Difference between vocal Soprano and mezzo-soprano
Difference between vocal Soprano and mezzo-soprano in the high notes of Una Voce poco fa. _____________________________________________________________ Diferença vocal entre A Soprano ea Mezzo-soprano, timbres, Coloraturas, leggato e estaccato. em notas agudos da aria Una voce poco fa da Opera O Barbeiro de Sevilha de Rossini.
Difference between vocal Soprano and mezzo-soprano in the high notes
Carmen Seguidilla: Rinat Shaham mezzo-soprano
Rinat Shaham, or as her fans know her "Rini" is the best Carmen on the Opera Scene today. This is my favourite rendition of Carmen's Seguidilla Aria (with Gordon Gietz as Don Jose), taped: May 2005. join Rinat's fanclub on Facebook: www.facebook.com
shaham Opera Carmen Rinat Seguidilla hagai singer Mezzo Soprano
Naomi O' Connell, Mezzo-soprano (Rossini)
Naomi O'Connell and Brent Funderburk (piano) perform Rossini's song cycle "La Regata Veneziana" at the Steans Musical Institute at Ravinia: Anzoleta avanti la regata Anzoleta co passa la regatta (03:36) Anzoleta dopo la regata (06:05) Song translations: www.recmusic.org Hailed by the New York Times as "a radiant mezzo-soprano," Naomi O'Connell is the First Prize Winner of the 2011 Concert Artists Guild Victor Elmaleh Competition, and she also garnered First Prize at the Altamura/Caruso International Voice Competition, which took place just two weeks after CAG's 60th Annual International competition in October. In the past year, Ms. O'Connell performed with the New York Festival of Song in their 'Roadtrip' concert at Alice Tully Hall, where critics hailed her performance as "evocative, appealing and expressive". In January, she performed for the Juilliard FOCUS! Festival, which was be podcast worldwide by WQXR's Q2 channel. Ms. O'Connell made her Lincoln Center debut last March in the Juilliard Honors Recital at Alice Tully Hall with pianist Brent Funderburk. She spent the summer 2011 at the Marlboro Music Festival in Vermont and the Steans Musical Institute at Ravinia where performed chamber music including Ravel's Chansons Madécasses, Strauss' Op. 27 songs, Rossini's La Regata Veneziana and Bernstein's Arias and Barcarolles. Upcoming engagements include the role of Zerlina in the Juilliard Opera production of Don Giovanni in April 2012, and her professional operatic <b>...</b>
Naomi O'Connell Concert Artists Guild Rossini La regata venezianna Brent Funderburk Mezzo-soprano Steans Music Institute Ravinia
Frank Bridge: Three Songs for Mezzo-Soprano, Viola, and Piano (1907)
Rebecca Ringle, Mezzo-Soprano Luke Fleming, Viola, Roger Steptoe, Piano Three Songs for Mezzo-Soprano, Viola, and Piano (1907) Frank Bridge (1879 -- 1941) I. Far, far from each other Matthew Arnold (1822 -- 1888) Far, far from each other our spirits have flown, And what heart knows another? Ah! Who knows his own? Blow, ye winds! Lift me with you! I come to the wild. Fold closely, O nature! Thine arms round thy child. Ah, calm me! Restore me and dry up my tears. On thy high mountain platforms, where morn first appears. II. Where is it that our soul doth go? Heinrich Heine (1797 -- 1856), trans. KF Kroeker One thing I'd know, When we have perished, Where is it that our soul doth go? Where, where is the fire, that is extinguished? Where is the wind? Where is the wind but now did blow? Where is it? Where is it? Where is it that our soul doth go? When we have perished. III. Music, when soft voices die Percy Bysshe Shelley (1792 -- 1822) Music, when soft voices die, Vibrates in the memory. Odours, when sweet violets sicken, Live within the sense they quicken. Rose leaves, when the rose is dead, Are heaped for the belovèd's bed. And so my thoughts when thou art gone, Love itself shall slumber on.
Luke Fleming Viola Attacca Quartet Marlboro Music Frank Bridge Three Songs Rebecca Ringle Roger Steptoe Mezzo Soprano Voice Shelley Heine Matthew Arnold English British Brahms Op. 91
Malena Ernman (Mezzo-Soprano) Vocal Range 3.5 octaves {C3-F6}
The prodigious vocal range of Swedish mezzo-soprano Malena Ernman, a singer whose vocalism I admire. Her voice has the richness of a contralto but her upper register is free like that of a soprano, and she has natural agility. She is versatile enough to sing both opera and pop. Given her range, agility and versatility, I consider her a true Soprano Sfogato.
Malena Ernman vocal range mezzo-soprano sfogato assoluta maria callas bel canto opera octaves head voice chest contralto mariah carey eurovision
Mezzo-Soprano Marilyn Horne
Legendary mezzo-soprano Marilyn Horne discusses her career in music and her return to Carnegie Hall. Her acclaimed vocal festival "The Song Continues..." takes place January 1922, and includes master classes with renowned artists, including Ms. Horne, conductor James Levine, and pianist Warren Jones, and recitals by Marilyn Horne Foundation artists and special guests.
Mezzo soprano recording GF Handel "I know my redeemer liveth"
Recording a college demo at age 17 www.facebook.com www.puretalentonline.com
natasha poholka mezzosoprano opera classical messiah ceciliabartoli reneefleming federicavonstade
Beautiful Mezzosoprano Voice A capella
Download: www.ziddu.com When I must once and for all depart, then do not depart from me; when I must suffer death, then stand by me; when my heart will be most fearful, then snatch me from the terrors by the virtue of your own fear and pain! Appear to me as my shield, as comfort in my death, and grant that I may see your image in your agony on the cross! Then I shall look towards you, then full of faith I shall press you closely to my heart. To die in this way is to die well.
wenn ich einmal soll scheiden bacio di tosca capella mezzosoprano Dörthe Flemming dark voice deep low lowest gothic song music
Mezzo Soprano sings "Habanera" - at Kendal Spring Concert
Singing with the Kendal chorus, conducted by Rosemarie Serrano. www.facebook.com www.puretalentonline.com
natasha poholka habanera ceciliabartoli fredericavonstade katherinejenkins opera carmen teenageoperasinger
Milla Edelman, Dramatic Mezzo Soprano, Yiddish song: "ich hob..."
Milla Edelman, Dramatic Mezzo Soprano, Yiddish song: "ich hob..."
Milla Edelman Dramatic Mezzo Soprano Yiddish song: ich hob...
Mezzo-soprano Rinat Shaham Discusses CARMEN
The Opera Company of Philadelphia opens the 2011-2012 Season with Bizet's blockbuster CARMEN, performed September 30, October 2 mat, 5, 9 mat & 14 at the Academy of Music, with a FREE, LIVE, Opening Night Simulcast of the opera on Independence Mall. This citywide public event will bring the live performance to a vast HD movie screen at Independence National Historical Park, one of our nation's most iconic spaces. To register for free tickets, visit operaphila.org/CARMEN today! Here, mezzo-soprano Rinat Shaham, one of the foremost interpreters of this title role today, shares her insights into the famed temptress. Tickets to the Academy at 215-893-1018 or operaphila.org. Special thanks to the John S. and James L. Knight Foundation Knight Arts Challenge and the Wyncote Foundation for making this first-ever simulcast event possible!
Rinat Shaham Opera company of Philadelphia Carmen opera Knight Foundation Knight Arts Challenge Simulcast Wyncote Independence Mall
Krása: Symphony / Vogel · Rattle · Orchestra Academy of the Berliner Philharmoniker
Full-length concert at www.digitalconcerthall.com Hans Krása: Symphony for mezzo-soprano and small orchestra / Eva Vogel, mezzo-soprano · Sir Simon Rattle, conductor · Orchestra Academy of the Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 31 October 2009. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com The Orchestra Academy of the Berliner Philharmoniker: www.berliner-philharmoniker.de Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Classical Krása Symphony Simon Rattle Orchestra Academy Berliner Philharmoniker Berlin Philharmonic Berlin Phil BPO Orchestra Orchester
American Mezzo-Soprano Rise Stevens ~ Night And Day (1946)
For MayaTatyana / American mezzo-soprano Rise Stevens / Night And Day / The Gay Divorcee (Cole Porter) / with orchestra conducted by Sylvan Shulman / Recorded: April 16, 1946 (special thanks to George, aka "opertutto" for the exact date!) -- NIGHT AND DAY (Cole Porter) Night and day, you are the one Only you beneath the moon or under the sun Whether near to me, or far It's no matter darling where you are I think of you night and day Night and day, why is it so That this longing for you follows wherever I go In the roaring traffic's boom In the silence of my lonely room I think of you night and day Night and day, under the hide of me There's an oh such a hungry yearning burning inside of me And this torment won't be through Till you let me spend my life making love to you Day and night, night and day Whether near to me, or far It's no matter darling where you are I think of you night and day In the roaring traffic's boom In the silence of my lonely room I think of you night and day And this torment won't be through Till you let me spend my life making love to you Day and night, night and day ****************************** Rise Stevens (born June 11, 1913 in New York City) is a retired American operatic mezzo-soprano who captured a wide popular audience at the height of her career (1940--1960). She studied at New York's Juilliard School for three years. She went to Vienna, where she was trained by Marie Gutheil-Schoder and Herbert Graf. She made her début as Mignon in <b>...</b>
American Mezzo-Soprano Rise Stevens Cole Porter 78RPM Phonograph Silhouette 1946 curzonroad
Ann Hogan mezzo soprano - The Tale of the Oyster
Cole Porter - The Tale of the Oyster Ann Hogan, mezzo soprano performed a lunchtime recital in St. Anne's Church, Dawson St, Dublin 2 on Thursday 8th May. Ann was joined by Dearbhla Collins on piano. Music was by DuParc, Rachmaninov, Purcell, Ned Rorem, Cole Porter and George Gershwin.
Magdalena Kožená - Laudamus Te
Czech mezzo-soprano Magdalena Kožená singing the soprano solo Laudamus Te from Johann Sebastian Bach's 1749 Mass In B Minor (Messe In H-Moll, BWV 232). Czech TV broadcast of a 1997 concert in Brno with orchestra Musica Florea conduced by Marek Štryncl. Despite the fact that this was only the begining of her career, even here, as well as on her first solo CD, you can already hear the reason why she is so well known today and respected as one of the greatest artists. Subscribe! Subscribe! Subscribe! :)
magdalena kozena mezzo soprano baroque aria da capo sacred church music
Max Emanuel Cencic: HAENDEL « Mezzo-soprano », airs d'opéras. mp4
Album disponible sur: astore.amazon.fr Max Emanuel Cencic: HAENDEL « Mezzo-soprano », airs d'opéras. Parution le 15 mars chez Virgin Classics. Avec Mezzo-Soprano, Max Emanuel Cencic revient au répertoire baroque et plus particulièrement à Haendel qui depuis dix ans occupe une place de choix dans sa carrière. Le programme de ce nouveau disque est tout entier dévolu aux héros masculins de lopéra haendélien. Pour autant, ces rôles furent créés au XVIIIe siècle par des castrats légendaires tels que Carestini (Teseo), Caffarelli (Serse) ou Senesino (Floridante, Andronico), ainsi que par des sopranos dont la célèbre Durastanti (Radamisto, Tauride), des mezzo-sopranos (Apollo) et des contraltos féminins (Dardano, Medoro). Aussi à laise dans les registres grave et aigu, Max Emanuel Cencic sabandonne sans réserve aux vertiges de la vocalité baroque et cultive la théâtralité troublante de ces arias tour à tour mélancoliques et virtuoses.
Cencic opera Haendel castrat mezzo soprano classique classic baroque Virgin Classics EMI
"O Gloria" - Classical Song for Mezzo-Soprano and Piano
Famous mezzo-soprano Liliana Seyid-Boussonville performs Karl Nerman's art song "O Gloria" live in Völklingen, Germany, 10/4/2011. Accompanied by renowned pianist Marina Kavtaradze. I composed this song specificly for this performance, and it was the first time I composed for a mezzo-soprano. It was an honor working with such a great singer as Liliana, and I'm looking forward to composing for her again sometime in the future. Thanks for listening!NOTE: Anyone can commission me to compose a piece. That means if you or anyone you know need original music to perform, listen to, have in a movie etc. - I can compose (and record) it for you! If you have any questions, don't hesitate to ask. Cheers!
liliana seyid-boussonville marina kavtaradze piano karl nerman composer swedish composer live performance art song lied georgian pianist azeri singer original song O gloria song beautiful classical song deutschland lied live sacred music choral music mezzo-soprano german music live
#05: "Se Romeo t'uccise un figlio" (Emily Righter, solo) - Marcello Giordani Foundation 12/08/2010
Se Romeo t'uccise un figlio (from "I Capuleti ei Montecchi" by V. Bellini) Featuring Emily Righter (Mezzo-Soprano). Conducted by Carmine Aufiero. On December 8th, 2010Metropolitan Opera star Marcello Giordani hosted a fundraising gala and concert with the Marcello Giordani Foundation, a not for profit organization dedicated to assist and support promising young opera singers. The foundation, founded by Mr. Giordani, was created to encourage and enable young talented singers from around the world to pursue and achieve their career goals and transition onto the professional opera stage. The concert and dinner took place on December 8th, 2010, at the Church of Saint Jean Baptiste, Lexington Avenue at 76th Street. Under the guidance of Marcello Giordani, the Foundation establishes, organizes and sponsors master classes, seminars, and summer programs in the US and abroad, as well as provides encouragement, training opportunities, career assistance and financial support, including scholarships and awards to promising and talented young singers. Many of them will be the great singers of tomorrow, and it is with them that the future of opera resides. It is the goal of the Foundation to contribute actively to their success. The proceeds of the event will be devolved to the organization of the first Marcello Giordani International Vocal Competition sponsored by the MGF, to be held in Italy the Spring of 2011.
Marcello Giordani Foundation Opera Gala Concert Se Romeo t'uccise un figlio Capuleti Montecchi V. Bellini Emily Righter Mezzo-Soprano Carmine Aufiero Church Saint Jean Baptist
Menelaus sung by Grace Gori, Mezzo-Soprano
Hypnotic Mezzo-Soprano Grace Gori sings Menelaus- the final selection from Four Last Songs by Ralph Vaughan Williams
Gori Voice Studios Grace Gori Menelaus Ralph Vaughan Williams Ursula Vaughan Williams Aurelius Gori Four Last Songs 4 Last Songs Mezzo-Soprano Mezzo Soprano
"Redejet oblakov...": Liliana Seyid-Boussonville, mezzo-soprano & Marina Kavtaradze, piano
N.Rimsky-Korsakov "Redejet oblakov letuchaja grjada" ("The flying chain of clouds is thinning in the sky") Art song Liliana Seyid-Boussonville, mezzo-soprano Marina Kavtaradze, piano Voelklingen, April 2011 Saarland, Germany Video: VAM United Photos: Sergey Khrustalyov & Claus Huhn "The flying chain of clouds is thinning in the sky. O you, the Evening Star, the star of woe on high, Your beam is silvering the distant withered plains, And both the dreamy bay, and murky rocky chains. I love your vague glow there in the heavenly height; And all my sleepy thoughts were woken by your light. I do remember you, o star how you were rising, Above the peaceful land where everything was pleasing, Where slender poplars raised their crowns above the dales, Where tender myrtles slept and cypress in dark veils, Where in the middle of day the songs of waves were haunting. Long time ago when I was there upon the mountain Above the sea I dragged my thoughtful laziness, When all the huts were drowned into the sleepiness, A maid who looked for you into the darkness came And to her lady friends she called you by her name." by Aleksandr Sergeyevich Pushkin
Aleksandr Sergeyevich Pushkin Nikolay Rimsky-Korsakov Art song Russian romance mezzo-soprano Liliana Seyid-Boussonville Marina Kavtaradze piano VAM United Rathaus Voelklingen Saarland Germany Deutschland Sergey Khrustalyov Claus Huhn Russian romance music impressionism opera classical music Azerbaijan Georgia classicaltv Николай Римский-Корсаков Редеет облаков летучая гряда русский романс
Milena Kitic, mezzo-soprano, as Maddalena in Rigoletto by Verdi.mov
Milena Kitic, mezzo-soprano, as Maddalena in Rigoletto by Verdi, Festspielhaus, Salzburg, Austria, 1999
Milena Kitic mezzo-soprano opera Maddalena Rigoletto Giuseppe Verdi
Federica Von Stade : Cherubino's "Non so più" - Paris 1980
From a wonderful "Le Nozze di Figaro" conducted by Georg Solti at Paris Opera Garnier in 1980. The very famous stage production by Giorgio Strelher. Fabulous cast : Jose Van Dam (Figaro), Lucia Popp (Susanna), Gundula Janowitz (Contessa Almaviva), Gabriel Bacquier (Almaviva), Federica Von Stade (Cherubino), Jane Berbié (Marcellina). Frederica is ideal vocally physically... and Lucia Popp is just the most delicious Susanna to me...
Frederica von stade lucia popp gundula janowitz bacquier van dam figaro Mozart opera muezzab
Katherine Jenkins - Ave Maria - Faenol Festival 2005
The superlative and radiantly beautiful Welsh Mezzo Soprano Katherine Jenkins performs a windswept rendition of the aria 'Ave Maria', ascribed to Giulio Caccini, at Bryn Terfel's Faenol Festival (Gŵyl y Faenol), Faenol Estate, north Wales, Friday 26th August 2005. Clip taken from: www.katherinejenkins.org
Katherine Jenkins Ave Maria Giulio Caccini Aria Faenol Festival Bryn Terfel Wales Welsh Classical Music Opera 2005
Handel: Alcina, Sinfonia (Monica Groop, mezzo-soprano)
Helsinki Baroque Orchestra Handel: Alcina, Sinfonia (Monica Groop, mezzo-soprano)
Helsinki Baroque Orchestra Aapo Häkkinen Handel Sinfonia Monica Groop Helsinki Finland Classical Music Orchestra Baroque Orchestra Finnish
Aria from La Cenerentola - Tara Erraught / Jean-Yves Thibaudet (Prinsengrachtconcert 2010)
Mezzo-soprano Tara Erraught and pianist Jean-Yves Thibaudet perform "Nacqui all'affanno ... Non piu mesta" from the opera "La Cenerentola" by Gioachino Rossini at the 29th edition of the Prinsengrachtconcert in Amsterdam.
Prinsengrachtconcert 2010 opera La Cenerentola Nacqui all'affanno ... Non piu mesta Gioachino Rossini Mezzo-soprano Tara Erraught pianist Jean-Yves Thibaudet classical music girelli81
Mezzo-soprano alemã Petra Lang
Junto com a OSESP interpretam a peça Mahler, de Schumman, presente na Virada Cultural
Anfossi, "La Donna ch'e amante". LILIANA SEYID-BOUSSONVILLE, mezzo-soprano
Aria of Barbarina from opera Pasquale Anfossi "Le gelosie fortunate" Liliana Seyid-Boussonville, mezzo-soprano Chamber orchestra conducted by Rasim Abdullayev German Church Baku, 2003
Pasquale Anfossi Le gelosie fortunate opera buffa Giuseppe reconosciuto aria Barbarina La Donna ch'e amante Liliana Seyid-Boussonville mezzo-soprano opernwelt Italian opera Sacchinni Piccinni Bouzonville chamber orchestra assoluta Scarlatti Baku Unocal 76 Deutsche kirche Organ Hall Mozart Catholic Katholische soprano sfogato classicaltv church Orchestra Classical
Bizet: Carmen - March of Toreadors and Chorus: Les voici! (Act IV.)
Anne Sofie von Otter (mezzo-soprano) - Carmen Marcus Haddock (tenor) - Don José Lisa Milne (soprano) - Micaëla Laurent Naouri (bass-baritone) - Escamillo Jonathan Best (bass) - Zuñiga Mary Hegarty (soprano) - Frasquita Christine Rice (mezzo-soprano) - Mercédès Colin Judson (tenor) - Remendado Quentin Hayes (baritone) - Il Dancaïre Hans Voschezang (baritone) - Moralès Glyndebourne Festival Chorus London Philharmonic Orchestra Philippe Jordan (conductor) David McVicar (director) Thursday 25 July and Friday 9 August 2002 Glyndebourne Festival Opera House, Glyndebourne, England
Bizet: Carmen March of Toreadors and Chorus: Les voici! (Act IV.)
Ave Maria de Gounod Mezzo Soprano
Ave Maria de Gounod Mezzo Soprano e Quarteto de Cordas Mansão Musical www.mansaomusical.com
"A Charm" by Benjamin Britten, sung by Sarah Connolly (mezzo-soprano)
Superb British mezzo-soprano Sarah Connolly, accompanied by pianist Eugene Asti, sings "A Charm" text by Thomas Randolph, one of five songs from Benjamin Britten's "A Charm of Lullabies", a range of takes on the subject of night's arrival and the need for sleep. The setting of Randolph's "A Charm" is anything but soothing; it fusses for quiet even as it subverts it. From a recital at Wigmore Hall, London, 8 March 2010. She also performed "A Charm" at a recital in Alice Tully Hall, Lincoln Centre, New York on 14 April 2011. For the New York Times review of that recital, see: goo.gl "A Charm Quiet! Sleep! or I will make Erinnys whip thee with a snake, And cruel Rhadamanthus take Thy body to the boiling lake, Where fire and brimstones never slake; Thy heart shall burn, thy head shall ache, And ev'ry joint about thee quake; And therefor dare not yet to wake! Quiet, sleep! Quiet, sleep! Quiet! Quiet! Sleep! or thou shalt see The horrid hags of Tartary, Whose tresses ugly serpants be, And Cerberus shall bark at thee, And all the Furies that are three The worst is called Tisiphone, Shall lash thee to eternity; And therefor sleep thou peacefully Quiet, sleep! Quiet, sleep! Quiet!" Photo: Julieta Cervantes , New York Times
A Charm Benjamin Britten Thomas Randolph Sarah Connolly mezzo-soprano Eugene Asti recital
