Michael Giles is an English drummer, best known as a co-founder of King Crimson in 1969. Prior to the formation of Crimson, he also co-founded the short-lived Giles, Giles & Fripp with his brother, Peter, and Robert Fripp the previous year. Giles left the King Crimson in December 1969, though he played as a session musician on the band's second album, In The Wake Of Poseidon. He joined Ian McDonald to record an album called McDonald and Giles, which was much lighter in style than King Crimson, but just as challenging musically. Giles then worked as a session musician for the duration of the 1970s, working with many popular artists including Leo Sayer, Steve Winwood, and Yvonne Elliman. A solo album, Progress, was recorded at his home studio in 1978, but wasn't released until 2003. He continues to work as a session musician.

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The Michael Giles MAD BAND featuring Michael Giles, AD Chivers and Daniel Pennie with guests, Keith Tippett and Geoffrey Richardson. Live @ Chapel Arts Bath. Filmed by Sarah Matthews, recorded by Stevie Holder. www.madband.co.uk

Michael Giles Mad Band AD Chivers Daniel Pennie Keith Tippett Geoffrey Richardson King Crimson Penguin Cafe Orchestra Adrian Chivers chivchogs

The Michael Giles MAD BAND featuring Michael Giles, AD Chivers and Daniel Pennie with guests, Keith Tippett and Geoffrey Richardson. Live @ Chapel Arts Bath. Filmed by Sarah Matthews, recorded by Stevie Holder. www.madband.co.uk

Michael Giles Mad Band AD Chivers Daniel Pennie Keith Tippett Geoffrey Richardson King Crimson Penguin Cafe Orchestra Adrian Chivers chivchogs

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McDonald And Giles "Tomorrow's People - The Children of Today" Recorded: 1970 Released: 1971 UK Genre: Progressive Rock ----- "Tomorrow's People" was written by Michael Giles in 1967, and expanded and arranged in 1970. The song was dedicated to Tina and Mandy, his children. ----- (on album) Ian McDonald: guitar, piano, organ, saxes, flute, clarinet, zither, vocals and sundries Michael Giles: drums, percussion (including milk bottle, handsaw, lip whistle and nutbox), vocals Michael Blakesley: trombone ---- After (McDonald) leaving King Crimson because he thought the music was "paranoiac", even "evil" in 1969, Ian joined King Crimson's drummer Michael Giles to create McDonald And Giles in 1970.

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The Michael Giles MAD BAND featuring Michael Giles, AD Chivers and Daniel Pennie with guests, Keith Tippett and Geoffrey Richardson. Live @ Chapel Arts Bath. Filmed by Sarah Matthews, recorded by Stevie Holder. www.madband.co.uk

Michael Giles Mad Band AD Chivers Daniel Pennie Keith Tippett Geoffrey Richardson King Crimson Penguin Cafe Orchestra Adrian Chivers chivchogs

This video is a short promo of The Magic of Michael Giles which can also be seen on his website at www.michaelgilesmagic.com. Michael Giles has been performing in Las Vegas and around the world for the last 20 years.

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Michael Giles performs the classic illusion, Metamorphosis! San Juan, Puerto Rico 2011.

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The magician takes two cards from a regular deck, one of them being the queen. He proceeds by telling the audience about the circus and all the side shows, particularly about "The CONTORTIONIST." With the queen representing the flexible little dynamo, he begins to fold the two cards and demonstrates. Placing the queen behind the other card and in a crisscross pattern, he zigzags the top half of the queen from the bottom. After the spectators put their tongues back in their mouths, he restores the queen back together again. The magician clearly shows this to be the case. He shows both sides of the cards to prove that only two cards are being used. Having no mercy for his audience, the magician folds the two cards (the queen lengthwise and the odd card width-wise) so that only the backs of the cards are seen. The queen is nestled inside the fold of the odd card. He then pushes the folded queen through the odd card and the queen turns face-up, still folded (in a "Card-Warp" fashion). Knowing that there may be magicians in the crowd, the magician opens the folded cards. Leaving them in an unfolded and crisscross pattern, he then proceeds to push the face-up queen under the face-down card, causing half of the face-up queen to turn face-down. Impossible? He proves this to be true by tearing the queen in half and showing half to be face-up and the other half to be facedown. The best part is while the audience is bowing to the magician, he repeats this effect with only the torn <b>...</b>

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MIchael Giles Spits 4 minute freestyle

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MCDONALD AND GILES McDonald And Giles Track 5 "Birdman" (21:11) [PART 1, length: 9:57.58] 5. The Inventor's Dream (OUAT) (3:53)* 6. The Workshop (2:51)* 7. Wishbone Ascension (1:30)* 8. Birdman Flies! (6:18)* 9. Wings In The Sunset (0:40) 10. Birdman - The Reflection (5:59) Recorded: 1970 Released: 1971 UK Genre: Progressive Rock ----- Words: Peter Sinfield Music: Ian McDonald ----- (on album) Ian McDonald: guitar, piano, organ, saxes, flute, clarinet, zither, vocals and sundries Michael Giles: drums, percussion (including milk bottle, handsaw, lip whistle and nutbox), vocals Peter Giles: bass guitar Steve Winwood: organ ---- After (McDonald) leaving King Crimson because he thought the music was "paranoiac", even "evil" in 1969, Ian joined King Crimson's drummer Michael Giles to create McDonald And Giles in 1970.

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including Turnham Green, Here I Am and others. From MCDONALD AND GILES © 1971 Island Records

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Michael Giles is simply fabulous.

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Michael Giles raps about getting ready for him to flood the world with free thought

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Ian McDonald: Alto Sax, Vocal - Michael Giles: Drums - Peter Giles - Bass Guitar Mel Collins: Sax - Jakko Jakszyk - Lead Vocal, Guitar

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This track is from The Cheerful Insanity of Giles, Giles & Fripp: it's an album recorded in 1968 by Robert Fripp, Peter Giles and Michael Giles. It's a very good album, though it's not very well known (to my knowledge). For more infos: www.elephant-talk.com (sorry, but the audio quality is not very good)

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The third track from Ian McDonald and Michael Giles 1971 album McDonald & Giles. Fresh from King Crimson, McDonald and Giles got together to record this single album before going there separate ways. Giles brought in his brother Peter Giles to play bass but most other instruments are handled by McDonald and Giles themselves (Steve Winwood and Michael Blakesley make short appearances on other tracks). Unlike the dark and majestic work of King Crimson, McDonald & Giles is much folksier and lighter, yet maintaning much of the proggy and jazzy elements, especially the flowing drumming of Giles and moving saxophones, mellotrons and flutes of McDonald that was essential to early Crimson. This particular track, while not an absolute highlight of the album (if you ask me that is) is a rather pretty and moody acoustic ditty credited entirely to McDonald. Lyrics: Is she waiting Is the ashtray by the bed Beside her Is she waiting With the book that's never read I need to know she knows I'm on my way home Curtains closed I'm back on the road Is she lonely Painting pictures of the sea To show me In the morning She'll be there and I will be Beside her is the place I know I should be See her face Shine smiling at me Is she sleeping Half awake to hear the door At sunrise Is she waiting Just to be with me once more I know she is

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Rare outtake sessions from the introduction to King Crimson's Album "In the Court of the Crimson King" from Summer, 1969. Robert Fripp, Greg Lake, Michael Giles (and maybe Peter Sinfield) are performing the wind and organ noises while Ian McDonald is conducting from the control room.

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"Epitaph" (Fripp, McDonald, Lake, Giles, Sinfield). From their debut studio album "In the Court of the Crimson King", 10/October/1969. * Robert Fripp -- Guitar * Ian McDonald -- flute, clarinet, saxophone, vibes, keyboards, mellotron, vocals * Greg Lake -- bass guitar, lead vocals * Michael Giles -- drums, percussion, vocals * Peter Sinfield -- lyrics, illumination * Barry Godber -- cover illustrations. Lyrics: The wall on which the prophets wrote Is cracking at the seams. Upon the instruments of death The sunlight brightly gleams. When every man is torn apart With nightmares and with dreams, Will no one lay the laurel wreath When silence drowns the screams. Confusion will be my epitaph. As I crawl a cracked and broken path If we make it we can all sit back and laugh. But I fear tomorrow I'll be crying, Yes I fear tomorrow I'll be crying. Between the iron gates of fate, The seeds of time were sown, And watered by the deeds of those Who know and who are known; Knowledge is a deadly friend If no one sets the rules. The fate of all mankind I see Is in the hands of fools. Confusion will be my epitaph. As I crawl a cracked and broken path If we make it we can all sit back and laugh. But I fear tomorrow I'll be crying, Yes I fear tomorrow I'll be crying. (including "March for No Reason" and "Tomorrow and Tomorrow"). ============================================= I do not own King Crimson. "In the Court of the Crimson King" belongs to King Crimson and EG Records Ltd.

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Thanks for watching! The use of any copyrighted material is used under the guidelines of "fair use" in title 17 § 107 of the United States. Such material remains the copyright of the original holder and is used here for the purpose of education, comparison, and criticism only. No infringement of copyright is intended.

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Ian McDonald: Flute, Vocal - Michael Giles: Drums - Peter Giles: Bass Guitar Mel Collins: Flute, Keyboards - Jakko Jakszyk: Vocal, Guitar

Mel Collins Jakko Jakszyk Michael Mike Giles Peter Ian mcdonald In the Court of Crimson King Talk to Wind Robert Fripp Japan Live 2002 thefansixties

robert fripp; electric guiter ian mcdonald; acoustic guiter, flute,clarinet,vocal peter giles; bass guiter michael giles; drums judy dyble; vocal recorded in the front room at 93a brondsbury eoad. london nw6 during july 1968 on an old second-hand revox maniplated by peter giles

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EPITAPH, VOLUMES ONE & TWO. Live, released in 1997. Line-up / Musicians - Robert Fripp / guitar - Michael Giles / drums, percussion, backing vocals - Greg Lake / bass, lead vocals - Ian McDonald / woodwinds, keyboards, mellotron, vocals - Peter Sinfield / words.

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album: Wise After The Event Arista / SPART 1063 (LP 1978) Voiceprint / VP433CD (CD 2008) Anthony Phillips: vocals, guitars, keyboards Michael Giles: drums John G. Perry: bass Rupert Hine: percussion, backing vocals Produced by Rupert Hine

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1968, Michael Giles on drums and vocals, Peter Giles on bass guitar and vocals, Robert Fripp on guitar, vocalist Judy Dyble Smile at the smiling man Tear in your eye Dance in the morning sun Under the sky. High in the hawthorne tree Bee and butterfly Seek fortune in the leaves Under the sky. Follow the road that winds up to the sky, There's no reason do not wonder why. Dappled green summer glades Where swallows fly And laughing children play Under the sky. Follow the road that winds up to the sky, There's no reason do not wonder why. Soft on a mossy bank Silently lie Everything's everything Under the sky. Everything's everything Under the sky. Everything's everything Under the sky.

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Michael Giles tells the impromptu tale of how @leadersfollow and @jcizzurp obtained the coveted NBA 2k11.

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From the GREAT King Crimson's 1969 " In The Court Of The Crimson King " record with Michael Giles killing it on drums. This is only a tribute, no copyright infringement intended.

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The opening track from the one and only album this trio recorded. I have no idea what the song is all about really but it sounds great. I still listen to the album "Rocking In Rhythm" often even after all these years. BARDOT were:- THE MAIN MEN Ray McRiner Guitar, Vocals [wrote "Give The Lady Some Respect" and "Too Much Talking" for Sweet Laurie Andrew Vocals Chris Bradford Vocals [worked with Andy Scott on his solo singles] THE MUSICIANS Pip Williams Guitar Frank Ricotti Drums [worked with BJH, Pet Shop Boys, Rick Wakeman, Gerry Rafferty, Chris Spedding, Leo Sayer, Sir Cliff Richard, Dame Kiri Te Kanawa, Evelyn Thomas, Mike Batt, Bjork, Blood Sweat And Tears, Clannad, Curved Air, Roger Daltry, Julia Fordham, Peter Frampton, Elton John, Joe Jackson, Nick Kamen, Mark Knopfler, Meatloaf, Freddie Mercury, Van Morrison, and many many others.] Geoff Westley Keyboards [played on "Level Headed" by Sweet Dave Markee Bass Bob Young Harmonica [Status Quo / Micky Moody related] Michael Giles Drums

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ANOTHER TRACK FROM THE 1973 LP PRODUCED BY KEITH RELF.JIM McCARTY PLAYS DRUMS ON THIS TRACK. THANKS TO YARDBIRDS WORLD.

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Matt Thibert-Drums Pat Dal Cin-Bass Matt Fisher-Guitar Liam Seymour-Guitar/Vocals

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www.dolandagel.com 1969 yılında gitarist Robert Fripp ve davulcu Michael Giles tarafından kurulan progresif rock grubudur. www.dolandagel.com.tr

King Crimson The Dolandagel

21st Century Schizoid Band es un grupo de músicos que alguna vez fueron parte de King Crimson formado en 2002. El nombre deriva de la famosa canción '21st Century Schizoid Man'; del primer álbum de King Crimson, "In the Court of the Crimson King" en 1969. El grupo inicial aparece Mel Collins, en el saxofón, flauta y teclados, Michael Giles en batería, Peter Giles en el bajo, Ian McDonald en el saxofón, flauta y teclados, y acompañado por el chico nuevo (y yerno de Michael Giles) Jakko Jakszyk en guitarra y voz.

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King Crimson - Epitaph - In the court of the Crimson King (1969) Robert Fripp - chitarra, Mellotron, organo Greg Lake - basso, voce Ian McDonald - fiati, tastiere Michael Giles - batteria Peter Sinfield -- parole, ispirazione La band incominciò a registrarlo il 21 luglio 1969, poche ore dopo il primo sbarco dell'uomo sulla Luna: la notizia di quello storico avvenimento era stata annunciata, la notte precedente, dal bassista e cantante del gruppo Greg Lake al pubblico del Marquee Club di Londra subito prima del concerto della band. I King Crimson avevano già tentato di registrare in studio il loro repertorio per ben due volte quello stesso anno, senza però mai rimanere soddisfatti dei risultati: entrambe le sedute in questione erano state perciò abbandonate anzitempo. Nel frattempo il gruppo aveva conquistato una relativa notorietà fra stampa, pubblico e addetti ai lavori, grazie a numerosi concerti tenuti nell'arco di cinque mesi, prevalentemente nell'area Londinese; non ultima, appena tre settimane prima, la decisiva apparizione come supporto al concerto dei Rolling Stones in onore di Brian Jones a Hyde Park, Londra. Dunque la band che quel 21 luglio varcò la soglia dei Wessex Studios a Islington era tutt'altro che un quintetto di debuttanti, e anche l'esperienza maturata nei precedenti tentativi in studio era senz'altro destinata a incidere positivamente sul risultato finale. Tale relativa maturità artistica ha testimonianze storiche illustri fra coloro che assistettero <b>...</b>

Robert Fripp King Crimson Epitaph In the court of Mikitram

Giles, Giles and Fripp were an English late sixties band featuring brothers Michael Giles on drums and vocals, Peter Giles on bass guitar and vocals, and Robert Fripp on guitar. This song is taken from their full-lenght album; The Cheerful Insanity of Giles, Giles & Fripp, 1968.

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