The Lennie Tristano Quintet - Subconscious Lee
Lee Konitz, Warne Marsh, Sonny Dallas, and Nick Stabulas. En Half Note, New York, 1964 mejillahyde.blogspot.com
Francesco Tristano - 'The Melody'
Francesco Tristano, Carl Craig und Moritz von Oswald seht ihr live mit den Hamburger Symphonikern in der Laeiszhalle Hamburg am 30. März 2011.
Hamburg Symphony Orchestra Laeiszhalle Elbphilharmonie Musikmetropole Jeffrey Tate Auricle Bio On Beethoven 10 th
Lennie Tristano Sextet 1949
Lennie Tristano Sextet 1949 1) Wow (Lennie Tristano) 2) Marionette (Billy Bauer) Personnel: Lee Konitz (alto sax), Warne Marsh (tenor sax), Lennie Tristano (piano), Billy Bauer (guitar), Arnold Fishkin (bass), Harold Granowsky (drums; only 1), Denzil Best (drums; only 2) from the album 'CAPITOL JAZZ CLASSICS, VOL.14: CROSSCURRENTS'
1949 cool jazz Lee Konitz Warne Marsh Lennie Tristano Billy Bauer Arnold Fishkin Harold Granowsky Denzil Best Wow Marionette 60 otaku
francesco tristano & carl craig - the melody
live October 18th, 2008 @Cité de la Musique in France
carl craig francesco tristano trentemoeller ambient techno piano detroit visual live concert jazz symphonic instrumental melodic sax electronic verygudveryguud
Carl Craig, Moritz von Oswald, Francesco Tristano live at RFH @ RBMA London 2010
Live performance from Carl Craig, Moritz von Oswald, Francesco Tristano, and David Brutti at the RFH. See more at www.redbullmusicacademy.com and subscribe for more updates!
Carl Craig Moritz von Oswald Francesco Tristano David Brutti Royal Festival Hall techno jazz redbullmusicacademy
Lennie Tristano Quintet 1949
Lennie Tristano Quintet 1949 1) Subconscious-Lee (Lee Konitz) 2) Tautology (Lee Konitz) Personnel: Lee Konitz (alto sax), Lennie Tristano (piano), Billy Bauer (guitar), Arnold Fishkin (bass), Shelly Manne (drums) from the album 'LEE KONITZ WITH TRISTANO, MARSH AND BAUER'
1949 cool jazz Lee Konitz Lennie Tristano Billy Bauer Arnold Fishkin Shelly Manne Subconscious-Lee Tautology 60 otaku
Francesco Tristano - bachCage Video
Francesco Tristano: bachCage - Die Unterschiede zwischen Johann Sebastian Bach und John Cage liegen auf der Hand. So offensichtlich sind sie, dass man meinen könnte, Tristano habe sich bewusst für ein kontrastreiches Albumprogramm entschieden. Zum Teil stimmt das auch. Bloß, dass der Künstler auch in diesem Fall nicht die Provokation um ihrer selbst willen gesucht hat. Vielmehr ist dieses Album etwas für den zweiten oder dritten Blick. Im Vordergrund steht Tristanos eigenwilliger und sehr persönlicher Umgang mit den musikalischen Wegbereitern Bach und Cage. Sein Bach ist bei aller Genauigkeit der Interpretation lebendig und klingt auffällig drahtig und perkussiv. Daran hat sicherlich auch der metallische, mitunter harte Klang der Aufnahme seinen Anteil. Die Mitarbeit von Produktionspartner Moritz von Oswald kommt bei Tristanos Cage-Einspielungen noch deutlicher zum Tragen. Auf Präparation des Instruments wird zugunsten von Nachbearbeitungen per Studiotechnik verzichtet. Von Oswald und Tristano gehen hierbei subtil, aber sehr effizient zu Werke.
francesco tristano bach cage klavier piano klassik classica musical instruments bachcage Moritz von Oswald klassikakzente minimalism modern classic in landscape johann sebastian bach classical patita deutsche grammophon aufgang
Lennie Tristano Master Class with Dave Frank
Join NYC piano monster Dave Frank for this unique class on the life and music of jazz icon Lennie Tristano! Includes two new performances by Dave, and an in-depth analysis of Lennie's great solo and group playing.
Lennie Tristano Dave Frank jazz jazz improv piano improv piano piano master class jazz piano Charlie Parker Bud Powell blues bebop Erroll Garner Dick Hyman Keith Jarrett Chick Corea Oscar Peterson Lee Konitz Sal Mosca Warne Marsh jazz class jazz master class cool jazz free jazz Miles Davis John Coltrane Dfrankjazz
Francesco Tristano | Tristano Introit | A Take Away Show
théâtre de l'atelier, paris, may 2011 images by colin solal cardo sounds & mix by julien sanchez edit by julie salon produced by chryde & matthieu buchsenschutz for la blogotheque
francesco tristano bach piano live classical concerto allemande take away blogotheque chryde colin solal cardo julien sanchez julie salon universal La
Lennie Tristano: Lover Man
Lennie Tristano: Lover Man (Manhattan Studio)
Lennie-Tristano Lover-Man Jazz Piano Manhattan Studio nadaniente 115
Francesco Tristano | TWO MINDS ONE SOUND |
Nice track for a great album. In "Not for Piano" Francesco Tristano did some piano versions of some electronic tracks like "Strings of Life", "Beau Mot de Plage", "Rej" or "The Bells". Definitily a very interesting album. Piano for music which is not for Piano. Eclectic music for your ears. www.discogs.com Artist: Francesco Tristano Song: Two Minds one Sound Album: NOT FOR PIANO (by Infiné) Pictures: Berlin ------------- Trsitano's web page: www.francescoschlime.com -------------
francesco tristano electronic music not for piano berlin pictures kreuzberg friedrichschain murals blu graffitti street art scene tv tower life berghain der visionaire tresor badeschiff ricasa 2005
Francesco Tristano - The Melody (Francesco Tristano Remix)
I onw nothing. Label: Infiné, Genre: Classical, Electronic, Style: Modern Classical, Techno, Year: 2008, Catalog#: IF2010
LENNIE TRISTANO TRIO - Blue Boy
Leonard Joseph Tristano (19 March 1919 - 18 November 1978) was a jazz pianist and composer. He performed in the cool jazz, bebop, post bop and avant-garde jazz genres. He remains a somewhat overlooked figure in jazz history, but his enormous originality and dazzling work as an improviser have long been appreciated by knowledgeable jazz fans; in addition, his work as a jazz educator meant that he has exerted a substantial indirect influence on jazz, through figures such as Lee Konitz and Bill Evans. Tristano was born in Chicago into an Italian immigrant family from Aversa. He was blind from infancy and studied piano and music theory from pre-teen years, graduating from his home town's American Conservatory of Music in 1943. Tristano's interest in jazz inspired a move to New York City in 1946. His advanced grasp of harmony pushed his music beyond even the complexities of the contemporary bebop movement, though Tristano was always explicit about acknowledging his enormous debt to Charlie Parker and Bud Powell. (Other key ingredients in his style were Nat King Cole and Art Tatum, influences most audible in his early drummerless trio recordings.) Though he and his followers remained at something of a slant to mainstream bebop, Tristano did on occasion play and record with bebop's preeminent figures such as Dizzy Gillespie and Charlie Parker. Often the "Tristano school" has been contrasted with bebop, however, by being labelled "cool jazz", though this risks lumping his music <b>...</b>
LENNIE TRISTANO TRIO Blue Boy cool jazz piano bebop jazz avant-garde New York City ramoburg
Lamento di tristano & la Rotta 14th century Italian manuscript
Played on copies of a 16th century viol (Floris van der Voort) and bow (Kees van Hemert) by ernst stolz sound only: soundcloud.com I have made a few medieval videos, infact I would like to make more. ernst stolz Istanpitta and others (source: Wiki) In a 14th century Italian manuscript in the British Library (Add. 29987), folios 55v-58r and 59v-63v, contain 15 monophonic pieces of music, the first eight of which are labeled istanpitta. Of the next seven pieces, 4 are called saltarello, one trotto, one Lamento di Tristano, and the final one is labeled La Manfredina. These are the only known examples of instrumental dance music from Italy in the Middle Ages and all of them have similarities to earlier French dance pieces called estampie.[14][15] There is divided opinion on the question of whether the estampie / istanpitta was actually a dance or simply a musical form. Curt Sachs in his World History of the Dance[16] believes the strong rhythm of the music, the name, which he derives from a term "to stamp", and literary references point to the estampie definitely being a dance. Vellekoop, on the other hand, looks at the evidence and concludes that estampie was simply a name for early instrumental music.[15] The other seven dances in the manuscript have the same general musical structure as those labeled "istanpitta" but are simpler and proabably more suitable for dancing.[14] Saltarello is a dance name found in later centuries as well but the later examples may not refer to <b>...</b>
lamentoditristano larotta medieval renaissance violadagamba viol gambe gamba violin ernststolz
Lennie Tristano Trio Late 1955 ~ All The Things You Are
Recorded: Tristano's Manhattan Studio, East 32nd Street, NY, NY Late 1955 Personnel: Lennie Tristano - Piano Peter Ind - Bass Tom Weyburn - Drums " Lennie Tristano's career suffered a setback in early 1956 with the closing of his Manhattan studio. The building would be torn down, for the construction of an apartment complex.The closing of the Manhattan studio marked an end to an important part of Tristano's career, because the studio served crucial functions for him. First, it was the center of his teaching and recording activities, and second, it symbolized his presence on the mainstream jazz scene, providing a venue for him to engage with jazz musicians outside his circles, especially those who frequented jam sessions there. The studio made up for the lack of public appearances, his refusal to be a full-time professional musician, and also prevented him from falling into isolation. After its closing several of his students moved away: Warne Marsh, Ted Brown, Ronnie Ball, and Jeff Morton all relocated to California. Blind from infancy, the departure of those who assisted Tristano, including his first wife, greatly reduced his mobility, since he was heavily dependent on them. Now with his studio and entourage gone, Tristano lost his foothold in Manhattan, and grew ever more reluctant to perform in public, or even be a part of the jazz scene. " Eunmi Shim . 2007. Lenny Tristano: His Life in Music. Ann Arbor, MI, University of Michigan Press.
Lennie Tristano Trio All The Things You Are Swing Improvisation Formal Jam Session Bebop Atonality Blind From Infancy Cerebral Grasp Of Harmony Innovative Tutelage Jazz Records Jck Dupp
Murcof & Francesco Tristano
This is a cross-genre collaboration between Mexican electronic composer Murcof and Luxembourgian pianist and composer Francesco Tristano. An ongoing project, it was initiated from their shared base in Barcelona. Murcof is an influential electronic producer who releases on The Leaf Label and has drawn inspiration from baroque and 20th century art music, first brought to Manchester attention performing at the 2009 Futuresonic Festival, Francesco as one of classical music's rising stars, a pianist who has repeatedly sought encounters outside the concert hall, performing with dance legends Carl Craig and Moritz von Oswald, and forming his band Aufgang. Francesco Tristano is a graduate of the USA's famous Juilliard School and debuted in 2000 with the Russian National Orchestra, with which he recorded Sergey Prokofiev's 5th Piano Concerto and Maurice Ravel's Piano Concerto. He is a specialist in Baroque music. In 2001, he founded The New Bach Players ensemble, with which he recorded Johann Sebastian Bach's complete cycle of Keyboard concertos for the Accord label. He has also recorded the Goldberg Variations and the French Suites. Very involved in contemporary music too, he has recorded Luciano Berio's complete piano works and collaborated with electronic music artists such as Carl Craig and, as on this performance, Murcof. Filmed by the Band on the Wall AV Unit on 15 November 2010. Distributed by Tubemogul.
Francesco Tristano Murcof Mexican electronic classical improvisation band on the wall The Band On Wall
DANCITY FESTIVAL 2009 - SHAPE, Francesco Tristano, Carl Craig, Moritz Von Oswald
DANCITY FESTIVAL 2009 - extract from the performance of the 26th of june @ Auditorium Foligno SHAPE is a project conducted by: FRANCESCO TRISTANO, CARL CRAIG, MORITZ VON OSWALD, JUSTIN MESSINA, DAVID BRUTTI, BACKAR KHALIFE' www.dancityfestival.com
Francesco Tristano Carl Craig Moritz Von Oswald Justin Messina David Brutti Backar Khalifè dancity festival foligno electronic music electronica dancitynights
Francesco Tristano Interview
Pianist Francesco Tristano is interviewed by Per Bojsen-Moller at the Red Bull Music Academy's event at the Royal Festival Hall. He talks about early experiences, working with Carl Craig, the versatility of the piano and minimalism.
francesco tristano red bull music academy little white ear buds carl craig royal festival hall minimal techno detroit Per Bojsen-Moller cmjct
Donna Lee - Lennie Tristano and Lee Konitz Live 1955
Recorded live at the Sing Song Room, Confucius Restaurant, NYC, June 11,1955 Lee Konitz (as) Lennie Tristano (p) Gene Ramey (b) Art Taylor (d)
Charlie Parker - Lennie Tristano All Star Session 1949 ~ Victory Ball ( Long Version)
Recorded: Unknown recording studio, New York NY January 3, 1949 Personnel: Charlie Parker - Alto Sax JB "Dizzy" Gillespie - Trumpet Miles Davis - Trumpet Theodore "Fats" Navarro - Trumpet JJ Johnson - Trombone Kai Winding - Trombone Buddy De Franco - Clarinet Charlie Ventura - Tenor Sax Ernie Caceres - Baritone Sax Billy Bauer - Guitar Lennie Tristano - Piano Eddie Safranski - Bass Shelly Manne - Drums
Charlie Parker-Lennie Tristano All Star Session 1949 Victory Ball Long Version) Jazz Swing Friendly Cooperative Improvisation Jam Sessions RCA Master Classic Records Jck Dupp
Lennie Tristano Trio 1954 - 1955 ~ Line Up
Recorded: Lennie Tristano's home studio, NYC, 1954-1955 Personnel: Lennie Tristano - Piano Peter Ind - Bass Jeff Morton - Drums * The note-perfect transcription to this work can be found here: www.scribd.com "When this track was first released, it attracted enormous attention , but not for the music. Tristano had "tampered" with the tapes by recording the piano part over a separate rhythm track, manipulating the music in the process. Tristano never provided details—and got testy when questioned about his method—but it appears that he brought the bass and drums down to half speed, and recorded the piano on top of this slower version, then accelerated the playback rate of the combined performance. A certain ethereal and detached quality permeates the finished product. The piano sound possesses a strange, unnatural crispness, and the question was raised whether Tristano wasn't trying to "trick" people into thinking that he could play faster than was actually the case. The controversy would be less pronounced today, when studio splicing, dicing and "fixing" are a high-tech art. But the sad result of this brouhaha was that it distracted attention from Tristano's brilliant performance. "Line Up" is one of the great linear improvisations in the modern jazz heritage. Students could profitably study this solo, learning from its crystalline structure, unlocking the artistry of its phrasing, the rhythmic relationship of melody to the ground beat, and the harmonic implications of <b>...</b>
Lennie Tristano 1954 1955 Line Up Jazz Swing Improvisation Bebop Lines Master Classics Atlantic Records WMG The Orchard Music Jck Dupp
Lennie Tristano Quartet Live 1955 ~ Lennie-Bird
Recorded: "The Sing-Song Room", New York City, NY June 11, 1955 Personnel: Lee Konitz - Alto Sax Lennie Tristano - Piano Gene Ramey - Bass Art Taylor - Drums
Lennie Tristano Quartet 1955 Lennie-Bird Jazz Swing Improvisation Bebop Lines Small Groups Altered Changes How High The Moon Student Teacher Relationships Atlantic Records Jck Dupp
Warne Marsh & Lennie Tristano Discuss Improvisation
Excerpt from a Scandanavian piece on Lennie featuring Lennie and Warne discussing Lennie's views on music and improvisation....more snippets to come. Please see the Facebook page for the documentary called, Warne Marsh: An Improvised Life or follow us on Twitter at WarneMarshDoc Help us spread the word about this important American Artist and National Treasure.
Warne Marsh Lennie Tristano Jazz Improvisation animprovisedlife
Lennie Tristano Quartet Live 1955 ~ Donna Lee
Recorded: Live at "The Sing-Song Room", New York City, NY June 11, 1955 Personnel: Lee Konitz - Alto Sax Lennie Tristano - Piano Gene Ramey - Bass Art Taylor - Drums
Lennie Tristano Quartet 1955 Donna Lee Jazz Swing Improvisation Bebop Lines Small Groups Live Performances Student Teacher Relationships The Orchard Music Atlantic Records Jck Dupp
Loverman - Lennie Tristano
Loverman - Lennie Tristano. Album: Intuition, 1949. Capitol. New York, NY (03/04/1949-10/11/1956) Lennie Tristano (piano); Warne Marsh, Ted Brown (tenor saxophone); Ronnie Ball (piano); Billy Bauer (guitar); George Tucker, Arnold Fishkin (bass); Jeff Morton, Harold Granowsky, Denzil Best (drums).
jazz tristano lennie tristano lennie loverman piano warne marsh ted brown ronnie ball billy bauer george tucker arnold fishkin jeff morton harold granowsky denzil best paselepasele
Francesco Tristano - Idiosynkrasia (Ben Klock remix)
Artist: Francesco Tristano Title: Idiosynkrasia (Ben Klock remix) Label: Infine Music Year: 2011 Available to Buy on: www.beatport.com
Francesco Tristano Ben Klock Infine music Idiosynkrasia Techno Electronic music emusicjunkie
Tribute to Lennie Tristano - "Lennies pennies" by INTUITION
Get album here: www.altrisuoni.com More infos here: philstockli.com "Lennies pennies" - a Tribute to Lennie Tristano by the group INTUITION Phil Stöckli (as), Domenic Landolf (ts), Michael Beck (keys), Andreas Zitz (b), Elmar Frey (dr) from the CD "Lennies Line", Altrisuoni Records, 2006 arrangement by Michael Beck
Lennies pennies Tribute Jazz Lennie Tristano Intuition Phil Stöckli Domenic Landolf Michael Beck Andreas Zitz Elmar Frey cool jazz Lee Konitz Altrisuoni saxophone battle alto sax piano swing Warne Marsh Swiss Jazz Switzerland contemporary doktorpiper
