoyce, O ransomed throng. ESP: Alégrate, rebaño redimido. Texts: Christian Friedrich Henrici (Picander), Johann Olearius and Salm 120.5. Aria (A) Kommt, ihr angefochtnen Sünder, Eilt und lauft, ihr Adamskinder, Euer Heiland ruft und schreit! Kommet, ihr verirrten Schafe, Stehet auf vom Sündenschlafe, Denn itzt ist die Gnadenzeit! English. Come, ye sorely tempted sinners, Haste and run, O Adam's children, This your Savior calls and cries! Come ye, all ye errant sheep now, Rise ye up from sin-filled slumber, For now is the hour of grace! Español. Alto. ¡Venid atribulados pecadores! ¡Daos prisa y corred, hijos de Adán, que el Salvador os llama a gritos! ¡Venid ovejas descarriadas, despertad del sueño del pecado, que ha llegado la hora de la <b>...</b>

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JS Bach Cantata BWV 61 Nun komm, der Heiden Heiland Eng: Now come, the gentiles' Savior. Spa: Ven ahora, Salvador de los gentiles. Composed in Weimar, 1734. Concentus Musicus Vienna. Arnold Schoenberg Choir. Nikolaus Harnoncourt, conductor. I. Coro. Nun komm, der Heiden Heiland, Der Jungfrauen Kind erkannt, Des sich wundert alle Welt, Gott solch Geburt ihm bestellt. English: Now come, the gentiles' Savior, As the Virgin's child revealed, At whom marvels all the world That God him this birth ordained. Español: Ven ahora, Salvador de los gentiles, Reconocido como hijo de la Virgen, Todo el mundo se maravilla De este nacimiento querido por Dios. www.bach-cantatas.com _______________________________ .

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JS Bach Cantata BWV 61 Nun komm, der Heiden Heiland Eng: Now come, the gentiles' Savior. Spa: Ven ahora, Salvador de los gentiles. Composed in Weimar, 1734. Concentus Musicus Vienna. Arnold Schoenberg Choir. Nikolaus Harnoncourt, conductor. Ian Bostridge, tenor. III. Aria. Komm, Jesu, komm zu deiner Kirche Und gib ein selig neues Jahr! Befördre deines Namens Ehre, Erhalte die gesunde Lehre Und segne Kanzel und Altar! English: Come, Jesus, come to this thy church now And fill with blessing the new year! Advance thy name in rank and honor, Uphold thou ev'ry wholesome doctrine, The pulpit and the altar bless! Español: Ven, Jesús, acude a tu iglesia Y concédenos un feliz año nuevo! Propaga la gloria de tu nombre, Preserva las buenas enseñanzas Y bendice el púlpito y el altar! www.bach-cantatas.com _______________________________ .

Bach

Berean Bible Baptist Church Christmas Cantata 2010, Paranaque Philippines, In The Fullness of Time

Christmas Cantata 2010 Bible Baptist Church Choir In The Fullness Of Time

Concierto Voces para la Paz 2003. Teatro Monumental. Madrid 11 Mayo 2003. Director: José Ramón Encinar. Ver en www.vocesparalapaz.com el proyecto humanitario financiado con este concierto.

JS Bach Cantata 147 Jesus bleibet meine Freude José Ramón Encinar ONG músicos solidarios clásica

JS Bach Cantata BWV 61 Nun komm, der Heiden Heiland Eng: Now come, the gentiles' Savior. Spa: Ven ahora, Salvador de los gentiles. Composed in Weimar, 1734. Concentus Musicus Vienna. Arnold Schoenberg Choir. Nikolaus Harnoncourt, conductor. Christine Schaefer, soprano. V. Aria. Öffne dich, mein ganzes Herze, Jesus kömmt und ziehet ein. Bin ich gleich nur Staub und Erde, Will er mich doch nicht verschmähn, Seine Lust an mir zu sehn, Dass ich seine Wohnung werde. O wie selig werd ich sein! English: Open wide, my heart and spirit, Jesus comes and draws within. Though I soon be earth and ashes, Me he will yet not disdain, That his joy he find in me And that I become his dwelling. Oh, how blessed shall I be! Español: Ábrete del todo, mi corazón, Para que Jesús venga y se aloje dentro de ti. Aunque yo soy sólo polvo y tierra, Él no me desprecia, Sino que disfruta Al ver que me convierto en su morada. Oh, qué feliz seré entonces! www.bach-cantatas.com _______________________________ .

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Collegium 1704 Collegium Vocale 1704 Václav Lucks COLLEGIUM 1704: Jana Chytilová - violín Helena Zemanová - violín Petra Scevková - violín Eduardo García - violín Markéta Knittlová - violín Jan Hádek - violín Katerina Stursová - violín Andreas Torgersen - viola Dagmar Masková - viola Donate Schack - viola Luise Haugk - oboe Markus Müller - oboe Eckhardt Lenzing - fagot Filip Dvorák - órgano Libor Masek - violonchelo Dalibor Pimek - violonchelo Ludek Braný - contrabajo COLLEGIUM VOCALE 1704: Hana Blazíková - soprano Stanislava Mihalcová - soprano Renata Pusová - soprano Andrea Brozaková - soprano Markéta Cukrová - alto Kamila Sevcíková - alto Jan Mikusek - alto Hasan El-Dunia - tenor Cenek Svoboda - tenor Stanislav Predota - tenor Tomás Král - bajo Lisandro Abadie - bajo Jaromir Nosek - bajo Martin Kotulán - bajo www.youtube.com

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Unámonos como hermanos que nadie nos vencerá. Si quieren esclavizarnos, jamás lo podrán lograr.

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Chorus (STB) ''Die Katze lässt das Mausen nicht'': Die Katze lässt das Mausen nicht, Die Jungfern bleiben Coffeeschwestern. Die Mutter liebt den Coffeebrauch, Die Großmama trank solchen auch, Wer will nun auf die Töchter lästern! Madeleine Vogt, soprano Matthias Schubotz, tenor Holger Krause, bass Members of the Gewandhausorchester Leipzig

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Magdalena Kozena brings great intensity to this performance, and Gardiner provides an accompaniment of comparable feeling. One of my very favourite Bach recordings. Tief gebückt und voller Reue Lieg ich, liebster Gott, vor dir. Ich bekenne meine Schuld, Aber habe doch Geduld, Habe doch Geduld mit mir! Deeply bowed and filled with remorse I lie, dearest God, before Thee. I acknowledge my guilt, But have patience, Have patience, I beg, with me. Sir John Eliot Gardiner conducting the Monteverdi Choir and English Baroque Soloists Magdalena Kožená - mezzo soprano

Bach Kozena Cantata Gardiner

Trio de cuerdas + Flauta Strings trio + Flute

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La CANCION! del disco Artaud atribuido a Pescado Rabioso sin embargo solista. Imagen:Puente bajo la lluvia de Vincent Van Gogh

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Un homenaje a las victimas... para no olvidar la historia y que no se repita.

Quilapayun Cantata Escuela Santa Maria

Primera parte de la Cantata de Mago de Oz.

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www.cnb.pt Choreography by Mauro Bigonzetti World premiere, ballet Gulbenkian 2001 CNB, Theatre Camões, April 2008 Dancers Andreia Pinho and Paulina Santos

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Dieterich [Dietrich, Diderich] Buxtehude (1637-1707) Cantata "Herzlich lieb hab ich dich, o Herr", BuxWV 41 Mov. VI - "Als dann vom Tod erwecke mich", 4-part Chorale Libretto/Lyrics: ---------------- GRM: Original ENG: Translation FRA: Translation POR: Translation BuxWV41 VI GRM: Als dann vom Tod erwecke mich, ENG: Raise me then from death, FRA: Ressuscite-moi ensuite, POR: Acordai-me então do sono sem fim, GRM: daß meine Augen sehen dich, ENG: that my eyes may behold thee FRA: pour que mes yeux te voient, POR: para que os meus olhos Vos possam ver GRM: in aller Freud, o Gottes Sohn, ENG: In blissful joy, O Son of God, FRA: brillants de joie, ô fils de Dieu, POR: e em vós jubilar, ó filho de Deus, GRM: mein Heiland, und mein Gnadenthron, ENG: my Saviour and my Throne of Mercy, FRA: mon Sauver et mon Rédempteur, POR: Salvador e meu redentor, GRM: Herr Jesu Christ, erhöre mich. ENG: Lord Jesus Christ, hear my prayer. FRA: Seigneur Jésus-Christ, exauce-moi. POR: Senhor Jesus Cristo, escutai-me. GRM: Ich will dich preisen ewiglich. ENG: I will praise thee in all eternity. FRA: Je te louerai maintenant et pour toujours. POR: Louvar-Vos-ei até ao fim! GRM: Amen. ENG: Amen. FRA: Amen. POR: Ámen.

Dieterich Dietrich Diderich Buxtehude Cantata buxwv41 Als dann vom Tod erwecke mich Middle Baroque