From a wonderful "Le Nozze di Figaro" conducted by Georg Solti at Paris Opera Garnier in 1980. The very famous stage production by Giorgio Strelher. Fabulous cast : Jose Van Dam (Figaro), Lucia Popp (Susanna), Gundula Janowitz (Contessa Almaviva), Gabriel Bacquier (Almaviva), Federica Von Stade (Cherubino), Jane Berbié (Marcellina).
Frederica von stade lucia popp gundula janowitz bacquier van dam figaro Mozart opera muezzab
From a wonderful "Le Nozze di Figaro" conducted by Georg Solti at Paris Opera Garnier in 1980. The very famous stage production by Giorgio Strelher. Fabulous cast : Jose Van Dam (Figaro), Lucia Popp (Susanna), Gundula Janowitz (Contessa Almaviva), Gabriel Bacquier (Almaviva), Federica Von Stade (Cherubino), Jane Berbié (Marcellina). The marvelous Contessa-Susanna duet. Great testimony of those two great ladies...
Federica von stade lucia popp gundula janowitz bacquier van dam figaro Mozart opera muezzab
www.vaimusic.com Gundula Janowitz sings "Dich, teure Halle" From: VAI DVD 4458 Gundula Janowitz in Concert The uniquely beautiful and radiant voice of soprano Gundula Janowitz is heard in this 1970 live concert, featuring arias from Giulio Cesare, Don Giovanni, Der Freischütz, Attila, Tosca, and Tannhäuser. The Graz Philharmonic Orchestra, under the direction of Berislav Klobucar, rounds out the program with the Overtures to Giulio Cesare, and I Vespri Siciliani. Includes optionalEnglish, French, German, Italian, and Spanish subtitles. 54 minutes, Black & white, mono, All regions. TO PURCHASE THE COMPLETE DVD, PLEASE VISIT www.vaimusic.com OR CALL TOLL-FREE IN THE US 1(800)477-7146 (OUTSIDE OF THE US, CALL 914-769-3691).
Richard Wagner Gundula Janowitz Classical Music Opera Berislav Klobucar video artists international vai vaimusic dich teure halle concert vocal soprano live Giulio Cesare Don Giovanni Der Freischütz Attila Tosca Tannhäuser Stefaniensaal Graz Philharmonic orchestra Upscale Prestige Masterpiece
Capriccio, A Conversation Piece for Music in One Act, by Clemens Krauss and Richard Strauss (1864 -1949), first performed in Munich, October 28, 1942. Opera climax, complete. Gundula Janowtiz, soprano. Karl Böhm, conductor. [English translation} (Countess Madeleine singing from the sonnet to which music has been added:) ""Your image in my ardent bosom glows, Enthroned there to keep my heart on fire; Where you reside, there dwells my sole desire; In vain would Venus beckon if she chose. What joy, what pain your gentle eye bestows; Indeed, one gaze can wild despair inspire; The next restore my fondest hope entire. Your glances deal me life or mortal blows."" In vain do I try to keep them apart, for words and music are blended together to form a single creation. Mysterious experience, finding one art restored by the other. ""Were yet my days prolonged beyond all measure, No other being's favour would I treasure, No other passion can compel my heart. All through the waking hours my thoughts enfold; All night my slumbering eyes in dreams behold; Thus shall it be till from this earth I part."" How their love is rising to meet me, tenderly woven of verses and music. How can I tear this delicate fabric? Am I myself not part of its texture? To make a decision? For Flamand, the noble spirit with the ardent glance, for Olivier, the stalwart soul. the impassioned man? Well, dearest Madeleine, what says your heart? Ah, you are loved, but whom do you love now? Oh, but it was sweet not <b>...</b>
Gundula Janowitz Capriccio Richard Strauss opera voice sfkcbf
www.vaimusic.com Gundula Janowitz sings "Tosca - Vissi d'arte" (Puccini) From: VAI DVD 4458 Gundula Janowitz in Concert The uniquely beautiful and radiant voice of soprano Gundula Janowitz is heard in this 1970 live concert, featuring arias from Giulio Cesare, Don Giovanni, Der Freischütz, Attila, Tosca, and Tannhäuser. The Graz Philharmonic Orchestra, under the direction of Berislav Klobucar, rounds out the program with the Overtures to Giulio Cesare, and I Vespri Siciliani. Includes optionalEnglish, French, German, Italian, and Spanish subtitles. 54 minutes, Black & white, mono, All regions. TO PURCHASE THE COMPLETE DVD, PLEASE VISIT www.vaimusic.com OR CALL TOLL-FREE IN THE US 1(800)477-7146 (OUTSIDE OF THE US, CALL 914-769-3691).
Giacomo Puccini Gundula Janowitz Tosca Vissi d'arte Classical Music Opera Sing Berislav Klobucar concert vocal soprano live Stefaniensaal Graz Philharmonic orchestra Upscale Prestige Peaceful Tranquil Hypnotic Masterpiece video artists international vai vaimusic
From a wonderful Mozart's "Le Nozze di Figaro" conducted by Georg Solti at Paris Opera Garnier in 1980. The very famous stage production by Giorgio Strelher. Fabulous cast : Jose Van Dam (Figaro), Lucia Popp (Susanna), Gundula Janowitz (Contessa Almaviva), Gabriel Bacquier (Almaviva), Federica Von Stade (Cherubino), Jane Berbié (Marcellina). The marvelous Contessa-Susanna duet. Great testimony of those two great ladies...
Frederica von stade lucia popp gundula janowitz bacquier van dam figaro Mozart opera muezzab
www.vaimusic.com Gundula Janowitz sings "Don Giovanni - Crudele?... Non mi dir" (Mozart) From: VAI DVD 4458 Gundula Janowitz in Concert The uniquely beautiful and radiant voice of soprano Gundula Janowitz is heard in this 1970 live concert, featuring arias from Giulio Cesare, Don Giovanni, Der Freischütz, Attila, Tosca, and Tannhäuser. The Graz Philharmonic Orchestra, under the direction of Berislav Klobucar, rounds out the program with the Overtures to Giulio Cesare, and I Vespri Siciliani. Includes optionalEnglish, French, German, Italian, and Spanish subtitles. 54 minutes, Black & white, mono, All regions. TO PURCHASE THE COMPLETE DVD, PLEASE VISIT www.vaimusic.com OR CALL TOLL-FREE IN THE US 1(800)477-7146 (OUTSIDE OF THE US, CALL 914-769-3691).
Wolfgang Amadeus Mozart Gundula Janowitz Don Giovanni Classical Music Opera Sing Berislav Klobucar Crudele... Non mi dir concert vocal soprano live Der Freischütz Attila Stefaniensaal Graz Philharmonic orchestra Upscale Prestige Masterpiece video artists international vai vaimusic
David Reynolds talking about talking; Brigid Berlin talking to Andy Warhol about being filmed talking; Tama Janowitz talking to David Reynolds about Andy Warhol's involvment with "Slaves of New York" screenplay, at "A Certain Age" book signing in New York City.
Warhol Andy Berlin Brigid Janowitz Tama Johnson Jed Polk Brigit Reynolds David 23
THIS PART IS FOR YOUR FAVORITES! Gundula Janowitz? Do you agree with her placement in a favorite-list? Please comment! Gundula Janowitz, Soprano (born 1937) Johann Strauss II - Die Fledermaus Klänge der Heimat (Czardas) Conductor: Karl Böhm (Recorded 1972 ) My personal opinion: Herbert von Karajan became her mentor in the late 1950s. This is of course a remarkable point in her biography, but Gundula Janowitz didn´t need it at all. With or without the maestro, she advanced to one of the finest sopranos the post-war decades saw. Born in Berlin, she grew up in Austria, studied in Graz (Hubert Thöny) and was heard at the end of the 1950s in "Schöpfung" with Karajan. We know almost all kind of sopranos, the big, loud, spectacular and ravishing - Janowitz´ voice was a noble instrument with bright pure, almost intramundane sound, only little vibrato and excellent breath-control. She was one of those intimate singers in the line of Elisabeth Grümmer, the timbre was similar. The voice of Miss Janowitz was exceptional lyrical, despite this she sang some dramatic parts. I remember her Leonore ("Fidelio"). My personal favorite is her intelligent funny Rosalinde which she sang with the "grandezza" of a Mozart-Singer (In my own opinion far better than the high-praised portrayal of Hilde Güden, who really in fact was a soubrette). Unforgetable Miss Janowitz´ Countess in "Nozze di Figaro" or Pamina. Her repertoire ranked from Baroque to Richard Strauss, she sang with almost every great <b>...</b>
Gundula Janowitz Mozart Strauss Böhm Fledermaus Nozze Figaro Cosi fan tutte Karajan Vienna 100 Singers
Gundula Janowtiz, soprano, In truitina / Dulcissime, from Carmina Burana, by Carl Orff, recorded 1968 with Eugen Jochum. In truitina (In the balance) In truitina mentis dubiaIn / The wavering balance of my feelings / fluctuant contrariaset / against each other / lascivus amor et pudicitia.lascivious / love and modesty. Sed eligo quod video, / But I choose what I see, / collum iugo prebeo: / and submit my neck to the yoke; / ad iugum tamen suave transeo. / I yield to the sweet yoke. Dulcissime (Sweetest one) Dulcissime, / Sweetest one! / Ah! totam tibi subdo me! / I give myself to you totally!
Gundula Janowitz soprano Carl Orff Carmina Burana In truitina Dulcissime sfkcbf
These two pieces are taken from the 1968 Carmina Burana that was conducted by Eugen Jochum and was approved by Carl Orff himself. In 'In trutina', I think Janowitz captures both the necessary naivety and the underlying passion that makes the character finally choose the boy rather than chastity. In 'Dulcissime'. she sings with unbridled ecstasy. All of this wrapped in Janowitz's voice of unrivalled beauty. To my ear and mind, neither of these performances have ever been eualled; no wonder Orff gave his seal of approval to this version.
GUNDULA JANOWITZ Carmina Burana Orff In trutina Dulcissime dan 1453
Gundula Janowitz, soprano - Herbert von Karajan, Berlin Philharmonic - Live recording, Salzburg 1978
Gundula Janowitz sings Ave Maria, by Schubert Irwin Gage, Piano Gundula Janowitz's voice is distinguished by its very bright, pure, tremolo-free sound with little vibrato and its even breathing technique, and it kept its youthful, angelic tone and its freshness
Ave Maria Franz Peter Schubert Lied Austria Vienna Schoenbrunn Palace Österreich Wien Schloss Schönbrunn manymanero
WA Mozart "Le Nozze di Figaro" Act IIl Susanna "Canzonetta Sull'aria - Che Soave Zefiretto" Lucia Popp - Susanna Gundula Janowitz - La Contessa di Almaviva Conductor: Sir Georg Solti Orchestra: London Philharmonic Orchestra Live: Paris, 1981 (Live) Tribute to Great Soprano Lucia Popp on her birthday, 12 November The action of The Marriage of Figaro is a continuation of the plot of The Barber of Seville several years later, and recounts a single "day of madness" (la folle giornata) in the palace of the Count Almaviva near Seville, Spain. Rosina is now the Countess; her husband, the Count (a scheming middle-aged baritone, rather than the romantic youthful tenor of Rossini's Barber) is seeking the favors of the Countess' maid and confidante, the young Susanna, who is about to wed her fiancé, Figaro, the Count's valet. In an effort to pursue his amorous designs towards Susanna, the Count keeps finding excuses not to perform the civil part of the wedding of his two servants, which is arranged for this very day. When the Count detects the interest of the adolescent page, Cherubino (a breeches role), in the Countess, he tries to get rid of Cherubino by giving him an officer's commission in his own regiment. Figaro, Susanna, and the Countess conspire to embarrass the Count and expose his scheming. Meanwhile Figaro has been caught up in a dispute with Bartolo and Marcellina, which ends when he is revealed to be their long lost, out-of-wedlock son. The Count and Don Bartolo are <b>...</b>
Lucia Popp Rusalka Song to the moon Bartard Bride Mozart Le Nozze di Figaro Canzonetta Sull'aria Che Soave Zefiretto Conte Almaviva Susanna Bartolo Cherubino Contessa Sevilla Opera Buffa Praha Prague Vienna Wien Beaumarchais Da Ponte Don Giovanni Zerlina La Clemenza Tito Cosi Fan Tutte Edith Mathis Gundula Janovitz fairlytaleofnewyork Rosenkavalier Sophie Vitellia Die Fledermaus Mein Herr Marquis Adele Rosalinde Johann Strauss Merry Widow Franz Lehar Shawshank Redemption
Ludwig van Beethoven Fidelio In the Orange old theatre (France) Gundula Janovitz, Jon Vichers, Theo Adam New Philarmonia conducted by Zubin Metha Fidelio (Op. 72) is a German opera in two acts, it is the only opera by Beethoven. The opera tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. The story fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism and eventual triumph (the usual topics of Beethoven's "middle period") with its underlying struggle for liberty and justice mirroring contemporary political movements in Europe.
Beethoven Fidelio I 6 Prisoners Chorus Mehta Janowitz Vickers Adam Arionia Tellus
Gundula Janowitz, Mozart: Miser dove son! / Ah, non son io che parlo, K.369. Libretto by Metastasio for the opera Ezio. Fulvia's father Massimo chastises her for planning to reveal his treason to her emperor husband. Fulvia bewails her fathers treachery and her own predicament. Fulvia sings that it is not she who speaks, but her grief. Recitative: Oh, deadly thoughts, oh, memories, oh, martyr! In the aria, she asks for a thunderbolt from heaven "un fulmine gli chiedo (I ask of it a thunderbolt). Recorded 1966.
Gundula Janowitz Mozart Misera dove son soprano concert aria classical sfkcbf
Fiordiligi's aria "Ei parte, senti" from Act II, "Cosi fan tutte," K.588. SEVENTH SCENE, Recitative: He's left me ... listen ... Ah no! Let him go. Let my sight be free of the unlucky object Of my weakness. To what a pass This cruel man has brought me! This is a just reward for my sins! Was this the time For me to heed the sighs Of a new lover, to make sport Of another's sighs? Ah, rightly You condemn this heart, o just love! I burn, and my ardour is no longer The outcome of a virtuous love: It is madness, Anguish, remorse, repentance Fickleness, deceit and betrayal! No. 25 - Rondo: In pity's name, my dearest, forgive The misdeed of a loving soul; Oh God, it shall evermore be hidden Among these shady bushes. My courage, my constancy Will drive away this dishonourable desire And banish the memory Which fills me with shame and horror. And who is it whom This unworthy heart has betrayed? Dear heart, your trust deserved A better reward!
Gundula Janowitz Mozart arias soprano opera Cosi fan tutte sfkcbf
the wonderful, ultramundane voice of Gundula Janowitz performing Richard Strauss's Vier Letze Lieder (1948). Directed by Herbert von Karajan conducting the Berlin Philarmonic Orchestra, in Berlin, 1973.
Live performance, 20 March 1985, Paris, Théâtre des Champs Élysées, Orchestre National de France, Chœur de Radio-France, Jeffrey Tate (conductor) Act I Scene III Quartet from WA Mozart's opera "Don Giovanni" Donna Anna: Cheryl Studer Donna Elvira: Gundula Janowitz Don Giovanni: Hermann Prey (1929 - 1998) Don Ottavio: Gösta Winbergh (1943 - 2002)
wolfgang amadeus mozart don giovanni non ti fidar donna anna cheryl studer ottavio gösta winbergh hermann prey elvira gundula janowitz jeffrey tate orchestre national de france Scalatti
A visit to Piaui (cities of Paraiba and Teresina) a remote,poor but well kept Brasilian state.I took lots of pictures of this "other"condition humaine.Iwanted to share it with the community. The oratorio "the seasons" "Die Jahreszeiten" by Joseph Haydn came in my mind.In particular the aria of the soprano "Welche Labung fur die Sinne" from the part bearing the tittle "the spring". Enjoy this magnificent music which is amazingly interpretated by a reference soprano, Gundula Janowitz.This is also my way to pay my deepest respects to this wonderful singer who kept me company quite often especially in Mozart's arias. Berliner Philharmoniker Herbert von Karajan 1973
karajan gundula janowitz haydn seasons jahreszeiten spring piaui welche labnung aria oratorio classical brasil pslogge
Arabella, Act 1 Gundola Janowitz Wiener Philharmonniker, Georg Solti. From a 1977 film directed by Otto Schenk.
Live performance, 20 March 1985, Paris, Théâtre des Champs Élysées, Orchestre National de France, Chœur de Radio-France, Jeffrey Tate (conductor) Act II Scene II Sextet from WA Mozart's opera "Don Giovanni" Donna Anna: Cheryl Studer Donna Elvira: Gundula Janowitz Don Ottavio: Gösta Winbergh (1943 - 2002) Zerlina: Krisztina Laki Leporello: Malcolm King Masetto: Marcel Vanaud
wolfgang amadeus mozart don giovanni sextet sestetto donna anna cheryl studer ottavio gösta winbergh elvira gundula janowitz zerlina krisztina laki leporello malcolm king masetto marcel vanaud jeffrey tate orchestre national de france Scalatti
The wonderful Austrian soprano Gundula Janowitz, sings Ilia's aria from the 1st Act. "Padre, germani, addio!" 1964, London w/ Pavarotti. Hear him sing "Non Ho Colpa" from the same live performance on my channel.
Gundula Janowitz Luciano Pavarotti Idomeneo live opera Mozart soprano tenor 1964 padre germani addio operavoices 101
Stabat Mater in F minor for soprano, contralto, strings & bass continuo Live Performance at the Salzburger Festspiele, Austria in 1968 1. Movement: Stabat Mater dolorosa Gundula Janowitz, soprano Maureen Forrester, contralto Berlin Philharmonic Claudio Abbado, conductor
Gundula Janowitz Maureen Forrester Claudio Abbado Berlin Philharmonic Giovanni Battista Pergolesi Stabat Mater dreioktaven
[ Also see new video version uploaded 2011: www.youtube.com ] Going to Sleep (Beim Schalfengehen) from Richard Strauss Vier letzte Lieder (Four Last Songs), text by Hermann Hesse. Gundula Janowitz, soprano. Video version no.1. NOTE: I created and uploaded a 2nd video version of this beautiful song 26 January, 2011, which better satisfies me than this older one. Nun der Tag mich mud gemacht, Soll mein sehnliches Verlangen Freundlich die gestirnte Nacht Wie ein mudes Kind empfangen. Now that day has tired me, My spirits long for Starry night kindly To enfold them, like a tired child. Hande, lasst von allem Tun, Stirn, vergiss du alles Denken, Alle meine Sinne nun Wollen sich in Schlummer senken. Hands, leave all your doing; Brow, forget all your thoughts. Now all my senses Want to sink themselves into slumber. Und die Seele unbewacht Will in freien Flugen schweben, Um im Zauberkreis der Nacht Tief und tausendfach zu leben. And the soul unwatched, Would soar in free flight till, in the magic circle of night, It lives deeply and a thousandfold.
Gundula Janowitz soprano Richard Strauss Vier letzte Lieder Four Last Songs classical sfkcbf
HMI Graduation 2010 - Bud Janowitz Scholarship Award received by Christy and Frank Banos. www.hypnosis.edu/webtv
hypnosis hypnotherapy hypnotized trance subconscious mind college media hypnothoughts social networking group free members online connect network school hmi aha behavior therapy counseling motivation institute mental bank john kappas george past life regression emotional physical suggestibility somnambulist hollis bostick success successful practice office business graduate alumni nlp neuro linguistic programming sexuality hypnotism graduation award hypnotic web tv hmiweb
Ludwig van Beethoven Fidelio In the Orange old theatre (France) Gundula Janovitz, Jon Vichers, Theo Adam New Philarmonia conducted by Zubin Metha Fidelio (Op. 72) is a German opera in two acts, it is the only opera by Beethoven. The opera tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. The story fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism and eventual triumph (the usual topics of Beethoven's "middle period") with its underlying struggle for liberty and justice mirroring contemporary political movements in Europe.
Beethoven Fidelio II 5 Mehta Janowitz Vickers Adam Arionia Tellus
