Lucia Popp & Gundula Janowitz : "Sull' aria"

From a wonderful "Le Nozze di Figaro" conducted by Georg Solti at Paris Opera Garnier in 1980. The very famous stage production by Giorgio Strelher. Fabulous cast : Jose Van Dam (Figaro), Lucia Popp (Susanna), Gundula Janowitz (Contessa Almaviva), Gabriel Bacquier (Almaviva), Federica Von Stade (Cherubino), Jane Berbié (Marcellina). The marvelous Contessa-Susanna duet. Great testimony of those two great ladies...
Federica von stade lucia popp gundula janowitz bacquier van dam figaro Mozart opera muezzab
Gundula Janowitz - "Porgi Amor" (1980)

From a wonderful "Le Nozze di Figaro" conducted by Georg Solti at Paris Opera Garnier in 1980. The very famous stage production by Giorgio Strelher. Fabulous cast : Jose Van Dam (Figaro), Lucia Popp (Susanna), Gundula Janowitz (Contessa Almaviva), Gabriel Bacquier (Almaviva), Federica Von Stade (Cherubino), Jane Berbié (Marcellina).
Frederica von stade lucia popp gundula janowitz bacquier van dam figaro Mozart opera muezzab
Gundula Janowitz sings Beim Schlafengehen, Richard Strauss

the wonderful, ultramundane voice of Gundula Janowitz performing Richard Strauss's Vier Letze Lieder (1948). Directed by Herbert von Karajan conducting the Berlin Philarmonic Orchestra, in Berlin, 1973.
Gundula Janowitz, R. Strauss: Capriccio, Climax of the Opera, Complete

Capriccio, A Conversation Piece for Music in One Act, by Clemens Krauss and Richard Strauss (1864 -1949), first performed in Munich, October 28, 1942. Opera climax, complete. Gundula Janowtiz, soprano. Karl Böhm, conductor. [English translation} (Countess Madeleine singing from the sonnet to which music has been added:) ""Your image in my ardent bosom glows, Enthroned there to keep my heart on fire; Where you reside, there dwells my sole desire; In vain would Venus beckon if she chose. What joy, what pain your gentle eye bestows; Indeed, one gaze can wild despair inspire; The next restore my fondest hope entire. Your glances deal me life or mortal blows."" In vain do I try to keep them apart, for words and music are blended together to form a single creation. Mysterious experience, finding one art restored by the other. ""Were yet my days prolonged beyond all measure, No other being's favour would I treasure, No other passion can compel my heart. All through the waking hours my thoughts enfold; All night my slumbering eyes in dreams behold; Thus shall it be till from this earth I part."" How their love is rising to meet me, tenderly woven of verses and music. How can I tear this delicate fabric? Am I myself not part of its texture? To make a decision? For Flamand, the noble spirit with the ardent glance, for Olivier, the stalwart soul. the impassioned man? Well, dearest Madeleine, what says your heart? Ah, you are loved, but whom do you love now? Oh, but it was sweet not <b>...</b>
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Gundula Janowitz, Richard Strauss: Beim Schlafengehen

[ Also see new video version uploaded 2011: www.youtube.com ] Going to Sleep (Beim Schalfengehen) from Richard Strauss Vier letzte Lieder (Four Last Songs), text by Hermann Hesse. Gundula Janowitz, soprano. Video version no.1. NOTE: I created and uploaded a 2nd video version of this beautiful song 26 January, 2011, which better satisfies me than this older one. Nun der Tag mich mud gemacht, Soll mein sehnliches Verlangen Freundlich die gestirnte Nacht Wie ein mudes Kind empfangen. Now that day has tired me, My spirits long for Starry night kindly To enfold them, like a tired child. Hande, lasst von allem Tun, Stirn, vergiss du alles Denken, Alle meine Sinne nun Wollen sich in Schlummer senken. Hands, leave all your doing; Brow, forget all your thoughts. Now all my senses Want to sink themselves into slumber. Und die Seele unbewacht Will in freien Flugen schweben, Um im Zauberkreis der Nacht Tief und tausendfach zu leben. And the soul unwatched, Would soar in free flight till, in the magic circle of night, It lives deeply and a thousandfold.
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Gundula Janowitz sings Wagner (vaimusic.com)

www.vaimusic.com Gundula Janowitz sings "Dich, teure Halle" From: VAI DVD 4458 Gundula Janowitz in Concert The uniquely beautiful and radiant voice of soprano Gundula Janowitz is heard in this 1970 live concert, featuring arias from Giulio Cesare, Don Giovanni, Der Freischütz, Attila, Tosca, and Tannhäuser. The Graz Philharmonic Orchestra, under the direction of Berislav Klobucar, rounds out the program with the Overtures to Giulio Cesare, and I Vespri Siciliani. Includes optionalEnglish, French, German, Italian, and Spanish subtitles. 54 minutes, Black & white, mono, All regions. TO PURCHASE THE COMPLETE DVD, PLEASE VISIT www.vaimusic.com OR CALL TOLL-FREE IN THE US 1(800)477-7146 (OUTSIDE OF THE US, CALL 914-769-3691).
Richard Wagner Gundula Janowitz Classical Music Opera Berislav Klobucar video artists international vai vaimusic dich teure halle concert vocal soprano live Giulio Cesare Don Giovanni Der Freischütz Attila Tosca Tannhäuser Stefaniensaal Graz Philharmonic orchestra Upscale Prestige Masterpiece
Gundula Janowitz sings Puccini (vaimusic.com)

www.vaimusic.com Gundula Janowitz sings "Tosca - Vissi d'arte" (Puccini) From: VAI DVD 4458 Gundula Janowitz in Concert The uniquely beautiful and radiant voice of soprano Gundula Janowitz is heard in this 1970 live concert, featuring arias from Giulio Cesare, Don Giovanni, Der Freischütz, Attila, Tosca, and Tannhäuser. The Graz Philharmonic Orchestra, under the direction of Berislav Klobucar, rounds out the program with the Overtures to Giulio Cesare, and I Vespri Siciliani. Includes optionalEnglish, French, German, Italian, and Spanish subtitles. 54 minutes, Black & white, mono, All regions. TO PURCHASE THE COMPLETE DVD, PLEASE VISIT www.vaimusic.com OR CALL TOLL-FREE IN THE US 1(800)477-7146 (OUTSIDE OF THE US, CALL 914-769-3691).
Giacomo Puccini Gundula Janowitz Tosca Vissi d'arte Classical Music Opera Sing Berislav Klobucar concert vocal soprano live Stefaniensaal Graz Philharmonic orchestra Upscale Prestige Peaceful Tranquil Hypnotic Masterpiece video artists international vai vaimusic
Gundula Janowitz sings Ave Maria

Gundula Janowitz sings Ave Maria, by Schubert Irwin Gage, Piano Gundula Janowitz's voice is distinguished by its very bright, pure, tremolo-free sound with little vibrato and its even breathing technique, and it kept its youthful, angelic tone and its freshness
Ave Maria Franz Peter Schubert Lied Austria Vienna Schoenbrunn Palace Österreich Wien Schloss Schönbrunn manymanero
Part II - Your Favorites: GUNDULA JANOWITZ

THIS PART IS FOR YOUR FAVORITES! Gundula Janowitz? Do you agree with her placement in a favorite-list? Please comment! Gundula Janowitz, Soprano (born 1937) Johann Strauss II - Die Fledermaus Klänge der Heimat (Czardas) Conductor: Karl Böhm (Recorded 1972 ) My personal opinion: Herbert von Karajan became her mentor in the late 1950s. This is of course a remarkable point in her biography, but Gundula Janowitz didn´t need it at all. With or without the maestro, she advanced to one of the finest sopranos the post-war decades saw. Born in Berlin, she grew up in Austria, studied in Graz (Hubert Thöny) and was heard at the end of the 1950s in "Schöpfung" with Karajan. We know almost all kind of sopranos, the big, loud, spectacular and ravishing - Janowitz´ voice was a noble instrument with bright pure, almost intramundane sound, only little vibrato and excellent breath-control. She was one of those intimate singers in the line of Elisabeth Grümmer, the timbre was similar. The voice of Miss Janowitz was exceptional lyrical, despite this she sang some dramatic parts. I remember her Leonore ("Fidelio"). My personal favorite is her intelligent funny Rosalinde which she sang with the "grandezza" of a Mozart-Singer (In my own opinion far better than the high-praised portrayal of Hilde Güden, who really in fact was a soubrette). Unforgetable Miss Janowitz´ Countess in "Nozze di Figaro" or Pamina. Her repertoire ranked from Baroque to Richard Strauss, she sang with almost every great <b>...</b>
Gundula Janowitz Mozart Strauss Böhm Fledermaus Nozze Figaro Cosi fan tutte Karajan Vienna 100 Singers
Gundula Janowitz sings Mozart (vaimusic.com)

www.vaimusic.com Gundula Janowitz sings "Don Giovanni - Crudele?... Non mi dir" (Mozart) From: VAI DVD 4458 Gundula Janowitz in Concert The uniquely beautiful and radiant voice of soprano Gundula Janowitz is heard in this 1970 live concert, featuring arias from Giulio Cesare, Don Giovanni, Der Freischütz, Attila, Tosca, and Tannhäuser. The Graz Philharmonic Orchestra, under the direction of Berislav Klobucar, rounds out the program with the Overtures to Giulio Cesare, and I Vespri Siciliani. Includes optionalEnglish, French, German, Italian, and Spanish subtitles. 54 minutes, Black & white, mono, All regions. TO PURCHASE THE COMPLETE DVD, PLEASE VISIT www.vaimusic.com OR CALL TOLL-FREE IN THE US 1(800)477-7146 (OUTSIDE OF THE US, CALL 914-769-3691).
Wolfgang Amadeus Mozart Gundula Janowitz Don Giovanni Classical Music Opera Sing Berislav Klobucar Crudele... Non mi dir concert vocal soprano live Der Freischütz Attila Stefaniensaal Graz Philharmonic orchestra Upscale Prestige Masterpiece video artists international vai vaimusic
Gundula Janowitz sings In trutina and Dulcissime from Carmina Burana

These two pieces are taken from the 1968 Carmina Burana that was conducted by Eugen Jochum and was approved by Carl Orff himself. In 'In trutina', I think Janowitz captures both the necessary naivety and the underlying passion that makes the character finally choose the boy rather than chastity. In 'Dulcissime'. she sings with unbridled ecstasy. All of this wrapped in Janowitz's voice of unrivalled beauty. To my ear and mind, neither of these performances have ever been eualled; no wonder Orff gave his seal of approval to this version.
GUNDULA JANOWITZ Carmina Burana Orff In trutina Dulcissime dan 1453
Gundula Janowitz, Carl Orff: In truitina, & Dulcissime

Gundula Janowtiz, soprano, In truitina / Dulcissime, from Carmina Burana, by Carl Orff, recorded 1968 with Eugen Jochum. In truitina (In the balance) In truitina mentis dubiaIn / The wavering balance of my feelings / fluctuant contrariaset / against each other / lascivus amor et pudicitia.lascivious / love and modesty. Sed eligo quod video, / But I choose what I see, / collum iugo prebeo: / and submit my neck to the yoke; / ad iugum tamen suave transeo. / I yield to the sweet yoke. Dulcissime (Sweetest one) Dulcissime, / Sweetest one! / Ah! totam tibi subdo me! / I give myself to you totally!
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Gundula Janowitz, Mozart: Cosi Fan Tutte

Fiordiligi's aria "Ei parte, senti" from Act II, "Cosi fan tutte," K.588. SEVENTH SCENE, Recitative: He's left me ... listen ... Ah no! Let him go. Let my sight be free of the unlucky object Of my weakness. To what a pass This cruel man has brought me! This is a just reward for my sins! Was this the time For me to heed the sighs Of a new lover, to make sport Of another's sighs? Ah, rightly You condemn this heart, o just love! I burn, and my ardour is no longer The outcome of a virtuous love: It is madness, Anguish, remorse, repentance Fickleness, deceit and betrayal! No. 25 - Rondo: In pity's name, my dearest, forgive The misdeed of a loving soul; Oh God, it shall evermore be hidden Among these shady bushes. My courage, my constancy Will drive away this dishonourable desire And banish the memory Which fills me with shame and horror. And who is it whom This unworthy heart has betrayed? Dear heart, your trust deserved A better reward!
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September (Vier letzte Lieder) - Gundula Janowitz

September Gundula Janowitz Vier letzte Lieder Richard Strauss (1948) Herbert Von Karajan, Berliner Philharmoniker, 1973 Lyrics: (Hermann Hesse) Der Garten trauert, kühl sinkt in die Blumen der Regen. Der Sommer schauert still seinem Ende entgegen. Golden tropft Blatt um Blatt nieder vom hohen Akazienbaum. Sommer lächelt erstaunt und matt In den sterbenden Gartentraum. Lange noch bei den Rosen bleibt er stehn, sehnt sich nach Ruh. Langsam tut er die müdgeword'nen Augen zu. Translation: The garden is in mourning; the cool rain seeps into the flowers. Summertime shudders, quietly awaiting his end. Golden leaf after leaf falls down from the tall acacia tree. Summer smiles, astonished and feeble, in his dying dream of a garden. For a while beside the roses he remains, yearning for repose. Slowly he closes his weary eyes.
Gundula Janowitz September Vier letzte Lieder Four Last Songs Richard Strauss Herbert Von Karajan Operalala
Gundula Janowitz; Mozart, Misera dove son!

Gundula Janowitz, Mozart: Miser dove son! / Ah, non son io che parlo, K.369. Libretto by Metastasio for the opera Ezio. Fulvia's father Massimo chastises her for planning to reveal his treason to her emperor husband. Fulvia bewails her fathers treachery and her own predicament. Fulvia sings that it is not she who speaks, but her grief. Recitative: Oh, deadly thoughts, oh, memories, oh, martyr! In the aria, she asks for a thunderbolt from heaven "un fulmine gli chiedo (I ask of it a thunderbolt). Recorded 1966.
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Lucia Popp & Gundula Janowitz "Le Nozze di Figaro" Canzonetta Sull'aria - Che Soave Zefiretto

WA Mozart "Le Nozze di Figaro" Act IIl Susanna "Canzonetta Sull'aria - Che Soave Zefiretto" Lucia Popp - Susanna Gundula Janowitz - La Contessa di Almaviva Conductor: Sir Georg Solti Orchestra: London Philharmonic Orchestra Live: Paris, 1981 (Live) Tribute to Great Soprano Lucia Popp on her birthday, 12 November The action of The Marriage of Figaro is a continuation of the plot of The Barber of Seville several years later, and recounts a single "day of madness" (la folle giornata) in the palace of the Count Almaviva near Seville, Spain. Rosina is now the Countess; her husband, the Count (a scheming middle-aged baritone, rather than the romantic youthful tenor of Rossini's Barber) is seeking the favors of the Countess' maid and confidante, the young Susanna, who is about to wed her fiancé, Figaro, the Count's valet. In an effort to pursue his amorous designs towards Susanna, the Count keeps finding excuses not to perform the civil part of the wedding of his two servants, which is arranged for this very day. When the Count detects the interest of the adolescent page, Cherubino (a breeches role), in the Countess, he tries to get rid of Cherubino by giving him an officer's commission in his own regiment. Figaro, Susanna, and the Countess conspire to embarrass the Count and expose his scheming. Meanwhile Figaro has been caught up in a dispute with Bartolo and Marcellina, which ends when he is revealed to be their long lost, out-of-wedlock son. The Count and Don Bartolo are <b>...</b>
Lucia Popp Rusalka Song to the moon Bartard Bride Mozart Le Nozze di Figaro Canzonetta Sull'aria Che Soave Zefiretto Conte Almaviva Susanna Bartolo Cherubino Contessa Sevilla Opera Buffa Praha Prague Vienna Wien Beaumarchais Da Ponte Don Giovanni Zerlina La Clemenza Tito Cosi Fan Tutte Edith Mathis Gundula Janovitz fairlytaleofnewyork Rosenkavalier Sophie Vitellia Die Fledermaus Mein Herr Marquis Adele Rosalinde Johann Strauss Merry Widow Franz Lehar Shawshank Redemption
Gundula Janowitz : "Morgen!" by Richard Strauss

Richard Strauß (1864-1949) "Morgen!", Op. 27, n° 4 "Tomorrow! /"Demain!" /"Amanhã! /(1894, text by John Henry Mackay) Gundula Janowitz, soprano Irwin Gage, piano Amsterdam, Concertgebouw, 8 June 1977. _ "Und morgen wird die Sonne wieder scheinen Und auf dem Wege, den ich gehen werde, Wird uns, die Glücklichen, sie wieder einen, Inmitten dieser sonnenathmenden Erde... Und zu dem Strand, dem weiten, wogenblauen, Werden wir still und langsam niedersteigen, Stumm werden wir uns in die Augen schauen, Und auf uns sinkt des Glückes stummes Schweigen... And tomorrow the sun will shine again And on the path that I shall take It will re-unite us, the blessed ones, In the midst of this world that breathes in the sun... And to the broad shore, lapped by blue waves, We shall quietly and slowly climb down, Silently we shall look into each other's eyes While upon us descends the silence of true bliss...] text in english: www.recmusic.org texte en français: www.recmusic.org
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Karajan, Piaui,Haydn,oratorio Seasons,Gundula Janowitz,soprano,Berliner Philharmoniker

A visit to Piaui (cities of Paraiba and Teresina) a remote,poor but well kept Brasilian state.I took lots of pictures of this "other"condition humaine.Iwanted to share it with the community. The oratorio "the seasons" "Die Jahreszeiten" by Joseph Haydn came in my mind.In particular the aria of the soprano "Welche Labung fur die Sinne" from the part bearing the tittle "the spring". Enjoy this magnificent music which is amazingly interpretated by a reference soprano, Gundula Janowitz.This is also my way to pay my deepest respects to this wonderful singer who kept me company quite often especially in Mozart's arias. Berliner Philharmoniker Herbert von Karajan 1973
karajan gundula janowitz haydn seasons jahreszeiten spring piaui welche labnung aria oratorio classical brasil pslogge
Gundula Janowitz: "Ich möchte hingeh'n" by Franz Liszt

Franz Liszt (1811-1886) "Ich möchte hingeh'n" (by George Herwegh,1817-1875) Gundula Janowitz, soprano Irwin Gage, piano. A'dam, 8 June 1977. - Ich möchte hingehn wie das Abendrot Und wie der Tag mit seinen letzten Gluten - O leichter, sanfter, ungefühlter Tod - Mich in den Schoß des Ewigen verbluten! Ich möchte hingehn wie der heitre Stern Im vollsten Glanz, in ungeschwächtem Blinken, So still und schmerzlos möchte gern Ich in des Himmels blaue Tiefe sinken! Ich möchte hingehn wie der Blume Duft, Die freudig sich dem schönen Kelch entringet, Und auf dem Fittig blütenschwangrer Luft Als Weihrauch auf des Herrn Altar sich schwinget. Ich möchte hingehn wie der Tau im Tal, Wenn durstig ihm des Morgens Feuer winken - O, wollte Gott, wie ihn der Sonnenstrahl, Auch meine lebensmüde Seele trinken! Ich möchte hingehn wie der bange Ton, Der aus den Saiten einer Harfe dringet, Und, kaum dem irdischen Metall entflohn, Ein Wohllaut in des Schöpfers Brust verklinget. Du wirst nicht hingehn wie das Abendrot, Du wirst nicht hingehn wie der Stern versinken, Du stirbst nicht einer Blume leichten Tod, Kein Morgenstrahl wird deine Seele trinken! Wohl wirst du hingehn, hingehn ohne Spur, Doch wird das Elend deine Kraft erst schwächen, Sanft stirbt es einzig sich in der Natur, Das arme Menschenherz muß stückweis brechen! -
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Didi Hallervorden & Gundula Petrovska - Essen extra scharf 1996

Didi Hallervorden & Gundula Petrovska - Essen extra scharf 1996 Didi bestellt in einem asiatischen Restaurant 'Extra scharf'
Comedy 90s DE Didi Hallervorden Gundula Petrovska Essen extra mittel normal scharf 1996 asiatisches Restaurant Asia Feuerspeier Feuerspucker fritz 51200
Bilanz der Projektreise von Gundula Gause mit missio in den Senegal

Die Fernsehjournalistin Gundula Gause ist seit vielen Jahren Botschafterin des katholischen Hilfswerks missio. Vom 27. Juni bis 3. Juli 2011 besuchte sie mit missio mehrere Hilfsprojekte im Senegal. Das westafrikanische Land ist Schwerpunktland der diesjährigen missio-Aktion im Monat der Weltmission im Oktober 2011. Die am 23. Oktober weltweit durchgeführte Kollekte zählt zu den größten Solidaritätsaktionen der Katholischen Kirche. » www.missio-hilft.de
Afrika Senegal Kirche katholisch Oktober 2011 Weltmission missio Religion Ordensfrauen Schwestern Kinder missiodeutschland
Gundula Janowitz, soprano. Weber: Und ob die Wolke sie verhulle,

Carl Maria von Weber: Und ob die Wolke sie verhulle, from Act III, Der Freischutz. Und ob die Wolke sie verhülle, Die Sonne bleibt am Himmelszelt; Es waltet dort ein heil'ger Wille, Nicht blindem Zufall dient die Welt! Das Auge, ewig rein und klar, Nimmt aller Wesen liebend wahr! Für mich auch wird der Vater sorgen, Dem kindlich Herz und Sinn vertraut, Und wär' dies auch mein letzter Morgen, Rief' mich sein Vaterwort als Braut: Sein Auge, ewig rein und klar, Nimmt meiner auch mit Liebe wahr! Even hidden deep in cloud, The sun stays there in heaven's vault, On high there reigns a holy will, Forsakes us not to fatal chance! Oh, let his eye stay ever keen, Protect with love all living things! The Lord will also care for me, In this my childish heart has trust, But if this day must be my last, Then faithful to his side I'll go: Oh, keep his eye for ever keen, And mine with love for ever true
Gundula Janowitz, soprano. Richard Strauss: Im Abendrot (At Gloaming)

[ Also search new video with improved images uploaded 2011: www.youtube.com ] Im Abendrot (At Gloaming), from Vier letzte Lieder (Four Last Songs) by Richard Strauss (written in 1948 at age 84), words by Joseph von Eichendorff. Gundula Janowitz, soprano. [ earlier production & upload ] Wir sind durch Not und Freude gegangen Hand in Hand, vom Wandern ruhen wir (beide) nun uberm stillen Land. Rings sich die Taler neigen, es dunkelt schon die Luft, zwei Lerchen nur noch steigen nachtraumend in den Duft. Tritt her, und lass sie schwirren, bald is es Schafenszeit, dass wir uns nicth verirren in dieser Einsamkeit. O weter, stiller Friede! so tief im Abendrot, wie sind wir wandermude ist dies etwa der Tod? Through want and joy we have walked hand in hand; we are (both) resting from our travels now, the quiet countryside below us. Around us the valleys incline; already the air grows dark. two larks still soar alone half-dreaming, into the haze. Come here, and let them fly about; soon it is time for sleep. We must not go astray in this solitude. O spacious, tranquil peace, so profound in the gloaming. How tired we are of travelling is this perchance death?
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Gundula Janowitz: aria from Mozart's Idomeneo, 1964

The wonderful Austrian soprano Gundula Janowitz, sings Ilia's aria from the 1st Act. "Padre, germani, addio!" 1964, London w/ Pavarotti. Hear him sing "Non Ho Colpa" from the same live performance on my channel.
Gundula Janowitz Luciano Pavarotti Idomeneo live opera Mozart soprano tenor 1964 padre germani addio operavoices 101
Gundula Janowitz sings Franz Schubert "Wiegenlied", D. 498, op. 98 No. 2

"Schlafe, schlafe, holder süßer Knabe" Recorded 1970s, Irwin Gage (piano) Schlafe, schlafe, holder süßer Knabe, Leise wiegt dich deiner Mutter Hand; Sanfte Ruhe, milde Labe Bringt dir schwebend dieses Wiegenband. Schlafe, schlafe in dem süßen Grabe, Noch beschützt dich deiner Mutter Arm, Alle Wünsche, alle Habe Faßt sie lieben, alle liebwarm. Schlafe, schlafe in der Flaumen Schoße, Noch umtönt dich lauter Liebeston, Eine Lilie, eine Rose, Nach dem Schlafe werd' sie dir zum Lohn.
franz schubert wiegenlied schlafe holder süßer knabe gundula janowitz irwin gage Scalatti
Max Müller & Gundula Schmitz - Schramm Ist Tot (variation)

Beautiful murder poetry from the film "Schramm" by deviant mastermind director Jörg Buttgereit.
Jörg Buttgereit Schramm Serial killer soundtrack Nekromantik Der Todesking Profanitet
Gundula Janowitz: Richard Strauss "Wiegenlied"

Richard Strauss (1864-1949) "Wiegenlied", Op. 41, n° 1 (Karl Henckell) Gundula Janowitz, soprano. Irwin Gage, piano. Amsterdam, Concertgebouw, 8 June 1977.
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Gundula Janowitz, Schubert: Ave Maria

Franz Schubert: Ellens Gesang III, Ave Maria. Gundula Janowitz, soprano. Ave Maria, Jungfrau mild, Erhore einer Jungfrau Flehen, Aus diesem Felsen starr und wild Soll mein Gebet zu dir hinwehen. Wir schlafen sicher bis zum Morgen, Ob Menschen noch so grausam sind. O Jungfrau, sieh...
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