I am a proud Texan and Southerner. God bless the South and y'all Southerners who love their heritage.
wish was in dixie dixieland land confederate states of america confederacy american civil war yankee yankees union south southern secession song anthem confederates country music folk robert lee jefferson davis stephens thomas stonewall jackson john bell hood braxton bragg jeb stuart joseph johnston independence rebel americanzeus Zeus
An old 1916 recording of Dixie/Dixie's Land/I Wish I Was in Dixie by Billy Murray and Ada Jones. It was composed in 1859 by Daniel Decatur Emmett. Although strongly associated with the south and the Confederacy, it was reportedly a favorite song of Abraham Lincoln, as he had a military band play it before a large crowd soon after the Civil War ended.
Dixie's Land Daniel Decatur Emmett Billy Murray Ada Jones maxpowers 518
Dixieland Crackerjacks www.dixielandcrackerjacks.nl http Recorded live on the Island of Schiermonnikoog. Dixieland Crackerjacks playing Irving Berlin's : Alexander's Ragtime Band "Alexander's Ragtime Band" is the name of a song by Irving Berlin. It was his first major hit, in 1911. There is some evidence, although inconclusive, that Irving Berlin borrowed the melody from a draft composition submitted by Scott Joplin that had been submitted to a publisher.[1] "Alexander's Ragtime Band" is not itself an example of the ragtime musical idiom; apart from some mild syncopation, it has almost none of ragtime's characteristic features. Nonetheless, the lyrics clearly refer to the arrival of African-American musicians on the popular scene with their then-new idea of playing standard songs in a more exciting up-tempo style. The first lines establish the African-American context: Oh ma honey . . . ain't you goin' to the leaderman, the ragged meter man References to "jazzing up" popular music include: They can play a bugle call like you never heard before So natural that you want to go to war That's just the bestest band what am, honey lamb and: If you care to hear the Swanee River played in ragtime The new style included new ways of playing traditional instruments as well: There's a fiddle with notes that screeches Like a chicken And the clarinet is a colored pet This song was played on the decks of the Titanic by the ship's band, as the ship sank beneath the waters on April 15 <b>...</b>
alexander's ragtime band irving berlin 1911 early jazz dixieland crackerjacks schiermonnikoog lielian koos selena michel abrandsma
Dixieland funeral march scene from the James Bond movie Live and Let Die.
Original Dixieland Jass Band (ODJB) was founded in New Orleans in 1916. Their first jazz recording is dated 1917. In late 1917 it changed the name's spelling to "Jazz." L'ODJB first members were: Larry Shields (clarinet), Eddie Edwards (trombone), Henry Ragas (piano), Tony Sbarbaro (drums) e Nick LaRocca (cornet).
Kapelle Meschugge (Mr. Meschugge): Dixieland Zonophone 17317 (Mx. No.: 2054 ak) Berlin, before October 1913 An early forerunner of Spike Jones in Germany??? Well, "Meschugge" (from yiddish "crazy", "nuts") was a pseudonym for a certain Herr Krüger, who led this band in Berlin before WWI. The following information is given by Rainer E. Lotz (in "German Ragtime & Prehistory of Jazz", Storyville Publications 1985): "Kapellmeister Krüger was the most famous of the 'excentric conductors', who were the rage of Berlin in 1912 (and again in 1919). Others were Messrs. Albertini, Casella, Löwenthal, Magini, Rigo, Schlemihl, etc. They specialized in weird movements, jumping about like madmen, they chose wild tempi and used all sorts of percussion effects including pistol shots ..."
I am Kilrain and I'm a fightin' man and I come from County Clare And the Brits would hang me for a Fenian so I took me leave of there And I crossed the ocean in the "Arrianne" the vilest tub afloat And the captain's brother was a railroad man and he met us the boat So I joined up with the 20th Maine like I said my friend I'm a fighting man And we're marchin' south in the pouring rain and we're all goin' down to Dixieland I am Kilrain of the 20th Maine and we fight for Chamberlain Cause he stood right with us when the Johnnies came like a banshee on the wind When the smoke cleared out of Gettysburg many a mother wept For many a good boy died there, sure, and the air smelted just like death I am Kilrain of the 20th Maine and I'd march to hell and back again For Colonel Joshua Chamberlain - we're all goin' down to Dixieland I am Kilrain of the 20th Maine and I damn all gentlemen Whose only worth is their father's name and the sweat of a workin' man Well we come from the farms and the city streets and a hundred foreign lands And we spilled our blood in the battle's heat Now we're all Americans I am Kilrain of the 20th Maine and did I tell you friend I'm a fightin' man And I'll not be back this way again, cause we're all goin' down to Dixieland
PALESTEENA (Lena From Palesteena) Shimmy by J. Russel Robinson & Con Conrad In the Bronx of New York City Lived a girl, she's not so pretty Lena is her name. Such a clever girl is Lena How she played her concertina Really, it's a shame. She's such a good musician She got a swell position To go across the sea to entertain. And so they shipped poor Lena Way out to Palesteena From what they tell me, she don't look the same. They say that Lena is the Queen o' Palesteena Just because she plays the concertina. She only knows one song, She plays it all day long Sometimes she plays it wrong, But still they love it What more of it I heard her play once or twice. Oh! Murder! Still, it was nice. All the girls, they dress like Lena Some wear oatmeal, some Farina Down old Palesteena way. Lena's girlfriend Arabella Let her meet an Arab fella Who she thought was grand. On a camel's back a-swaying You could hear Miss Lena playing Over the desert sand. She didn't know the new ones All she knew were blue ones And Yusef sat and listened all day long (or: Till Yusef sat and listened in his tent) And as he tried to kiss her You heard that Arab whisper, "Oh Lena, how I love to hear your song!" (or: "Oh Lena, how I love your instrument!") They say that Lena is the Queen o' Palesteena 'Cause she shakes a wicked concertina. She plays it day and night She plays with all her might She never gets it right, You think it's funny, Gets her money. There's nothin' sounds like it should. So rotten, it's <b>...</b>
1920s dance bands Palestine Jewish Immigration America cabaret Roaring Twenties shimmy 240252
Alabama - Dixieland Delight Live Recording at the Las Vegas Hilton on October 10, 1998.DISCLAIMER: The video is property of Sony/BMG, I DO NOT claim ownership of this video, or wish to take credit for it, and mean no harm by using it. Used for promotional purposes only. Thanks. Alabama is: Randy Owen Jeff Cook Mark Herndon Teddy Gentry
Alabama band randy owen dixieland delight teddy gentry jeff cook mark herndon music Neoeternauta
Enjoy this wonderful song! (words & music by Newbury) Oh I wish I was in the land of cotton Old times there are not forgotten Look away, look away, look away Dixieland Oh I wish I was in Dixie, away, away In Dixieland I take my stand to live and die in Dixie For Dixieland, that's where I was born Early Lord one frosty morn Look away, look away, look away Dixieland Glory, glory hallelujah Glory, glory hallelujah Glory, glory hallelujah His truth is marching on So hush little baby Don't you cry You know your daddy's bound to die But all my trials, Lord will soon be over Glory, glory hallelujah His truth is marching on His truth is marching on!!
Muskrat Ramble www.dixielandcrackerjacks.com Trumpet player Michel Muller sings Kid Ory's Muskrat Ramble in Dutch! Slidin' Selena, who sometimes gets critisized for playing too clean, here proves that she is perfectly able to play the rough and ready tailgate style whenever she wants to. Lielian Tan on drums and Koos Greven, banjo play there nicely swinging groove and Bert Brandsma gives one of his virtuosic and surprisingly inventive solos on the Bass-saxophone. Recorded in Zwolle, the Netherlands, July 4. 2007. Edward "Kid" Ory (December 25, 1886 -- January 23, 1973) was a jazz trombonist, composer and bandleader. Ory is considered as being the most important Tailgate trombone player of all times. He starred in movies like New Orleans (1947) and the Benny Goodman story (1955) He was born in Woodland Plantation near LaPlace, Louisiana. Ory started playing music with home-made instruments in his childhood, and by his teens was leading a well regarded band in South-East Louisiana. He kept La Place as his base of operations due to family obligations until his 21st birthday, when he moved his band to New Orleans, Louisiana. He had one of the best-known bands in New Orleans in the 1910s, hiring many of the greats, including cornetists Joe "King" Oliver, Mutt Carey, and Louis Armstrong; and clarinetists Johnny Dodds and Jimmie Noone. In 1919 he moved to Los Angeles, one of a number of New Orleans musicians to do so at about that time, and he recorded there in 1922 with a band <b>...</b>
kid ory muskrat ramble dixieland crackerjacks slidin selena bert brandsma michel muller lielian tan koos greven zwolle abrandsma
Charleston, recorded on request of a friend and fan of the Dixieland Crackerjacks : Jose from Mexico! www.dixielandcrackerjacks.com This version of the Charleston includes the neglected verse, here played by Selena on the trombone, only accompanied by bass and some small harmony parts by trumpet and clarinet. Comeback concert of Slidin' Selena. This was the first full concert she played after giving birth to her son Ory Adrian, who was born on January 7th. Two weeks earlier she had allready played a TV test recording in Hilversum (3 minutes) and two days before this concert a commercial job of only 8 minutes. This concert was held in Jazz Club Tiel, March 9. 2008 Hotel van der Valk. Michel Muller - trumpet Bert Brandsma - clarinet Slidin' Selena - trombone Koos Greven - banjo HH - bass Ray Vanderhooft - drums
charleston jazz club Tiel comeback slidin' Selena jose from mexico dixieland crackerjacks abrandsma
Carry Me Back To Old Virginny www.dixielandcrackerjacks.com Phone ++31 653 46 37 30 (0653 46 37 30) Lielian Tan - drums Michel Muller - trumpet Bert Brandsma - bass saxophone Slidin' Selena - trombone Koos Greven - banjo "Carry Me Back to Old Virginny" is a song which was written by James A. Bland (1854 -- 1911), an African American minstrel who wrote over 700 folk songs. Written in 1878, soon after the American Civil War, when many of the newly freed slaves were struggling to find work, the song has become controversial in modern times. A slightly reworded version was Virginia's state song from 1940 until 1997, using the word "Virginia" instead of "Virginny". In 1997, it was retired on the grounds that the lyrics were considered offensive to African Americans. On January 28, 1997, the Virginia Senate voted to designate "Carry Me Back to Old Virginia" as state song emeritus, and a study committee initiated a contest for writing a new state song. The Virginia General Assembly suspended the contest on January 5, 2000, and recently reinstated it. There are currently eight candidates. In January 2006, a state Senate panel voted to designate "Shenandoah" as the "interim official state song". On March 1, 2006, the House Rules Committee of the General Assembly voted down bill SB682, which would have made "Shenandoah" the official state song. Controversy Bland himself was an educated black man born in Queens, New York and educated at Howard. The song however is written from the <b>...</b>
carry me back to old virginny virginia dixieland crackerjacks schiermonnikoog 2008 koos greven lielian tan selena abrandsma
www.dixielandcrackerjacks.com Recorded November 11. 2007 http HH , the bass player is a lion on his own, having played with jazz giants like Ben Webster, Frank Rosolino, Dexter Gordon and Benny Carter. This was Slidin' Selena's last concert in the year 2007, because of her being pregnant she takes a 4 month break till March 2008. Lielian Tan makes her debut in the Hague Jazzclubs, she and the audience hope she will return often. The Clarinet is played by the Invisible Man (almost), don't confuse him with the Invincible Man, or would they be the same person......? Koos Greven plays the banjo steady as a rock. Our human metronome is much inspired by Freddy Green, of Count Basie fame. Michel Muller is the front lead man on his trumpet. The tune was composed and first recorded on August 17, 1917 by the Original Dixieland Jass Band for Aeolian-Vocalion Records. The Aeolian Vocalion sides did not sell well, as they were recorded in a vertical format becoming obsolete at the time which could not be played successfully on most contemporary phonographs. Their second recording of the tune on 25 March, 1918 for Victor Records, on the other hand, was a smash national hit. The song was copyrighted and credited to ODJB members Nick La Rocca, Eddie Edwards, Henry Ragas, Tony Sbarbaro, and Larry Shields, along with Harry Da Costa. However, other New Orleans, Louisiana musicians claimed that the tune had been a standard in the city even before. Some others even copyrighted the same melody <b>...</b>
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Jazz me Blues www.dixielandcrackerjacks.com Recorded live in shopping mall Lewenborg, Groningen, the Netherlands. Hein Overbeek - banjo CZ - trumpet Lielian Tan - drums Slidin' Selena - trombone Bert Brandsma - bass-saxophone Dixieland Crackerjacks first recorded this piece in 1995 on their CD Red Roses for a Blue Lady. This CD is totally sold out and now a rare collecters item. A very impressive version of this number was recorded by Bix Beiderbecke and his Gang, Octobre 5th, 1927 One of the six great pieces he made with Adrian Rollini on Bass-saxophone, sure belonging to the all time highlights in the entire history of dixieland recordings.
jazz blues dixieland crackerjacks tom delaney bix beiderbecke adrian rollini hein overbeek lielian tan bert brandsma abrandsma
Recently drove from Des Moines, Iowa to Murrells Inlet, SC, just south of Myrtle Beach to visit my sister. This is a compilation of pics and video I took with a couple extra from the internet set to Jackyl's "Dixieland."
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The Dukes of Dixieland with Woody Herman: Songs: "Struttin With Some Bar B Que" "Dippermouth Blues" "Muscrat Ramble" The Band: Sousaphone-Danny Rubio Trombone-Harlan "Boobie" Floyd Drums-Duke Barker Piano-Phamous Lambert Clarinet/Saxophone-Mike Sizer Trumpet-Frank Trapani
Frank Trapani Mike Sizer Phamous Lambert Duke Barker Harlan Boobie Floyd Danny Rubio Woody Herman Dukes of Dixieland Tuba New Orleans Jazz Brass Band Pete Barbutti Struttin With Some Bar Que Dippermouth Blues Muscrat Ramble Who Dat On
Die Hymne der Südstaaten
Südstaaten USA Dixieland Dixie Südstaaten der USA Süd-USA USA 1881 1881 tbhkim
Original Dixieland Jass Band (ODJB) was founded in New Orleans in 1916. Their first jazz recording is dated 1917. In late 1917 it changed the name's spelling to "Jazz." L'ODJB first members were: Larry Shields (clarinet), Eddie Edwards (trombone), Henry Ragas (piano), Tony Sbarbaro (drums) e Nick LaRocca (cornet).
Original Dixieland Jazz Band Some Of These Days (Comp. by Shelton Brooks) , Okeh 1923 NOTE: "Some of These Days" was the first song composed by Shelton Brooks (1886 1975) which he was able to get to headliner Sophie Tucker in 1909. Tucker adopted it as her theme song, and performed it regularly for the next 55 years (see her most famous rendition with Ted Lewis band, in 1926). Brooks was a popular music and jazz composer who wrote some of the biggest hits of the first third of the 20th century (At the Darktown Strutters' Ball," "I Wonder Where My Easy Rider's Gone", "Every Day", "All Night Long", "Somewhere in France", "Swing That Thing", "That Man of Mine", "There'll Come A Time" and "Walkin' the Dog"). Brooks was born in Amherstburg, Ontario, Canada. His family moved to Detroit, Michigan in 1901. He sang, played piano, and performed on the vaudeville circuit (notably, as a Bert Williams imitator), as well as having a successful songwriting career. He starred in several 1920s musical comedies After the sudden death of his partner Florence Mills in 1927, he stopped appearing in stage shows and pursued a nightclub act. He also had a radio show on the CBS network in the 1930s. In the 1940s he became a regular in Ken Murray's "Blackouts", a long-running salute to burlesque that played in both New York and LA. ORIGINAL DIXIELAND JASS BAND was a New Orleans, Dixieland jazz ensamble that made the first jazz recordings early in 1917, their "Livery Stable Blues" became the first <b>...</b>
Roaring Twenties 1920s Original Dixieland Jazz Band New Orleans jass Shelton Brooks black musicians Sophie Tucker 78rpm shellac America hot dance old gramophone record 240252
Dixieland Crackerjacks on tour in Portugal. Cadima, June 15. 2008 www.dixielandcrackerjacks.com Bye Bye Blackbird Slidin' Selena - trombone, vocals Michel Muller - trumpet Bert Brandsma - bass saxophone Koos Greven - banjo Lielian Tan - drums Bye Bye Blackbird" is a song published in 1926 by the American composer Ray Henderson and lyricist Mort Dixon. It is considered a popular standard and was first recorded by Gene Austin in 1926.[1] Bye Bye Blackbird has been recorded by many artists, including Nina Simone on her 1962 album Nina at the Village Gate, Frank Sinatra, Judy Garland, Ringo Starr, Miles Davis[2], Rickie Lee Jones, Keith Jarrett[3], Liza Minnelli[4], John Coltrane[5], Albert Ayler, and Joe Cocker. It has been featured in the soundtracks of at least seven movies since 1969, including Sleepless in Seattle[6] and "The History Boys," where it is performed by Samuel Barnett, Jaime Parker, and the History Boys. [7] The song is given a fictional, mystical importance in Theodore Roszak's novel Flicker. [8] The song features in the 1980 movie Melvin and Howard, with Jason Robards, Jr. as Howard Hughes singing the chorus, as a western swing version of the song covers the closing credits. [9] It was the No. 16 song of 1926 according to Pop Culture Madness[10]. John Coltrane won the 1981 Grammy Award for Best Jazz Instrumental Performance, Soloist for his rendition of the song.[11] Eddie Cantor, Carmen McRae, Frank Sinatra, and others who recorded "Bye Bye Blackbird" only <b>...</b>
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Hotlanta Dixieland Jazz Alexander's Ragtime Band "Jazz with a Southern Accent" www.Russianfolk.com
Hotlanta Dixieland Jazz Alexander's Ragtime Band Don Erdman Erdman's vitnetonline
Over 30 bands in 8 venues performed to large audiences at the 29th annual San Diego Thanksgiving Jazz Festival November 26 - 30, 2008. The jazz bands included Night Blooming Jazzmen, Cornet Chop Suey, Natural Gas, Buck Creek, Grand Dominion, Mimi Blas, Uptown Lowdown, High Society, Hayriders, Delta Stompers, Statesmen of Jazz, Laughlin's New Orleans All Stars, Blue Street, Coyote, and Eva Emingerova, To see other jazz festival videos go to www.tradjazzvideos.com
San Diego Classic Jazz Dixieland Trad Traditional Thanksgiving Cornet Chop Suey Natural Gas Buck Creek Grand Dominion Mimi Blas Uptown Lowdown High Society Fulton Street Hayriders Delta Stompers Statesmen of Jazz Night Blooming Jazzmen Blue Street Coyote Eva Emingerova franklinclayfilms
