www.chordboard.com is site that explains this. OK, I found out about Empire of the Sun a few weeks ago This music is just released in America. The songs in the new album are We Are The People, Standing on the Shore and Walking on a Dream, and the chord progressions and melody are really good, so I had to do a cover. I chose the We Are The People song.

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Newbury Street, a STAC original © 2009 Grant Johnson www.stacsounds.com Video / movie scoring can be fun and spontaneous with the STAC becoming a dashboard of musical controls. Take a drive through the streets of London, England. A little explanation about this video. There are four tracks in this song, the main bed created on the STAC and all subsequent parts played on STAC using same chord progressions. The green bars on the screen are the actual shot of the STAC software screen. You can see that the key of G is selected, and the letter name of the chord is shown for each of the I - vii chords in the key. The screen corresponds to the keys played on the STAC to the right (on the keyboards) so it is easy to follow. In the last part of the video there is a simulated piano keys at the top of screen, so that you can watch the keys played on the STAC below and see the keys that would have to be played on the Yamaha Motif XS 8 to get the same sound that the STAC is giving. You will see that this is impossible with just two hands, and not even feasible with two keyboardists, so it is a unique symphonic sound coming from STAC. There are seven chord "ZONES" on the STAC. There are 12 white keys in each zone. Each white key is a unique harmonically correct note. The combination of these white keys (notes) makes chords. Chords can be mixed to achieve symphonic and movie like harmonies. The result is increased INSPIRATION and CREATIVITY.

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www.chordboard.com. Chordboard LLC, Official member of NAMM. a new song from the CHORDBOARD LABS studio © 2009 Grant Johnson. With the STAC software and keyboard STAC, this song was created in only two tracks, The Ballad Key on the Yamaha Motif XS, and a second track for bells. The third track was a drum loop track utilized in LOGIC PRO 8 in the studio. The song is in the Key of Eb with chord progressions as shown in the video. There are many chord mixes, making for rich lush harmonies. There are seven chord "ZONES" on the STAC. There are 12 white keys in each zone. Each white key is a unique harmonically correct note. The combination of these white keys (notes) makes chords. Chords can be mixed to achieve symphonic and movie like harmonies. The result is increased INSPIRATION and CREATIVITY. The combination of sounds and chords in this song give the effect of flying and soaring through the mountains.

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Stephanie Arter, artist of this song.

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www.stacsounds.com Using the JAZZ STYLE , Grant Johnson's latest song STEELY JR is played in Key of D using chord progressions iii, vi, ii, V, and I, IV.

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AFRICANA © 2009, original STACSOUNDS song created by Grant Johnson, recorded at ENOCH studios using Chordboard Labs STAC system. 5 tracks of sound, TRACK 1: AFRICANA performance preset on Yamaha Motif XS with STAC Power, TRACK 2: ZURNA solo on Motif with STAC Accuracy, TRACK 3: ENTHOLOGY drums on Motif, TRACK 4: Steel Drums on Motif with STAC Accuracy, TRACK 5: NATIVITY choir pad with STAC Power The STAC is a software program that is a new musical instrument. It provides symphonic harmonically correct sound structure for each of 7 chords in a key signature of choice. Can switch key signature on the fly. Can switch GENRE styles on the fly (Rock, Pop, Classic, Jazz, etc). Can switch from MAJOR to MINOR tonality on the fly. Can mix and match chords to create millions of chord voicing possibilities, on the fly. The STAC puts musical power at your fingertips. Combine this with an arpeggiator based sound source and you have symphonic sound. There are seven chord "ZONES" on the STAC. There are 12 white keys in each zone. Each white key is a unique harmonically correct note. The combination of these white keys (notes) makes chords. Chords can be mixed to achieve symphonic and movie like harmonies. The result is increased INSPIRATION and CREATIVITY.

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www.stacsounds.com In this video the JAZZ Style Genre is demonstrated, with an impromptu ad lib song played by inventor Grant Johnson at Chordboard Labs. This video shows how the 9ths and 11ths are played. There are seven chord "ZONES" on the STAC. There are 12 white keys in each zone. Each white key is a unique harmonically correct note. The combination of these white keys (notes) makes chords. Chords can be mixed to achieve symphonic and movie like harmonies. The result is increased INSPIRATION and CREATIVITY.

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www.stacsounds.com An original song created exclusively with the STAC, this video shows the production path for development of four tracks of this song. The arrangement has been detailed in this video showcasing the four tracks of newly created material, and a 5th track of LOGIC PRO 8 drum loops is also used. Sounds on this video are from the Yamaha Motif XS 8. Like the video says, this was produced in just about an hour, with some final tweaking in the mix (reverbs, etc), The latter part of this video showcases the software, and shows the screen shot for each of the four tracks developed. The chords are shown. The notes played are shown on a simulated piano keyboard, one for each track. Its like sheet music in action, but based on the Nashville Notation System, and not the dots on a page. There are seven chord "ZONES" on the STAC. There are 12 white keys in each zone. Each white key is a unique harmonically correct note. The combination of these white keys (notes) makes chords. Chords can be mixed to achieve symphonic and movie like harmonies. The result is increased INSPIRATION and CREATIVITY.

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www.stacsounds.com This video shows how the parts fit together, how easy it is to build and own a STAC. STAC software is a product of Chordboard Labs, a division of Chordboard LLC.

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see www.chordboard.com for more info on the Chordboard STAC "Last week I was in the studio playing sounds on the STAC and found a real interesting chord progression. In key of FI started on the iii chord, the awesome and very cool A minor chord and played an arpeggio on that using a sound Friday Night on the Yamaha Motif, then alternated with the A# major chord on the root mixed with the equally awesome D minor chord on the top of the chord mix, arpeggiating notes... creating this bed of harmonic conflict that begs to be resolved, and teasing more by going to the V chord, the C major, and then back to the first A minor progression... and finally breaking away into a chord progression on the MAJORS side of the song starting with F major using the I, IV, V pattern. Branched over into the minors at G minor (ii chord). I built the song in Logic Pro Studio on many tracks. It was awesome musical fun creating this new song. My musical approach on this song was to have several different chord progressions. The one I started with was the hook for me, and then it built from there. Even a day later, there was still this "dead spot" in the song that needed significant work, and then I heard it in my head, went to the sounds, and then the Chordboard STAC to hammer it out. So fun when it came together Grant Johnson

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My little improvisation of the great song "We are the People" by Empire of the Sun Sheets: Em,Bm, C,Em,Bm,Em C, Em,D,C,Em,D Have Fun =DD

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HQ: www.youtube.com MP3: www.4shared.com ALL MP3: www.4shared.com Tak mi się spodobał ten utwór, że postanowiłem zrobić cover. Zrobiłem go na szybko, więc są niedociągnięcia, poza tym akordy się także pewnie nie zgadzają, brane na słuch. Mimo wszystko chyba nie jest najgorzej.

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www.chordboard.com for more details on Chordboard STAC Film score music production This song was created in a couple of hours. The engineering mix, a rough draft, took several hours of tweaking and decision making in deciding which parts to showcase and when. Grant Johnson "I created this song on the Chordboard beginning by starting with a performance preset on the Yamaha Motif CX8 keyboard, just trying to get some ideas, and the tempo was 103 bpm. I went to the Chordboard STAC and tried the Key of C and started to play the minor chords on the right side of the STAC. I went back and forth between several chords but gravitated to the D minor and A minor chords because for some reason they just sounded like the mood I wanted to be in, and then also bridging with the E minor chord for even more tension. After a couple of rounds with those chords, it was time to resolve from the minors in this key, and so I branched over to the left side of the chordboard playing the major chords and experimenting with that, and settling on going from A minor to F major, introducing a positive feel to it, and down to the C major and up to the G major, and finally to a B diminished to return to the original minor chord progression of ii, vi, iii. Near the end of the song I brought all track volumes down and emphasized a sound called ELFIN DREAMS on the Yamaha, and just loved the way it took the song into a new dimension. I played the same chord progressions on these new harmonies (and melodies <b>...</b>

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