Tom and Chérie is the 94th one reel animated Tom and Jerry short, created in 1955 directed by William Hanna and Joseph Barbera and produced by Fred Quimby with music by Scott Bradley. It was the third (of four) cartoons in the Mouseketeer series of cartoons, the first of which, The Two Mouseketeers (1952) won an Academy Award, and the second, Touché, Pussy Cat! (1954) received an Academy Award nomination.

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Tom and Jerry in the Hollywood Bowl is a 1950 American one-reel animated cartoon and is the 52nd Tom and Jerry short directed by William Hanna and Joseph Barbera. The cartoon, as the title suggests, is set at the Hollywood Bowl in California, where Tom is conducting a large orchestra. The cartoon was animated by Kenneth Muse, Irven Spence, Ray Patterson and Ed Barge. The music was scored by Scott Bradley, making use of Johann Strauss II's Overture of "Die Fledermaus."

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The Cat Concerto is a 1946 American one-reel animated cartoon and is the 29th Tom and Jerry short, produced in Technicolor in 1946 and released to theatres on April 26, 1947 by Metro-Goldwyn Mayer. It was produced by Fred Quimby and directed by William Hanna and Joseph Barbera, with musical supervision by Scott Bradley, and animation by Kenneth Muse, Ed Barge and Irven Spence. It won the 1946 Academy Award for Best Short Subject: Cartoons. In 1994 it was voted #42 of the 50 Greatest Cartoons of all time by members of the animation field. The short won the duo their fourth consecutive Academy Award for Best Animated Short Film.

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Jerry's Diary is a 1949 one-reel animated cartoon and is the 45th Tom and Jerry short released by Metro-Goldwyn-Mayer, directed by William Hanna and Joseph Barbera, produced by Fred Quimby, scored by Scott Bradley, and animated by Kenneth Muse and Ed Barge.

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Is There a Doctor in the Mouse? is a 1964 cartoon directed and produced by Chuck Jones. The title is a pun on the famous phrase "Is There a Doctor in the House?"

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Old Rockin' Chair Tom is a 1948 American one-reel animated cartoon and is the 36th Tom and Jerry short directed by William Hanna and Joseph Barbera and produced by Fred Quimby. It was animated by Ed Barge, Kenneth Muse, Ray Patterson and Irven Spence and was released to theaters on September 18, 1948. This cartoon has the longest Mammy Two Shoes on screen appearance. It even features the first appearance of Lightning in a theatrical release of a Tom and Jerry cartoon.

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Mouse for Sale is the 92nd one reel animated Tom and Jerry short, created in 1953 directed by William Hanna and Joseph Barbera and produced by Fred Quimby with music by Scott Bradley. It was released on May 21, 1955 by Metro-Goldwyn-Mayer. The cartoon was animated by Kenneth Muse, Ed Barge, Irven Spence and Ray Patterson, the backgrounds designed by Robert Gentle, and the voice of the house owner was supplied by June Foray. The name is a reference to "House for sale".

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Life with Tom is the 79th one reel animated Tom and Jerry short, created in 1953 directed by William Hanna and Joseph Barbera and produced by Fred Quimby with music by Scott Bradley. The cartoon was animated by Kenneth Muse, Irven Spence and Ed Barge with backgrounds by Robert Gentle. It was released to theatres on November 21, 1953 by Metro-Goldwyn-Mayer.

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The Mouse Comes to Dinner is a 1945 American one-reel animated cartoon and is the 18th Tom and Jerry short directed by William Hanna and Joseph Barbera and produced by Fred Quimby.

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Two Little Indians is the 78th one reel animated Tom and Jerry short, created in 1952 directed by William Hanna and Joseph Barbera and produced by Fred Quimby with music by Scott Bradley. The cartoon was animated by Ray Patterson, Kenneth Muse, Irven Spence and Ed Barge with backgrounds by Robert Gentle. It was released to theaters on October 17, 1953 by Metro-Goldwyn Mayer.

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Flirty Birdy is a 1945 one-reel animated cartoon and is the 21st Tom and Jerry short. It was made and released on September 22, 1945 by Metro-Goldwyn Mayer. The cartoon was directed by William Hanna and Joseph Barbera, and produced by Fred Quimby. The animation was provided by Irven Spence, Kenneth Muse, and Ray Patterson, the music by Scott Bradley, and backgrounds by Robert Gentle. The cartoon revolves around Tom's effort to regain Jerry from an eagle by dressing up as a female bird.

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Hic-cup Pup is the 82nd one reel animated Tom and Jerry short, created in 1952 directed by William Hanna and Joseph Barbera and produced by Fred Quimby with music by Scott Bradley. The cartoon was animated by Ed Barge, Kenneth Muse, Ray Patterson and Irven Spence with backgrounds by Robert Gentle. It and was released in theaters on April 17, 1954 by Metro-Goldwyn-Mayer.

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Solid Serenade is a 1946 one-reel animated cartoon and is the 26th Tom and Jerry short, produced in Technicolor and released to theatres on August 31, 1946 by Metro-Goldwyn Mayer. It was produced by Fred Quimby and directed by William Hanna and Joseph Barbera, with musical supervision by Scott Bradley, and animation by Ed Barge, Michael Lah, Pete Burness, Ray Patterson and Kenneth Muse

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Heavenly Puss is a 1949 one-reel animated cartoon and is the 42nd Tom and Jerry short, created in 1948, and released on 9 July 1949. It was directed by William Hanna and Joseph Barbera, and produced by Fred Quimby. The cartoon's music was composed by Scott Bradley and the animation was credited to Ray Patterson, Irven Spence, Kenneth Muse and Ed Barge.

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Cue Ball Cat is a 1950 one-reel animated cartoon and is the 54th Tom and Jerry short directed by William Hanna and Joseph Barbera and produced by Fred Quimby. It was animated by Kenneth Muse, Irven Spence, Ed Barge and Ray Patterson, with backgrounds by Robert Gentle and music by Scott Bradley.

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That's My Mommy is the 97th one reel animated Tom and Jerry short, created in 1955, directed and produced by William Hanna and Joseph Barbera with music by Scott Bradley.

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Kitty Foiled is a 1948 one-reel animated cartoon and is the 34th Tom and Jerry short. It was released in theaters on June 1, 1948. The cartoon was directed by William Hanna and Joseph Barbera, with animation by Irven Spence, Kenneth Muse, Irving Levine and Ed Barge. The music was scored by Scott Bradley, and the cartoon produced by Fred Quimby.

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Puss Gets the Boot is a one-reel animated cartoon and the first Tom and Jerry short, although not billed as such in the cartoon. It was released on February 10, 1940 by Metro-Goldwyn Mayer. It was produced by Rudolf Ising (who had virtually nothing to do with the entire production) and directed by William Hanna and Joseph Barbera, their first collaboration which would last for more than half a century, with musical supervision by Scott Bradley. The cartoon was animated by Carl Urbano, Tony Pabian, Jack Zander, Peter Burness and Bob Allen.

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Push-Button Kitty is a 1952 one-reel animated cartoon and is the 70th Tom and Jerry short directed by William Hanna and Joseph Barbera and produced by Fred Quimby.

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The Truce Hurts is a 1948 one-reel animated cartoon and is the 35th Tom and Jerry short. It was produced in Technicolor and released to theatres on July 17, 1948 by Metro-Goldwyn Mayer.

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The Invisible Mouse is a 1947 American one-reel animated cartoon and is the 33rd Tom and Jerry short directed by William Hanna and Joseph Barbera and produced by Fred Quimby. It was released on September 27, 1947.

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Nit-Witty Kitty is a 1951 one-reel animated cartoon and is the 61st Tom and Jerry cartoon. It was released to theaters on October 6, 1951 by Metro-Goldwyn Mayer.

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The Missing Mouse is the 73rd one reel American animated Tom and Jerry short, created in 1951, directed by William Hanna and Joseph Barbera and produced by Fred Quimby. It was the first and only cartoon in the Hanna-Barbera era (1940-1958) that the music was not composed by Scott Bradley. Instead, Edward Plumb scored the music for this cartoon. It was animated by Ray Patterson, Ed Barge, Kenneth Muse and Irven Spence, with backgrounds by Robert Gentle. It was released on January 10, 1953 by Metro-Goldwyn-Mayer.

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Fit to Be Tied is a 1952 one-reel animated cartoon and is the 69th Tom and Jerry short directed by William Hanna and Joseph Barbera and produced by Fred Quimby.

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''The Lonesome Mouse'' is a 1943 American one-reel animated cartoon and is the 10th Tom and Jerry short. This is notable for being the first speaking role of the cat and mouse duo. It was created and released in 1943, and re-released to theatres in 1950. It was directed by William Hanna and Joseph Barbera and produced by Fred Quimby. The animators of the cartoon were not credited (typically for early MGM shorts), and this was the last instance in a Tom and Jerry cartoon that this happened. All future Tom and Jerry theatrical shorts credited the animators. This cartoon is animated by Kenneth Muse, George Gordon, Jack Zander, Irven Spence, and Pete Burness.

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Jerry-Go-Round is a 1966 Tom and Jerry cartoon produced and directed by Chuck Jones. The title Jerry-Go-Round is a play on the name of a classic amusepark carousel: a merry-go-round.

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Sleepy-Time Tom is a 1951 one-reel animated cartoon and is the 58th Tom and Jerry cartoon that was created by directors William Hanna and Joseph Barbera, produced by Fred Quimby, scored by Scott Bradley and animated by Ed Barge, Kenneth Muse, Irven Spence and Ray Patterson. The short was released in theaters on May 26, 1951.

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Mouse Cleaning is a 1948 one-reel animated cartoon and is the 38th Tom and Jerry short. It was produced in Technicolor and released to theatres on December 11, 1948 by Metro-Goldwyn Mayer. It was animated by Ray Patterson, Irven Spence, Kenneth Muse and Ed Barge, who were the usual animators for the Tom and Jerry cartoons in the early 1940s up until the late 1950s. As per most Tom and Jerry cartoons, it was directed by William Hanna and Joseph Barbera, and produced by Fred Quimby. The music was scored by Scott Bradley and the backgrounds were by Robert Gentle.

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Bad Day at Cat Rock is a 1965 Tom and Jerry cartoon produced and directed by Chuck Jones as essentially a remake of his 1963 Wile E. Coyote and Road Runner cartoon To Beep or Not to Beep. Maurice Noble was the cartoon's co-director, the animation was credited to Ben Washam, Ken Harris, Don Towsley and Dick Thompson. The music was scored by Eugene Poddany, and backgrounds by Phil DeGuard. Mel Blanc was on hand to supply the screams, yells, and other vocal effects. The cartoon's title is a pun on the MGM film Bad Day at Black Rock, though the cartoon's plot bears no resemblance.

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The Milky Waif is a 1946 American one-reel animated cartoon and is the 24th Tom and Jerry short directed by William Hanna and Joseph Barbera, produced by Fred Quimby in Technicolor, released in theaters on May 18, 1946, and re-released in theaters on January 9, 1954 by Metro-Goldwyn Mayer. It was animated by Ed Barge, Kenneth Muse, Michael Lah, Ray Patterson and uncredited, Irven Spence. The name is a pun on "The Milky Way".

Tom and Jerry

Royal Cat Nap is the 111th one reel animated Tom and Jerry short, created 1957, directed and produced by William Hanna and Joseph Barbera,[1] with music by Scott Bradley. The animation was credited to Carlo Vinci, Lewis Marshall and Kenneth Muse, with backgrounds by Robert Gentle and layouts by Richard Bickenbach. Royal Cat Nap was the last of four Mouseketeer shorts, which were a send-up of the famous Three Musketeers novel and film(s), beginning with the Academy Award winning short The Two Mouseketeers in 1952. The cartoon's plot has a striking similarity to that of 1945's Oscar winner Quiet Please!, except this cartoon features a King who does not wish to be disturbed, rather than the former's Spike the bulldog. It was released on 7 March 1958 by Metro-Goldwyn-Mayer.

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The Cat's Me-Ouch! is a 1965 cartoon produced and directed by Chuck Jones. The short features a tiny bulldog who would go on to make another appearance in the final Tom and Jerry cartoon produced by Chuck Jones, Purr-Chance to Dream in 1967.

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The Cat and the Mermouse is a 1949 American one-reel animated cartoon and is the 43rd Tom and Jerry short directed by William Hanna and Joseph Barbera and produced by Fred Quimby. It was animated by Kenneth Muse, Ed Barge, Ray Patterson, Irven Spence and Al Grandmain, scored by Scott Bradley, and released on September 3, 1949.

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Switchin' Kitten is a 1961 Tom and Jerry cartoon, and the first of thirteen to be directed by Gene Deitch and his team of animators in Czechoslovakia. It was also the first cartoon to be filmed in Metrocolor as opposed to Technicolor; all future Tom and Jerry cartoons from this point on would be done in Metrocolor. It even marks the final appearance of Lightning in a theatrical release of a Tom and Jerry cartoon.

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Posse Cat is the 81st one reel animated Tom and Jerry short, created in 1952. As with all Tom and Jerry cartoons at the time, it was directed by William Hanna and Joseph Barbera and produced by Fred Quimby with music by Scott Bradley. The short was animated by Irven Spence, Ed Barge, Kenneth Muse and Ray Patterson, the usual quartet of animators who dealt with the vast majority of Tom and Jerry shorts in the Hanna and Barbera era. The backgrounds was credited to Robert Gentle. It was released on January 30, 1954 by Metro-Goldwyn-Mayer. Posse Cat is seen as the sequel or successor to 1950's Texas Tom, which is often considered one of the more popular Tom and Jerry shorts, though it was not nominated for an Academy Award that year.

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Mouse Trouble is a 1944 one-reel animated cartoon and is the 17th Tom and Jerry short produced by Fred Quimby and directed by William Hanna and Joseph Barbera, with music by Scott Bradley (the music is actually based on the popular jazz song "All God's Children Got Rhythm"). The cartoon was animated by Ray Patterson, Irven Spence, Ken Muse and Pete Burness. The cartoon won the 1944 Academy Award for Best Animated Short Film the second consecutive award bestowed upon the series. It was released in theatres on November 23, 1944 by Metro-Goldwyn Mayer and reissued in 1951 or 1952 for re-release.

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Mouse in Manhattan is a 1945 one-reel animated cartoon and is the 19th Tom and Jerry short released in American theaters on July 7 1945.

Tom and Jerry episode #14 (Springtime for Thomas)

Baby Puss is a 1943 one-reel animated cartoon and is the 12th Tom and Jerry short directed by William Hanna and Joseph Barbera and produced by Fred Quimby, Baby Puss was released to theaters on Christmas day, 1943 by Metro-Goldwyn Mayer.

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The Duck Doctor is a 1952 one-reel animated cartoon and is the 64th Tom and Jerry cartoon directed by William Hanna and Joseph Barbera and produced by Fred Quimby. It stars a Quacker as a little wild duck, rather than the yellow duckling,

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Safety Second is a 1950 one-reel animated cartoon and is the 51st Tom and Jerry short directed by William Hanna and Joseph Barbera and produced by Fred Quimby. The working title for this cartoon was F'r Safety Sake before Hanna and Barbera finally settled for Safety Second. The short was animated by Ray Patterson, Ed Barge, Kenneth Muse, Irven Spence and Al Grandmain, scored by Scott Bradley and released on the 1st of July 1950, just in time for the American Independence Day celebrations of that year. The title is pun on the phrase Safety First!.

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Cat Napping is a 1951 one-reel animated cartoon and is the 62nd Tom and Jerry short directed by William Hanna and Joseph Barbera and produced by Fred Quimby.

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Calypso Cat is a Tom and Jerry cartoon produced in 1961 and released in 1962. It was directed by Gene Deitch and produced by William L. Snyder.

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Of Feline Bondage is a Tom and Jerry cartoon released in 1965, directed and produced by Chuck Jones, with animation by Ben Washam, Don Towsley, Ken Harris, Tom Ray and Dick Thompson. In some ways, the cartoon is reminiscent of the 1948 short, The Invisible Mouse which was directed by William Hanna and Joseph Barbera. The title of the cartoon alludes to the novel Of Human Bondage by Somerset Maugham, and the better-known 1964 film of the same name.

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The Unshrinkable Jerry Mouse is a 1964 cartoon directed and produced by Chuck Jones. The title is a play on words on The Unsinkable Molly Brown, a popular Broadway musical that was made into a feature film, also in 1964. The cartoon is essentially a Marc Antony and Pussyfoot cartoon reworked for Tom and Jerry; most of the production staff on this cartoon had also developed those characters at Warners.

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