FOR MORE LISTS: mewlists.com 25 Great Scenes in Film that actually were not scripted, but rather, improvised. Please keep the captions on, as I will explain the improvisation.
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Blues Guitar Solo by Jody Worrell. Get the tab at www.freeguitarvideos.com This solo was improvised over "Third Degree" from Jody Worrell's Let's Jam! Blues Standards collection of jam tracks (www.freeguitarvideos.com "Third Degree" is a slow 12 Bar Blues in D that was co-written by guitarist Willie Dixon and pianist Eddie Boyd in 1953. The song was later covered by blues legends like Eric Clapton, Jeff Healey, and Johnny Winter. Jody's improvised solo lasts 24 measures and combines melodic runs, tasty bends, and blazing licks. Gear Used in this Video 1972 Gibson Les Paul Deluxe with Lindy Fralin pickups Peavey Classic 30 amp D'Addario XL-115 strings Providence F201 instrument cable
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The music and dance is improvised and the dancers use contact improvisation as a performance form. An extract from a performance titled "Hurry up and weight" from the Making Contact series and featuring Andrew Harwood, Jacob Lehrer, Judit Keri, David Corbet with musicians Rae Howell and Alies Sluiter. Videographer Dianne Reid.
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Victor has just finished conducting at one of his 80th birthday concerts and the crowd reaction was so good that the violinist, Anton Kontra, suggests an encore. No encore was planned but Monti's Czardas, which Victor had heard before BUT HAD NEVER PLAYED, is suggested. Nevertheless, the two go at it and put on quite a show. Watch Victor's facial expressions in the 2nd half as his partner escalates the action.
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MODERN DRUMMER READERS POLL VOTE HERE: www.moderndrummer.com So, this one is an improvised jam i did for fun. I'm just messing around and having fun with some random groove ideas here... I've been teaching on this make-shift Mapex kit with the single kick Mapex Falcon Pedal, and i really dig the sound contrast of the drums, and the wallet on the snare makes the attack dry. The cymbals are all Meinl Soundcaster Customs... The one on the right is a 20" crash, and the hi-hats are 14". Oh yeh, and this video is for Brandon of Impending Doom! Thanks for watching!
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Music: www.bennjordan.com Booking www.psymbolic.com While attempting to write up an accurate description of my live performances to various promoters, my booking agency and myself thought it'd be fun to simply make a demonstration video. After converting my rehearsal room into a poor-man's film studio, I decided that I might as well use some sleek cameras and make a psuedo-music video for a song that hasn't been recorded yet. I hope you enjoy the results! **Note: I do not endorse the gear, brands, or products used in this video. Some of them even suck. :) **
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Downloads www.davidmeshow.com MySpace http Twitter www.twitter.com Facebook www.facebook.com FACEBOOK APP: apps.facebook.com iTunes itunes.apple.com -------------------------------------------------------------------------------- Music gears: Guitar: Gibson SG Supreme Bass: Austin (cheap bass) Drums: Roland TD-20 Recording software: Steinberg Cubase 5 + Wavelab Plugins: - TC Electronic Powercore X8 (mainly) - Native Instruments Komplete 6 Camcorder: Canon HF-S100 HD Wide lens: Opteka fisheye 0.3X Video software: CineFrom Neoscene, Adobe Premiere Pro Thanks!
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This is a very simple bait trap made out of a recycled 1.5 liter water bottle. Unfortunately you are likely to find exactly what you need lying around any boat launch or camp site. So simple you will be amazed how many minnows you can catch! The setting for this fishing tip is a beautiful wilderness stream located inside Puzzle Lake Provincial Park, Canada. Please rate this video. Thanks! Original Video By Wildernessoutfitters - Home of the Pathfinder School. www.youtube.com
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Totally improvised episode! Champion J Pepper returns to be manager for a day. Improvised shenanigans ensues. The Blame Society Facebook App: apps.facebook.com YOU CAN PLAY BLAMESOCIETY FACEBOOK GAME Join Baby Cookie's Facebook group! www.facebook.com Baby Cookie stickers now...
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www.creativeguitarstudio.com Search Andrew Wasson.com for FREE lesson Handouts. This Video: April 08, 2011 | Search Videos by Title/Date. GO TO: www.andrewwasson.com Andrew Wasson of Creative Guitar Studio answers a viewers question... Q: I've been working with my guitar teacher on soloing. We are using simple two chord jams covering 8 beats in 4/4 time. My problem is that my lines are not really sounding very good. They don't make much sense. Everything I play just sounds like twisting strands of detached notes. My teacher hasn't been of much help, he just keeps telling me to play with more soul and feeling. This frustrates me even more, because that kind of remark comes across as a really empty comment to me. I wish I could come to Creative Guitar and study with you, but your studio is over a thousand miles away. My birthday is May 21st, and I'm getting a webcam and I will definitely be ordering a Skype lesson from you. I really hope you can read and maybe even answer my question! Thanks for all that you do on YouTube! - Ian, Hamilton, ON. Canada A: For most players - the early days of soloing and making improvised music on the guitar can feel like there's a huge lack of musical sense. Some players I've taught here in the studio use blinding speed to cover this up, but this certainly doesn't solve the problem either. I can remember many years back when I was studying with Scott Henderson at GIT, he said several times that Music is a language and the sentences of your <b>...</b>
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www.creativeguitarstudio.com Search Andrew Wasson.com for FREE lesson Handouts. This Video: February 25, 2011 | Search Videos by Title/Date. GO TO: www.andrewwasson.com Andrew Wasson of Creative Guitar Studio answers a viewers question... Q #1). I have my scales down, but my soloing sucks when my friends and I jam on the weekends. I know my keys alright and I have a knowledge about major and minor but I still can't make a good lead. I need help. - Christopher, Hawaii Q #2). I've played guitar for eight years. I know my scales and some techniques, but I just can't use them to improvise a good solo. A lot of things are still too difficult and there is just no progression in my playing. What am I doing wrong? - Leon, Netherlands A: When it comes to guitar improvisation, there are several areas we need to target in order to develop the skill. The first area is; scale & arpeggio knowledge, (however if the scales are only learn't mechanically, then players will still have some difficulty with improvising, as I'm sure both Leon & Christopher will agree). The next point is that of licks and phrasing. In order to solo even a little, you will require some pre-learned licks and lines. Without them, it will be tough to phrase fluently. Finally, (probably the most important element to develop), is that of working on composing melodies. This will develop your ear. This is different from ear training, (which is about recognizing intervals). What I'm talking about is, working with a <b>...</b>
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Whilst hiking in Scotland with a fireind of mine we were discussing what we could use to improvise a possibles pouch and how neccessary was it to always carry one.
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I was messing with three camera editing...
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Sometimes called by the incipit "Коробушка" (Korobushka), this folk song (romanized "Korobeiniki") dates from the 1860s, though most people know of it from its use as the "Tetris A Theme" nearly 130 years later. Here, Tom reads a simple lead sheet (just the melody line with the chord names written on top) and embellishes it into different styles, including changing the rhythm to 3/4 and 5/4. I can't remember and can't find the Russian site from which I got this lead sheet (they had similar lead sheets for several Russian folk songs), but you can see it pretty clearly in this video, or view a copy of it (without the chord names) on this site: a-pesni.golosa.info (it's the second version -- though the first version does have chord names written on top only it's in E minor instead of G minor (and uses archaic European notation, where "H" is used instead of "B")). Of course, you game fans may notice that the version in Tetris was in A minor, so this performance may sound flat to you as the lead sheet is in G minor (which is how Tom "runs out of keyboard" at the end since the lowest note on a standard piano is an A, so he can't hit that low G he wants). The lyrics of the song are quite suggestive, about a peddler trying to peddle his wares to a girl who is not willing to pay the price at first. At least, that's what they mean at face value, but the implication of what the "wares" are and the "price" he wants her to pay is quite evident. Anyway, sorry about laughing so much <b>...</b>
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Unbelievable but true, this was completely unchoreographed! Just free style dancing from 2 amazing dancers! Jordan & Tatiana USA performed at the sydneysalsacongress.com.au 2009. Australia's Largest Latin Festival at States Sports Center - Sydney Olympic Park - Produced by Majic Events
(looking to form a hard rock/metal band, so if anybody in the middlands area is intrested let me know) Improvising to a jam track i made in Em, then when the jam track finishes im playing some of my riffs and improvising around them (and theres an airborne riff in there too) let me know what you think and please rate. people sometimes ask what im using so.. ESP ltd ec1000 dlx Line 6 spider III (with a tiny amount of delay) i dont like alot of effects, it just hides bad playing and lack of soul/creativity. ...a purple pick and my parents electricity if you want to hear music i have written www.myspace.com/stevoguitarist
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Improvisation #2 Music by Django Reinhardt Not sure this was literally an improvisation as Django recorded it a couple of times with only slight variation. Rather, I believe it to be a pre-conceived piece that is meant to have an improvised feel to it like a Schubert Impromptu, for example. In Michael Dregni's book "Django, The Life and Music of a Gypsy Legend" he describes 'Improvisation (#1)' as being completely made up on the spot in the recording studio. So it's entirely possible that I'm wrong and that #2 was recorded the same way. Then, when Django wanted to record it again, he already knew how it "went". One of the few pieces Django recorded fingerstyle. If only he'd lived to record more. Imagine an entire album of Django fingerstyle work!! One of the many what-if's we are sadly left to ponder. Learned by ear. I have nothing written down. Taylor NS54-ce, hybrid classical
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Double attack today! haha yay! I'm covering Avenged Sevenfolds' "Afterlife". Synyster Gates' solo is IMPOSSIBLE to decipher by ear, so I decided to improvise my own solo...I know it isnt the best...But whatever, its all for fun, right? If you liked what you saw, SUBSCRIBE and COMMENT! Thanks!
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For some strange reason, you can barely find this solo on youtube. So I decided to upload it for Jason's fans. This solo contains about all of Jason's techniques. Vibrato, Sweeppicking, Country lick, Vibrato with Bar, Divebombs, Alternate picking, String Skipping, Hybrid Picking and others. Gear: Carvin DC127, Marshall Amp, Alesis quadraverb jasonbeckerguitar.com Enjoy!
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Source of video: Improvised Suppressors-Secrets Of Silencing Firearms-Aqilifer DVD
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We cut open some shotgun shells and fill them with random things around the house to see how much damage they do.
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Harry (aka Harry The Piano) plays the Harry Potter Piano Theme Tune in (almost) every style known to man. This was not rehearsed and the cameraman barked out ideas for the arrangement on the fly while Harry improvised around the Harry Potter theme tune. There's a lot of piano notes, and you'd never be able to play this from the sheet music as it was improvised - see if you can hear the other song styles that are hidden in the deluge! More at www.harrythepiano.com
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The comedian Reggie Watts doesn't tell jokes: he's a pianist who can mimic any musical genre and a multilingual savant who's a genius with accents. Watts performs live in our studio and shows Kurt how he uses improvisation to make every show unique. For our full interview with Reggie Watts, visit: www.studio360.org
Here Shawn Lane plays a beautiful improvised Guitar Solo at the Sushi Community Centre, San Diego, on the 25th Jan 2001. He played this gig with Jonas Hellborg, Selvaganesh, Vikku Vinayakram, Umashankar and U. Shrinivas. I've been asked a number of times for this recording as an mp3, so here it is : www.speedyshare.com or www.megaupload.com Here's another video of Shawn playing a similar (amazing) Improv : www.metacafe.com You can buy a selection of Shawn's live gigs on DVD from Shawn's mum, Diane, at ShawnLane.com You can mingle and post with other fans of Shawn at : lanesblitz.com You can read back through litterally hundreds of cool and very informative posts at the Shawn Lane Yahoo group (dating back to 1999) here : launch.groups.yahoo.com (you have to join up) You can still read lots of interesting posts at the old Shawn Lane message board here : www.voy.com and www.voy.com Thanks to Mick for supporting Shawn over the years, as well as taping (and organising the taping of) many of Shawn's shows! .
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improvised (composed) by me on 13.3.2012
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This video is one of many which will be sprinkled into your planets "internet". Beardyman and Reggie Watts are humans who do stuff. Much of this stuff is unplanned, unrehearsed, spontaneous and thoroughly decent. Upon meeting they realized they had this in common and proceeded to book a studio to do it together. This happened.... whether you like it or not. Now go. . . go and tell the people on the street where it's at. . .for they do not know. . but soon they will. . and you shall be the spreader of the news. . . amen. . praise Tarvu. Editing by Martin Lye - mrmrlye@googlemail.com
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Buy my sheet music here: jaredplanemusic.musicaneo.com jplanemusic.blogspot.com - you can check out this video, and other videos by following this link. Upright and electric bassist Jared Plane plays an improvised solo bass piece on his Anderson Double Bass. The video was captured using a Lumix Digital Camera and the audio using a Zoom H4N Handy Recorder. This video was recorded on October 28, 2011. For other videos on jazz improvisation, check out my channel.
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Mia Shauri: Bellydance with Tambourine. August 27, 2007 at Aziza's Birthday Bash. Song: Drama Queen. Queen of Props and Improvisation. On 3:05 the music stops for a second and starts all over again. She improvised from that moment till the end. At 6:08 the music stops and starts again but she was exhusted, so she made a cute "no no no" sign to finish her performance. That is why I said she is the Queen of Improvisation. Mia Shauri is the Belly Dancer of the Universe 2008 and the 1st Runner Up in Belly Dancer of the Year 2008 - Universal BDUC. رقص شرقي
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FOREVER ARMED A Combative Guide To The Use Of Improvised Weapons Featuring Michael D. Janich www.staysafemedia.com Most self-defense programs recognize the tremendous potential of improvised weapons as viable defensive tools. Unfortunately, much of what is taught concerning their use is either incomplete or misguided, untested theory. To really employ improvised weapons in personal defense, you need more than James Bond-style tricks; you need sound tactics, planning and preparation, environmental awareness, and a solid training methodology. Renowned personal-protection instructor Michael Janich presents just such a plan in FOREVER ARMED. A complete mini-system, FOREVER ARMED presents three basic combative tactics that can turn almost any object that can be wielded with one hand into a potent defensive weapon. Concentrating on simple gross-motor-skill movements, Janichs system reveals how the physiological potential of these movements can generate both offensive and defensive tactics that can be used to defend against many common street attacks. In addition to the tactics themselves, Janich teaches a parallel series of reflex training or flow drills that not only accelerate the learning process, but also allow you to safely increase the intensity of your practice to simulate the adrenalized stress of a real street encounter. In addition to one-handed weapons, FOREVER ARMED also presents straightforward, easy-to-learn tactics for the use of two-handed weapons and takes a <b>...</b>
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www.rockyleon.com yo. i had this loop in my head today so i recorded it, cut out some breaks and videoed myself singing some random improvised scat and playing some lead guitar. this is similar to what i do live, but when i play live you also get to watch me record the loop.
Full interview at www.emmytvlegends.org
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