Peter Sinfield performing The Song of The Seagoat on The Old Grey Whistle Test in 1973.

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Pete Sinfield singing "House of Hopes and Dreams" from his album "Still" on the Old Grey Whistle Test in 1973

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A clip from BBC documentary Prog Rock Britannia, with Peter Sinfield talking about King Crimson.

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Peter Sinfield reading Epitaph (King Crimson) at the Genoa Poetry Festival, Palazzo Ducale, Italy 2010, 1968 Filmed by Franz Soprani franz.it

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Pete Sinfield and Friends performing "If You're Right" in 1982, for Spanish music program "Musical Express"

Peter Sinfield Pete Sinfield Boz Burrell Tim Hinkley Mike Giles Bobby Tench Gary Brooker Mel Collins If You're Right King Crimson Barcelona

Pete Sinfield and Friends performing "Maybe So" in 1982, for Spanish music program "Musical Express" Maybe So Lyrics Paranoid no doubt devoid my heart still cries To fly just like a moth into the flame. Endlessly eternally I lose my nights Remembering to remember why I came. Maybe so, (said) maybe so and so Run out one more line and we won't know. Oblivion where are you now this record's stuck; Its lucky that I brought along a wedge. Open wide now this won't hurt but can you trust A man who lives his life out on a ledge. Maybe so, (said) maybe so and so Run out one more line we won't know Sabotage and subterfuge you take me and You know that I'm addicted to your spell. Snipers used to sing the blues; some one man band Now shakes it up by overcrowding hell. Maybe so, (said) maybe so and so Run out one more line and we won't know. One in dire straits for two and three gets worse Before you count your fingers should be five- Sixes, sevens better watch that eight ball curse, Nine makes ten I think were still alive. . . Maybe so, ahh.. maybe so and so Run out one more line we won't know. Said maybe so said maybe not it's light outside And we've been rapping snapping all night through One last time I'll interrupt I must know why You look strange, do I look strange to you? Maybe so. Yeah, maybe so and so Run out one more line and we won't know. . . Maybe so!

Peter Sinfield Pete Sinfield Boz Burrell Tim Hinkley Mike Giles Bobby Tench Gary Brooker Mel Collins Maybe So King Crimson Barcelona

IMPORTANT DISCLAIMER: The music, video and images remain copyright of their respective owners and are strictly used here on YouTube for educational reasons as well as for the artists' promotional purposes only! Therefore, if you own copyright over any part of these materials and do not wish to see it here, please contact me directly (rather than immediately referring to YouTube) and I will remove it as soon as possible! Thanks, in advance, for your understanding! From: "Still" (album released in 1973)-Manticore Records Peter John Sinfield (born 27 December 1943) is an English poet, lyricist and artist, most famously known as the lyricist and co-founding member of early incarnations of King Crimson, whose debut album In the Court of the Crimson King has been regarded as one of the most influential progressive rock albums ever released. In 2005, Sinfield was noted as a "Prog rock hero" in Q magazine, for his impressive lyrical contribution and creative influence while working within the rock music industry. As a lyricist, Sinfield has a distinctive approach to the sounds of words, filled with surreal (and sometimes fiercely sexual) imagery, and a special facility with water-images and ideas involving the sea. In 1972, Sinfield remained associated with EG Records, which represented King Crimson and Roxy Music, and it was while Sinfield was producing Roxy Music's debut album and their hit single "Virginia Plain", that he first decided to try his own hand at recording a solo <b>...</b>

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Peter Sinfield reading words to 'Closer to Believing' at Genoa Poetry Festival in June 2010

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abstract piece by Peter Sinfield featuring digital painting by Peter -uploaded in HD at www.TunesToTube.com

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via Pixelpipe

pixelpipe

from the album "Stillusion", 1973

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Peter Sinfield reading his lyrics for Night People from solo album Still. Filmed by Franz Soprani franz.it

Peter Sinfield Still The Night People Genoa Palazzo Ducale Genoa Poetry Festival 2010

Peter Sinfield reading a poem he wrote for drummer Ian Wallace, 'Don't Hear of Much', at the Genoa Poetry Festival in Italy 2010. Filmed by Franz Soprani franz.it Don't Hear of Much Yo Ian Bro, Rafting your roll chosen maple sticks Rattled from pollarded starlight Copses & Robberies. Pea soup crash, Zrrup down splash, dubadub scritch. Re tankards of woe - stop All aboard the train for go - stop Definite point torch when possible - stop (Though true hear dramatically less here) - stop Finger aired. Hindu umpire,"Who is being this Canute?" - stop "Timing is behind all feeling, love. I played the Empire" - stop Haskell CD pass 2 spot. Harry strumming later in time - stop Hey Bro. Low-hatted, dreaming lamb in Nashville bracket, with garlic, smile, part-sorted, WLTM Kodak moment with romaine- please tick ear. Written listening as John Adams agrees, "There is some humour in the piece." (His Violin Concerto) Vroom, dissolve, appear, stumble, roar, slide, ping. (insert one size pin tale on donkey verbs of choice - He does!) Eugene. Oil that Gate, Eugene! New springs recondition old hearts Don't hear of much do that.

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Demo of Call The Man written by Peter Sinfield and Andy Hill Close the door Shut the world away All the fight's gone from this wounded heart Across the floor Dreams and shadows play Like windblown refugees (Call) call the man Who deals in love beyond repair He can heal the world Oh hearts in need of care (Shine) shine a light ahead When the next step is unclear Call the man He's needed here I close my eyes I remember when Your sweet love filled this empty room The tears I cry Won't bring it back again Unless the lonely star should fall Needed in the chaos and confusion From the plains to City Hall Needed where the proud who walk the wire are set to fall Woah, call the man Who deals in once upon a time Maybe he Can mend this broken heart of mine Shine a light ahead Now the future isn't clear Isn't clear Call the man He's needed here Call the man He's needed here Oh yeah Ah, mmm He's needed here Right here He's needed here, right now, yeah -uploaded in HD at www.TunesToTube.com

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a short abstract piece which Peter recently "composed" and entitled Music For Impossible Cutlery.. plus its accompanying cover art which he also "made" -uploaded in HD at www.TunesToTube.com

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Original founding members of King Crimson Peter Sinfield and Ian McDonald interviewed for Japanese music documentary 'Song to Soul', speaking about the birth of The Court of the Crimson King'.

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Peter Sinfield and Ian McDonald previously of King Crimson speak on Japanese music documentary Song to Soul, about the creation of the song 'In The Court of the Crimson King' which was released in 1969 on the album of the same name.

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Can You Forgive a Fool - Peter Sinfield (Stillusion)

Can You Fourgive a Fool Peter Sinfield Stillusion

Peter Sinfield and Ian McDonald talking about forming King Crimson, on Japanese TV documentary Song to Soul in 2011.

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Peace in Our Time (The Demo) Lyrics by Peter Sinfield & Andy Hill Brilliantly sung by Chris Thompson Oh, darling, how strong is Love suppose to be Surrounded by fire and magic we long to be free, it's heating heating up down on the streets of shame to be strong enough To fly with our love Like a Phoenix from the flame You gotta have faith, To work it out, faith and hope Without a doubt give us strength To make a start Put a song in our hearts... We're never gonna Break down the walls And build a prison With the stone 'Cause you and I know What love is worth We're gonna build A Heaven on Earth We're running in the Wheels of fortune Turning water into wine Gonna make love the bottom line Gonna find peace in our time Gonna find peace in our time Sweet, sweet darling, When there is lightening in the sky, When rivers are rising And trouble rolls in on the tide Keep on keeping on Til all those tears are dry Come out of the storm And into the warm Of the healing I'll supply gotta have faith to get it fast faith and hope let it last give us strength to reach the stars put a song in our hearts We're never gonna Break down the walls And build a prison With the stone 'Cause you and I know What love is worth We're gonna build A Heaven on Earth We're running in the Wheels of fortune Turning water into wine Gonna make love the bottom line Gonna find peace in our time At the sign of the dove Gonna shine, shine, shine On a wing and a prayer We'll get by, by, by Sweet sweet mamma Do you <b>...</b>

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There is No Distance demo 1987, lyric by Peter Sinfield Sunrise to starlight Weaving and dreaming Market to market 'Til all I knew was deceiving. Dancing with shadows That's where you found me Lonely and broken You let your love flow around me. Moment to moment So many doors to open Look in my eyes and then tell me . . . There is no distance Will ever keep us apart There is no distance Between your heart and my heart. Our love is like luminous wings in the night Gathered and folded, then burning so bright 'Til there is no distance, between my light and your light. Twisted and tangled So much to pardon You turned my wasteland Into a riverside garden. You are my river Run through my life forever Nothing to say but I love you. . . There is no distance Between your heart and my heart There is no distance Will ever keep us apart There is no distance Between your heart and my heart. . . . -uploaded in HD at www.TunesToTube.com

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Original Videoclip by Francesco Paolo Paladino Music by Max Marchini & Paola Tagliaferro Words by Peter Sinfield © 2012 SIAE Taken from the forthcoming album "Milioni di Lune" Personnel: Paola Tagliaferro: Voice, kalimba, noises Max Marchini: guitars, bass, noise, sound project Peter Sinfield: voice Angelo Contini: Trombone Francesco Paolo Paladino: nose sounds & occasional voice Franz Soprani: Bass guitar BLOSSOM ON THE TREE Dust clouds the mason As he grinds the pedestal Back against the stairs. (Blossom on the tree) Caught by unseen eyes In the garden of a dream Blossom on the tree, Blossom on the tree (Peter Sinfield) © Produced by Max Marchini & Peter Sinfield for Owl Productions Ltd

BOTT

Rare outtake sessions from the introduction to King Crimson's Album "In the Court of the Crimson King" from Summer, 1969. Robert Fripp, Greg Lake, Michael Giles (and maybe Peter Sinfield) are performing the wind and organ noises while Ian McDonald is conducting from the control room.

King Crimson Robert Fripp Greg Lake Michael Giles Peter Sinfield Ian mcdonald In the Court of Progressive Rock Music Foreigner 1969 Emerson and Palmer Yes Genesis ELP Rush Gentle Giant Rare Outtakes Studio Sessions Prog

From the "Lizard" album (1970) by the crimson king. Karaoke version. Lyrics by Peter Sinfield: www.songsouponsea.com

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Yumi Hara Cawkwell performed 'I Talk to the Wind' from 'In the Court of the Crimson King' by King Crimson, written by Ian McDonald and Peter Sinfield. She accompanied herslf on the organ. Live at the Union Chapel, 13 March 2007.

Yumi Hara Cawkwell Talk to the Wind King Crimson Ian mcdonald Pete Peter Sinfield organ voice Union Chapel

From ISLANDS © 1971 EG Records Ltd

King Crimson Islands Robert Fripp Mel Collins Boz Ian Wallace Peter Sinfield prog progressive 1971

"Epitaph" (Fripp, McDonald, Lake, Giles, Sinfield). From their debut studio album "In the Court of the Crimson King", 10/October/1969. * Robert Fripp -- Guitar * Ian McDonald -- flute, clarinet, saxophone, vibes, keyboards, mellotron, vocals * Greg Lake -- bass guitar, lead vocals * Michael Giles -- drums, percussion, vocals * Peter Sinfield -- lyrics, illumination * Barry Godber -- cover illustrations. Lyrics: The wall on which the prophets wrote Is cracking at the seams. Upon the instruments of death The sunlight brightly gleams. When every man is torn apart With nightmares and with dreams, Will no one lay the laurel wreath When silence drowns the screams. Confusion will be my epitaph. As I crawl a cracked and broken path If we make it we can all sit back and laugh. But I fear tomorrow I'll be crying, Yes I fear tomorrow I'll be crying. Between the iron gates of fate, The seeds of time were sown, And watered by the deeds of those Who know and who are known; Knowledge is a deadly friend If no one sets the rules. The fate of all mankind I see Is in the hands of fools. Confusion will be my epitaph. As I crawl a cracked and broken path If we make it we can all sit back and laugh. But I fear tomorrow I'll be crying, Yes I fear tomorrow I'll be crying. (including "March for No Reason" and "Tomorrow and Tomorrow"). ============================================= I do not own King Crimson. "In the Court of the Crimson King" belongs to King Crimson and EG Records Ltd.

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Rare video footage with original audio of King Crimson performing "21st Century Schizoid Man" at Hyde Park on July 5th 1969.

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"Cadence and Cascade" (Fripp, Sinfield). From their second studio album "In the Wake of Poseidon", 15/May/1970. * Greg Lake -- Vocals (except "Cadence and Cascade") * Mel Collins -- flute, saxophones * Robert Fripp -- guitars, mellotron, devices * Michael Giles -- drums * Peter Sinfield -- lyrics * Peter Giles -- bass * Keith Tippett -- piano * Gordon Haskell -- vocals ("Cadence and Cascade" only). Lyrics: Cadence and Cascade Kept a man named Jade; Cool in the shade While his audience played. Purred whispered Spend us too: We only serve for you. Sliding mystified On the wine of the tide Stared pale-eyed As his veil fell aside. Sad paper courtesan. They found him just a man. Caravan hotel Where the sequin spell fell Custom of the game. Cadence oiled in love Licked his velvet gloved hand Cascade kissed his name. Sad paper courtesan They knew him just a man. ============================================= I do not own King Crimson. "In the Wake of Poseidon" belongs to King Crimson and EG Records Ltd.

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King Crimson Cover

Four Leaves King Crimson Pete Sinfield

My video to - Under The Sky - By Pete Sinfield

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This title is taken from King Crimson´s album, " In the Court of the Crimson King" (1969 / England) In the Court of the Crimson King is the 1969 debut album by the British progressive rock group King Crimson. The album reached #5 on the British charts, and is certified gold in the United States en.wikipedia.org Official Website: www.king-crimson.com Robert Fripp - guitar Greg Lake - bass guitar, vocals Ian McDonald - keyboards, mellotron, reeds and woodwind, vibraphone, vocals Michael Giles - drums, percussion, vocals Peter Sinfield - lyrics, illumination Barry Godber - painted the album cover Epitaph (Including (a) March For No Reason; (b) Tomorrow And Tomorrow) Written-By -- Greg Lake, Michael Giles, Robert Fripp, Peter Sinfield The wall on which the prophets wrote Is cracking at the seams Upon the instruments of death The sunlight brightly gleams When every man is torn apart With nightmares and with dreams, Will no one lay the laurel wreath As silence drowns the screams Between the iron gates of fate, The seeds of time were sown, And watered by the deeds of those Who know and who are known; Knowledge is a deadly friend When no one sets the rules The fate of all mankind I see Is in the hands of fools Confusion will be my epitaph As I crawl a cracked and broken path If we make it we can all sit back And laugh But I fear tomorrow I'll be crying, Yes I fear tomorrow I'll be crying

King Crimson Epitaph Progressive Rock Music Experimental-Rock Prog-Rock Art-Rock Rock-Classics Rockklassiker Melancholia Melancholy Sadness Melancholie Traurigkeit Oldies Nostalgia Nostalji 60ies 70ies Wessex Sound Studios London Island Records

The Demo of 'Looking Through the Eyes of a Child' written by Albert Hammond, Andy Hill and Peter Sinfield. Sung by Chris (Golden Throat) Thompson. Painting by Peter Unsworth. Looking Through the Eyes of a Child Lyrics Original is what you are Hollywood or Shangrila Will you ever make your mind up where? Venice as the waters rise Heaven burning in your eyes In a dream I know that you still care. Show me the way Somebody show me the way to your heart. Send me wise men, a book about love My breath has been taken, I've been shaken, You keep me waiting at the edge of the world On a driftwood shoreline......like the wind you're wild. What do I do now? I want you now. . . . You've got me looking through the eyes of a child. As you are is how you move Nothing I can really prove Buying roses on a rainy day. Show me the way Somebody show me the way to your heart. Send me wise men, a book about love My breath has been taken, I've been shaken, You keep me waiting at the edge of the world On a driftwood shoreline......like the wind you're wild. What do I do now? I want you now. . . . You've got me looking through the eyes of a child. Got me looking.through the eyes of a child. Looking through the eyes of a child. -uploaded in HD at www.TunesToTube.com

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-Last.fm- ------------- King Crimson is a progressive rock group from England formed in 1969 by guitarist Robert Fripp and drummer Michael Giles. Though originally an all-British musical group, later members have included a number of Americans, most notably Adrian Belew and Tony Levin. The name King Crimson was coined by Peter Sinfield as a synonym for Beelzebub, prince of demons. According to Fripp, Beelzebub is an Anglicized form of the Arabic phrase Bil Sabab, meaning the man with an aim. However, the original name is understood to be from baal zebul, Lord of the Seat. King Crimsons debut album In the Court of the Crimson King is considered by some to be one of the most influential albums of progressive rock. The first major success of the new genre of progressive rock, many bands that would come to dominate prog in the 1970s first sought to emulate In the Court of the Crimson King, including Genesis, The Alan Parsons Project, and later Rush. King Crimson continues to still have an influence on progressive rock today, with bands such as Tool and The Mars Volta citing them as influences. The lineup of King Crimson has at times changed drastically from album to album. Original lead singer and bassist Greg Lake left the group—as did lyricist Peter Sinfield—and went on to fame with Emerson, Lake & Palmer in 1970, replaced by Gordon Haskell, Boz Burrell, and, briefly, Jon Anderson of Yes. Also from Yes came drummer Bill Bruford, who joined King Crimson in 1972 and became <b>...</b>

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King Crimson Cover (LIVE)

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King Crimson - Epitaph .One of the best rock ballads .Album: In "The Court Of The Crimson King Year:" 1969r.Musicians playing: Greg Lake - b .voc. Robert Fripp - g. Ian McDonald - k.,as.,fl, M. Gilles - dr.,per. Peter Sinfield - poetic texts

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From LIZARD © 1970 EG Records Ltd.

King Crimson Lizard Indoor Games Robert Fripp Mel Collins Gordon Haskell Andy mcculloch Pete Sinfield Jon Anders

``Black swan``is a 2010 American psychological thriller. Directed by Darren Aronofski. Story by Andrez Heinz. Starring:Natalie Portman,Vincent Cassel,Mila Kunis,Barbara Hershey. ``Prelude:Song of the gulls``(Robert Fripp) Personnel: Additional musicians: Keith Tippett-Piano. Robin Miller-Oboe. Mark Charig-Cornet. Harry Miller-Double bass. Production: Arranged by King crimson. Produced by Robert Fripp & Peter Sinfield. Recorded and engineered by Andy Hendrikson. Mastered by Tony Arnold.

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"The World Became the World" is the English-version of the previously released album "L'Isola di Niete" from the Italian prog band Premiata Forneria Marconi. The lyrics were composed by ex King Crimson lyricist Pete Sinfield. I recommend this album to any prog-fan out there. Songs taken from the original LP. I had to cut off the beginning of the song due to Youtube's lenght limit. Enjoy ! "The World Became the World" est la version anglaise de l'album "L'Isola di Niete" du groupe de prog Italien Premiata Forneria Marconi, paru en 1972. Les paroles ont été composées par l'ex-membre de King Crimson, Pete Sinfield. Je recommande chaudement cet album à tous les fans de musique progressive qui désirent enrichir leur collection d'un excellent opus. La chanson est tirée directement du LP. Afin de satisfaire aux contraintes de temps imposées par Youtube, j'ai du emputer une partie de la chanson. Bonne écoute ! Red Bellows of flame have blackened my stones Convulsing my frame and cracking my bones. Hell's dragons of steel who roar in their chains Crawl into my caves to suck out my veins. I've split the sky ten million years And I've been called a hundred different names. I know the stories of the wind, I've argued with the thunder and the rain ... Till eagles flew from Urizen Revealing how my mother's face was horribly changed By the apes ... Where once shepherds dined the diamond worm screams. The ash of my pine is choking my strams "O-Yam-Tsu-Mi"* I invoke your name. But "O-Yam <b>...</b>

PFM Premiata Forneria Marconi the mountain italian progressive rock 1974 lp L'Isola di Niete

MCDONALD AND GILES McDonald And Giles Track 5 "Birdman" (21:11) [PART 1, length: 9:57.58] 5. The Inventor's Dream (OUAT) (3:53)* 6. The Workshop (2:51)* 7. Wishbone Ascension (1:30)* 8. Birdman Flies! (6:18)* 9. Wings In The Sunset (0:40) 10. Birdman - The Reflection (5:59) Recorded: 1970 Released: 1971 UK Genre: Progressive Rock ----- Words: Peter Sinfield Music: Ian McDonald ----- (on album) Ian McDonald: guitar, piano, organ, saxes, flute, clarinet, zither, vocals and sundries Michael Giles: drums, percussion (including milk bottle, handsaw, lip whistle and nutbox), vocals Peter Giles: bass guitar Steve Winwood: organ ---- After (McDonald) leaving King Crimson because he thought the music was "paranoiac", even "evil" in 1969, Ian joined King Crimson's drummer Michael Giles to create McDonald And Giles in 1970.

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Cover of a great prog tune

King Crimson Red John Wetton Bill Bruford Robert Fripp David Cross One More Nightmare Fallen Angel Starless Providence Cat Food 21st Century Schizoid Man Adrian Belew Tony Levin Progressive Rock ELP Emerson Lake Palmer and Yes Steve Howe Caravan Soft Machine Egg Gong Hawkwind Pink Floyd Prog Music Guitar Strat Ian Macdonald Pete Sinfield Greg Hendrix Clapton Beck Page Moon child Court of the Islands Lizard Cirkus DGM Live Tube Amp Gentle Giant Syd Barrett

Music video for Moonchild by King Crimson. Camera: John B. Vail Cast: Moonchild - Shawn R. Klopfer Man from Store - John B. Wevers Muggers - Nicholas G. GIustra, Antonio P. Giustra Lovers - John B. Vail, Amanda J. Ellis

King Crimson Moonchild Greg Lake Robert Fripp Micheal Giles Peter Sinfield Music Video Shawn Klopfer John Vail Five Dollar Productions

Thanks for watching! The use of any copyrighted material is used under the guidelines of "fair use" in title 17 § 107 of the United States. Such material remains the copyright of the original holder and is used here for the purpose of education, comparison, and criticism only. No infringement of copyright is intended.

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Here's my thoughts on the King Crimson discography and which albums you should buy and which ones you should steer clear of!

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"Peace - A Beginning" (Fripp, Sinfield). From their second studio album "In the Wake of Poseidon", 15/May/1970. * Greg Lake -- Vocals (except "Cadence and Cascade") * Mel Collins -- flute, saxophones * Robert Fripp -- guitars, mellotron, devices * Michael Giles -- drums * Peter Sinfield -- lyrics * Peter Giles -- bass * Keith Tippett -- piano * Gordon Haskell -- vocals ("Cadence and Cascade" only). Lyrics: I am the ocean Lit by the flame I am the mountain. Peace is my name I am the river Touched by the wind I am the story I never end. ============================================= I do not own King Crimson. "In the Wake of Poseidon" belongs to King Crimson and EG Records Ltd.

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King Crimson - The Devil's Triangle ( 1970 ) cover - reMASTERED & edited by vibraephase orig. composer; Gustav Holst - The Planets Personnel Robert Fripp - guitars, mellotron & devices Peter Sinfield - lyrics Greg Lake - vocals Mel Collins - flute & saxophones Peter Giles - bass Michael Giles - drums Keith Tippett - piano The longest track on the album ( In the Wake of Poseidon ) is a chaotic instrumental piece called "The Devil's Triangle", which was built around quotations from Gustav Holst's "Mars: Bringer of War" from his The Planets Suite. King Crimson would have called the piece Mars, as they had performed it on tour in the 1969 line-up, but were forbidden by the composer's legal estate. In 1971, a brief excerpt from "The Devil's Triangle" was featured on the BBC television series Doctor Who. Also, the track samples the chorus from "The Court of the Crimson King", the title track from the band's first album, a studio technique known as xenochrony.

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