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this little gem has John performing 'cherokee' with the 'tonight show' band circa 1985. Who said Mclaughlin can't swing? Enjoy!
Clapton Fest with J.McLaughlin and hees band: Vinnie Colaiuta....Drums Matthew Garrison..Bass Gary Husband........Key Sorry Bad videoformat.
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ma no pa with echo's of Lyla's dance from visions of the emerald beyond in the intro John McLaughlin (guitar) Zakir Hussain (tabla) V Selvaganesh (percussion) U Shrinivas (mandolin)
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Like candyrat, Andy Mckee, michael hedges, fingerstyle guitar? Here is an amazing video of tapping style acoustic guitar pioneer Billy McLaughlin now playing left-handed! Why is he playing left-handed? www.billymclaughlin.com http
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NOTE: I do not own anything in this video. The movie "Enchanted" is owned by Walt Disney. All copyright goes to Walt Disney, Jon McLaughlin and to everyone who really owns this video. I'm just sharing this clip to the world. ;) Music Video of Giselle and Robert dancing from Walt Disney's Enchanted: You're in my arms And all the world is calm The music playing on for only two So close together And when I'm with you So close to feeling alive A life goes by Romantic dreams will stop So I bid mine goodbye and never knew So close was waiting, waiting here with you And now forever I know All that I wanted to hold you So close So close to reaching that famous happy end Almost believing this was not pretend And now you're beside me and look how far we've come So far we are so close How could I face the faceless days If I should lose you now? We're so close To reaching that famous happy end And almost believing this was not pretend Let's go on dreaming for we know we are So close So close And still so far
www.myspace.com www6.islandrecords.com LYRICS: Head down as I watch my feet take turns hitting the ground eyes shut, I find myself in love racing the Earth and I soaked in your love and love is right in my path, in my grasp and me and you belong I wanna run, run smack into you I wanna run, run, smack into you ears closed, what I hear no one else has to know cause' I know that what we have is worth first place in gold and I soaked in your love and love is right in my path, in my grasp and me and you belong and I, I wanna run, run smack into you I'm willing to run, run smack into you Head down as I watch my feet take turns hitting the ground eyes shut, I'm in love and I'm racing the Earth and I soaked in your love and love is right in my path, in my grasp and me and you belong and I wanna run, run smack into you I'm willing to run, run smack into you I'm willing to run run run run run ooh ooh ooh ooh I wanna run, run smack into you I'm willing to run, run smack into you
The original line-up at their awesome peak. Billy Cobham is particularly on fire. To get a taste of what MO were like live; slap on some cans and max the volume until your ears want to bleed :) Recorded at Bananafish Garden NY 1973
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Follow us on Facebook: www.facebook.com Listen on Spotify: bit.ly Download on iTunes: bit.ly Download on Beatport: bit.ly Something's in the air, and its quickly approaching. It's thicker than air, carried upon a musical breeze. If you want to know what we're talking about, turn up the volume, close your eyes and let the new Fill Tilt single take over. 'Calling My Name' is ready to rock. Irish producers Timmy Gibson & Tommy Conway have a reputation to keep up. Their work under the Timmy & Tommy and Full Tilt aliases have ever surprised the clubbers -- riding a sound that doesn't let itself be caught in a one-word-description. Their music has to be felt -- and that's exactly what you'll experience when listening to 'Calling My Name'. The lush voice of Deirdre McLaughlin grabs you from the very moment she drops her first note, riding a feel-good piano flow and contagious melody. 'Calling My Name' is an anthem that will do well on the radio, down the clubs and during highlight moments at the globe's biggest festivals. A track to instantly fall in love with!
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www.premierguitar.com PG's Jason Shadrick is On Location in Milwaukee, WI, where he catches up with guitarist John McLaughlin. In this Rig Rundown video segment, McLaughlin talks to us about using his Godin Freeway because of its tone and MIDI capabilities which are a big part of McLaughlin's current touring setup. In addition, McLaughlin talks about his use of effects Seymour Duncan Twin Tube Classic, MXR Carbon Copy Delay, and a MXR Stereo Chorus. Even a guitar pick can't be overlooked, during his 2010 tour McLaughlin was using a Dunlop Jazz 3 picks, but he would scrap down the pick to get a better grip and playability. For more Rig Rundown exclusive videos, or to be on the latest news, reviews, demos, and videos, be sure to visit www.premierguitar.com
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John playing a very nice version of 'my foolish heart'. On spanish tv I believe, around 1980
Are you the one? Goodbye porkpie hat. taken from German tv show 1987
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From my concert with Jennifer Thomas on November 24, 2007. The song, Winter Solsticel, is from my holiday album, Christmas - Plain & Simple. Learn more about me and my music at www.michelemclaughlin.com. Thank you!
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John McLaughlin, Jean Luc Ponte and Narada Michael Walden,Ralph Armstrong and Gayle Moran in Switzerland in 1974. See more @ kristalball.com
Human by Jon McLaughlin off of his first studio album Indiana. Lyrics: Can you tell me how we got in this situation? I can't seem to get you off my mind. All these ups and downs, they trip up our good intentions. Nobody said this was easy ride. After all, we're only human, always fighting what we're feeling, hurt instead of healing. After all, we're only human. Is there any other reason why we stay instead of leaving, after all? Can we get back to the point of this conversation, when we saw things through each others eyes? 'Cause now all I see is ruin and devastation. We all need some place we can hide inside, and... After all, we're only human, always fighting what we're feeling, hurt instead of healing. After all, we're only human. Is there any other reason why we stay instead of leaving? I'm smart enough to know, that life goes by, and it leaves a trail of broken hearts behind. If you feel I'm letting go, just give me time. I'll come running to your side. Can you tell me how we got in this situation? I cant seem to get you off my mind, 'cause... After all, we're only human, always fighting what we're feeling, hurt instead of healing. After all, we're only human. is there any other reason why we stay instead of leaving? After all, we're only human, always fighting what we're feeling, hurt instead of healing. After all, we're only human. Is there any other reason why we stay instead of leaving, after all... Any other reason, to stay instead of leaving, after all? Yeah...
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This is John McLaughlin and band playing 'Mothers Tongue', cut from a special about the artists who were going to play at NSJF that year. There are two other parts, one about the Rosenberg Trio and one about pianist Michel Petrucciani.
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Festival Jazz Sous Les Pommiers 14 mai 2010 France Review In the liner notes for To the One, guitarist John McLaughlin writes a brief essay about the profound inspiration John Coltrane's A Love Supreme had on him musically and spiritually. In the Mahavishnu Orchestra, that debt was obvious; on Love Devotion Surrender, with Carlos Santana, the pair covered its title theme. McLaughlin even paid direct homage to the saxophonist on 1995's After the Rain, which featured not only Coltrane's material, but drummer Elvin Jones as well. With his group the 4th Dimension -- Gary Husband on keyboards and occasional drums; Mark Mondesir on drums; and Cameroonian bassist Etienne M'Bappé -- McLaughlin explores an electric jazz that is deeply and directly indebted to Coltrane's modal music and lyric interplay, and also to the emotional and spiritual aspects of the saxophonist's expressions. On set opener "Discovery," carefully chosen keyboard modes drive McLaughlin's attack around a melodic statement without actually succumbing to a specifically agreed-upon theme. Likewise Husband's piano solo, which uses the middle and high registers, and offers arpeggios and ostinatos around his own articulation of the modes, playing right into them the way McCoy Tyner would. Guitar and keyboards go head to head later in the track to breathtaking result. "Special Beings," by contrast is a lithe, shimmering, melodic ballad that actually swings. The bass playing byM'Bappé, while understated, here creates <b>...</b>
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This song reminds me of my grandmother who passed away a few years ago due to colon cancer. :[ Getting over her death was really hard for me, but I know that she's in a much better place now. She's probably watching over me in heaven, and I'm looking forward to seeing her there :] I heard this song one day and I just wanted to share this song with you guys. I think it's beautiful... :] Grandma... I love you and miss you ♥ ---edit--- Grandpa too... RIP grandpa I miss you soo much.. 8/13 :[
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This great track is taken from the live album "Remember Shakti" (Disc 1) of Zakir Hussain & John McLaughlin (Released 1999). Zakir Hussain is considered the greatest tabla player on earth. Englishman John McLaughlin is thought by many to be one of the best guitarist on earth. Pandit Hariprasad Chaurasia is considered a rare combination of innovator and traditionalist. He has expanded the expressive possibilities of the bansuri through his masterful blowing technique. TH "Vikku" Vinayakaram is the leading ghatam player, effectively accomplishing more than any other ghatam player before him to popularize the instrument on a global level. An intuitive combination of styles and one of the best examples of what one deems music to be. Listen & Enjoy it. Personnel includes: Zakir Hussain (vocals, tabla, percussion) John McLaughlin (acoustic guitar) Pandit Hariprasad Chaurasia (bansuri flute) Thetakudi Harihara "TH Vikku" Vinayakram (ghatam) Uma Metha (tanpura) Written by John McLaughlin Recorded live during the 1997 UK tour Produced by John McLaughlin
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This is the only high-quality version I've heard of this jam, out of several - including falsely titled ones. It's also the best part (being just before the Driving South section). Why John only took an acoustic guitar (with pickup) to the 'gig' in anyone's guess - I'm sure he had others at the time. Although he couldn't have used one of Jimi's, without re-stringing it first. Which reminds me - I've finally bought a proper Fender Stratocaster (white, left-handed), after years of owning copies and Strat-style guitars (with all the others). Look forward to hearing it, when I get around to making some new recordings. My home: www.myspace.com
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