Klaus Schulze Floating

Klaus Schulze Floating Surrealistic Art Show

Klaus Schulze Floating Surrealistic Art Show

1977 Original Classic Soundtrack off a old vinyl, Body Love. my Tribute to Klaus Schulze Brilliant music, Thank you. video made and edited by zrnho, hope you enjoyed this superb! track. Thanks again for watching :) www.klaus-schulze.com www.klaus-schulze.com

Awesome classic track from Klaus Schulze /2005moonlake/. video made at saddleworth uk by zrnho/. hope you enjoy! thank you again for watching, zrnho video :) www.klaus-schulze.com www.klaus-schulze.com

The twenty seven minute plus 'Floating' starts the Moondawn album off in an instantly spacified style, synths twittering away to themselves in a totally random fashion. An uncredited sermonic voice is heard and l think l'm in for a religious experience! Klaus maintains that the spoken word meant nothing to him personally, but he liked its tonal quality and wished to include it purely for sonic effect. Fizzy synth strings take over and a hypnotic little sequence line takes centre stage. Nothing stands still for long here as another fatter sounding sequence steps in gradually shifting and mutating into something with abit more bite for the drums to play against, Mr Grosskopf turning in a flawless machine like performance on this piece. The real soloing commences at the halfway mark over a thick soundbed of silky smooth strings,(ala Timewind). The sound set all appears to be very well rehearsed even though the whole album was recording in the space of one night, those solo voicings fitting in with all else perfectly. An electric piano emulation is then followed up with a reedy sounding Moog solo and already the track is approaching its end. At the twenty minute mark the intensity is cranked up a notch or two instinctively, (real musical genius at work here with no particular changes musically, just the odd filter opened up little here and a change of modulation there) and we're really racing towards the finale firing on all cylinders. Only in the last thirty seconds does the <b>...</b>
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Klaus Schulze performs 'For Barry Graves' - live concert 1977. Unique and rare footage. Video re-edited for better image quality and sound remastered for better clearity and stereo imaging. - Nimanty - Details: See Klaus Schulze using the MiniMoog D-model synthesizer, switching the added white noise off at 6:20. Next to it, the Moog Micromoog, on which he (at 2:16) adjusts the 'volume', 'filter cutoff', 'release' (to short), 'filter mod by osc' (to strong, then back to off), 'filter mode' (to tone) and finally 'modulation rate', just visible on fading. Enjoy!
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From "Moondawn", deLuxe edition, 2005. Klaus Schulze: the grandmaster of electronic music. ( according to me anyway ) www.klaus-schulze.com

Track called Chromengel from Klaus Schulze album Cyborg released in 1972. Pictures are from Quebec City surroundings.
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The epic,'Crystal Lake' drifts into play at 29.15mins with its repetitive merry little music box style beginnings. Once again we step through six musical stages of development, (Xylotones/Chromewaves/Willow Dreams/Liquid Mirrors/Springdance & A Bientot). Again, no single stage being clearly definable as one part morphs into the next. The protracted crystalline sequence is boosted as a big Moog bass drops in to say hello, and consequently the whole composition shifts to follow the bass. Lead synths move around the mix avoiding the other FX which come and go with remarkable ease. Things wind down slowly only to build again into a thick mix of both choral and synthesiser treatments with any further leads set well back in the soundfield. The closing stages display a sense of latent power buried within the track as a sequence surges forward that Schulze plays against expressively trying to tell us that musically he has more to say, more to play, but time and vinyl were obviously against him back in 1977 and it was curtain call on this one. Review by Synth Music Direct.
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'Mindphaser', (25.35) drifts in on a swathe of rippling sea effects as the synth/organ strings arrive once more. A carefully placed voxy solo serves its purpose well really opening the track up in a more angelic way than we were used to at the time, (Schulze tending to use this sound combination to make his music seem more eerie in previous recordings). A gentle twelve minute build brings us to a sudden blast of white noise and Klaus opening up with the church organ and the drums breaking out in total prog rock mode. Again it's at the halfway mark that the serious synth soloing commences in a rather grungy low register. The synths fire off in all sorts of weird directions as the rock element of the music leaves them trailing behind. The underlying organ returns as the drumming becomes ever more furious, but as the music reaches its climax no single element of the piece can be said to be leading the way, this track again coming to a sudden close. Reviw by Synth Music Direct
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CD1 opens up with the glorious 'Bayreuth Return'(30.32). A gale force electronic wind is blowing as small twittering synths drift around in an off world dimension. You know this is all just for effect as a uniform sequence surges forward propelling the piece onwards with an urgency and intensity that just takes over the entire track carrying the whole piece. At the six minute mark the sequencers seamlessly mutate into something completely different as Klaus pulls the rug from under our feet leaving just the high tempo, but the arpeggiations in freefall. The sonic panorama seemingly matching the cover art with its bleak desert like emptiness. This then constitutes the main body of the track with a sense of eerie calm as two echoed notes' in the far distance come to us intermittently as more of a remote signal than any kind of theme. Switching register and key, Klaus fades the synths in and out of the mix. A steady blanket of organ string sounds fizz away sounding wonderfully thin and tinny, but acting as an excellent foil to the ongoing synth soloing and white noise effects that whistle through the mix. The last ten minutes see's the return of the thundering opening sequence, re-entering play like a freight train hammering down the track!!! This time around events don't build to a climax as is so often the case on other album tracks of this nature; instead everything is given more pace by an increase in the frequency of sequencer pattern changes as he quickly retraces his <b>...</b>
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Bonus track from the Trancefer album.
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Tribute to a classic track from klaus schulze 72 - 93 the essential. video made and edited by zrnho. thanks again for watching :) www.klaus-schulze.com www.klaus-schulze.com
Klaus Schulze Wahnfried 1883 Electronic Rock Performing Arts

Hope you enjoy this superb!! piece from our friend, Klaus Schulze, this piece is 25"minute long edited 7"minute this track is from rheingold video made and edited by zrnho thanks again for watching :) www.klaus-schulze.com www.klaus-schulze.com uk.youtube.com

00:00 Satz: Ebene 23:23 Satz: Gewitter / Energy Rise - Energy Collaps 28:57 Satz: Exil Sils Maria
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1997 Schulze Classic from Dosburg Online ( video editing by zrnho ) thanks again for watching, zrnho video :) www.klaus-schulze.com www.klaus-schulze.com
Klaus Schulze The Art Of Sequencing Electronic Rock Performing Arts

Bonus track from the "Audentity" CD, indexed below in five parts: 00:00 Gem. 11:41 Tiptoe on the Misty Mountain Top 26:24 Sink or Swim. 36:23 At the Angle of an Angel. 52:04 Of White Nights.
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'Wahnfried 1883'(28.38) fills the rest of CD1. Like track 1 an ocean of white noise, twittering and gliding synth effects all serve to paint some kind of musical imagery which for the bulk of the piece shows no sign of any earthly connection. A broad soundbed of droning organ fills the stereo image as screaming synth solos fight to be heard above the tumultuous backdrop. This all culminating in a huge swathe of electronic instrument sound,( this synthesised wall of sound approach being revisited on the 'Mirage' album two years later). The track drifts on towards the halfway mark where you'll notice that the organ backdrop remains as intense as ever, but all else has switched to a more reflective mood. Something truly beautiful is being played out on the synths, but it is largely overshadowed by the depth of the organwork. High register synth effects return sighting some kind of closure for the piece. The sprawling wash of both synths and organ finally being brought to their knees by massive resonant synth sweeps which Klaus also edits in realtime bringing the original album to a most dramatic Wagnerian close, truly overpowering and absolutely brilliant!!! Review by Synth Music Direct
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Official trailer for the first official Klaus Schulze DVD 'Rheingold' feat. Lisa Gerrard (former Dead Can Dance). This live DVD was recorded by D'iMages on july 18-th 2008 during the Loreley festival. Editing and authoring was done by D'iMages as well Performers: Klaus Schulze Lisa Gerrard Cameras: Angelique Wassink (Editor/Director) Mirko Pelgrom (Director) Lex Hulleman (Director of Photography) Bianca de Ruiter Arne Pelgrom Jolien Hagens The DVD will be available from the 28th Nov. on as strictly Ltd. Ed. 4 Disc Set, or as Double DVD or Double Live CD!
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Real stereo sound. In November 2007, Lisa Gerrard travelled to the Lüneburg Heath, where Klaus Schulze has resided for more than 30 years. It is also home to his private recording studio. For this joint effort six days were scheduled, but "on the first day, we just went out for dinner and didn't play any music at all", recalls Schulze. "I had already prepared the compositions and on the second day we actually recorded about five hours of music straight without a break. This session became Farscape I -- I have never experienced such an exciting thing in my entire career as an artist. The next day was just as intense and this session became Farscape II, another majestic, gripping experience with an exceptional artist", Schulze enthuses. A great moment of cooperation between true artists was the result! "Farscape" album is going to be released in June 2008. More infos: www.myspace.com www.klaus-schulze.com www.myspace.com en.wikipedia.org
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34 film images in this video of Valhalla, River Caves, Alice Ride, Ghost Train, from Blackpool Pleasure Beach. Big Thank You to Klaus Schulze Music in this video from Moonlake2005. hope you enjoy the ride, video made and edited by zrnho. Thanks again for watching. www.klaus-schulze.com
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www.youtube.com Click here to watch the GoldenEye 007 Intro Sequence [HD] Goldeneye 007: Video Game Review - Brendon Schulze (8.5/10) S02E78 This week on the VGR Brendon Schulze takes a look at the re-envisioned Goldeneye for the Wii. Does this game manage to capture the lighting in a bottle that the original bottled up before? Time to find out. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Follow Machinima on Twitter! Machinima twitter.com Inside Gaming twitter.com Machinima Respawn twitter.com Machinima Entertainment, Technology, Culture twitter.com FOR MORE MACHINIMA, GO TO: www.youtube.com FOR MORE GAMEPLAY, GO TO: www.youtube.com FOR MORE SPORTS GAMEPLAY, GO TO: www.youtube.com FOR MORE MMO & RPG GAMEPLAY, GO TO: www.youtube.com FOR MORE TRAILERS, GO TO: www.youtube.com TAGS: yt:quality=high Goldeneye 007 "James Bond" video game remake for Nintendo Wii first-person shooter FPS multiplayer single-player campaign UPC 047875841031 "Video Game Review" review by Brendon Schulze VGR
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From the 1975 album "Picture Music".
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The Dark Side Of The Moog 7. The complete continuous track, indexed below in six parts 00:00 Part 1. 05:01 Part 2. 12:23 Part 3. 31:23 Part 4. 37:59 Part 5. 41:37 Part 6.
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Excerpt. Original is 24+ minutes. Youtube's compression screwed the the high range.

Onto the twenty one minute bonus track for this re-issue and it's a piece called 'Floating sequence' which l suppose it is really. Fundamentally it's the sequencer lines from 'Floating' reworked, stripped back and edited down from the recordings made during the 'Moondawn' sessions. Given that the whole album was multitracked up in the space of one night, (this bonus track also including Grosskopf's drums) l must assume then that this was either a dry run/practice recording of 'Floating' or indeed an entirely remixed and edited version of the same with the sequencer developments kept to the forefront and the drums pushed back alittle. Either way, still a fascinating listen and one which l think you Berlin School sequencer nuts may actually prefer to the original mix as those sequencers are manipulated, added delays causing psycho acoustic timing tricks on the ear. Review by Synth Music Direct
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Swedish all round Bjorn Fogelberg took Klaus'"Brave Old Sequence" from the 1991 album "beyond recall" and made something of his own, calling it artfully "Brave New Sequence". From the cd 'a tribute to Klaus Schulze'. www.klaus-schulze.com http
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www.youtube.com Click here to watch Vanquish Launch Trailer [HD]! Vanquish: Video Game Review w/ Brendon Schulze (8.5/10) S02E70 This week on the VGR, Brendon Schulze checks out the latest game from SEGA, Vanquish. Will the knee sliding, smoking hero be a new and welcome addition to the gaming world? Or will he just skin his knees and get lung cancer? Time to find out! - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Follow Machinima on Twitter! Machinima twitter.com Inside Gaming twitter.com Machinima Respawn twitter.com Machinima Entertainment, Technology, Culture twitter.com FOR MORE MACHINIMA, GO TO: www.youtube.com FOR MORE GAMEPLAY, GO TO: www.youtube.com FOR MORE SPORTS GAMEPLAY, GO TO: www.youtube.com FOR MORE MMO & RPG GAMEPLAY, GO TO: www.youtube.com FOR MORE TRAILERS, GO TO: www.youtube.com TAGS: VGR Video Game Review Brendon Schulze yt:quality=high Vanquish Launch Trailer [HD] machinima videogame video game xbox 360 xbox360 microsoft playstation3 ps3 playstation sony Nintendo wii exclusive platinumgames sega new halo fps first person shooter resident evil madworld bayonetta
VGR Video Game Review Brendon Schulze yt:quality=high Vanquish Launch Trailer [HD] machinima videogame xbox 360 xbox360 microsoft playstation3 ps3 playstation sony Nintendo wii exclusive platinumgames sega new halo fps first person shooter resi gameplay gaming ps2 psn psp

Klaus Schulze (ex Tangerine Dream and Ash Ra Tempel)
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From the 2007 album Kontinuum.
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www.klaus-schulze.com en.wikipedia.org 10 min excerpt from an amazing piece (more than 39 min long track) from Rheingold In 1801 German author Clemens Brentano wrote the poem Zu Bacharach am Rheine (part of his novel Godwi oder Das steinerne Bild der Mutter) which first created the story of an enchanting female connected to the rock. In the poem, the beautiful Lore Lay is falsely accused of maliciously bewitching men and driving them to ruin; later pardoned and on the way to a nunnery she passes and climbs the Lorelei rock, watching out for the lover who abandoned her, and falls to her death; the rock still retained an echo of her name afterwards. Brentano had taken inspiration from Ovid and the Echo myth. Brentano's poem was followed by many other authors who took his story and wrote versions of their own. Most famous is the poem Die Lore-Ley by Heinrich Heine, which tells of the titular female as a kind of siren luring shipmen to distraction with her singing, who then crash on the rocks in the riverbed.
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Sorry! for the 20"minutes anyway sit back and enjoy this amazing classic piece of electronic by the master Klaus Schulze part 1+3 i sing the body electric 1976 to 1995 sorry for the bad editing i hope you enjoy the video anyway i made thanks again for watching. check out his websites www.klaus-schulze.com www.klaus-schulze.com
Sing The Body Electric Master Electronic Klaus Schulze Videoeffects Zrnho

Double CD / 5 tracks / 59.10 + 56.14 mins CD1 opens up with the glorious 'Bayreuth Return'(30:32). A gale force electronic wind is blowing as small twittering synths drift around in an off world dimension. 'Wahnfried 1883'(28:38) fills the rest of CD1. Like track 1 an ocean of white noise, twittering and gliding synth effects all serve to paint some kind of musical imagery which for the bulk of the piece shows no sign of any earthly connection. Klaus also edits in realtime bringing the original album to a most dramatic Wagnerian close, truly overpowering and absolutely brilliant!!! CD2; a complete bonus disc of material. Three tracks, two of them also from 1975 which were basically rehearsals for the recording of 'Bayreuth Return'. Due to the rudimentary nature of Schulzes recording gear back in the mid seventies everything had to be done 'on the fly' in a single take, all synth tweaking and sequencer reprogramming was performed 'live', so rehearsal of what was about to take shape was pretty much an essential part of the whole recording routine. The sizeable 'Echoes of Time' (38:48)comes in at just under forty minutes!!! It has a completely different nine minute introduction to 'Bayreuth....' prior to the arrival of the familiar sounding sequences. For the rehearsal there are some slight differences in the mix and sounds used, but for me it lacks the real polish of the finished item. That said, do bear in mind that this is a massive slice of recorded rehearsal work, not <b>...</b>

'Georg Trakl' is a real gem for this release presented here in its unedited form at 26.04mins. Once again a simple, but quirky little sequence starts with delicate improvised Moog soloing . A synth pad fizzes to life in the background and straight away you just know this is just genius at work. Klaus steps lightly throughout the entire piece introducing other sequences and solo's as the drums take on a jazz brush feel using a great deal of top set Review by Synth Music Direct.
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This is a track that is just pure class; as l say its Schulze doing what Schulze does best. A pair of sequencers ticking over in a very analogue sounding way being continually manipulated and modulated. Afew minutes in and another sequence played on an acoustic guitar sample mirrors the opening patterns taking us off on an ever changing journey through a carefully crafted sound. Quite simply everything and nothing happens for some twelve minutes as the layers build. It's not quite retro heaven, but it's pretty darn close. Klaus's familiar chord patterns arrive, drifting along in the background, the whole piece moving along effortlessly. Theres a haunting beauty about the track, one which l just can't simply pigeon hole as a late seventies trip down memory lane. Here there is a delicacy that we just didn't get back then; with his sonic backdrops in full swing l'd have to say that overall l was reminded alittle of the sound and sequencing on the 'Dreams' album from the mid eighties. With about six minutes left on the clock the sequencing has all but completely vanished leaving us with just the chord structure and a drifting synth lead lethargically cycling around overhead. Review by Synth Music Direct.
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00:00 INTO THE BLUE 15:25 BLOWIN' THE BLUES AWAY 35:30 BLUE MOODS 40:00 WILD AND BLUE 1:15:32 OUT OF THE BLUE 'Into the Blue' (78.25) gets things off the ground. It's a single track subdivided into five other titled sections which play as one continuous piece,( this being a common trait of the other tracks on the album). The blue theme unravels before us with languid ease as synth strings and pads plot out the soundbed upon which all else will be built. Klaus weaves around the stately calm with the sound of fretless bass, until at the 12 minute mark, Bam!!! He hits you with the albums secret weapon, a beautiful cathedral choir set of samples, which have been worked upon to fit the music perfectly. It lifts the track completely as it mixes with the synthetic backdrop. If Schulze is regarded as the Pope of the electronic world, this most surely has to be a favourite hymn. Unannounced the 20 minute,'Blowin' the Blues Away' arrives, hammering out it's own course over the continuing chords with an edgy sequence and percussives breaking the ambient mood. Kettle drums strike as Klaus picks out leads with harp, woodwind and brass, at times veering dangerously close to that Jan Hammer/Miami Vice sound. 'Blue Moods' returns us to the feel of the opening section acting as a kind of bridge into, 'Wild and Blue' which for the next 35 minutes has the sequencer/percussion interplay returning with a greater sense of urgency. A picked bass note and more aggressive sounding drums dance <b>...</b>
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The Godfather and Master of Electronic music mr Klaus Schulze The Wizard of Doz from the album are you Sequenced? 1996 goto:- www.klaus-schulze.com www.klaus-schulze.com Big thankyou to all my friends for watching my vids :) hope you have a brilliant! christmas from me. uk.youtube video made edited by zrnho.
Klaus Schulze The Wizard Of Doz Electronic World Music Sequenced? Zrnho