Scherzo - A Midsummer Night's Dream

Felix Mendelssohn op. 61
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(Pogorelich)Chopin Scherzo No. 3, Op. 39

played by Ivo Pogorelich at the 1980 Chopin competition. You may download the avi version here(XVid): rapidshare.com
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Menuhin - Wieniawski Scherzo Tarantelle

Yehudi Menuhin plays Wieniawski's Scherzo Tarantelle 1947
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Scherzo sexy

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Cohen's Masterpiece (Cohen's Scherzo n°7)

This is a beautiful piece written by Garry Schyman for the game "Bioshock" I would like to thank Garry Schyman himself for the sheet music of his piano piece. Here is the website of the composer : www.garryschyman.com I used two different angle-view with the camera in order to get a better view of the hand movements. I hope you'll like it.
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Fullmetal Alchemist Brotherhood OST 2 - Battle Scherzo

Fullmetal Alchemist Brotherhood OST 2! I do not own FMA or any other registered trademarks. If you like this, then I suggest buying the CD! You can buy the CD here: www.cdjapan.co.jp
Chopin - Scherzo No. 2, Op. 31 (Rubinstein)

Scherzo No. 2, Op. 31 Arthur Rubinstein, piano The Scherzo No. 2 in B-Flat Minor, Op. 31 is a scherzo by Frédéric Chopin. The work was composed and published in 1837, and was dedicated to Countess Adele Fürstensein. Schumann compared this scherzo to a Byronic poem, "so overflowing with tenderness, boldness, love and contempt." According to Wilhelm von Lenz, a pupil of Chopin, the composer said that the renowned sotto voce opening was a question and the second phrase the answer: "For Chopin it was never questioning enough, never soft enough, never vaulted (tombe) enough. It must be a charnel-house." The melody, marked "con anima," is repeated three times during the lengthy proceedings, the last time bringing us to the coda in a magnificent key change. The gorgeous melody overlies a six-note-per-measure left-hand accompaniment of exceeding richness. The trio, filled with longing, takes on a pianistic complexity. Huneker exults, "What masterly writing, and it lies in the very heart of the piano! A hundred generations may not improve on these pages." The scherzo is in sonata form. The beginning is marked Presto and opens in B flat minor. However, most of the work is written in D flat major and A major. The opening to the piece consists of two arpeggiated pianissimo chords, and after a moment's pause, goes into a set of fortissimo chords, before returning to the quiet arpeggiated chords. Frederic Chopin (1810 - 1849)
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SCHERZO TELEFONICO - BAMBINO ROMPICOJONES - FRANK MATANO

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(Dang Thai Son)Chopin Scherzo No. 2, Op. 31

played by Dang Thai Son at the 1980 Chopin competition, where he was also the winner. You may download the avi version here(XVid): rapidshare.com
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Scherzo Barbara De Rossi - Parrucchiera maldestra - Me lo dicono tutti 07/05/2011

07/05/2011 Me lo dicono tutti - Prima puntata. Il divertente scherzo che vede come interprete la brava Barbara De Rossi nelle vesti di una parrucchiera un po' maldestra...
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Josef SUK: Scherzo Fantastique, Opus 25 - Part 1 of 2

Passing Through: www.youtube.com - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: www.youtube.com , and support him - Thanks :) Josef Suk (January 4, 1874 -- May 29, 1935) was a Czech composer and violinist. Suk was born in Křečovice. He studied at Prague Conservatory from 1885 to 1892, where he was a pupil of Antonín Dvořák. In 1898, he married Dvořák's eldest daughter, Otilie Dvořáková (1878--1905), affectionately known as Otilka. He formed the Czech Quartet with three of his fellow students — Suk played second violin with them for most of his life. From 1922 he taught at the Prague Conservatory where his pupils included Bohuslav Martinů and Rudolf Firkušný. He died in Benešov. From the evidence of the Fantastic Scherzo, Opus 25, Josef Suk would seem to have been destined to follow an artistic path much like that of his father-in-law and teacher, Antonín Dvorák. It is a 15-minute work, brilliantly scored for full Romantic orchestra. Its style is not that close to that of Dvorák. Suk's harmonic language is a little more modern, something like that of the pre-Impressionist French composers such as Chabrier and Fauré. Nor was Suk as interested in evoking Czech musical folklore in his music. The work is in the typical scherzo rhythm of dotted triple-time groups, rather close in spirit to Dukas' Sorcerer's Apprentice. It has less of the grotesquerie, mostly being good-spirited. The closest thing to it in mood among Dvorák's works is the Carnival <b>...</b>
Richard Galliano - Scherzo by Jhon Gart

Richard Galliano playing the Scherzo by Jhon Gart in Andoain - Basque Country in the annual gala UNAC (Union de Acordeonistas) the 19th of November, 2006. Bastero Auditorium - 400 people. UNAC - www.unac.es
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SCHERZO TELEFONICO - BAMBINO NATALE - FRANK MATANO

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SCHERZI TELEFONICI ALLE 2 DI NOTTE! - FRANK MATANO

Questo succede quando si torna troppo presto il sabato sera. Iscrivetevi e commentate :D
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SCHERZO TELEFONICO - BAMBINO KAMASUTRA - FRANK MATANO

ISCRIVETEVI! email: lamentecontorta@gmail.com myspace: www.myspace.com/francescozzz
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SCHERZO TEL. A MARCO BORRIELLO

Lo scherzo a Marco c'è dopo il primo ;) LASCIATEMI COMMENTI CHE VI LEGGO TUTTI !! grazieeee
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SCHUMANN: Symphony No. 4 in D Minor, Op. 120

Passing Through: www.youtube.com - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: www.youtube.com , and support him - Thanks :) III. Scherzo: Lebhaft The Symphony No. 4 in D Minor, op. 120, was composed by Robert Schumann. Although a version of this work was completed in 1841, Schumann heavily revised the symphony in 1851, and it was this version that reached publication. Clara Schumann, Robert's widow, later claimed on the first page of the score to the symphony--as published in 1882 as part of her husband's complete works (Robert Schumanns Werke, Herausgegeben von Clara Schumann, published by Breitkopf und Härtel)--that the symphony had merely been sketched in 1841 but was only fully orchestrated ("vollständig instrumentiert") in 1851. However, this was untrue, and Johannes Brahms, who greatly preferred the earlier version of the symphony, published that version in 1891 despite Clara's strenuous objections. The 1851 (published) version of the work is in five movements which follow each other without pause: I. Ziemlich langsam - Lebhaft II. Romanza: Ziemlich langsam III. Scherzo: Lebhaft IV. Etwas zurückhaltend - Langsam V. Lebhaft Conducted by: Sir Neville Marriner (We appreciate Wikipaedia's contributions in the descriptions here)
SCHERZO A MIO PADRE!!!

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