Marc-André Hamelin - Supervirtuoso Documentary Part 2/10
Part 2: Hamelin plays Rachmininoff 2nd piano sonata 3rd movement.
Marc-André Hamelin Alkan Godowsky Medtner Kapustin Chopin Etudes Virtuoso Composer-Pianist Rachmaninov
Marc-André Hamelin - Supervirtuoso Documentary Part 3/10
Part 3: Hamelin plays Godowsky
Marc-André Hamelin Alkan Godowsky Medtner Kapustin Chopin Etudes Virtuoso Composer-Pianist Rachmaninov
Marc-André Hamelin - Supervirtuoso Documentary Part 4/10
Part 4: Hamelin plays Godowsky
Marc-André Hamelin Alkan Godowsky Medtner Kapustin Chopin Etudes Virtuoso Composer-Pianist Rachmaninov
Date With An 88
Two guys one piano. Zwei Jungs die einem Flügel so richtig einheizen. Die beiden Jungen Hildesheimer Pianisten haben den bekannten Boogie selbst einstudiert. Marius Labsch und Janis Zisensis bringen den Saal zum Kochen. Tot geil, mega schnell und super virtuos
Klavier Piano Boogie Stefan Wurz Marius Labsch Janis Zisensis tot geil schnell Hildesheim
Nikolai Kapustin : Sonata no. 2 (Jazz) - Marc-André Hamelin (live)
This sonata no. 2 is such an amazing and entertaining piece to hear.. It had been on Youtube few years back but deleted. (goddamn youtube) In the video before, the uploader wrote "Marc-André Hamelin?" not sure whether this is by Hamelin or someone else.. I don't know for sure but very much, it might be.. In the documentary 'Supervirtuoso', he told the Japanese interviewer that he would find this sonata fun to the audience. A live version, not sure in Bremen, Germany (as the downloaded file says) but maybe in Japan.. Whatever, enjoy!!!! sheet music: message me WITH your E-MAIL ADDRESS
Nikolai Kapustin Sonata Jazz Live Marc-André Hamelin marc andre Николай Капустин in state of japan bremen germany
Abreu Hamelin Tico Tico no Fuba performed by Sandro Russo
Here is Marc Andre' Hamelin's formidable piano transcription of Abreu's "Tico Tico no Fuba." Sandro Russo, pianist
Abreu Marc Andre' Hamelin Tico Fuba Sandro Russo Pianist supervirtuoso virtuopiano transcription carmen miranda
Alkan: Grande Sonate "Les quatre âges" Op. 33 - 30 Ans (video)
The second movement of Charles-Valentin Alkan's Grande Sonate "Les quatre âges" Op. 33. This movement, in d minor, is in extended sonata form, and is marked assez vite. Subtitled "Quasi-Faust", it depicts the 30-year-old man fighting and prevailing over his dark side, and has 3 themes: Faust, the Devil (an inversion of Faust's theme) and the meloncholic Marguerite's theme. It is the most substantial movement in the sonata. This movement is extremely difficult, featuring rapid chords and octaves, enormous leaps in both hands, sweeping arpeggios, as well a brief, eight-voice fugue. Played by Marc-André Hamelin, video taken from the documentary Super Virtuoso.
Alkan Hamelin piano virtuoso sonata Faust Mephistopheles Marguerite devil supervirtuoso
Brahms - piano sonata no. 2 - Mvnt 1 & 2 /Julius Katchen/
'Supervirtuoso' and one of the greatest pianists of the last century Julius Katchen plays Brahms' piano sonata no 2 in F sharp minor, op. 2 - Movements 1 & 2 /ALLEGRO NON TROPPO MA ENERGICO & ANDANTE CON ESPRESSIONE/
Johannes Brahms piano sonata Julius Katchen pianist Брамс соната Юлиус Кэтчен фортепиано Klavier sonate
Cyprien Katsaris plays Badinerie & Fugue - JSBach
Supervirtuoso Cyprien Katsaris plays his transcription of JS Bach's Badinerie from the Orchester Suite in B Minor. Listen to the beautiful sparkling variations in the Right Hand - Like falling tiny little pieces of glass and on the end it is if the Badinerie is flying into another Dimension -The other piece on this Youtube-item is Bach's Fugue from his Fantasy & Fugue for Organ (BWV 542)in the Transcription of Theodor Szántó,Franz Liszt & Cyprien Katsaris himself again. This track (NO VIDEO HÉLAS..!)is from his CD : BACH - Recital number 2 - Transcriptions The Label = Piano21 P21 017 ND216 Go to the website: [ www.cyprienkatsaris.net ] for more information on one of the finest and most remarkable pianists of our Time and how to get this CD and many other's CYPRIEN KATSARIS For more information, please see: www.cyprienkatsaris.net http twitter.com www.youtube.com
Virtuoos virtuoso klavierleeuw french cyprus greek Barok record
JS Bach -- Fugue for lute in G minor -- BWV 1000
Guitar supervirtuoso Stephan Schmidt performs the Fugue for lute in G minor BWV 1000 on a 10-string guitar. Schmidt plays the original score written not by Bach himself (the original manuscript is lost), but possibly copied by his lutenist friend, Christian Weyrauch. Enjoy!
johann sebastian bach fugue lute minor bwv 1000 stephan schmidt 10 string guitar virtuoso music baroque counterpoint leipzig
Kapustin, Nikolai - Prelude No. 12 (Op.53) [Audio + Score]
Music: Nikolai Kapustin Piano: Nikolai Kapustin This is Prelude No. 12 from Kapustin's set of 24 Preludes (Op.53) written for the pianoforte. Kapustin's compositional style infuses classical rigour with free-spirited jazz, producing technically demanding yet melodically-accessible pieces. As a strong advocate of Kapustin's idiomatic sophistry, supervirtuoso Marc-André Hamelin has recorded and performed some of the most brilliant works by Kapustin. Please rate and leave a comment so that I know someone out there is appreciating this. :)
Abbey Simon plays Strauss-Godowsky Die Fledermaus
Symphonic Metamorphosis on Themes from J. Strauss II's "Die Fledermaus" rec. 1980 Abbey Simon (b. 8 January 1922, New York) is an American classical pianist. Simon began lessons with David Saperton at the age of five. At the age of eight, Simon was accepted by Józef Hofmann as a scholarship student at the Curtis Institute of Music in Philadelphia where he trained with fellow classmates Jorge Bolet and Sidney Foster. Simon also took lessons from Leopold Godowsky and Harold Bauer. Shortly after graduation, he debuted at the Town Hall and Carnegie Hall in New York City. He was the winner of the Naumburg International Piano Competition in 1940. Simon has been hailed as a supervirtuoso and is recognized as one of the grand masters of the piano. Boston Globe critic Richard Dyer wrote, "Simon's recital offered more than a glimpse into the fabled golden age of piano playing... His virtuosity is marked not only by speed, power, lightness and accuracy but also by intricate interplay of voices and lambent colors." His recordings include the complete piano works of Rachmaninoff, Ravel, Chopin, and most of the works of Brahms and Schumann on the Vox Records label. He has toured in Europe, the Middle East, and the Pacific. He has appeared with the New York Philharmonic, Boston Symphony, Chicago Symphony, Royal Concertgebouw Orchestra, and London Symphony Orchestra. Simon has given masterclasses at the Royal Academy of Music in London, Royal Conservatory of The Hague, and the Geneva <b>...</b>
Abbey Simon plays Strauss Godowsky Die Fledermaus piano Symphonic Metamorphosis
Sandro Russo plays Strauss-Godowsky Die Fledermaus
Sandro Russo plays Stauss-Godowsky's Symphonic Metamorphosis Die Fledermaus...Live performance by Sandro Russo The quality of this video upload is much better than the other one on Youtube.
Sandro Russo Leopold Godowsky Die Fledermaus Strauss supervirtuoso paraphrase Hamelin Cherkassky Moiseiwitsch
Rossini La Danza - Hamelin Transcription Sandro Russo Piano
Hamelin: Etude IX d'aprés Rossini "La Danza" (Tarantella napoletana), performed 'live' by Sandro Russo in Rome(2006). Marc-André Hamelin made this phenomenal Transcription and elaboration of Rossini's La Danza in 1987, and dedicated it to Russell Sherman.
Virtuoso Piano Etude d'aprés Rossini La Danza Marc André Hamelin supervirtuoso Pavarotti Met Tarantella Kapustin Jazz
JAY REISE: "Yellowstone Rhythms" for Bassoon and Piano (1994)
Charles Ullery, bassoon Marc-Andre Hamelin, piano from Albany TROY665 (2004) www.albanyrecords.com Born in New York City, Jay Reise's choreographic tone-poem The Selfish Giant, based on a fairy tale by Oscar Wilde, was commissioned by the Philharmonia Orchestra and conducted by Djong Yu in London in 1997. His opera Rasputin, described in The Washington Times as "a spellbinding, challenging and profoundly beautiful creation," was commissioned and premiered by the New York City Opera in 1988. Memory Refrains (a string quartet in one movement) was premiered by the Cassatt Quartet in 2002. Open Night was the first work commissioned by the Kimmel Center Fresh Ink Contemporary Music Series in Philadelphia in 2003. Reise studied with George Crumb, jazzman Jimmy Giuffre, Hugh Hartwell, Carnatic rhythm with Adrian L'Armand, harmony with George Rochberg, and Richard Wernick. Deeply influenced by Carnatic (South Indian) music and jazz, Reise has developed his own rhythmic method which is a signature element of his music after 1990. Jay Reise is the Robert Weiss Professor of Music Composition at the University of Pennsylvania in Philadelphia and president of contemporary music ensemble Orchestra 2001. Marc-Andre Hamelin is universally regarded as one of today's masters of the keyboard. Critics and audiences alike have enthusiastically responded to his seemingly boundless technique, which embraces both stunning virtuosity and profound sensitivity. The New York Times dubbed him a <b>...</b>
Jay Reise contemporary modern American classical composer piano bassoon soprano Marc Andre Hamelin Charles Ullery Jody Karin Applebaum Devil in the Flesh Yellowstone Rhythms Sonata keyboard woodwind
F. RZEWSKI THE PEOPLE UNITED WILL NEVER BE DEFEATED excerpt
Frederic Rzewski performs his own composition--live March 2007 at the Miami international Piano Festival: the theme and opening variations of this monumental work based upon the Chilean protest song"El Pueblo Unido jamas sera vencido!" The entire performance is available on VAI-- www.vaimusic.com http
Liszt - Waldesrauchen - Hamelin
Marc-André Hamelin plays Liszt's concert etude "Waldesrauchen".
Marc-Andre Hamelin Plays Godowsky
Hamelin playing Godowsky's left-handed study on Chopin's Etude No.6 Op.10
Marc-Andre Hamelin at the Grammys
Marc-Andre Hamelin at the Grammys, receiving his award for the Chopin-Godowsky Studies. The announcer needs a lesson in pronunciation... Interview comments: EI: You performance of the first Godowsky/Chopin study at the Grammys a couple of years ago must have been the first time Godowsky was heard on American TV. MAH: It was also the first time that Jon Stewart announced Godowsky! That was a very difficult situation because after playing one chord you want to jump back ten feet because its amplified a thousand-fold. And your first reaction is to tone down your playing. But wait a minute, Im playing for television, I dont want to sound like milquetoast, you know? So you just have to play normally, and wish you had earplugs. Youre just unleashing this torrent of sound... The first number in the evening was Madonna's "Music," and I sure wish I had earplugs then. Im a traditionalist. Even if its like a feel-good sort of stomp or a headbanger, I want to hear the words. And theres no hope of hearing the words at that volume. The only rock concert I ever went to was Frank Zappa, You Are What You Is. That was in 81. It was at the Montreal Forum, and I didnt hear a single word. It was phenomenally earsplitting.
grammys hamelin marc-andre piano godowsky chopin etude study
Tom Johnson - Study for Player Piano #1
Nearly allContemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.de
Tom Johnson Playerpiano Ampico Bösendorfer Contemporary Original compositions Conlon Nancarrow Jörg Borchardt Jürgen Hocker
Marc-André Hamelin - Solfeggietto a cinque for Player Piano
Hamelin's Solfeggietto a cinque for Player Piano is a modern and a highly artistic version of the Solfeggietto by Carl Philippe Emanuel Bach with up to five voices. Nearly allContemporary Original Compositions for Player Piano were influenced by the genius Studies for Player Piano of Conlon Nancarrow. The composers James Tenney, György Ligeti, Michael Denhoff, Steffen Schleiermacher, Tom Johnson, Wolfgang Heisig, Francis Bowdery, Krzysztof Meyer, Gerhard Stäbler, Daniele Lombardi, Kiyoshi Furukawa, Adriana Hölszky, Bernhard Lang and also the supervirtuoso Marc-André Hamelin -- they all used the superhuman possibilities of the Player Piano. This clip was recorded with a Bösendorfer Ampico Grand, finely restored by Jörg Borchardt according to Nancarrows directions. See www.playerpianokonzerte.de and www.nancarrow.de
Marc-André Hamelin Solfeggietto cinque Playerpiano Ampico Bösendorfer Contemporary Original compositions Conlon Nancarrow Jörg Borchardt Jürgen Hocker
Marc-André Hamelin - Etude No. 8 (and part of No. 7)
Marc-André Hamelin Sunday, June 17, 2007 Texas Conservatory for Young Artists (TCYA) John Anthony Theatre at Collin County Community College Plano, TX World premiere of Etude No. 8 "Erlkönig" (after Goethe) (2007) followed by a partial recording of Etude No. 7 (for the left hand) (2006)
Excerpt Frederic Rzewski's The People United
final 3 minutes of Ursula Oppens performing Frederic Rzewski's "The People United," Hertz Hall, June 8, 2007
