Wayang - Tak Selamanya
Video klip grup band Wayang dari album ke-5 yang berjudul "WYG"
gigs station video klip gigsstationvideo booking agent agency grup band pop rock after gulalikustik seperti nyaman cemburu ariyo wahab soundtrack ost sepenuh hati kucinta caramu tiada yang bisa biarkan bintang menari radiostar sebuah obsesi bila dia tak selamanya kau dunia terindah wayang wyg damai dongeng kecewa andai ada gadis kecil maafkanlah tersiksa
Indonesian Puppets Wayang Golek
Interview and wayang golek puppet demonstration by UC Santa Cruz professor Kathy Foley
Bali & Beyond Wayang Kulit
A seven minute demonstration of Bali & Beyond's Wayang Kulit Shadow Theater. The company offers both full length traditional Bali style shadow play as well as educational presentations and contemporary performances (coming to youtube.com soon!) For more information visit: www.balibeyond.com
Wayang Golek, Puppeteers of West Java (1/2)
Free learning from The Open University 'Reception of music in cross-cultural perspective' openlearn.open.ac.uk --- A series of excerpts from a performance of these wooden stick puppets is introduced and explained. (Part 1 of 2) --- Study 'From composition to performance: musicians at work' with the OU www3.open.ac.uk Explore qualifications in Arts and Humanities with the OU www3.open.ac.uk ---
Wayang Golek puppeteers Java Indonesia performance music cross-cultural music wooden stick puppets ethnomusicology open university ou_aa302
Wayang Kulit - Bu Harni - Man Vs Horse, Man Vs Bike
Bu Harni, a wonderful woman dalang (shadow puppeteer) died mid March 2006. She was a formitable person and held her own in what is generally reguarded as a man's profession. Here is a bit of non-verbal puppetry that got a lot of laughs one night in Surakarta, Java nearly 20 years ago.
Shadow puppets wayang kulit puppet gamelan Java Indonesia humor
Wayang Golek (Part 1)
Wayang Golek was one of the Sundanese art from Indonesia that came from West Java (Sunda), that often was held in the big agendas, khitanan, the marriage or for means da'wah the religion and this one of the examples of puppet art roll over giri harja with the famous mastermind of "Kang Asep Sunandar Sunarya" with the Cepot Da'wah theme
Wayang Cenk Blonk -Bos ne Cicing- cengblong Funny Series.AVI
This show is wayang one of the greatest art from Bali (Indonesia). Hope all People around the world Loves this show.
Wayang Kulit, Ki Purbo Asmoro, lakon Brubuh Alengka 1.mpg
Ki Purbo Asmoro, lakon Brubuh Alengka 1, Nopember 2008, Sasana Mulya, Kraton Surakarta, karawitan Mayangkara #1 The opening scene on the screen depicts a landscape crowded with the masses of troops from the war between Alengka (King Dasamuka/Rahwana) and Pancawati (King Rama, fought by Anoman's monkey troops). To the tune of Kinanthi (kukusing dupa kumelun) sung over sulingan, the kayon reveals King Rama, in a state of meditation and despair, thinking about the war in progress. He envisions King Rahwana (Dasamuka) with the kidnapped Sinta. We then see Rahwana giving an order to his uncle Prahastha to move forward in battle, and one of the monkey troops, Anila (blue), is seen battling Prahastha. Anila finds a stone statue behind him and uses it to strike a fatal blow to Prahastha. Dasamuka enters to mourn over the corpse of his uncle Prahastha, and the vision of his grandfather Sumali then emerges. Sumali tries to get Dasamuka to see that he is using his power in evil ways—that he has lost sight of his humanity, and is setting himself up to be the cause of destruction in the world. (The stone statue used to kill Prahastha is in fact the form of Indrati—Sugriwa, Subali, and Anjanis mother, who was cursed by her husband after committing adultery, and turned to stone decades ago. She is released to the heavens once the statue shatters, but this is not shown since it is not part of the major plot line of this story.) Note: The "kukusing dupa kumelun" text was used for the <b>...</b>
Wayang Sasak Shadow Puppet performers Sekarsari in Lombok, Indonesia
This video montage shows excerpts from an afternoon rehearsal and an evening performance by the wayang Sasak group Sekarsari led by the puppeteer (dalang) Bapak Sadarudin in Jelantik, Central Lombok on 22 August 1997. Shadow puppet theatre is known as wayang Sasak in Lombok, and is unique in its language structure, musical style, and subject matter. Unlike the shadow puppet plays of Java and Bali which enact Hindu tales, wayang Sasak plays are centred around Muslim themes. Stories are taken from the Serat Menak, a cycle of stories about the forerunner of Mohammed, Amir Hamza, and from the Takepan, a collection of local Sasak tales. When Islam was introduced to Lombok from Java during the 15th to 17th centuries, Javanese shadow puppet plays were used to propagate the new faith among the Sasak. Wayang Sasak evolved beginning during this period from a combination of Javanese and Sasak traditions, probably drawing on a pre-existing local tradition of shadow play. Despite its Islamic subject matter, Wayang Sasak is considered unacceptable to orthodox Muslims, who object to the tradition's roots in pre-Islamic Sasak culture, and to its representation of human figures. Besides voicing and manipulating the puppets, the dalang also conducts the musicians by tapping on the puppet's wooden storage box with a small hammer held between his toes, directing changes of tempo and mood in the performance. The instrumental accompaniment for wayang Sasak is provided by a large hanging gong <b>...</b>
wayang kulit Sasak Lombok Indonesia shadow puppet Nusa Tenggara Barat
Javanese Shadow Puppets: Wayang Kulit Jawa, Mahabharata Scene
Stories Without Borders ( storieswithoutbordersdocumentary.blogspot.com ) is a documentary in the works about the shared stories that unite us. In this shadow puppet (wayang) performance dalang Ki Widiyanto with Sutrisnop Setya Hartana and the University of Hawai'i Gamelan Ensemble perform a selection from the Mahabharata, Babad Alas Mrentani.
mahabharata ramayana shadow puppets wayang kulit javanese indonesian performance documentary india southeast asia theater culture comedy jawa
Wayang Golek, Puppeteers of West Java (2/2)
Free learning from The Open University 'Reception of music in cross-cultural perspective' openlearn.open.ac.uk --- A series of excerpts from a performance of these wooden stick puppets is introduced and explained. (Part 2 of 2) --- Study 'From composition to performance: musicians at work' with the OU www3.open.ac.uk Explore qualifications in Arts and Humanities with the OU www3.open.ac.uk ---
Wayang Golek puppeteers Java Indonesia performance music cross-cultural music wooden stick puppets ethnomusicology open university ou_aa302
Wayang Kulit / Shadow Puppets, Yogyakarta, Java, Indonesia
Wayang kulit, shadow puppets prevalent in Java and Bali in Indonesia, are without a doubt the best known of the Indonesian wayang. Kulit means skin, and refers to the leather construction of the puppets that are carefully chiselled with very fine tools and supported with carefully shaped buffalo horn handles and control rods. The stories are usually drawn from the Ramayana, the Mahabharata or the Serat Menak. There is a family of characters in Javanese wayang called Punakawan; they are sometimes referred to as "clown-servants" because they normally are associated with the story's hero, and provide humorous and philosophical interludes. Semar is the father of Gareng (oldest son), Petruk, and Bagong (youngest son). These characters did not originate in the Hindu epics, but were added later, possibly to introduce mystical aspects of Islam into the Hindu-Javanese stories. They provide something akin to a political cabaret, dealing with gossip and contemporary affairs. Wayang kulit as seen from the shadow side The puppet figures themselves vary from place to place. In Central Java the city of Surakarta (Solo) and city of Yogyakarta are most famous and the most commonly imitated style of puppets. Regional styles of shadow puppets can also be found in West Java, Banyumas, Cirebon, Semarang, and East Java. Bali produces more compact and naturalistic figures, and Lombok has figures representing real people. Often modern-world objects as bicycles, automobiles, airplanes and ships <b>...</b>
Wayang Kulit Shadow Puppets Java Indonesia puppet culture theatre people travel Asia Yogyakarta Ramayana
Mahabharata Performance: Wayang Kulit Jawa: Arjuna Slays a Giant
Stories Without Borders ( storieswithoutbordersdocumentary.blogspot.com ) is a documentary in the works about the shares stories that unite us. In this shadow puppet (wayang) performance dalang Ki Widiyanto with Sutrisnop Setya Hartana and the University of Hawai'i Gamelan Ensemble perform a selection from the Mahabharata, Babad Alas Mrentani. This scene is of the battle between Arjuna (Permadi) and Cakil the Giant.
mahabharata wayang kulit javanese java Permadi Arjuna Cakil Babad Alas Mrentani javanese wayang kulit indonesia shadow puppets shadow hinduism versions documentary stories without borders
Wayang kulit, Java
Video of a Javanese wayang kulit performance, including good close-up views of gamelan instruments. From the JVC Video Anthology of World Music and Dance, Volume 10. For educational purposes only.
WAYANG GOLEK ( Part 2 )
Wayang Golek was one of the Sundanese art from Indonesia that came from West Java (Sunda), that often was held in the big agendas, khitanan, the marriage or for means da'wah the religion and this one of the examples of puppet art roll over giri harja with the famous mastermind of "Kang Asep Sunandar Sunarya" with the Cepot Da'wah theme
Wayang Golek (Part 4)
Wayang Golek was one of the Sundanese art from Indonesia that came from West Java (Sunda), that often was held in the big agendas, khitanan, the marriage or for means da'wah the religion and this one of the examples of puppet art roll over giri harja with the famous mastermind of "Kang Asep Sunandar Sunarya" with the Cepot Da'wah theme
