Allegri - Miserere (best quality)
Miserere, by Italian composer Gregorio Allegri (1582-1652), is a setting of Psalm 51 composed during the reign of Pope Urban VIII, probably during the 1630s, for use in the Sistine Chapel during matins as part of the exclusive Tenebrae service on Wednesday and Friday of Holy Week. It was the last of twelve misereres composed and chanted at the service since 1514 and the most popular: at some point, it became forbidden to transcribe the music and it was only allowed to be performed at those particular services, adding to the mystery surrounding it. Writing it down or performing it elsewhere was punishable by excommunication.
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Miserere Mei Deus - Kings College Chapel Choir
Allegri's setting of Psalm 51. Introduced by Barry Rose, from a 1987 programme which includes Barry Rose talking to the Choir's director, Stephen Cleobury about how he trains his choristers (that will follow seperately). I have had to edit out one verse I'm afraid to make it fit on Youtube. I took out one where the cameras spent most time gazing at the stained glass windows. You can download this video here: www.sendspace.com
choirs trebles sangerknaben knabenchor petits chanteurs cathedral kings college cambridge
Miserere Mei Deus
This piece is Psalm 51, but first set to music by Allegri around 1630. It is one of the finest and most popular examples of renaissance polyphony. It is often heard in Churches of the apostolic Christian tradition on Ash Wednesday, immediately following Shrove (or pancake) Tuesday, marking Christ's return to Jerusalem. Beautifully performed here by The Sixteen, listen out for the simplicity, humility and reverence.
sacred music renaissance polyphony christian anglican roman catholic spiritual miserere god
Vatican 1600 (Allegri's Miserere performed by the Tallis Scholars)
This recording of Gregorio Allegri's glorious Miserere is perhaps the purest, most definitive sound ever achieved by a professional choir. It was performed by the Tallis Scholars under the direction of Peter Phillips and recorded by Gimell Records in the early 1980s. The photos I took inside St. Peter's Basilica in Rome in 1997 without filters or flash. It was a little dark that day and the lighting wasn't so good so the pictures are a bit grainy.
Tallis Scholars Peter Phillips Gregorio Allegri Miserere Renaissance
Miserere mei, Deus - G. Allegri
SCHOLA ROMANA ENSEMBLE "All the new from ancient". Tle ensemble was founded to renew the musical expressions of Papal Rome, a universal patrimony and a link between creative genius and spirituality. In our artistic projects you can find music and figurative arts, cinema and theatre, and the whole result has a high cultural and spectacular impact.
THE CAT EMPIRE - Miserere (full version)
Full version (6:40) of the great song Miserere by The Cat Empire - album: "Two Shoes" www.thecatempire.com Lyrics: Do you ever look around turn your ear to the ground show your face to the sky on a night when the skies echoe sounds from inside of your mind on the stage that you shone where the sun did become you and move with your thoughts through the sighs and the scenes of the worlds you have seen and the sights that have been your reflection in shadows and dreams? - your reflection in shadows and dreams Did you ever see a man who did walk down the street white robe with no shoes on his feet and on top of his head place a box with two slits and the sign from his neck said I do not exist or a woman who could not remember her name did stutter and stutter again and again and saw you and called you her son her eyes said my being is gone but still Im not dead? Miserere Have you ever seen a sound have you listened to an image have you ever touched a thought have you ever tasted nothing have you ever told a lie that was true more than truth because truth it had lied all its life when it spoke to you? And what did it say it is that it is this this goes here here is there it is not yes it is it was dulling your senses your eyes they were bound have you ever my friends been looking around? And the other replies with a wave of a hand I am already here in this promised land but not by a god and not by a king and not by a spirit deep from within I am here because a miracles a whim <b>...</b>
Miserere - Pavarotti, Bocelli and Zucchero
In questo video il maestro Luciano Pavarotti, il tenor italiano Andrea Bocelli è il cantante di musica pop Zucchero con la canzone "Miserere". Magnifico! En el siguiente video, el maestro Luciano Pavarotti en compañía del tenor italiano Andrea Bocelli y el cantante de música pop Zucchero interpretan juntos la canción del "Miserere" Visita Operblog: www.operblog.blogspot.com Despierta tus sentidos con Operblog
Miserere. TF2 Medic Video. /wg/
Miserere by Whiteglow. Music: Kamil Polner And Polo - Whiteglow (Ronny K. 45 RPM Remix) Se.Ra.Phic - After the Last Breath (Tragida Remix) MIKE - Unity (Original Mix) Programs: Team Fortress 2 VirtualDub Sony Vegas Legion Tools Download: www.megaupload.com narod.ru Miserere mei Deus, secundum magnam misericordiam Tuam. Cuts of this video here: www.youtube.com
Miserere TF2 Team Fortress Medic Video by Whiteglow wg LMS Last Man Standing Genocide Med frag fragmovie movie etf2l cw pcw clan war blu blue teams red demoman demo dm soldier solly pocket scout heavy pyro sniper medigun ubersaw saw kill save air airsave heal healing assist assistance final granary gullywash pro snakewater badlands freight hd on push pushing defend syringe gun defending capture capturing point valve pc
The Sixteen - [G. Allegri] Miserere
Miserere, full name "Miserere mei, Deus" (Latin: "Have mercy on me, O God") by Italian composer Gregorio Allegri, is a setting of Psalm 51 (50) composed during the reign of Pope Urban VIII, probably during the 1630s, for use in the Sistine Chapel during matins, as part of the exclusive Tenebrae service on Wednesday and Friday of Holy Week. The service would start usually around 3AM, and during the ritual, candles would be extinguished, one by one, until one remained alight and hidden. Allegri composed his setting of the Miserere for the final act within the first lesson of the Tenebrae service. More: en.wikipedia.org www.ancientgroove.co.uk
José de Nebra (1702-1768) Miserere [extracts pt.1 of 2]
01. Miserere mei Deus 03. Amplius lava me 05. Tibi soli peccavi Eduardo López Banzo, conductor _____________________________________________ José Melchor Baltasar Gaspar Nebra Blasco (January 6, 1702 -- July 11, 1768), was a Spanish composer. José de Nebra was born in Calatayud, and was taught by his father, José Antonio Nebra Mezquita (1672--1748), organist and master of choirboys at the Cathedral of Cuenca 1711-1729. Two brothers were also musicians: Francisco Javier Nebra Blasco (1705--1741) organista of La Seo, in Zaragoza till he moved to Cuenca in 1729, then succeeded by his brother Joaquín Ignacio Nebra Blasco (1709--1782) till his death.[1] He died in Madrid. More than 170 works by Nebra survive: masses, psalms, litanies, a Stabat Mater, a Salve Regina, cantatas, villancicos, and around thirty keyboard works. But his significance is as father of Spanish opera, and the zarzuela. Some of Nebra's choral works and solo cantatas have been recorded on CD by the Spanish group El Ayre Español.
Josquin Des Prez: Miserere mei Deus
Perhaps a native of the Vermandois region of Picardy, he was a singer at Milan Cathedral in 1459, remaining there until December 1472. By July 1474 he was one of the 'cantori di capella' in the chapel of Galeazzo Maria Sforza. Between 1476 and 1504 he passed into the service of Cardinal Ascanio Sforza, whom he probably accompanied in Rome in 1484. His name first appears among the papal chapel choir in 1486 and recurs sporadically; he had left the choir by 1501. In this Italian period Josquin reached artistic maturity. He then went to France (he may also have done so while at the papal chapel) and probably served Louis XII's court. Although he may have had connections with the Ferrara court (through the Sforzas) in the 1480s and 1490s, no formal relationship with the court is known before 1503 when, for a year, he was maestro di cappella there and the highest-paid singer in the chapel's history. There he probably wrote primarily masses and motets. An outbreak of plague in 1503 forced the court to leave Ferrara (Josquin's place was taken by Obrecht, who fell victim in 1505). He was in the north again, at Notre Dame at Condé, in 1504; he may have been connected with Margaret of Austria's court, 1508-11. He died in 1521. Several portraits survive, one attributed to Leonardo da Vinci. Josquin's works gradually became known throughout western Europe and were regarded as models by many composers and theorists. Petrucci's three books of his masses (1502-14) reflect contemporary <b>...</b>
Salisbury Cathedral Miserere Mei Deus
This really gives a soloist a chance to shine (several chances actually, as if hitting that top C once wasn't heroic enough!) Allegri's incomparable Miserere Mei Deus (Psalm 51) being sung for an actual service in 1995. I also have a short bit of the choir being rehearsed for this if anyone's interested. I've also posted King's College Cambridge doing it just for the camera! It's superb. I think the silences are considerably longer, and that Salisbury truncated them to make the piece more suitable for the service. For the lyrics, see Psalm 51. Copyright King David. Virtually anonymous chroristers all over the country perform to this standard week in, week out, with little recognition, all in the course of a day's unpaid work, while untalented pop 'stars' make millions. Funny old world!
cathedral choir salisbury misere mei deus sangerknaben petits chanteurs knabenchor gloria in kingston libera
Allegri Miserere
This is possibly the most definitive version of Allegri's Miserere that I have ever heard. Performed by "Pro Cantione Antiqua" in 1985. Pro Cantione Antiqua (For the Ancient Songs) of London are a British choral group who were founded in 1968 by Tenor James Griffett, Counter-tenor Paul Esswood, and conductor and producer Mark Brown. From an early stage they were closely associated with conductor and musicologist Bruno Turner. Arguably, they were the leading British performers of a cappella music, especially early music, prior to the founding of the Tallis Scholars. This video celebrates the glory of English Cathedrals, along with the original Latin text and translation. Enjoy!
Choir of King's College Miserere Part I(recording 1963)
Look for part 2 De 1959 à 1964, Roy Goodman est formé au sein de la maîtrise du King's College de Cambridge, où il est remarqué comme soliste dans le Miserere d'Allegri. De 1968 à 1970, il étudie le violon au Royal College of Music de Londres, et, surtout, devient organiste. Passionné par la musique baroque, il fonde dès 1975 le Brandenburg Consort, et entreprend des recherches sur l'interprétation de Bach. Il se spécialise également dans les symphonies de Haydn et de Carl Philip Emanuel Bach jouées sur instruments d'époque. Depuis 1986, il dirige le Hanover Band et l'Orchestre baroque de la Communauté européenne. Il est aussi directeur des études de musique ancienne à la Royal Academy of Music de Londres. Roy Goodman is Principal Guest Conductor of the English Chamber Orchestra and for the past few years has been Principal Conductor of Holland Symfonia and the Bachkoor Holland. He is well known for his work as director and founder of the Brandenburg Consort (1975-2001), as co-founder (with Peter Holman) of the Parley of Instruments (1979-1986), co-founder (with Denys Darlow) of the London Handel Orchestra (in 1981), Principal Conductor of the Hanover Band (1986-1994), Music Director of the European Union Baroque Orchestra (1989-2004) and as Music Director of the Manitoba Chamber Orchestra in Winnipeg (1999-2005). In 2006 he made his debut with the Royal Concertgebouw Orchestra, Amsterdam [see www.roygoodman.com] In 1959 (at the age of eight) Goodman made his first <b>...</b>
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Anna Netrebko - D'amor sull'ali rosee..Miserere...Tu vedrai (Berlin, 2011) HD Quality
Sommer nachtsmusik Concert Anna Netrebko, Jonas Kaufmann, Erwin Schrott Prague Philharmonic Conductor: Marco Armiliato Here the soprano Anna Netrebko performans an amazing rendition of a scene from Verdi's "Il Trovatore". This really shows her amazing vocal growth in the last year. Her low notes have become stronger, she has developed a real trill, and her upper notes remain free and unstrained, plus her voice has gained in richness.
anna netrebko verdi il trovatore jonas kaufmann berlin 2011 soprano assoluta sfogato Sommernachtsmusik
Allegri, Miserere Mei Deus - Choir of New College Oxford
Full recording available on the award-winning album here: www.newcollegechoir.com The Choir of New College, Oxford, performing excerpts from Allegri's Miserere Mei - under the leadership of Edward Higginbottom. For the latest news from inside the choir, you can find us at twitter.com and facebook.com More information about the Choir, evensongs, concerts, tours, recordings, choristerships, choral scholarships and organ scholarships can also be found at www.newcollegechoir.com The Choir of New College, Oxford © ℗ MMX
New College Choir Miserere Mei Deus Agnus Dei Oxford University Choral Chorister Church
Jean Baptiste Lully - Miserere (1/2)
Jean-Baptiste de Lully (Italian: Giovanni Battista di Lulli) (29 November 1632 - 22 March 1687) was an Italian-born, French composer who spent most of his life working in the court of Louis XIV of France. He is considered the chief master of Baroque French style and he disavowed any Italian influence in French music of the period. He became a French subject in 1661. Miserere Soloists, Choeur et Orchestre de la Chapelle Royale Direction Philippe Herreweghe Donna Brown, soprano Guillaumette Laurens, mezzo-soprano Howard Cook, tenor Herve Lamy, tenor Peter Kooy, bass
Gregorio Allegri: Miserere, short video. Patrick Husson, soprano.
***A complete 14:23 version now is available (August, 2010). Gregorio Allegri: Miserere, 1638 (excerpt). Patrick Husson, 1st soprano, echo choir (in this recording: the high, solo phrase is sung in one breath as a castrato could.) Colmar Boys Choir School, Alsace (with adult males.) WA Mozart heard this twice at age 12 at the Vatican and wrote down the work from memory (1769.) (For the complete 14-minute production and for further information about high-male voice, check www.malesopranos.com )
Gregorio Allegri Miserere Patrick Husson soprano Renaissance castrato Colmar Boys Choir School Vatican
Patrick Husson, Male Soprano. Allegri: Miserere Mei Deus, Complete
Gregorio Allegri: Miserere Mei Deus, 1638, based upon Psalm 51 (complete and unabridged video). Patrick Husson, 1st soprano, echo choir. This is the only recording that I have heard where the high, solo phrase is sung in one breath as a castrato could, their being known to have had far greater breath capacity than even most adult men, let alone a boy soprano. Colmar Boys Choir School, Alsace (with adult males.) It is reported that this composition was so highly regarded by the Vatican that no copies of the score were permitted to be given to anyone else; however, in 1769, WA Mozart heard this twice at age 12 at the Vatican and wrote down the work from memory, thereby permitting the rest of the world to enjoy this exquisite musical experience.) (For further information about high-male voice, check www.malesopranos.com )
Choir of King's College Miserere Part 2(recording 1963)
Look for Part I. Regardez pour la 1e partie. Miserere by Italian composer Gregorio Allegri (also called "Miserere mei, Deus" - English "Have mercy on me, O God") is a setting of Psalm 51 (50) composed during the reign of Pope Urban VIII, probably during the 1630s, for use in the Sistine Chapel during matins on Wednesday and Friday of Holy Week. It was the last of twelve falsobordone Miserere settings composed and chanted at the service since 1514 and the most popular: at some point, it became forbidden to transcribe the music and it was only allowed to be performed at those particular services, adding to the mystery surrounding it. Writing it down or performing it elsewhere was punishable by excommunication. The setting that escaped from the Vatican is actually a conflation of verses set by Gregorio Allegri around 1638 and Tommaso Bai (1650 - 1718, also spelled "Baj") in 1714. The Miserere is written for two choirs, one of five and one of four voices. One of the choirs sings a simple version of the original Miserere chant; the other, spatially separated, sings an ornamented "commentary" on this. Many have cited this work as an example of the stile antico or prima pratica. However, its constant use of the dominant seventh chord and its emphasis on polychoral techniques certainly put it out of the range of prima pratica. A more accurate comparison would be to the works of Giovanni Gabrieli. Mozart was summoned to Rome by the Pope, only instead of excommunicating the boy <b>...</b>
Choir of King's college cambridge boys trebles allegri miserere
Miserere mei Deus - University of Utah Singers
The University of Utah Singers perform selections from "Miserere mei Deus" by Gregorio Allegri, live in concert on May 24, 2010 in the Bell Caves of Bet Guvrin - Maresha National Park, Israel, under the direction of Dr. Brady Allred. Israel tour May 16-29, 2010
Miserere mei Deus Gregorio Allegri University of Utah Singers Brady Allred Israel tour 2010 Bell cave concert bet beit guvrin govrin maresha national park chorus choral music song piece cappella choir singing classical music ensemble worship
