Mirwais Nejrabi - Biya Barem Dasht ( New song on May 2009 ) ( HeratMedia.com )
Download Mp3 @ www.heratmedia.net Singer: Mirwais Nejrabi Song: Biya Barem Dasht Collection Release Date: May 2009 more at HeratMedia.com for more Afghan music visit: HeratMedia.com new song of seeta qasemie sita qasemi yarake bewafa bivafa bewaafaa...
valy afghan new gataghani irani arash howaida homeira india musik pop turkish Ahmad zahir miss afghanistan music clip persian tajiki shabnam suraya concert afg rap afshin comedy 2008 2009 wahid bayar bashir hamdard fardin faryad bollywood dance googoosh Leila Forouhar iranian song fun funny tawab amir jan sabori film movie trailer herat kabul mazar sharif kandahar bamiyan hazaragi dokhtare herati kabuli kamran hooman jawid omar ramin habib qaderi Sattar Sahill
US military responsible for Dasht-e-Leili massacre?
Since the war on terror began one of the worst atrocities happened this month ten years ago. The Dasht-e-Leili massacre was under the control of General Abdul Rashid Dostum, a US ally and Afghan warlord, who had been given control of thousands of Taliban prisoners by US forces. Witnesses say thousands suffocated to death after being packed into metal containers or were shot to death. Andrew McEntee, human rights lawyer, joins us to revisit the tragic event and discuss what really happened. Follow Liz on Twitter at twitter.com
rtamerica RT America RT RTTV US USA United States war on terror us soldiers us congress osama bin laden war time contractors war zone fraud Iraq Afghanistan Pakistan corruption president obama drone strikes Pakistani government president bush war crimes war criminals General Abdul Rashid Dostum sheberghan massacre dod department of defense fbi cia assests Andrew mcentee human rights lawyer
Dasht e tanhai - Tina Sani
My uploads will be available on my new channel www.youtube.com visit that for new updates Awesome Faiz and melodious voice of Tina Sani. (really a great combinition) surely, something to enjoy. ------------------------ Lyrics Dashte Tanhai Dasht-e-tanhaee main ai jaan-e-jahaan larzaaN haiN Teri aavaaz kay saaey, teray honton kay saraab Dasht-e-tanhaee main dooree kay khas-o-khaak talay Khil rahay hain teray pehlou kay saman or gulaab Uth rahee hai kaheen qurbat say teri saaNs kee aanch Apnee khushboo main sulagti hooee madham madham Door ufaq paar chamaktee hooee qatra qatra Gir rahee hai teri dildaar nazar kee shabnam Is qadar payaar say ai jaan-e-jahaan rakha hai Dil kay rukhsaar pay is waqt teri yaad ne haath YooN gumaan hota hai gerchay hai abhee subh-e-firaaq Dhal gaya hijr ka din aa bhi gaii wasl ki raat. -------------------- Translation In the wasteland/desert of solitude, my love, shivers shadows of your voice, illusions/mirages of your lips. In the desert of solitude, from the dusts/waste of parting Blossoms the jasmines and roses of your presence. From somewhere close by, rises the warmth of your breath and in its own fragrance glowing/smoldering, very slowly Far-off, across the horizon, drop by shimmering drop falls the silken dew of your glance. With such affection, O my love, your memory has placed its hand on my hearts cheek, that it looks as if (though its still the dawn of the departures day) the sun of parting has set; the night of union has arrived.
Ye jo Raig-e-Dasht-e-Firaq hai-Amjad Islam Amjad
Amjad Islam Amjad Yeh jo raig e dasht e firaq hai This dust that flies all over the land of separation... Yeh jo raig e dasht e firaq hai,Yeh rukay agar This dust that flies all over the land of separation... once it stops then and only then... Yeh rukay agar tou nishan milay, ye nishan milay ... the path of my true destination can be seen. K jo faaslon ki saleeb hai Then and only then this cross of separation... Ye gari huwee hai kahan kahan Could be seen buried in the pathways of love... Mere aasman se kidher gaeen tere iltafat ki kehkashan Where have all those constellations of your love went? That once embraced my skies... Mere bekhabar, Mere baynishan My unaware... Ye rukay agar tou pata chala Once this dust settles only then we know... Mai tha kis nagar, Tu rahi kahan! Where I lived and where you dwelt? Keh zaman o makan ki wusetian These vastnesses of time and space... Tujhay daikhnay ko taras gaeen Have been longing to meet you. Wo mere naseeb ki barishain The rain that was written in my fate... Kisi aur chatt per baras gaeen! Magar Aik Baar... Rained on some other roof... but once... Mere char-soo hai wo gubhar e jaan, Wo fishar e jaan There's so much dust scattered all around me... so much unease... Keh khabar nahee mere hath ko mere hath ki That even my hands are unaware of one another, they even don't know if they're mine or someone else's? Mere khawb say tere baam tak This dust stretches even across my dreams till your door... Teri rahguzer ka tou zikar kia <b>...</b>
Good bye Iqbal Bano - Dasht e tanhaii main aye jaan e jahaN
to watch better in better quality video click on this link www.youtube.com aye andleeb Chal, ke chalay din bahaar ke آغوشِ گل کشودہ براۓ وداع ہے اے عندلیب چل! کہ چلے دن بہار کے aik aor Ehd-e-Moseeqi aaj apne ikhtataam ko pohancha --------- Iqbal Banu was born 1935 in Delhi, India and died today on 21st April 2009 Lahore) she was an outstanding female Ghazal singer (both classical and modern ghazals) Career Iqbal Bano was invited by Radio Pakistan for performances, she being an accomplished artist. Her debut public concert was in 1957, at Lahore Arts Council, before an elite crowd. Music lovers feted her beyond imagination. With each recital, she generated more and more public appeal. She was considered a specialist in singing the works of Faiz Ahmed Faiz. She has given such musical relevance to the ghazals of Faiz, that Bano and Faiz are apparently inseparable in popular imagination. Because of Faiz's imprisonment and hatred of the Pakistani Government towards him, Bano roused a strong crowd of 50000 people in Lahore by singing his passionate Urdu nazm, "Hum Dekhenge." Iqbal Bano can sing Persian ghazals with the same fluency as Urdu. She is always applauded in Iran and Afghanistan for her Persian ghazals. The Iranians and Afghans thronged to her shows in large numbers to hear her ghazals in their mother tongue. Once she said in an interview, that she had a collection of 72 beautiful Persian ghazals. Before 1979, there was a festival of culture called Jashn-e-Kabul every <b>...</b>
tauseefqau Iqbal Bano nikhar nikhaar banu banopakistani Old Urdu Classical Film Private Geet Ghazal Rare Gem PTV live Pakistan semiclassical great performance death anniversary of Khalid Asghar Pakistani
Hussain Al-A3dhami/Maqam Dasht and Pasta
The Iraqi virtuoso maqam singer, Hussain Al-A3dhami from Baghdad, sings Dasht maqam and Pasta in Bahrain, 11.11.2005. Hussain is not only a maqam master, but also a teacher of the Iraqi maqam in Baghdad. He has written and published several books and research papers on the Iraqi maqam! He has also toured the whole world singing the Iraqi maqam with his orchestra Safwat Muhammad Ali Al-Mousilli (oud), Alaa' Abul-Aziz Al-Simaawi (qanoon), Dakhil Ahmad 3arraan (jawza), Saif Walid Al-3obeidi (Santour), Sami Abel- Ahad ( tabla, percussion), Abdel-Kareem Harboud (naqaara), Ali Ismail Jasim (kishba), Falaah Ismail Al-Mousilli (tambourine)
Frank Donaghue on the Dasht-e-Leili Mass Grave in Afghanistan
Investigative reports by McClatchy newspapers, as well as PHR's own findings, have revealed that large sections of the Dasht-e-Leili mass grave in Northern Afghanistan have been dug up and removed. Find out more at physiciansforhumanrights.org
War Crimes and the White House: The Bush Administration's Cover-Up of the Dasht-e-Leili Massacre
Physicians for Human Rights (PHR) has issued a call for a criminal probe in the wake of a major New York Times story by James Risen with new evidence that the Bush Administration impeded at least three federal investigations into alleged war crimes in Afghanistan in 2002. ("US Inaction Seen After Taliban POWs Died" - NYTimes.com bit.ly PHR is calling for the Department of Justice to investigate why the Bush Administration impeded an FBI criminal probe of the alleged Dasht-e-Leili massacre. According to US government documents obtained by PHR, as many as 2000 surrendered Taliban fighters were reportedly suffocated in container trucks by Afghan forces operating jointly with the US in November 2001. The bodies were reportedly buried in mass graves in the Dasht-e-Leili desert near Sheberghan, Afghanistan. Notorious Afghan warlord General Abdul Rashid Dostum, who was reportedly on the CIA payroll, is allegedly responsible for the massacre. This video, detailing nearly eight years of advocacy and investigation by Physicians for Human Rights, explores the events surrounding the massacre and subsequent cover-up. Featuring Physicians for Human Rights' CEO Frank Donaghue, Campaign Against Torture Director Nathaniel Raymond, and Deputy Director Susannah Sirkin. Written, directed, and narrated by Jared Voss. For more information and to sign our petition calling for Attorney General Eric Holder to let the FBI do its job, visit AfghanMassGrave.org.
Afghanistan mass grave war crimes Dasht-e Leili Afghan massacre Nathaniel Raymond Susannah Sirkin Frank Donaghue Donald Rumsfeld Paul Wolfowitz convoy George W. Bush New York Times PHR
Superhit Ghazal By Ghulam Ali Khan - Dasht-e-Veeran Hun (Do Dil Do Rahein)
Song: Dasht-e-Veeran Hun Album: Do Dil Do Rahein Singer: Ghulam Ali Music Label : T-Series For Latest Updates Subscribe Here: www.youtube.com Facebook: www.facebook.com Twitter: www.twitter.com
Dasht-e-Veeran Hun Dasht-e-Veeran Hun Dasht-e-Veeran Hoon dasht veeran hoon ghulam ali kali dil ki khilao do dil do rahein album do dil do rahein do rahein album do dil do rahein ghazals ghulam ali ghazals ghulam ali hit ghazals ghulam ali khan ghazals ghulam ali songs ghulam ali hits ghazals ghazals indian ghazals playlist ghazals hindi hit ghazal songs romantic ghazals best romantic ghazals most romantic ghazals yt:stretch=16:9 gulaam khan gulam ghazal ghazals
Dasht e tanhai - Tina Sani sings Faiz Aahmad Faiz
Faiz The Great and melodious voice of Tina Sani. (really a great combination) this video was made by me in december 2007..Photos (which are taken from same location in different modes) were taken in oppicina Trieste with Nikon D90.. ------------------------ Lyrics Dashte Tanhai Dasht-e-tanhaee main ai jaan-e-jahaan larzaaN haiN Teri aavaaz kay saaey, teray honton kay saraab Dasht-e-tanhaee main dooree kay khas-o-khaak talay Khil rahay hain teray pehlou kay saman or gulaab Uth rahee hai kaheen qurbat say teri saaNs kee aanch Apnee khushboo main sulagti hooee madham madham Door ufaq paar chamaktee hooee qatra qatra Gir rahee hai teri dildaar nazar kee shabnam Is qadar payaar say ai jaan-e-jahaan rakha hai Dil kay rukhsaar pay is waqt teri yaad ne haath YooN gumaan hota hai gerchay hai abhee subh-e-firaaq Dhal gaya hijr ka din aa bhi gaii wasl ki raat. -------------------- Translation In the wasteland/desert of solitude, my love, shivers shadows of your voice, illusions/mirages of your lips. In the desert of solitude, from the dusts/waste of parting Blossoms the jasmines and roses of your presence. From somewhere close by, rises the warmth of your breath and in its own fragrance glowing/smoldering, very slowly Far-off, across the horizon, drop by shimmering drop falls the silken dew of your glance. With such affection, O my love, your memory has placed its hand on my hearts cheek, that it looks as if (though its still the dawn of the departures day) the sun of parting has <b>...</b>
tauseefqau Teena sani Tina saani faiz ahmad faizdasht-E-TANHAE MEIN
Audio dasht-e-tanhai mein ai jan e jehan larzan hai Iqbal Bano Faiz Ahmad Faiz
dasht-e-tanhai mein ai jan e jehan larzan hai Iqbal Bano faiza ahmad faiz Iqbal Bano (Urdu: اقبال بانو), PP (1935 - 21 April 2009) was a highly acclaimed female Ghazal singer from Pakistan. She was best known for her semi-classical Urdu ghazal songs and classical thumris, but also sang easy-listening numbers in 1950s films. Iqbal Bano was born in Delhi, British India. From a young age, she developed a love for music. It was a crucial moment of her life when her friend's father told Bano's father, "My daughters do sing reasonably well, but Iqbal is blessed in singing. She will become a big name if you begin her training Her father allowed her to study music. When Bano was a teenager she migrated to Pakistan along with her family. In Delhi, she studied under Ustad Chaand Khan of the Delhi Gharana, an expert in all kinds of pure classical and light classical forms of vocal music. He instructed her in pure classical music and light classical music within the framework of classical forms of thumri and dadra. She was duly initiated Gaandaabandh shagird of her Ustad. Ustad Chaand Khan referred her to All India Radio, Delhi, where she sang on the radio. In 1952, aged 17, she married into a land-owning family in Pakistan.[3] Her husband promised that he would never try to stop her from singing, but would rather encourage and promote her.[4] She was a star by the 1950s, singing soundtrack songs for famous Urdu films like Gumnaam (1954), Qatil (1955), Inteqaam (1955), Sarfarosh <b>...</b>
dasht-e-tanhai mein ai jan jehan larzan hai Iqbal Bano Urdu ghazals geet pakistani indian hindi music punjabi songs classical folk bollywood lollywood Faiz Ahmad
Aye Dasht-e-Junoon Hum Tv Pakistani Dramas.flv
Title Name : Aye Dasht-e-Junoon ( 1 To 75 Ep ) Hum Tv Pakistani Dramas Type : Hum Tv Pakistani Dramas Wtiten By : Riffat Hamayun Directed By : Abis Raza Produced By : Momina Duraid Cast : Ejaz Aslam, Fahad Mustafa, Hiba Ali, SAlahuddin Tunio, Shagufta Ejaz, Kiran Haq, Imran Aslam, Shazia Afghan, Parveen Akhbar, Hira Tareen, Kamran Jilani, Shafia Khairi, Shama Askari, Fahim, Seema Sehar, Joshwin-dar, Maheen Rizvi, Sana Askari & Sundas Language : urdu Prensented By : M-Record Release By : CD-BANK CD/DVD : 4-DVD Others detail : Story : Aye Dasht-e-Junoon Hum Tv Dramas This is the story of Laaj whose father has willed that if she marries without her family's consent she would be disinherited. Laaj likes her cousin Waqas who gives her the suggestion that she should marry Dr.Taimur then obtain a divorce so she would become owner of all her father's property.Laaj takes his advice,but finds that life has others things planned for her.The story also revolves arround Mahrukh and Junaid. Junaid is an only son who goes abroad to improve his financial conditions, and falls in love with Mahrukh, who has her own set of family problems.
Ustad Amir Mohammad (dasht e janon د شت جنون)
Ustad Amir Mohammad-Me aaed az dashta janon Lyrcs : Abulmaani Bedel. the verses of this song had been chossen from 2 ghazals of bedel which has the same rhythm & rhyme. Ustad Amir Mohammad had sung this song a few times for average audince ( which is average ) this time he had performed powerfully for special audienc and it is the best performance of this ghazal. it is a rare song and one of the best ghazals of Ustad Amir Mohammad .
Ustad Amir Mohammad/Ustad Sarahang/Ustad Rahim Bakhsh/Ustad qasim/Ustad Shida/afghan song/Farhad darya/Afghani song/afghan music/Ghazal/Afghan music. farsi song new Live Music Concert Songs Performance Kabul
Rah Gaee Dasht May Tanha ( Prof Syed Sibte Jafar Zaidi )
Rubayee: Rah Gaee Dasht May Tanha Recited: Prof Syed Sibte jafar Zaidi Created: Syed Irfan Mehdi Rizvi
marsiya sooz soz salam manqabat nahua Rubaee matam muharam rah Gaee dasht may tanha sibte jafar syed sibte jafar zaidi bibi zainab ya ali ya hussain ya abbas karbala islam nadeem sarwar irfan rizvi karachi pakistan
Marefat High School (Dasht-e-Barchi, Kabul)
Marefat High Shcool is situated in Dasht-e-Barchi, Kabul. Hundreds of Hazara students are studying there. After years of renovation and modification, now this school has a great reputation not only in Afghanistan but as well as outside Afghanistan. This school has gained attention from major newspapers and agencies around the world as many reports have been published during past few years. This school is known for good quality education and talented students. Fine arts is another field where students are conquering new milestones.
Hazara Hazarjat Hazaristan Marefat High School Marifat Student Afghanistan Kabul Education Arts
Ostad Jalil Shahnaz - "Shoor o Dasht" - Part 1 of 2
This piece is an improvisation by Ostad Jalil Shahnaz, one of the greatest if not the greatest master of the Persian instrument, the tar, accompanied by master percussionist, Ostad Naser Eftetah on Tombak. The piece is called (by Ostad Shahnaz himself), "Shoor o Dasht" - essentially meaning a melding of two Persian modes, Shuhr and Dashti, though the piece could be categorized as being in the (sub) mode (or "avaz") of Abu Atta as well. This music represents one of Ostad Shahnaz's greatest masterpieces, and according to many connoisseurs of this art form, one of the great masterpieces of traditional Persian music! This is a home recording made shortly after the 1979 Islamic revolution and during a time when music was for the most part banned throughout Iran and professional musicians were essentially forced underground. The piece's melodic depth and ingenuity, intensity and urgent sense of forward movement (particularly in part 2, the faster 6/8 chaharmezrab) are appropriately reflective of the turbulent times during which it was recorded, while demonstrating the height of Ostad Shahnaz's extraordinary technical virtuosity, command of the radif and prowess in the art of improvisation and composition In fact, this work is a crowning achievement on so many levels that even the most accomplished musician will likely discover new strokes of Ostad Shahnaz's inimitable genius upon each listening. Interestingly, Ostad Yahaghi posits at the end of this recording, Ostad Shahnaz has <b>...</b>
Ostad Jalil Shahnaz Tar Setar Traditional Persian Music Tombak Naser Eftetah Zarb Kamancheh Shajarian
Niyaz The Hunt Biya berim dasht at the Knitting Factory in LA
Niyaz with singer Azam Ali with their Song The Hunt or Biya berim dasht at the Knitting Factory in LA Songtext: Biya berim dasht (The Hunt) The Hunt by Niyaz "Biyâ berim dasht." "Kodum dasht?" "Hamun dashti ke khargush-na dâre, ây bale!" "Bacche sayyâb be pâyash tâb dâre, ây bale!" "Bacche sayyâb-râ mazan, khargush-e dashtom râ mazan, Khâb1-e khargush be khâb-e yâr mimunad, bale, Khâb-e khargush be khâb-e yâr mimunad, bale!" "Let's go to the field." "Which field?" "The same that has rabbits, oh yes!" "And my dog has a rope on its foot, oh yes!" "Don't kill my dog on the leash nor my rabbits in the field, For the dream1 of the rabbit reminds me of the dream of my lover, oh yes!" "Biyâ berim kuh." "Kodum kuh?" "Hamun kuhi ke âhu-na dâre, ây bale!" "Bacche sayyâb be pâyash tâb dâre, ây bale!" "Bacche sayyâb-râ magir, khargush-e dashtom râ magir, âhu-e kuhom râ magir, Khâl2-e âhu be khâl-e yâr mimunad, bale, Khâl-e âhu be khâl-e yâr mimunad, bale!" "Let's go to the mountain." "Which mountain?" "The same that has deer, oh yes!" "And my dog has a rope on its foot, oh yes!" "Don't kill my dog on the rope, nor my rabbit in the field, nor my deer of the mountain, For the grace2 of my deer reminds me of the grace of my lover, oh yes!" "Biyâ berim bâgh." "Kodum bâgh?" "Hamun bâghi ke ghomri-ta dâre, ây bale!" "Bacche sayyâb be pâyash tâb dâre, ây bale!" "Bacche sayyâb-râ mazan, khargush-e dashtom râ mazan, âhu-e kuhom râ mazan, ghomri-e bâghom râ mazan, Charkh3-e ghomri be charkh-e <b>...</b>
Niyaz The Hunt Knitting Factory in LA Azam Ali Biya berim dasht Los Angeles live
Ahooye Dasht - Mehran Modiri
I listened to this song being sung by other people very unprofessionally so I decided to find the professional version and share it with every one. Enjoy. PS the photos are not relevant, just wanted to put something there and avoid having a black screen.
